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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D52F22 it is the complementary color #2AD0DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D52F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D52F22 shade: #DA2F1D, #EB4130, #FC5343, #FF6556 and #FF7769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D52F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D52F22 shade: #D52F22, #C41D0F, #B30B00, #A20000 and #910000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D52F22 shade: #D32F22 and #D32222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D52F22 shade: #D32F22, #D35F22, #D38E22, #D3BE22 and #B8D322

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D52F22 shade matches the following richer shades: #D32F22 and #E61E0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D52F22 shade: #D32F22, #BF4036, #AB514A, #97625E and #837371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D52F22 shade: #D32275, #D32246, #D32E22, #D35D22 and #D38C22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D52F22 shade: #8C1F17, #AF271C, #D32F22, #E04A3E and #E56B62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D52F22 shade: #D52F22, #A4D322 and #225DD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D52F22 shade: #D52F22, #22D32E and #2E22D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D52F22 shade: #D52F22, #A4D322, #22C7D3 and #5122D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D52F22 shade: #D52F22, #6FD322, #22C7D3 and #8622D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 84 / 16

HEX #D52F22

RGB 213 47 34

HSL 4.36, 0.72%, 0.48%

LAB 47.36, 62.52, 47.88

 

Complementary color

CMYK 81 / 6 / 0 / 13

HEX #2AD0DD

RGB 42 208 221

HSL 184.36, 0.72%, 0.52%

LAB 76.57, -35.38, -18.03

 

CMYK 0 / 78 / 87 / 15

HEX #DA2F1D

RGB 218 47 29

HSL 5.71, 0.77%, 0.48%

LAB 48.29, 63.88, 51.4

 

CMYK 0 / 72 / 80 / 8

HEX #EB4130

RGB 235 65 48

HSL 5.45, 0.82%, 0.55%

LAB 53.66, 63.78, 48.28

 

CMYK 0 / 67 / 73 / 1

HEX #FC5343

RGB 252 83 67

HSL 5.19, 0.97%, 0.63%

LAB 59.24, 63.22, 45.11

 

CMYK 0 / 60 / 66 / 0

HEX #FF6556

RGB 255 101 86

HSL 5.33, 1%, 0.67%

LAB 62.71, 57.73, 38.95

 

CMYK 0 / 53 / 59 / 0

HEX #FF7769

RGB 255 119 105

HSL 5.6, 1%, 0.71%

LAB 66.12, 50.72, 32.72

 

CMYK 0 / 78 / 84 / 16

HEX #D52F22

RGB 213 47 34

HSL 4.36, 0.72%, 0.48%

LAB 47.36, 62.52, 47.88

 

CMYK 0 / 85 / 92 / 23

HEX #C41D0F

RGB 196 29 15

HSL 4.64, 0.86%, 0.41%

LAB 42.23, 61.89, 50.75

 

CMYK 0 / 94 / 100 / 30

HEX #B30B00

RGB 179 11 0

HSL 3.69, 1%, 0.35%

LAB 37.52, 60.16, 51.68

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 78 / 84 / 17

HEX #D32F22

RGB 211 47 34

HSL 4.41, 0.72%, 0.48%

LAB 46.97, 61.93, 47.39

 

CMYK 0 / 84 / 84 / 17

HEX #D32222

RGB 211 34 34

HSL 0, 0.72%, 0.48%

LAB 45.78, 65.3, 46.33

 

CMYK 0 / 78 / 84 / 17

HEX #D32F22

RGB 211 47 34

HSL 4.41, 0.72%, 0.48%

LAB 46.97, 61.93, 47.39

 

CMYK 0 / 55 / 84 / 17

HEX #D35F22

RGB 211 95 34

HSL 20.68, 0.72%, 0.48%

LAB 54.18, 42.56, 53.75

 

CMYK 0 / 33 / 84 / 17

HEX #D38E22

RGB 211 142 34

HSL 36.61, 0.72%, 0.48%

LAB 64.41, 17.91, 62.52

 

CMYK 0 / 10 / 84 / 17

HEX #D3BE22

RGB 211 190 34

HSL 52.88, 0.72%, 0.48%

LAB 76.55, -7.61, 72.73

 

CMYK 13 / 0 / 84 / 17

HEX #B8D322

RGB 184 211 34

HSL 69.15, 0.72%, 0.48%

LAB 80.12, -29.44, 74.86

 

CMYK 0 / 78 / 84 / 17

HEX #D32F22

RGB 211 47 34

HSL 4.41, 0.72%, 0.48%

LAB 46.97, 61.93, 47.39

 

CMYK 0 / 87 / 94 / 10

HEX #E61E0E

RGB 230 30 14

HSL 4.44, 0.89%, 0.48%

LAB 49.23, 70.87, 58.84

 

CMYK 0 / 78 / 84 / 17

HEX #D32F22

RGB 211 47 34

HSL 4.41, 0.72%, 0.48%

LAB 46.97, 61.93, 47.39

 

CMYK 0 / 66 / 72 / 25

HEX #BF4036

RGB 191 64 54

HSL 4.38, 0.56%, 0.48%

LAB 45.65, 50.24, 34.09

 

CMYK 0 / 53 / 57 / 33

HEX #AB514A

RGB 171 81 74

HSL 4.33, 0.4%, 0.48%

LAB 45.69, 36.26, 21.64

 

CMYK 0 / 35 / 38 / 41

HEX #97625E

RGB 151 98 94

HSL 4.21, 0.23%, 0.48%

LAB 47.14, 20.99, 11.15

 

CMYK 0 / 12 / 14 / 49

HEX #837371

RGB 131 115 113

HSL 6.67, 0.07%, 0.48%

LAB 49.83, 5.86, 3.38

 

CMYK 0 / 84 / 45 / 17

HEX #D32275

RGB 211 34 117

HSL 331.86, 0.72%, 0.48%

LAB 47.34, 69.86, -1.28

 

CMYK 0 / 84 / 67 / 17

HEX #D32246

RGB 211 34 70

HSL 347.8, 0.72%, 0.48%

LAB 46.22, 66.61, 26.15

 

CMYK 0 / 78 / 84 / 17

HEX #D32E22

RGB 211 46 34

HSL 4.07, 0.72%, 0.48%

LAB 46.87, 62.23, 47.3

 

CMYK 0 / 56 / 84 / 17

HEX #D35D22

RGB 211 93 34

HSL 20, 0.72%, 0.48%

LAB 53.81, 43.53, 53.42

 

CMYK 0 / 34 / 84 / 17

HEX #D38C22

RGB 211 140 34

HSL 35.93, 0.72%, 0.48%

LAB 63.93, 18.99, 62.12

 

CMYK 0 / 78 / 84 / 45

HEX #8C1F17

RGB 140 31 23

HSL 4.1, 0.72%, 0.32%

LAB 30.92, 44.77, 33.12

 

CMYK 0 / 78 / 84 / 31

HEX #AF271C

RGB 175 39 28

HSL 4.49, 0.72%, 0.4%

LAB 38.98, 53.37, 40.55

 

CMYK 0 / 78 / 84 / 17

HEX #D32F22

RGB 211 47 34

HSL 4.41, 0.72%, 0.48%

LAB 46.97, 61.93, 47.39

 

CMYK 0 / 67 / 72 / 12

HEX #E04A3E

RGB 224 74 62

HSL 4.44, 0.72%, 0.56%

LAB 53.05, 57.51, 39.57

 

CMYK 0 / 53 / 57 / 10

HEX #E56B62

RGB 229 107 98

HSL 4.12, 0.72%, 0.64%

LAB 59.94, 46.67, 27.92

 

CMYK 0 / 78 / 84 / 16

HEX #D52F22

RGB 213 47 34

HSL 4.36, 0.72%, 0.48%

LAB 47.36, 62.52, 47.88

 

CMYK 22 / 0 / 84 / 17

HEX #A4D322

RGB 164 211 34

HSL 75.93, 0.72%, 0.48%

LAB 78.81, -37.45, 73.22

 

CMYK 84 / 56 / 0 / 17

HEX #225DD3

RGB 34 93 211

HSL 220, 0.72%, 0.48%

LAB 42.57, 25.52, -65.9

 

CMYK 0 / 78 / 84 / 16

HEX #D52F22

RGB 213 47 34

HSL 4.36, 0.72%, 0.48%

LAB 47.36, 62.52, 47.88

 

CMYK 84 / 0 / 78 / 17

HEX #22D32E

RGB 34 211 46

HSL 124.07, 0.72%, 0.48%

LAB 74.27, -71.12, 64.24

 

CMYK 78 / 84 / 0 / 17

HEX #2E22D3

RGB 46 34 211

HSL 244.07, 0.72%, 0.48%

LAB 30.47, 60.31, -85.8

 

CMYK 0 / 78 / 84 / 16

HEX #D52F22

RGB 213 47 34

HSL 4.36, 0.72%, 0.48%

LAB 47.36, 62.52, 47.88

 

CMYK 22 / 0 / 84 / 17

HEX #A4D322

RGB 164 211 34

HSL 75.93, 0.72%, 0.48%

LAB 78.81, -37.45, 73.22

 

CMYK 84 / 6 / 0 / 17

HEX #22C7D3

RGB 34 199 211

HSL 184.07, 0.72%, 0.48%

LAB 73.47, -34.81, -17.32

 

CMYK 62 / 84 / 0 / 17

HEX #5122D3

RGB 81 34 211

HSL 255.93, 0.72%, 0.48%

LAB 33.13, 62.72, -81.3

 

CMYK 0 / 78 / 84 / 16

HEX #D52F22

RGB 213 47 34

HSL 4.36, 0.72%, 0.48%

LAB 47.36, 62.52, 47.88

 

CMYK 47 / 0 / 84 / 17

HEX #6FD322

RGB 111 211 34

HSL 93.9, 0.72%, 0.48%

LAB 76.12, -56.12, 69.84

 

CMYK 84 / 6 / 0 / 17

HEX #22C7D3

RGB 34 199 211

HSL 184.07, 0.72%, 0.48%

LAB 73.47, -34.81, -17.32

 

CMYK 36 / 84 / 0 / 17

HEX #8622D3

RGB 134 34 211

HSL 273.9, 0.72%, 0.48%

LAB 39.44, 68.79, -70.69

 

Description

Color code: HEX #D52F22 | qconv.com Color code: HEX #D52F22 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 47 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 47 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 84 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 84% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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