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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D552BB it is the complementary color #2AAD44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D552BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D552BB shade: #DA52B6, #EB64C9, #FC76DC, #FF88EF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D552BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D552BB shade: #D552BB, #C440A8, #B32E95, #A21C82 and #910A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D552BB shade: #D553BB, #D55398, #D55375 and #D55353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D552BB shade: #D553BB, #CC53D5, #A953D5, #8553D5 and #6253D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D552BB shade matches the following richer shades: #D553BB, #E741C6 and #F830D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D552BB shade: #D553BB, #C464B1, #B375A6, #A1879C and #909891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D552BB shade: #A753D5, #CA53D5, #D553BD, #D5539A and #D55378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D552BB shade: #AC2A92, #CD32AE, #D553BB, #DD74C8 and #E595D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D552BB shade: #D552BB, #D58553 and #53D5B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D552BB shade: #D552BB, #BDD553 and #53BDD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D552BB shade: #D552BB, #D58553, #53D56B and #53A3D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D552BB shade: #D552BB, #D5AC53, #53D56B and #537CD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 12 / 16

HEX #D552BB

RGB 213 82 187

HSL 311.91, 0.61%, 0.58%

LAB 55.86, 63.18, -29.92

 

Complementary color

CMYK 76 / 0 / 61 / 32

HEX #2AAD44

RGB 42 173 68

HSL 131.91, 0.61%, 0.42%

LAB 62.34, -56.26, 43.29

 

CMYK 0 / 62 / 17 / 15

HEX #DA52B6

RGB 218 82 182

HSL 315.88, 0.65%, 0.59%

LAB 56.4, 63.77, -26.12

 

CMYK 0 / 57 / 14 / 8

HEX #EB64C9

RGB 235 100 201

HSL 315.11, 0.77%, 0.66%

LAB 62.5, 63.53, -27.37

 

CMYK 0 / 53 / 13 / 1

HEX #FC76DC

RGB 252 118 220

HSL 314.33, 0.96%, 0.73%

LAB 68.62, 63.08, -28.4

 

CMYK 0 / 47 / 6 / 0

HEX #FF88EF

RGB 255 136 239

HSL 308.07, 1%, 0.77%

LAB 72.96, 58.48, -32.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 62 / 12 / 16

HEX #D552BB

RGB 213 82 187

HSL 311.91, 0.61%, 0.58%

LAB 55.86, 63.18, -29.92

 

CMYK 0 / 67 / 14 / 23

HEX #C440A8

RGB 196 64 168

HSL 312.73, 0.53%, 0.51%

LAB 49.77, 63.12, -28.51

 

CMYK 0 / 74 / 17 / 30

HEX #B32E95

RGB 179 46 149

HSL 313.53, 0.59%, 0.44%

LAB 43.81, 62.52, -26.68

 

CMYK 0 / 83 / 20 / 36

HEX #A21C82

RGB 162 28 130

HSL 314.33, 0.71%, 0.37%

LAB 38.06, 61.08, -24.24

 

CMYK 0 / 93 / 23 / 43

HEX #910A6F

RGB 145 10 111

HSL 315.11, 0.87%, 0.3%

LAB 32.67, 58.34, -20.95

 

CMYK 0 / 61 / 12 / 16

HEX #D553BB

RGB 213 83 187

HSL 312, 0.61%, 0.58%

LAB 56.01, 62.76, -29.68

 

CMYK 0 / 61 / 29 / 16

HEX #D55398

RGB 213 83 152

HSL 328.15, 0.61%, 0.58%

LAB 54.66, 57.88, -11.37

 

CMYK 0 / 61 / 45 / 16

HEX #D55375

RGB 213 83 117

HSL 344.31, 0.61%, 0.58%

LAB 53.62, 53.97, 7.83

 

CMYK 0 / 61 / 61 / 16

HEX #D55353

RGB 213 83 83

HSL 0, 0.61%, 0.58%

LAB 52.9, 51.19, 26.97

 

CMYK 0 / 61 / 12 / 16

HEX #D553BB

RGB 213 83 187

HSL 312, 0.61%, 0.58%

LAB 56.01, 62.76, -29.68

 

CMYK 4 / 61 / 0 / 16

HEX #CC53D5

RGB 204 83 213

HSL 295.85, 0.61%, 0.58%

LAB 55.92, 64.73, -44.79

 

CMYK 21 / 61 / 0 / 16

HEX #A953D5

RGB 169 83 213

HSL 279.69, 0.61%, 0.58%

LAB 51.18, 56.31, -52.61

 

CMYK 38 / 61 / 0 / 16

HEX #8553D5

RGB 133 83 213

HSL 263.08, 0.61%, 0.58%

LAB 46.94, 48.09, -59.64

 

CMYK 54 / 61 / 0 / 16

HEX #6253D5

RGB 98 83 213

HSL 246.92, 0.61%, 0.58%

LAB 43.64, 41.04, -65.16

 

CMYK 0 / 61 / 12 / 16

HEX #D553BB

RGB 213 83 187

HSL 312, 0.61%, 0.58%

LAB 56.01, 62.76, -29.68

 

CMYK 0 / 72 / 14 / 9

HEX #E741C6

RGB 231 65 198

HSL 311.93, 0.78%, 0.58%

LAB 56.93, 75.47, -34.36

 

CMYK 0 / 81 / 16 / 3

HEX #F830D0

RGB 248 48 208

HSL 312, 0.93%, 0.58%

LAB 58.63, 85.05, -37.21

 

CMYK 0 / 61 / 12 / 16

HEX #D553BB

RGB 213 83 187

HSL 312, 0.61%, 0.58%

LAB 56.01, 62.76, -29.68

 

CMYK 0 / 49 / 10 / 23

HEX #C464B1

RGB 196 100 177

HSL 311.88, 0.45%, 0.58%

LAB 56.11, 48.43, -23.95

 

CMYK 0 / 35 / 7 / 30

HEX #B375A6

RGB 179 117 166

HSL 312.58, 0.29%, 0.58%

LAB 57.13, 32.01, -16.23

 

CMYK 0 / 16 / 3 / 37

HEX #A1879C

RGB 161 135 156

HSL 311.54, 0.12%, 0.58%

LAB 59.26, 13.63, -7.48

 

CMYK 5 / 0 / 5 / 40

HEX #909891

RGB 144 152 145

HSL 127.5, 0.04%, 0.58%

LAB 62.02, -4.25, 2.68

 

CMYK 22 / 61 / 0 / 16

HEX #A753D5

RGB 167 83 213

HSL 278.77, 0.61%, 0.58%

LAB 50.93, 55.84, -53.03

 

CMYK 5 / 61 / 0 / 16

HEX #CA53D5

RGB 202 83 213

HSL 294.92, 0.61%, 0.58%

LAB 55.63, 64.25, -45.26

 

CMYK 0 / 61 / 11 / 16

HEX #D553BD

RGB 213 83 189

HSL 311.08, 0.61%, 0.58%

LAB 56.09, 63.06, -30.7

 

CMYK 0 / 61 / 28 / 16

HEX #D5539A

RGB 213 83 154

HSL 327.23, 0.61%, 0.58%

LAB 54.73, 58.13, -12.44

 

CMYK 0 / 61 / 44 / 16

HEX #D55378

RGB 213 83 120

HSL 342.92, 0.61%, 0.58%

LAB 53.7, 54.26, 6.16

 

CMYK 0 / 76 / 15 / 33

HEX #AC2A92

RGB 172 42 146

HSL 312, 0.61%, 0.42%

LAB 42, 61.7, -27.77

 

CMYK 0 / 76 / 15 / 20

HEX #CD32AE

RGB 205 50 174

HSL 312, 0.61%, 0.5%

LAB 49.88, 70.83, -31.76

 

CMYK 0 / 61 / 12 / 16

HEX #D553BB

RGB 213 83 187

HSL 312, 0.61%, 0.58%

LAB 56.01, 62.76, -29.68

 

CMYK 0 / 48 / 10 / 13

HEX #DD74C8

RGB 221 116 200

HSL 312, 0.61%, 0.66%

LAB 63.37, 51.84, -25.63

 

CMYK 0 / 35 / 7 / 10

HEX #E595D5

RGB 229 149 213

HSL 312, 0.61%, 0.74%

LAB 71.53, 39.57, -20.33

 

CMYK 0 / 62 / 12 / 16

HEX #D552BB

RGB 213 82 187

HSL 311.91, 0.61%, 0.58%

LAB 55.86, 63.18, -29.92

 

CMYK 0 / 38 / 61 / 16

HEX #D58553

RGB 213 133 83

HSL 23.08, 0.61%, 0.58%

LAB 62.97, 25.99, 39.46

 

CMYK 61 / 0 / 13 / 16

HEX #53D5B9

RGB 83 213 185

HSL 167.08, 0.61%, 0.58%

LAB 77.83, -42.3, 3.27

 

CMYK 0 / 62 / 12 / 16

HEX #D552BB

RGB 213 82 187

HSL 311.91, 0.61%, 0.58%

LAB 55.86, 63.18, -29.92

 

CMYK 11 / 0 / 61 / 16

HEX #BDD553

RGB 189 213 83

HSL 71.08, 0.61%, 0.58%

LAB 81.31, -25.9, 59.79

 

CMYK 61 / 11 / 0 / 16

HEX #53BDD5

RGB 83 189 213

HSL 191.08, 0.61%, 0.58%

LAB 71.58, -23.35, -21.18

 

CMYK 0 / 62 / 12 / 16

HEX #D552BB

RGB 213 82 187

HSL 311.91, 0.61%, 0.58%

LAB 55.86, 63.18, -29.92

 

CMYK 0 / 38 / 61 / 16

HEX #D58553

RGB 213 133 83

HSL 23.08, 0.61%, 0.58%

LAB 62.97, 25.99, 39.46

 

CMYK 61 / 0 / 50 / 16

HEX #53D56B

RGB 83 213 107

HSL 131.08, 0.61%, 0.58%

LAB 76.37, -57.65, 41.77

 

CMYK 61 / 23 / 0 / 16

HEX #53A3D5

RGB 83 163 213

HSL 203.08, 0.61%, 0.58%

LAB 64.03, -9.61, -32.79

 

CMYK 0 / 62 / 12 / 16

HEX #D552BB

RGB 213 82 187

HSL 311.91, 0.61%, 0.58%

LAB 55.86, 63.18, -29.92

 

CMYK 0 / 19 / 61 / 16

HEX #D5AC53

RGB 213 172 83

HSL 41.08, 0.61%, 0.58%

LAB 72.41, 4.98, 50.48

 

CMYK 61 / 0 / 50 / 16

HEX #53D56B

RGB 83 213 107

HSL 131.08, 0.61%, 0.58%

LAB 76.37, -57.65, 41.77

 

CMYK 61 / 42 / 0 / 16

HEX #537CD5

RGB 83 124 213

HSL 221.08, 0.61%, 0.58%

LAB 53.01, 13.13, -50.11

 

Description

Color code: HEX #D552BB | qconv.com Color code: HEX #D552BB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 82 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 82 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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