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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D52D92 it is the complementary color #2AD26D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D52D92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D52D92 shade: #DA2D8D, #EB3FA0, #FC51B3, #FF63C6 and #FF75D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D52D92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D52D92 shade: #D52D92, #C41B7F, #B3096C, #A20059 and #910046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D52D92 shade: #D62E93, #D62E66, #D62E39 and #D62E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D52D92 shade: #D62E93, #D62EC0, #BE2ED6, #912ED6 and #642ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D52D92 shade matches the following richer shades: #D62E93, #EA1A97 and #FE069B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D52D92 shade: #D62E93, #C2438F, #AD578B, #996B87 and #857F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D52D92 shade: #BD2ED6, #D62EC2, #D62E96, #D62E69 and #D62E3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D52D92 shade: #941D65, #B7247C, #D62E93, #DD51A5 and #E373B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D52D92 shade: #D52D92, #D6902E and #2ED6D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D52D92 shade: #D52D92, #96D62E and #2E96D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D52D92 shade: #D52D92, #D6902E, #2ED66F and #2E74D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D52D92 shade: #D52D92, #D6C22E, #2ED66F and #2E42D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 31 / 16

HEX #D52D92

RGB 213 45 146

HSL 323.93, 0.67%, 0.51%

LAB 49.62, 70.6, -15.43

 

Complementary color

CMYK 80 / 0 / 48 / 18

HEX #2AD26D

RGB 42 210 109

HSL 143.93, 0.67%, 0.49%

LAB 74.63, -62.93, 38.43

 

CMYK 0 / 79 / 35 / 15

HEX #DA2D8D

RGB 218 45 141

HSL 326.71, 0.7%, 0.52%

LAB 50.34, 71.27, -11.24

 

CMYK 0 / 73 / 32 / 8

HEX #EB3FA0

RGB 235 63 160

HSL 326.16, 0.81%, 0.58%

LAB 55.84, 72.33, -13.93

 

CMYK 0 / 68 / 29 / 1

HEX #FC51B3

RGB 252 81 179

HSL 325.61, 0.97%, 0.65%

LAB 61.51, 72.79, -16.11

 

CMYK 0 / 61 / 22 / 0

HEX #FF63C6

RGB 255 99 198

HSL 321.92, 1%, 0.69%

LAB 65.17, 69.04, -21.33

 

CMYK 0 / 54 / 15 / 0

HEX #FF75D9

RGB 255 117 217

HSL 316.52, 1%, 0.73%

LAB 68.75, 63.93, -26.5

 

CMYK 0 / 79 / 31 / 16

HEX #D52D92

RGB 213 45 146

HSL 323.93, 0.67%, 0.51%

LAB 49.62, 70.6, -15.43

 

CMYK 0 / 86 / 35 / 23

HEX #C41B7F

RGB 196 27 127

HSL 324.5, 0.76%, 0.44%

LAB 44.31, 68.69, -12.25

 

CMYK 0 / 95 / 40 / 30

HEX #B3096C

RGB 179 9 108

HSL 325.06, 0.9%, 0.37%

LAB 39.35, 65.59, -8.23

 

CMYK 0 / 100 / 45 / 36

HEX #A20059

RGB 162 0 89

HSL 327.04, 1%, 0.32%

LAB 34.81, 61.07, -3.21

 

CMYK 0 / 100 / 52 / 43

HEX #910046

RGB 145 0 70

HSL 331.03, 1%, 0.28%

LAB 30.55, 55.53, 2.62

 

CMYK 0 / 79 / 31 / 16

HEX #D62E93

RGB 214 46 147

HSL 323.93, 0.67%, 0.51%

LAB 49.93, 70.69, -15.54

 

CMYK 0 / 79 / 52 / 16

HEX #D62E66

RGB 214 46 102

HSL 340, 0.67%, 0.51%

LAB 48.52, 66.45, 9.7

 

CMYK 0 / 79 / 73 / 16

HEX #D62E39

RGB 214 46 57

HSL 356.07, 0.67%, 0.51%

LAB 47.68, 63.84, 35.81

 

CMYK 0 / 79 / 79 / 16

HEX #D62E2E

RGB 214 46 46

HSL 0, 0.67%, 0.51%

LAB 47.56, 63.44, 41.89

 

CMYK 0 / 79 / 31 / 16

HEX #D62E93

RGB 214 46 147

HSL 323.93, 0.67%, 0.51%

LAB 49.93, 70.69, -15.54

 

CMYK 0 / 79 / 10 / 16

HEX #D62EC0

RGB 214 46 192

HSL 307.86, 0.67%, 0.51%

LAB 51.9, 76.39, -38.99

 

CMYK 11 / 79 / 0 / 16

HEX #BE2ED6

RGB 190 46 214

HSL 291.43, 0.67%, 0.51%

LAB 49.2, 75.12, -56.19

 

CMYK 32 / 79 / 0 / 16

HEX #912ED6

RGB 145 46 214

HSL 275.36, 0.67%, 0.51%

LAB 42.5, 67.29, -67.35

 

CMYK 53 / 79 / 0 / 16

HEX #642ED6

RGB 100 46 214

HSL 259.29, 0.67%, 0.51%

LAB 36.96, 60.79, -76.64

 

CMYK 0 / 79 / 31 / 16

HEX #D62E93

RGB 214 46 147

HSL 323.93, 0.67%, 0.51%

LAB 49.93, 70.69, -15.54

 

CMYK 0 / 89 / 35 / 8

HEX #EA1A97

RGB 234 26 151

HSL 323.94, 0.83%, 0.51%

LAB 52.36, 79.69, -13.89

 

CMYK 0 / 98 / 39 / 0

HEX #FE069B

RGB 254 6 155

HSL 323.95, 0.99%, 0.51%

LAB 55.65, 86.13, -10.93

 

CMYK 0 / 79 / 31 / 16

HEX #D62E93

RGB 214 46 147

HSL 323.93, 0.67%, 0.51%

LAB 49.93, 70.69, -15.54

 

CMYK 0 / 65 / 26 / 24

HEX #C2438F

RGB 194 67 143

HSL 324.09, 0.51%, 0.51%

LAB 48.84, 57.93, -15.11

 

CMYK 0 / 50 / 20 / 32

HEX #AD578B

RGB 173 87 139

HSL 323.72, 0.34%, 0.51%

LAB 48.96, 41.63, -12.84

 

CMYK 0 / 30 / 12 / 40

HEX #996B87

RGB 153 107 135

HSL 323.48, 0.18%, 0.51%

LAB 50.73, 22.89, -8.06

 

CMYK 0 / 5 / 2 / 48

HEX #857F83

RGB 133 127 131

HSL 320, 0.02%, 0.51%

LAB 53.82, 3.04, -1.36

 

CMYK 12 / 79 / 0 / 16

HEX #BD2ED6

RGB 189 46 214

HSL 291.07, 0.67%, 0.51%

LAB 49.04, 74.94, -56.45

 

CMYK 0 / 79 / 9 / 16

HEX #D62EC2

RGB 214 46 194

HSL 307.14, 0.67%, 0.51%

LAB 52, 76.67, -39.99

 

CMYK 0 / 79 / 30 / 16

HEX #D62E96

RGB 214 46 150

HSL 322.86, 0.67%, 0.51%

LAB 50.04, 71.02, -17.16

 

CMYK 0 / 79 / 51 / 16

HEX #D62E69

RGB 214 46 105

HSL 338.93, 0.67%, 0.51%

LAB 48.6, 66.69, 7.97

 

CMYK 0 / 79 / 72 / 16

HEX #D62E3C

RGB 214 46 60

HSL 355, 0.67%, 0.51%

LAB 47.72, 63.96, 34.1

 

CMYK 0 / 80 / 32 / 42

HEX #941D65

RGB 148 29 101

HSL 323.7, 0.67%, 0.35%

LAB 34.22, 53.74, -12.12

 

CMYK 0 / 80 / 32 / 28

HEX #B7247C

RGB 183 36 124

HSL 324.08, 0.67%, 0.43%

LAB 42.44, 63.26, -13.47

 

CMYK 0 / 79 / 31 / 16

HEX #D62E93

RGB 214 46 147

HSL 323.93, 0.67%, 0.51%

LAB 49.93, 70.69, -15.54

 

CMYK 0 / 63 / 25 / 13

HEX #DD51A5

RGB 221 81 165

HSL 324, 0.67%, 0.59%

LAB 56.06, 62.68, -16.74

 

CMYK 0 / 49 / 19 / 11

HEX #E373B7

RGB 227 115 183

HSL 323.57, 0.67%, 0.67%

LAB 63.35, 51.54, -15.96

 

CMYK 0 / 79 / 31 / 16

HEX #D52D92

RGB 213 45 146

HSL 323.93, 0.67%, 0.51%

LAB 49.62, 70.6, -15.43

 

CMYK 0 / 33 / 79 / 16

HEX #D6902E

RGB 214 144 46

HSL 35, 0.67%, 0.51%

LAB 65.31, 18.51, 59.24

 

CMYK 79 / 0 / 1 / 16

HEX #2ED6D3

RGB 46 214 211

HSL 178.93, 0.67%, 0.51%

LAB 78.1, -40.74, -10.36

 

CMYK 0 / 79 / 31 / 16

HEX #D52D92

RGB 213 45 146

HSL 323.93, 0.67%, 0.51%

LAB 49.62, 70.6, -15.43

 

CMYK 30 / 0 / 79 / 16

HEX #96D62E

RGB 150 214 46

HSL 82.86, 0.67%, 0.51%

LAB 78.91, -43.63, 69.93

 

CMYK 79 / 30 / 0 / 16

HEX #2E96D6

RGB 46 150 214

HSL 202.86, 0.67%, 0.51%

LAB 59.2, -7.38, -40.96

 

CMYK 0 / 79 / 31 / 16

HEX #D52D92

RGB 213 45 146

HSL 323.93, 0.67%, 0.51%

LAB 49.62, 70.6, -15.43

 

CMYK 0 / 33 / 79 / 16

HEX #D6902E

RGB 214 144 46

HSL 35, 0.67%, 0.51%

LAB 65.31, 18.51, 59.24

 

CMYK 79 / 0 / 48 / 16

HEX #2ED66F

RGB 46 214 111

HSL 143.21, 0.67%, 0.51%

LAB 75.96, -63.52, 39.13

 

CMYK 79 / 46 / 0 / 16

HEX #2E74D6

RGB 46 116 214

HSL 215, 0.67%, 0.51%

LAB 49.41, 13.02, -56.53

 

CMYK 0 / 79 / 31 / 16

HEX #D52D92

RGB 213 45 146

HSL 323.93, 0.67%, 0.51%

LAB 49.62, 70.6, -15.43

 

CMYK 0 / 9 / 79 / 16

HEX #D6C22E

RGB 214 194 46

HSL 52.86, 0.67%, 0.51%

LAB 77.92, -8, 70.73

 

CMYK 79 / 0 / 48 / 16

HEX #2ED66F

RGB 46 214 111

HSL 143.21, 0.67%, 0.51%

LAB 75.96, -63.52, 39.13

 

CMYK 79 / 69 / 0 / 16

HEX #2E42D6

RGB 46 66 214

HSL 232.86, 0.67%, 0.51%

LAB 36.62, 44.68, -77.35

 

Description

Color code: HEX #D52D92 | qconv.com Color code: HEX #D52D92 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 45 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 45 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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