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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D53795 it is the complementary color #2AC86A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D53795. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D53795 shade: #DA3790, #EB49A3, #FC5BB6, #FF6DC9 and #FF7FDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D53795. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D53795 shade: #D53795, #C42582, #B3136F, #A2015C and #910049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D53795 shade: #D53996, #D5396C, #D53942 and #D53939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D53795 shade: #D53996, #D539C0, #C039D5, #9639D5 and #6C39D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D53795 shade matches the following richer shades: #D53996, #E8269A and #FC129D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D53795 shade: #D53996, #C24D92, #AE608F, #9B738B and #878787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D53795 shade: #C039D5, #D539C0, #D53997, #D5396D and #D53944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D53795 shade: #9B2169, #BD2881, #D53996, #DC5BA8 and #E37DBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D53795 shade: #D53795, #D59739 and #39D5D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D53795 shade: #D53795, #97D539 and #3997D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D53795 shade: #D53795, #D59739, #39D578 and #3978D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D53795 shade: #D53795, #D5C539, #39D578 and #3949D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 30 / 16

HEX #D53795

RGB 213 55 149

HSL 324.3, 0.65%, 0.53%

LAB 50.74, 68.05, -15.51

 

Complementary color

CMYK 79 / 0 / 47 / 22

HEX #2AC86A

RGB 42 200 106

HSL 144.3, 0.65%, 0.47%

LAB 71.45, -59.98, 35.9

 

CMYK 0 / 75 / 34 / 15

HEX #DA3790

RGB 218 55 144

HSL 327.24, 0.69%, 0.54%

LAB 51.44, 68.76, -11.38

 

CMYK 0 / 69 / 31 / 8

HEX #EB49A3

RGB 235 73 163

HSL 326.67, 0.8%, 0.6%

LAB 57.15, 69.31, -13.72

 

CMYK 0 / 64 / 28 / 1

HEX #FC5BB6

RGB 252 91 182

HSL 326.09, 0.96%, 0.67%

LAB 62.97, 69.4, -15.62

 

CMYK 0 / 57 / 21 / 0

HEX #FF6DC9

RGB 255 109 201

HSL 322.19, 1%, 0.71%

LAB 66.84, 65.22, -20.48

 

CMYK 0 / 50 / 14 / 0

HEX #FF7FDC

RGB 255 127 220

HSL 316.41, 1%, 0.75%

LAB 70.6, 59.77, -25.33

 

CMYK 0 / 74 / 30 / 16

HEX #D53795

RGB 213 55 149

HSL 324.3, 0.65%, 0.53%

LAB 50.74, 68.05, -15.51

 

CMYK 0 / 81 / 34 / 23

HEX #C42582

RGB 196 37 130

HSL 324.91, 0.68%, 0.46%

LAB 45.18, 66.82, -12.77

 

CMYK 0 / 89 / 38 / 30

HEX #B3136F

RGB 179 19 111

HSL 325.5, 0.81%, 0.39%

LAB 39.91, 64.56, -9.27

 

CMYK 0 / 99 / 43 / 36

HEX #A2015C

RGB 162 1 92

HSL 326.09, 0.99%, 0.32%

LAB 34.95, 61.21, -4.94

 

CMYK 0 / 100 / 50 / 43

HEX #910049

RGB 145 0 73

HSL 329.79, 1%, 0.28%

LAB 30.64, 55.77, 0.76

 

CMYK 0 / 73 / 30 / 16

HEX #D53996

RGB 213 57 150

HSL 324.23, 0.65%, 0.53%

LAB 51.01, 67.53, -15.7

 

CMYK 0 / 73 / 49 / 16

HEX #D5396C

RGB 213 57 108

HSL 340.38, 0.65%, 0.53%

LAB 49.68, 63.3, 7.65

 

CMYK 0 / 73 / 69 / 16

HEX #D53942

RGB 213 57 66

HSL 356.54, 0.65%, 0.53%

LAB 48.84, 60.52, 31.87

 

CMYK 0 / 73 / 73 / 16

HEX #D53939

RGB 213 57 57

HSL 0, 0.65%, 0.53%

LAB 48.72, 60.11, 36.94

 

CMYK 0 / 73 / 30 / 16

HEX #D53996

RGB 213 57 150

HSL 324.23, 0.65%, 0.53%

LAB 51.01, 67.53, -15.7

 

CMYK 0 / 73 / 10 / 16

HEX #D539C0

RGB 213 57 192

HSL 308.08, 0.65%, 0.53%

LAB 52.82, 73.07, -37.56

 

CMYK 10 / 73 / 0 / 16

HEX #C039D5

RGB 192 57 213

HSL 291.92, 0.65%, 0.53%

LAB 50.61, 71.98, -53.34

 

CMYK 30 / 73 / 0 / 16

HEX #9639D5

RGB 150 57 213

HSL 275.77, 0.65%, 0.53%

LAB 44.54, 63.84, -63.44

 

CMYK 49 / 73 / 0 / 16

HEX #6C39D5

RGB 108 57 213

HSL 259.62, 0.65%, 0.53%

LAB 39.44, 56.71, -71.96

 

CMYK 0 / 73 / 30 / 16

HEX #D53996

RGB 213 57 150

HSL 324.23, 0.65%, 0.53%

LAB 51.01, 67.53, -15.7

 

CMYK 0 / 84 / 34 / 9

HEX #E8269A

RGB 232 38 154

HSL 324.12, 0.81%, 0.53%

LAB 52.81, 77.48, -15.02

 

CMYK 0 / 93 / 38 / 1

HEX #FC129D

RGB 252 18 157

HSL 324.36, 0.98%, 0.53%

LAB 55.65, 85.01, -12.15

 

CMYK 0 / 73 / 30 / 16

HEX #D53996

RGB 213 57 150

HSL 324.23, 0.65%, 0.53%

LAB 51.01, 67.53, -15.7

 

CMYK 0 / 60 / 25 / 24

HEX #C24D92

RGB 194 77 146

HSL 324.62, 0.49%, 0.53%

LAB 50.51, 54.08, -14.36

 

CMYK 0 / 45 / 18 / 32

HEX #AE608F

RGB 174 96 143

HSL 323.85, 0.33%, 0.53%

LAB 51.09, 37.85, -11.99

 

CMYK 0 / 26 / 10 / 39

HEX #9B738B

RGB 155 115 139

HSL 324, 0.17%, 0.53%

LAB 53.05, 19.74, -6.93

 

CMYK 0 / 0 / 0 / 47

HEX #878787

RGB 135 135 135

HSL 0, 0%, 0.53%

LAB 56.32, 0, -0.01

 

CMYK 10 / 73 / 0 / 16

HEX #C039D5

RGB 192 57 213

HSL 291.92, 0.65%, 0.53%

LAB 50.61, 71.98, -53.34

 

CMYK 0 / 73 / 10 / 16

HEX #D539C0

RGB 213 57 192

HSL 308.08, 0.65%, 0.53%

LAB 52.82, 73.07, -37.56

 

CMYK 0 / 73 / 29 / 16

HEX #D53997

RGB 213 57 151

HSL 323.85, 0.65%, 0.53%

LAB 51.04, 67.65, -16.24

 

CMYK 0 / 73 / 49 / 16

HEX #D5396D

RGB 213 57 109

HSL 340, 0.65%, 0.53%

LAB 49.71, 63.38, 7.08

 

CMYK 0 / 73 / 68 / 16

HEX #D53944

RGB 213 57 68

HSL 355.77, 0.65%, 0.53%

LAB 48.87, 60.61, 30.72

 

CMYK 0 / 79 / 32 / 39

HEX #9B2169

RGB 155 33 105

HSL 324.59, 0.65%, 0.37%

LAB 36.13, 54.85, -11.64

 

CMYK 0 / 79 / 32 / 26

HEX #BD2881

RGB 189 40 129

HSL 324.16, 0.65%, 0.45%

LAB 44.12, 64.22, -13.88

 

CMYK 0 / 73 / 30 / 16

HEX #D53996

RGB 213 57 150

HSL 324.23, 0.65%, 0.53%

LAB 51.01, 67.53, -15.7

 

CMYK 0 / 59 / 24 / 14

HEX #DC5BA8

RGB 220 91 168

HSL 324.19, 0.65%, 0.61%

LAB 57.58, 58.53, -16.19

 

CMYK 0 / 45 / 18 / 11

HEX #E37DBA

RGB 227 125 186

HSL 324.12, 0.65%, 0.69%

LAB 65.39, 47, -14.58

 

CMYK 0 / 74 / 30 / 16

HEX #D53795

RGB 213 55 149

HSL 324.3, 0.65%, 0.53%

LAB 50.74, 68.05, -15.51

 

CMYK 0 / 29 / 73 / 16

HEX #D59739

RGB 213 151 57

HSL 36.15, 0.65%, 0.53%

LAB 66.96, 14.75, 56.36

 

CMYK 73 / 0 / 0 / 16

HEX #39D5D5

RGB 57 213 213

HSL 180, 0.65%, 0.53%

LAB 78.03, -38.61, -11.52

 

CMYK 0 / 74 / 30 / 16

HEX #D53795

RGB 213 55 149

HSL 324.3, 0.65%, 0.53%

LAB 50.74, 68.05, -15.51

 

CMYK 29 / 0 / 73 / 16

HEX #97D539

RGB 151 213 57

HSL 83.85, 0.65%, 0.53%

LAB 78.73, -42.27, 66.34

 

CMYK 73 / 29 / 0 / 16

HEX #3997D5

RGB 57 151 213

HSL 203.85, 0.65%, 0.53%

LAB 59.71, -7.01, -39.58

 

CMYK 0 / 74 / 30 / 16

HEX #D53795

RGB 213 55 149

HSL 324.3, 0.65%, 0.53%

LAB 50.74, 68.05, -15.51

 

CMYK 0 / 29 / 73 / 16

HEX #D59739

RGB 213 151 57

HSL 36.15, 0.65%, 0.53%

LAB 66.96, 14.75, 56.36

 

CMYK 73 / 0 / 44 / 16

HEX #39D578

RGB 57 213 120

HSL 144.23, 0.65%, 0.53%

LAB 75.96, -60.25, 34.68

 

CMYK 73 / 44 / 0 / 16

HEX #3978D5

RGB 57 120 213

HSL 215.77, 0.65%, 0.53%

LAB 50.81, 11.45, -53.69

 

CMYK 0 / 74 / 30 / 16

HEX #D53795

RGB 213 55 149

HSL 324.3, 0.65%, 0.53%

LAB 50.74, 68.05, -15.51

 

CMYK 0 / 8 / 73 / 16

HEX #D5C539

RGB 213 197 57

HSL 53.85, 0.65%, 0.53%

LAB 78.68, -9.53, 67.81

 

CMYK 73 / 0 / 44 / 16

HEX #39D578

RGB 57 213 120

HSL 144.23, 0.65%, 0.53%

LAB 75.96, -60.25, 34.68

 

CMYK 73 / 66 / 0 / 16

HEX #3949D5

RGB 57 73 213

HSL 233.85, 0.65%, 0.53%

LAB 38.62, 41.11, -73.47

 

Description

Color code: HEX #D53795 | qconv.com Color code: HEX #D53795 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 55 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 55 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 30 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 30% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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