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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D52CA9 it is the complementary color #2AD356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D52CA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D52CA9 shade: #DA2CA4, #EB3EB7, #FC50CA, #FF62DD and #FF74F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D52CA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D52CA9 shade: #D52CA9, #C41A96, #B30883, #A20070 and #91005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D52CA9 shade: #D52AA8, #D52A7A, #D52A4C and #D52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D52CA9 shade: #D52AA8, #D32AD5, #A52AD5, #772AD5 and #492AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D52CA9 shade matches the following richer shades: #D52AA8, #EA15B2 and #FE01BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D52CA9 shade: #D52AA8, #C03F9F, #AC5395, #97688B and #827D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D52CA9 shade: #A52AD5, #D22AD5, #D52AAA, #D52A7D and #D52A4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D52CA9 shade: #901C72, #B2238D, #D52AA8, #DC4DB6 and #E36FC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D52CA9 shade: #D52CA9, #D5772A and #2AD5BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D52CA9 shade: #D52CA9, #AAD52A and #2AAAD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D52CA9 shade: #D52CA9, #D5772A, #2AD555 and #2A88D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D52CA9 shade: #D52CA9, #D5AA2A, #2AD555 and #2A55D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 21 / 16

HEX #D52CA9

RGB 213 44 169

HSL 315.62, 0.67%, 0.5%

LAB 50.47, 73.6, -27.8

 

Complementary color

CMYK 80 / 0 / 59 / 17

HEX #2AD356

RGB 42 211 86

HSL 135.62, 0.67%, 0.5%

LAB 74.67, -66.53, 49.37

 

CMYK 0 / 80 / 25 / 15

HEX #DA2CA4

RGB 218 44 164

HSL 318.62, 0.7%, 0.51%

LAB 51.14, 74.1, -23.74

 

CMYK 0 / 74 / 22 / 8

HEX #EB3EB7

RGB 235 62 183

HSL 318.03, 0.81%, 0.58%

LAB 56.61, 75.36, -26.16

 

CMYK 0 / 68 / 20 / 1

HEX #FC50CA

RGB 252 80 202

HSL 317.44, 0.97%, 0.65%

LAB 62.25, 75.99, -28.11

 

CMYK 0 / 62 / 13 / 0

HEX #FF62DD

RGB 255 98 221

HSL 312.99, 1%, 0.69%

LAB 65.92, 72.61, -33.1

 

CMYK 0 / 55 / 6 / 0

HEX #FF74F0

RGB 255 116 240

HSL 306.47, 1%, 0.73%

LAB 69.5, 67.91, -38.06

 

CMYK 0 / 79 / 21 / 16

HEX #D52CA9

RGB 213 44 169

HSL 315.62, 0.67%, 0.5%

LAB 50.47, 73.6, -27.8

 

CMYK 0 / 87 / 23 / 23

HEX #C41A96

RGB 196 26 150

HSL 316.24, 0.77%, 0.44%

LAB 45.19, 71.46, -24.9

 

CMYK 0 / 96 / 27 / 30

HEX #B30883

RGB 179 8 131

HSL 316.84, 0.91%, 0.37%

LAB 40.24, 68.14, -21.23

 

CMYK 0 / 100 / 31 / 36

HEX #A20070

RGB 162 0 112

HSL 318.52, 1%, 0.32%

LAB 35.7, 63.37, -16.62

 

CMYK 0 / 100 / 36 / 43

HEX #91005D

RGB 145 0 93

HSL 321.52, 1%, 0.28%

LAB 31.37, 57.67, -11.34

 

CMYK 0 / 80 / 21 / 16

HEX #D52AA8

RGB 213 42 168

HSL 315.79, 0.67%, 0.5%

LAB 50.25, 73.96, -27.54

 

CMYK 0 / 80 / 43 / 16

HEX #D52A7A

RGB 213 42 122

HSL 331.93, 0.67%, 0.5%

LAB 48.52, 68.94, -2.56

 

CMYK 0 / 80 / 64 / 16

HEX #D52A4C

RGB 213 42 76

HSL 348.07, 0.67%, 0.5%

LAB 47.4, 65.55, 24.06

 

CMYK 0 / 80 / 80 / 16

HEX #D52A2A

RGB 213 42 42

HSL 0, 0.67%, 0.5%

LAB 46.93, 64.12, 43.37

 

CMYK 0 / 80 / 21 / 16

HEX #D52AA8

RGB 213 42 168

HSL 315.79, 0.67%, 0.5%

LAB 50.25, 73.96, -27.54

 

CMYK 1 / 80 / 0 / 16

HEX #D32AD5

RGB 211 42 213

HSL 299.3, 0.67%, 0.5%

LAB 52.18, 79.86, -50.65

 

CMYK 23 / 80 / 0 / 16

HEX #A52AD5

RGB 165 42 213

HSL 283.16, 0.67%, 0.5%

LAB 44.88, 71.66, -62.78

 

CMYK 44 / 80 / 0 / 16

HEX #772AD5

RGB 119 42 213

HSL 267.02, 0.67%, 0.5%

LAB 38.52, 64.59, -73.43

 

CMYK 66 / 80 / 0 / 16

HEX #492AD5

RGB 73 42 213

HSL 250.88, 0.67%, 0.5%

LAB 33.72, 59.35, -81.5

 

CMYK 0 / 80 / 21 / 16

HEX #D52AA8

RGB 213 42 168

HSL 315.79, 0.67%, 0.5%

LAB 50.25, 73.96, -27.54

 

CMYK 0 / 91 / 24 / 8

HEX #EA15B2

RGB 234 21 178

HSL 315.77, 0.84%, 0.5%

LAB 53.21, 83.21, -28.52

 

CMYK 0 / 100 / 26 / 0

HEX #FE01BC

RGB 254 1 188

HSL 315.65, 0.99%, 0.5%

LAB 56.8, 89.71, -28.48

 

CMYK 0 / 80 / 21 / 16

HEX #D52AA8

RGB 213 42 168

HSL 315.79, 0.67%, 0.5%

LAB 50.25, 73.96, -27.54

 

CMYK 0 / 67 / 17 / 25

HEX #C03F9F

RGB 192 63 159

HSL 315.35, 0.51%, 0.5%

LAB 48.59, 61.16, -25.07

 

CMYK 0 / 52 / 13 / 33

HEX #AC5395

RGB 172 83 149

HSL 315.51, 0.35%, 0.5%

LAB 48.42, 44.94, -19.64

 

CMYK 0 / 31 / 8 / 41

HEX #97688B

RGB 151 104 139

HSL 315.32, 0.18%, 0.5%

LAB 49.91, 24.62, -11.68

 

CMYK 0 / 4 / 1 / 49

HEX #827D81

RGB 130 125 129

HSL 312, 0.02%, 0.5%

LAB 52.95, 2.68, -1.5

 

CMYK 23 / 80 / 0 / 16

HEX #A52AD5

RGB 165 42 213

HSL 283.16, 0.67%, 0.5%

LAB 44.88, 71.66, -62.78

 

CMYK 1 / 80 / 0 / 16

HEX #D22AD5

RGB 210 42 213

HSL 298.95, 0.67%, 0.5%

LAB 52.02, 79.68, -50.92

 

CMYK 0 / 80 / 20 / 16

HEX #D52AAA

RGB 213 42 170

HSL 315.09, 0.67%, 0.5%

LAB 50.34, 74.22, -28.58

 

CMYK 0 / 80 / 41 / 16

HEX #D52A7D

RGB 213 42 125

HSL 330.88, 0.67%, 0.5%

LAB 48.61, 69.22, -4.25

 

CMYK 0 / 80 / 63 / 16

HEX #D52A4F

RGB 213 42 79

HSL 347.02, 0.67%, 0.5%

LAB 47.45, 65.72, 22.3

 

CMYK 0 / 81 / 21 / 44

HEX #901C72

RGB 144 28 114

HSL 315.52, 0.67%, 0.34%

LAB 33.93, 54.71, -20.91

 

CMYK 0 / 80 / 21 / 30

HEX #B2238D

RGB 178 35 141

HSL 315.52, 0.67%, 0.42%

LAB 42.14, 64.41, -24.44

 

CMYK 0 / 80 / 21 / 16

HEX #D52AA8

RGB 213 42 168

HSL 315.79, 0.67%, 0.5%

LAB 50.25, 73.96, -27.54

 

CMYK 0 / 65 / 17 / 14

HEX #DC4DB6

RGB 220 77 182

HSL 315.94, 0.67%, 0.58%

LAB 55.99, 66.3, -26.74

 

CMYK 0 / 51 / 14 / 11

HEX #E36FC4

RGB 227 111 196

HSL 316.03, 0.67%, 0.66%

LAB 63.08, 55.43, -23.75

 

CMYK 0 / 79 / 21 / 16

HEX #D52CA9

RGB 213 44 169

HSL 315.62, 0.67%, 0.5%

LAB 50.47, 73.6, -27.8

 

CMYK 0 / 44 / 80 / 16

HEX #D5772A

RGB 213 119 42

HSL 27.02, 0.67%, 0.5%

LAB 59.44, 31.34, 55.32

 

CMYK 80 / 0 / 12 / 16

HEX #2AD5BB

RGB 42 213 187

HSL 170.88, 0.67%, 0.5%

LAB 77.08, -47.26, 1

 

CMYK 0 / 79 / 21 / 16

HEX #D52CA9

RGB 213 44 169

HSL 315.62, 0.67%, 0.5%

LAB 50.47, 73.6, -27.8

 

CMYK 20 / 0 / 80 / 16

HEX #AAD52A

RGB 170 213 42

HSL 75.09, 0.67%, 0.5%

LAB 79.79, -35.72, 72.26

 

CMYK 80 / 20 / 0 / 16

HEX #2AAAD5

RGB 42 170 213

HSL 195.09, 0.67%, 0.5%

LAB 65, -19.08, -31.37

 

CMYK 0 / 79 / 21 / 16

HEX #D52CA9

RGB 213 44 169

HSL 315.62, 0.67%, 0.5%

LAB 50.47, 73.6, -27.8

 

CMYK 0 / 44 / 80 / 16

HEX #D5772A

RGB 213 119 42

HSL 27.02, 0.67%, 0.5%

LAB 59.44, 31.34, 55.32

 

CMYK 80 / 0 / 60 / 16

HEX #2AD555

RGB 42 213 85

HSL 135.09, 0.67%, 0.5%

LAB 75.29, -67.29, 50.53

 

CMYK 80 / 36 / 0 / 16

HEX #2A88D5

RGB 42 136 213

HSL 207.02, 0.67%, 0.5%

LAB 54.97, -0, -47.08

 

CMYK 0 / 79 / 21 / 16

HEX #D52CA9

RGB 213 44 169

HSL 315.62, 0.67%, 0.5%

LAB 50.47, 73.6, -27.8

 

CMYK 0 / 20 / 80 / 16

HEX #D5AA2A

RGB 213 170 42

HSL 44.91, 0.67%, 0.5%

LAB 71.6, 3.97, 66.31

 

CMYK 80 / 0 / 60 / 16

HEX #2AD555

RGB 42 213 85

HSL 135.09, 0.67%, 0.5%

LAB 75.29, -67.29, 50.53

 

CMYK 80 / 60 / 0 / 16

HEX #2A55D5

RGB 42 85 213

HSL 224.91, 0.67%, 0.5%

LAB 40.89, 32.1, -69.78

 

Description

Color code: HEX #D52CA9 | qconv.com Color code: HEX #D52CA9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 44 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 44 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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