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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D53FEA it is the complementary color #2AC015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D53FEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D53FEA shade: #DA3FE5, #EB51F8, #FC63FF, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D53FEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D53FEA shade: #D53FEA, #C42DD7, #B31BC4, #A209B1 and #91009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D53FEA shade: #D53EEA, #EA3ED0, #EA3EA2, #EA3E74 and #EA3E46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D53FEA shade: #D53EEA, #A63EEA, #783EEA, #4A3EEA and #3E3EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D53FEA shade matches the following richer shades: #D53EEA and #E22DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D53FEA shade: #D53EEA, #C750D8, #BA61C7, #AD72B6 and #A084A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D53FEA shade: #773EEA, #A53EEA, #D33EEA, #EA3ED3 and #EA3EA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D53FEA shade: #AB15C0, #CC19E5, #D53EEA, #DD63EE and #E588F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D53FEA shade: #D53FEA, #EA4A3E and #3EEA8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D53FEA shade: #D53FEA, #EAD33E and #3EEAD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D53FEA shade: #D53FEA, #EA4A3E, #55EA3E and #3EDEEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D53FEA shade: #D53FEA, #EA7D3E, #55EA3E and #3EABEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 73 / 0 / 8

HEX #D53FEA

RGB 213 63 234

HSL 292.63, 0.8%, 0.58%

LAB 55.73, 77.82, -56.87

 

Complementary color

CMYK 78 / 0 / 89 / 25

HEX #2AC015

RGB 42 192 21

HSL 112.63, 0.8%, 0.42%

LAB 68.2, -65.84, 64.9

 

CMYK 5 / 72 / 0 / 10

HEX #DA3FE5

RGB 218 63 229

HSL 296.02, 0.76%, 0.57%

LAB 56.21, 77.99, -53.25

 

CMYK 5 / 67 / 0 / 3

HEX #EB51F8

RGB 235 81 248

HSL 295.33, 0.92%, 0.65%

LAB 61.93, 78.57, -54.58

 

CMYK 1 / 61 / 0 / 0

HEX #FC63FF

RGB 252 99 255

HSL 298.85, 1%, 0.69%

LAB 67.16, 76.73, -50

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 9 / 73 / 0 / 8

HEX #D53FEA

RGB 213 63 234

HSL 292.63, 0.8%, 0.58%

LAB 55.73, 77.82, -56.87

 

CMYK 9 / 79 / 0 / 16

HEX #C42DD7

RGB 196 45 215

HSL 293.29, 0.68%, 0.51%

LAB 50.12, 76.66, -55.24

 

CMYK 9 / 86 / 0 / 23

HEX #B31BC4

RGB 179 27 196

HSL 293.96, 0.76%, 0.44%

LAB 44.74, 74.61, -53.07

 

CMYK 8 / 95 / 0 / 31

HEX #A209B1

RGB 162 9 177

HSL 294.64, 0.9%, 0.36%

LAB 39.67, 71.34, -50.21

 

CMYK 8 / 100 / 0 / 38

HEX #91009E

RGB 145 0 158

HSL 295.06, 1%, 0.31%

LAB 34.98, 66.58, -46.51

 

CMYK 9 / 74 / 0 / 8

HEX #D53EEA

RGB 213 62 234

HSL 292.67, 0.8%, 0.58%

LAB 55.62, 78.14, -57.04

 

CMYK 0 / 74 / 11 / 8

HEX #EA3ED0

RGB 234 62 208

HSL 309.07, 0.8%, 0.58%

LAB 57.55, 78.47, -39.06

 

CMYK 0 / 74 / 31 / 8

HEX #EA3EA2

RGB 234 62 162

HSL 325.12, 0.8%, 0.58%

LAB 55.63, 72.62, -15.44

 

CMYK 0 / 74 / 50 / 8

HEX #EA3E74

RGB 234 62 116

HSL 341.16, 0.8%, 0.58%

LAB 54.24, 68.18, 9.8

 

CMYK 0 / 74 / 70 / 8

HEX #EA3E46

RGB 234 62 70

HSL 357.21, 0.8%, 0.58%

LAB 53.36, 65.31, 35.88

 

CMYK 9 / 74 / 0 / 8

HEX #D53EEA

RGB 213 62 234

HSL 292.67, 0.8%, 0.58%

LAB 55.62, 78.14, -57.04

 

CMYK 29 / 74 / 0 / 8

HEX #A63EEA

RGB 166 62 234

HSL 276.28, 0.8%, 0.58%

LAB 48.88, 69.28, -68.25

 

CMYK 49 / 74 / 0 / 8

HEX #783EEA

RGB 120 62 234

HSL 260.23, 0.8%, 0.58%

LAB 43.33, 61.7, -77.53

 

CMYK 68 / 74 / 0 / 8

HEX #4A3EEA

RGB 74 62 234

HSL 244.19, 0.8%, 0.58%

LAB 39.31, 55.97, -84.28

 

CMYK 74 / 74 / 0 / 8

HEX #3E3EEA

RGB 62 62 234

HSL 240, 0.8%, 0.58%

LAB 38.57, 54.87, -85.54

 

CMYK 9 / 74 / 0 / 8

HEX #D53EEA

RGB 213 62 234

HSL 292.67, 0.8%, 0.58%

LAB 55.62, 78.14, -57.04

 

CMYK 10 / 82 / 0 / 2

HEX #E22DFB

RGB 226 45 251

HSL 292.72, 0.96%, 0.58%

LAB 57.09, 87.83, -64.07

 

CMYK 9 / 74 / 0 / 8

HEX #D53EEA

RGB 213 62 234

HSL 292.67, 0.8%, 0.58%

LAB 55.62, 78.14, -57.04

 

CMYK 8 / 63 / 0 / 15

HEX #C750D8

RGB 199 80 216

HSL 292.5, 0.64%, 0.58%

LAB 54.9, 65.34, -48.14

 

CMYK 7 / 51 / 0 / 22

HEX #BA61C7

RGB 186 97 199

HSL 292.35, 0.48%, 0.58%

LAB 55.19, 50.97, -38.13

 

CMYK 5 / 37 / 0 / 29

HEX #AD72B6

RGB 173 114 182

HSL 292.06, 0.32%, 0.58%

LAB 56.38, 34.73, -26.65

 

CMYK 2 / 20 / 0 / 36

HEX #A084A4

RGB 160 132 164

HSL 292.5, 0.15%, 0.58%

LAB 58.65, 16.55, -12.97

 

CMYK 49 / 74 / 0 / 8

HEX #773EEA

RGB 119 62 234

HSL 259.88, 0.8%, 0.58%

LAB 43.22, 61.55, -77.71

 

CMYK 29 / 74 / 0 / 8

HEX #A53EEA

RGB 165 62 234

HSL 275.93, 0.8%, 0.58%

LAB 48.74, 69.11, -68.48

 

CMYK 10 / 74 / 0 / 8

HEX #D33EEA

RGB 211 62 234

HSL 291.98, 0.8%, 0.58%

LAB 55.31, 77.75, -57.54

 

CMYK 0 / 74 / 10 / 8

HEX #EA3ED3

RGB 234 62 211

HSL 308.02, 0.8%, 0.58%

LAB 57.69, 78.89, -40.54

 

CMYK 0 / 74 / 29 / 8

HEX #EA3EA5

RGB 234 62 165

HSL 324.07, 0.8%, 0.58%

LAB 55.74, 72.96, -17.03

 

CMYK 11 / 89 / 0 / 25

HEX #AB15C0

RGB 171 21 192

HSL 292.63, 0.8%, 0.42%

LAB 42.76, 73.67, -53.98

 

CMYK 11 / 89 / 0 / 10

HEX #CC19E5

RGB 204 25 229

HSL 292.65, 0.8%, 0.5%

LAB 50.91, 84.39, -61.86

 

CMYK 9 / 74 / 0 / 8

HEX #D53EEA

RGB 213 62 234

HSL 292.67, 0.8%, 0.58%

LAB 55.62, 78.14, -57.04

 

CMYK 7 / 58 / 0 / 7

HEX #DD63EE

RGB 221 99 238

HSL 292.66, 0.8%, 0.66%

LAB 62.06, 66.4, -48.96

 

CMYK 5 / 44 / 0 / 5

HEX #E588F2

RGB 229 136 242

HSL 292.64, 0.8%, 0.74%

LAB 69.95, 51.53, -38.7

 

CMYK 9 / 73 / 0 / 8

HEX #D53FEA

RGB 213 63 234

HSL 292.63, 0.8%, 0.58%

LAB 55.73, 77.82, -56.87

 

CMYK 0 / 68 / 74 / 8

HEX #EA4A3E

RGB 234 74 62

HSL 4.19, 0.8%, 0.58%

LAB 54.8, 60.73, 42.02

 

CMYK 74 / 0 / 39 / 8

HEX #3EEA8E

RGB 62 234 142

HSL 147.91, 0.8%, 0.58%

LAB 82.82, -63.21, 32.58

 

CMYK 9 / 73 / 0 / 8

HEX #D53FEA

RGB 213 63 234

HSL 292.63, 0.8%, 0.58%

LAB 55.73, 77.82, -56.87

 

CMYK 0 / 10 / 74 / 8

HEX #EAD33E

RGB 234 211 62

HSL 51.98, 0.8%, 0.58%

LAB 84.19, -7.52, 71.96

 

CMYK 74 / 0 / 10 / 8

HEX #3EEAD3

RGB 62 234 211

HSL 171.98, 0.8%, 0.58%

LAB 84.26, -47.83, -1.23

 

CMYK 9 / 73 / 0 / 8

HEX #D53FEA

RGB 213 63 234

HSL 292.63, 0.8%, 0.58%

LAB 55.73, 77.82, -56.87

 

CMYK 0 / 68 / 74 / 8

HEX #EA4A3E

RGB 234 74 62

HSL 4.19, 0.8%, 0.58%

LAB 54.8, 60.73, 42.02

 

CMYK 64 / 0 / 74 / 8

HEX #55EA3E

RGB 85 234 62

HSL 111.98, 0.8%, 0.58%

LAB 82.45, -69.26, 67.46

 

CMYK 74 / 5 / 0 / 8

HEX #3EDEEA

RGB 62 222 234

HSL 184.19, 0.8%, 0.58%

LAB 81.41, -36.14, -17.65

 

CMYK 9 / 73 / 0 / 8

HEX #D53FEA

RGB 213 63 234

HSL 292.63, 0.8%, 0.58%

LAB 55.73, 77.82, -56.87

 

CMYK 0 / 47 / 74 / 8

HEX #EA7D3E

RGB 234 125 62

HSL 21.98, 0.8%, 0.58%

LAB 63.76, 37.45, 51.67

 

CMYK 64 / 0 / 74 / 8

HEX #55EA3E

RGB 85 234 62

HSL 111.98, 0.8%, 0.58%

LAB 82.45, -69.26, 67.46

 

CMYK 74 / 27 / 0 / 8

HEX #3EABEA

RGB 62 171 234

HSL 201.98, 0.8%, 0.58%

LAB 66.59, -10.34, -40.42

 

Description

Color code: HEX #D53FEA | qconv.com Color code: HEX #D53FEA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 63 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 63 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 73 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 73% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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