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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5535C it is the complementary color #2AACA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5535C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5535C shade: #DA5357, #EB656A, #FC777D, #FF8990 and #FF9BA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5535C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5535C shade: #D5535C, #C44149, #B32F36, #A21D23 and #910B10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5535C shade: #D5535C and #D55353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5535C shade: #D5535C, #D5537F, #D553A2, #D553C5 and #C253D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5535C shade matches the following richer shades: #D5535C, #E7414D and #F8303E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5535C shade: #D5535C, #C4646B, #B37579, #A18788 and #909897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5535C shade: #D553A3, #D55380, #D5535D, #D56B53 and #D58D53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5535C shade: #AC2A33, #CD323C, #D5535C, #DD747B and #E5959B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5535C shade: #D5535C, #C6D553 and #5392D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5535C shade: #D5535C, #5DD553 and #535DD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5535C shade: #D5535C, #C6D553, #53D5CA and #6253D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5535C shade: #D5535C, #9FD553, #53D5CA and #8953D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

Complementary color

CMYK 76 / 0 / 5 / 33

HEX #2AACA3

RGB 42 172 163

HSL 175.85, 0.61%, 0.42%

LAB 63.87, -35.8, -5.26

 

CMYK 0 / 62 / 60 / 15

HEX #DA5357

RGB 218 83 87

HSL 358.22, 0.65%, 0.59%

LAB 53.79, 53.15, 25.95

 

CMYK 0 / 57 / 55 / 8

HEX #EB656A

RGB 235 101 106

HSL 357.76, 0.77%, 0.66%

LAB 59.9, 52.22, 23.47

 

CMYK 0 / 53 / 50 / 1

HEX #FC777D

RGB 252 119 125

HSL 357.29, 0.96%, 0.73%

LAB 66.04, 51.22, 21.35

 

CMYK 0 / 46 / 44 / 0

HEX #FF8990

RGB 255 137 144

HSL 356.44, 1%, 0.77%

LAB 70.29, 45.27, 16.61

 

CMYK 0 / 39 / 36 / 0

HEX #FF9BA3

RGB 255 155 163

HSL 355.2, 1%, 0.8%

LAB 74.41, 38.19, 11.87

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 0 / 67 / 63 / 23

HEX #C44149

RGB 196 65 73

HSL 356.34, 0.53%, 0.51%

LAB 46.97, 52.56, 24.71

 

CMYK 0 / 74 / 70 / 30

HEX #B32F36

RGB 179 47 54

HSL 356.82, 0.58%, 0.44%

LAB 41.03, 52.92, 28.09

 

CMYK 0 / 82 / 78 / 36

HEX #A21D23

RGB 162 29 35

HSL 357.29, 0.7%, 0.37%

LAB 35.36, 52.61, 32.16

 

CMYK 0 / 92 / 89 / 43

HEX #910B10

RGB 145 11 16

HSL 357.76, 0.86%, 0.31%

LAB 30.15, 51.15, 36.61

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 0 / 61 / 61 / 16

HEX #D55353

RGB 213 83 83

HSL 0, 0.61%, 0.58%

LAB 52.9, 51.19, 26.97

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 0 / 61 / 40 / 16

HEX #D5537F

RGB 213 83 127

HSL 339.69, 0.61%, 0.58%

LAB 53.88, 54.98, 2.27

 

CMYK 0 / 61 / 24 / 16

HEX #D553A2

RGB 213 83 162

HSL 323.54, 0.61%, 0.58%

LAB 55.01, 59.18, -16.7

 

CMYK 0 / 61 / 8 / 16

HEX #D553C5

RGB 213 83 197

HSL 307.38, 0.61%, 0.58%

LAB 56.45, 64.31, -34.74

 

CMYK 9 / 61 / 0 / 16

HEX #C253D5

RGB 194 83 213

HSL 291.23, 0.61%, 0.58%

LAB 54.51, 62.31, -47.1

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 0 / 72 / 67 / 9

HEX #E7414D

RGB 231 65 77

HSL 355.66, 0.78%, 0.58%

LAB 53.28, 63.75, 31.61

 

CMYK 0 / 81 / 75 / 3

HEX #F8303E

RGB 248 48 62

HSL 355.8, 0.93%, 0.58%

LAB 54.47, 72.93, 42.37

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 0 / 49 / 45 / 23

HEX #C4646B

RGB 196 100 107

HSL 355.63, 0.45%, 0.58%

LAB 53.93, 38.91, 13.82

 

CMYK 0 / 35 / 32 / 30

HEX #B37579

RGB 179 117 121

HSL 356.13, 0.29%, 0.58%

LAB 55.77, 24.92, 7.89

 

CMYK 0 / 16 / 16 / 37

HEX #A18788

RGB 161 135 136

HSL 357.69, 0.12%, 0.58%

LAB 58.68, 10.03, 3.14

 

CMYK 5 / 0 / 1 / 40

HEX #909897

RGB 144 152 151

HSL 172.5, 0.04%, 0.58%

LAB 62.19, -3.07, -0.48

 

CMYK 0 / 61 / 23 / 16

HEX #D553A3

RGB 213 83 163

HSL 323.08, 0.61%, 0.58%

LAB 55.05, 59.31, -17.23

 

CMYK 0 / 61 / 40 / 16

HEX #D55380

RGB 213 83 128

HSL 339.23, 0.61%, 0.58%

LAB 53.91, 55.08, 1.71

 

CMYK 0 / 61 / 56 / 16

HEX #D5535D

RGB 213 83 93

HSL 355.38, 0.61%, 0.58%

LAB 53.08, 51.9, 21.34

 

CMYK 0 / 50 / 61 / 16

HEX #D56B53

RGB 213 107 83

HSL 11.08, 0.61%, 0.58%

LAB 57.35, 39.66, 32.6

 

CMYK 0 / 34 / 61 / 16

HEX #D58D53

RGB 213 141 83

HSL 26.77, 0.61%, 0.58%

LAB 64.82, 21.68, 41.67

 

CMYK 0 / 76 / 70 / 33

HEX #AC2A33

RGB 172 42 51

HSL 355.85, 0.61%, 0.42%

LAB 39.01, 52.33, 27.17

 

CMYK 0 / 76 / 71 / 20

HEX #CD323C

RGB 205 50 60

HSL 356.13, 0.61%, 0.5%

LAB 46.43, 60.14, 32.15

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 0 / 48 / 44 / 13

HEX #DD747B

RGB 221 116 123

HSL 356, 0.61%, 0.66%

LAB 61.04, 41.5, 14.93

 

CMYK 0 / 35 / 32 / 10

HEX #E5959B

RGB 229 149 155

HSL 355.5, 0.61%, 0.74%

LAB 69.84, 30.86, 9.38

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 7 / 0 / 61 / 16

HEX #C6D553

RGB 198 213 83

HSL 66.92, 0.61%, 0.58%

LAB 81.96, -22.28, 60.69

 

CMYK 61 / 31 / 0 / 16

HEX #5392D5

RGB 83 146 213

HSL 210.92, 0.61%, 0.58%

LAB 59.16, 0.01, -40.39

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 56 / 0 / 61 / 16

HEX #5DD553

RGB 93 213 83

HSL 115.38, 0.61%, 0.58%

LAB 76.4, -58.34, 52.97

 

CMYK 61 / 56 / 0 / 16

HEX #535DD5

RGB 83 93 213

HSL 235.38, 0.61%, 0.58%

LAB 44.9, 32.35, -63.15

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 7 / 0 / 61 / 16

HEX #C6D553

RGB 198 213 83

HSL 66.92, 0.61%, 0.58%

LAB 81.96, -22.28, 60.69

 

CMYK 61 / 0 / 5 / 16

HEX #53D5CA

RGB 83 213 202

HSL 174.92, 0.61%, 0.58%

LAB 78.28, -37.97, -5.19

 

CMYK 54 / 61 / 0 / 16

HEX #6253D5

RGB 98 83 213

HSL 246.92, 0.61%, 0.58%

LAB 43.64, 41.04, -65.16

 

CMYK 0 / 61 / 57 / 16

HEX #D5535C

RGB 213 83 92

HSL 355.85, 0.61%, 0.58%

LAB 53.06, 51.82, 21.91

 

CMYK 25 / 0 / 61 / 16

HEX #9FD553

RGB 159 213 83

HSL 84.92, 0.61%, 0.58%

LAB 79.38, -37.5, 57.12

 

CMYK 61 / 0 / 5 / 16

HEX #53D5CA

RGB 83 213 202

HSL 174.92, 0.61%, 0.58%

LAB 78.28, -37.97, -5.19

 

CMYK 36 / 61 / 0 / 16

HEX #8953D5

RGB 137 83 213

HSL 264.92, 0.61%, 0.58%

LAB 47.38, 48.97, -58.92

 

Description

Color code: HEX #D5535C | qconv.com Color code: HEX #D5535C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 83 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 83 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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