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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D53F7E it is the complementary color #2AC081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D53F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D53F7E shade: #DA3F79, #EB518C, #FC639F, #FF75B2 and #FF87C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D53F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D53F7E shade: #D53F7E, #C42D6B, #B31B58, #A20945 and #910032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D53F7E shade: #D53F7E, #D53F55 and #D53F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D53F7E shade: #D53F7E, #D53FA6, #D53FCF, #B23FD5 and #8A3FD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D53F7E shade matches the following richer shades: #D53F7E, #E82C7B and #FB1978

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D53F7E shade: #D53F7E, #C25281, #AF6584, #9C7887 and #898B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D53F7E shade: #D53FD0, #D53FA8, #D53F80, #D53F58 and #D54E3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D53F7E shade: #9E2357, #C02A69, #D53F7E, #DC6094 and #E482AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D53F7E shade: #D53F7E, #D5B23F and #3FBCD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D53F7E shade: #D53F7E, #80D53F and #3F80D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D53F7E shade: #D53F7E, #D5B23F, #3FD594 and #3F62D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D53F7E shade: #D53F7E, #CBD53F, #3FD594 and #493FD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

Complementary color

CMYK 78 / 0 / 33 / 25

HEX #2AC081

RGB 42 192 129

HSL 154.8, 0.64%, 0.46%

LAB 69.31, -52.71, 21.14

 

CMYK 0 / 71 / 44 / 15

HEX #DA3F79

RGB 218 63 121

HSL 337.55, 0.68%, 0.55%

LAB 51.66, 63.81, 2.73

 

CMYK 0 / 66 / 40 / 8

HEX #EB518C

RGB 235 81 140

HSL 337.01, 0.79%, 0.62%

LAB 57.5, 63.83, 0.29

 

CMYK 0 / 61 / 37 / 1

HEX #FC639F

RGB 252 99 159

HSL 336.47, 0.96%, 0.69%

LAB 63.44, 63.51, -1.73

 

CMYK 0 / 54 / 30 / 0

HEX #FF75B2

RGB 255 117 178

HSL 333.48, 1%, 0.73%

LAB 67.42, 58.67, -6.63

 

CMYK 0 / 47 / 23 / 0

HEX #FF87C5

RGB 255 135 197

HSL 329, 1%, 0.76%

LAB 71.3, 52.6, -11.51

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 0 / 77 / 45 / 23

HEX #C42D6B

RGB 196 45 107

HSL 335.36, 0.63%, 0.47%

LAB 45.18, 62.33, 1.39

 

CMYK 0 / 85 / 51 / 30

HEX #B31B58

RGB 179 27 88

HSL 335.92, 0.74%, 0.4%

LAB 39.7, 60.94, 4.98

 

CMYK 0 / 94 / 57 / 36

HEX #A20945

RGB 162 9 69

HSL 336.47, 0.89%, 0.34%

LAB 34.61, 58.33, 9.56

 

CMYK 0 / 100 / 66 / 43

HEX #910032

RGB 145 0 50

HSL 339.31, 1%, 0.28%

LAB 30.03, 54.16, 15.31

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 0 / 70 / 60 / 16

HEX #D53F55

RGB 213 63 85

HSL 351.2, 0.64%, 0.54%

LAB 49.93, 59.48, 21.92

 

CMYK 0 / 70 / 70 / 16

HEX #D53F3F

RGB 213 63 63

HSL 0, 0.64%, 0.54%

LAB 49.57, 58.24, 34.48

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 0 / 70 / 22 / 16

HEX #D53FA6

RGB 213 63 166

HSL 318.8, 0.64%, 0.54%

LAB 52.35, 67.5, -23.12

 

CMYK 0 / 70 / 3 / 16

HEX #D53FCF

RGB 213 63 207

HSL 302.4, 0.64%, 0.54%

LAB 54.25, 73.41, -43.93

 

CMYK 16 / 70 / 0 / 16

HEX #B23FD5

RGB 178 63 213

HSL 286, 0.64%, 0.54%

LAB 49.28, 66.98, -55.58

 

CMYK 35 / 70 / 0 / 16

HEX #8A3FD5

RGB 138 63 213

HSL 270, 0.64%, 0.54%

LAB 43.89, 59.06, -64.56

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 0 / 81 / 47 / 9

HEX #E82C7B

RGB 232 44 123

HSL 334.79, 0.8%, 0.54%

LAB 52.27, 73.27, 2.74

 

CMYK 0 / 90 / 52 / 2

HEX #FB1978

RGB 251 25 120

HSL 334.78, 0.97%, 0.54%

LAB 54.62, 81, 8.39

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 0 / 58 / 34 / 24

HEX #C25281

RGB 194 82 129

HSL 334.82, 0.48%, 0.54%

LAB 50.79, 49.59, -3.8

 

CMYK 0 / 42 / 25 / 31

HEX #AF6584

RGB 175 101 132

HSL 334.86, 0.32%, 0.54%

LAB 51.94, 33.81, -4.2

 

CMYK 0 / 23 / 13 / 39

HEX #9C7887

RGB 156 120 135

HSL 335, 0.15%, 0.54%

LAB 54.29, 16.52, -2.74

 

CMYK 1 / 0 / 1 / 45

HEX #898B8A

RGB 137 139 138

HSL 150, 0.01%, 0.54%

LAB 57.67, -0.93, 0.27

 

CMYK 0 / 70 / 2 / 16

HEX #D53FD0

RGB 213 63 208

HSL 302, 0.64%, 0.54%

LAB 54.3, 73.57, -44.42

 

CMYK 0 / 70 / 21 / 16

HEX #D53FA8

RGB 213 63 168

HSL 318, 0.64%, 0.54%

LAB 52.43, 67.76, -24.17

 

CMYK 0 / 70 / 40 / 16

HEX #D53F80

RGB 213 63 128

HSL 334, 0.64%, 0.54%

LAB 50.99, 63.08, -2.56

 

CMYK 0 / 70 / 59 / 16

HEX #D53F58

RGB 213 63 88

HSL 350, 0.64%, 0.54%

LAB 49.98, 59.68, 20.19

 

CMYK 0 / 63 / 70 / 16

HEX #D54E3F

RGB 213 78 63

HSL 6, 0.64%, 0.54%

LAB 51.78, 52.23, 37.07

 

CMYK 0 / 78 / 45 / 38

HEX #9E2357

RGB 158 35 87

HSL 334.63, 0.64%, 0.38%

LAB 36.29, 53.1, 0.16

 

CMYK 0 / 78 / 45 / 25

HEX #C02A69

RGB 192 42 105

HSL 334.8, 0.64%, 0.46%

LAB 44.06, 61.96, 0.91

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 0 / 56 / 33 / 14

HEX #DC6094

RGB 220 96 148

HSL 334.84, 0.64%, 0.62%

LAB 57.77, 53.71, -4.27

 

CMYK 0 / 43 / 25 / 11

HEX #E482AB

RGB 228 130 171

HSL 334.9, 0.64%, 0.7%

LAB 66.06, 42.61, -5.1

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 0 / 16 / 70 / 16

HEX #D5B23F

RGB 213 178 63

HSL 46, 0.64%, 0.54%

LAB 73.77, 0.61, 60.74

 

CMYK 70 / 12 / 0 / 16

HEX #3FBCD5

RGB 63 188 213

HSL 190, 0.64%, 0.54%

LAB 70.75, -25.94, -22.49

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 40 / 0 / 70 / 16

HEX #80D53F

RGB 128 213 63

HSL 94, 0.64%, 0.54%

LAB 77.6, -49.93, 62.72

 

CMYK 70 / 40 / 0 / 16

HEX #3F80D5

RGB 63 128 213

HSL 214, 0.64%, 0.54%

LAB 53.28, 7.36, -49.75

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 0 / 16 / 70 / 16

HEX #D5B23F

RGB 213 178 63

HSL 46, 0.64%, 0.54%

LAB 73.77, 0.61, 60.74

 

CMYK 70 / 0 / 31 / 16

HEX #3FD594

RGB 63 213 148

HSL 154, 0.64%, 0.54%

LAB 76.55, -54.04, 21.04

 

CMYK 70 / 54 / 0 / 16

HEX #3F62D5

RGB 63 98 213

HSL 226, 0.64%, 0.54%

LAB 45.08, 26.13, -62.92

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7E

RGB 213 63 126

HSL 334.8, 0.64%, 0.54%

LAB 50.93, 62.88, -1.44

 

CMYK 5 / 0 / 70 / 16

HEX #CBD53F

RGB 203 213 63

HSL 64, 0.64%, 0.54%

LAB 82.19, -21.43, 68.8

 

CMYK 70 / 0 / 31 / 16

HEX #3FD594

RGB 63 213 148

HSL 154, 0.64%, 0.54%

LAB 76.55, -54.04, 21.04

 

CMYK 66 / 70 / 0 / 16

HEX #493FD5

RGB 73 63 213

HSL 244, 0.64%, 0.54%

LAB 37.44, 48.79, -75.37

 

Description

Color code: HEX #D53F7E | qconv.com Color code: HEX #D53F7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 63 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 63 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 41% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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