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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D52BA4 it is the complementary color #2AD45B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D52BA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D52BA4 shade: #DA2B9F, #EB3DB2, #FC4FC5, #FF61D8 and #FF73EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D52BA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D52BA4 shade: #D52BA4, #C41991, #B3077E, #A2006B and #910058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D52BA4 shade: #D52AA4, #D52A76, #D52A48 and #D52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D52BA4 shade: #D52AA4, #D52AD2, #AA2AD5, #7C2AD5 and #4E2AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D52BA4 shade matches the following richer shades: #D52AA4, #EA15AC and #FE01B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D52BA4 shade: #D52AA4, #C03F9B, #AC5392, #976889 and #827D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D52BA4 shade: #AA2AD5, #D52AD2, #D52AA5, #D52A77 and #D52A49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D52BA4 shade: #901C6F, #B22389, #D52AA4, #DC4DB2 and #E36FC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D52BA4 shade: #D52BA4, #D57D2A and #2AD5C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D52BA4 shade: #D52BA4, #A5D52A and #2AA5D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D52BA4 shade: #D52BA4, #D57D2A, #2AD55A and #2A82D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D52BA4 shade: #D52BA4, #D5B02A, #2AD55A and #2A4FD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 23 / 16

HEX #D52BA4

RGB 213 43 164

HSL 317.29, 0.67%, 0.5%

LAB 50.16, 73.22, -25.32

 

Complementary color

CMYK 80 / 0 / 57 / 17

HEX #2AD45B

RGB 42 212 91

HSL 137.29, 0.67%, 0.5%

LAB 75.04, -66.22, 47.53

 

CMYK 0 / 80 / 27 / 15

HEX #DA2B9F

RGB 218 43 159

HSL 320.23, 0.7%, 0.51%

LAB 50.85, 73.75, -21.22

 

CMYK 0 / 74 / 24 / 8

HEX #EB3DB2

RGB 235 61 178

HSL 319.66, 0.81%, 0.58%

LAB 56.3, 75.04, -23.74

 

CMYK 0 / 69 / 22 / 1

HEX #FC4FC5

RGB 252 79 197

HSL 319.08, 0.97%, 0.65%

LAB 61.93, 75.7, -25.77

 

CMYK 0 / 62 / 15 / 0

HEX #FF61D8

RGB 255 97 216

HSL 314.81, 1%, 0.69%

LAB 65.57, 72.3, -30.84

 

CMYK 0 / 55 / 8 / 0

HEX #FF73EB

RGB 255 115 235

HSL 308.57, 1%, 0.73%

LAB 69.13, 67.56, -35.88

 

CMYK 0 / 80 / 23 / 16

HEX #D52BA4

RGB 213 43 164

HSL 317.29, 0.67%, 0.5%

LAB 50.16, 73.22, -25.32

 

CMYK 0 / 87 / 26 / 23

HEX #C41991

RGB 196 25 145

HSL 317.89, 0.77%, 0.43%

LAB 44.91, 71.04, -22.31

 

CMYK 0 / 96 / 30 / 30

HEX #B3077E

RGB 179 7 126

HSL 318.49, 0.92%, 0.36%

LAB 39.99, 67.68, -18.52

 

CMYK 0 / 100 / 34 / 36

HEX #A2006B

RGB 162 0 107

HSL 320.37, 1%, 0.32%

LAB 35.48, 62.83, -13.77

 

CMYK 0 / 100 / 39 / 43

HEX #910058

RGB 145 0 88

HSL 323.59, 1%, 0.28%

LAB 31.17, 57.16, -8.37

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA4

RGB 213 42 164

HSL 317.19, 0.67%, 0.5%

LAB 50.08, 73.47, -25.45

 

CMYK 0 / 80 / 45 / 16

HEX #D52A76

RGB 213 42 118

HSL 333.33, 0.67%, 0.5%

LAB 48.4, 68.58, -0.3

 

CMYK 0 / 80 / 66 / 16

HEX #D52A48

RGB 213 42 72

HSL 349.47, 0.67%, 0.5%

LAB 47.33, 65.33, 26.41

 

CMYK 0 / 80 / 80 / 16

HEX #D52A2A

RGB 213 42 42

HSL 0, 0.67%, 0.5%

LAB 46.93, 64.12, 43.37

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA4

RGB 213 42 164

HSL 317.19, 0.67%, 0.5%

LAB 50.08, 73.47, -25.45

 

CMYK 0 / 80 / 1 / 16

HEX #D52AD2

RGB 213 42 210

HSL 301.05, 0.67%, 0.5%

LAB 52.35, 79.78, -48.65

 

CMYK 20 / 80 / 0 / 16

HEX #AA2AD5

RGB 170 42 213

HSL 284.91, 0.67%, 0.5%

LAB 45.64, 72.51, -61.51

 

CMYK 42 / 80 / 0 / 16

HEX #7C2AD5

RGB 124 42 213

HSL 268.77, 0.67%, 0.5%

LAB 39.15, 65.29, -72.37

 

CMYK 63 / 80 / 0 / 16

HEX #4E2AD5

RGB 78 42 213

HSL 252.63, 0.67%, 0.5%

LAB 34.15, 59.81, -80.78

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA4

RGB 213 42 164

HSL 317.19, 0.67%, 0.5%

LAB 50.08, 73.47, -25.45

 

CMYK 0 / 91 / 26 / 8

HEX #EA15AC

RGB 234 21 172

HSL 317.46, 0.84%, 0.5%

LAB 52.96, 82.54, -25.4

 

CMYK 0 / 100 / 29 / 0

HEX #FE01B5

RGB 254 1 181

HSL 317.31, 0.99%, 0.5%

LAB 56.51, 88.97, -24.87

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA4

RGB 213 42 164

HSL 317.19, 0.67%, 0.5%

LAB 50.08, 73.47, -25.45

 

CMYK 0 / 67 / 19 / 25

HEX #C03F9B

RGB 192 63 155

HSL 317.21, 0.51%, 0.5%

LAB 48.42, 60.59, -22.95

 

CMYK 0 / 52 / 15 / 33

HEX #AC5392

RGB 172 83 146

HSL 317.53, 0.35%, 0.5%

LAB 48.3, 44.45, -18.04

 

CMYK 0 / 31 / 9 / 41

HEX #976889

RGB 151 104 137

HSL 317.87, 0.18%, 0.5%

LAB 49.84, 24.25, -10.6

 

CMYK 0 / 4 / 1 / 49

HEX #827D81

RGB 130 125 129

HSL 312, 0.02%, 0.5%

LAB 52.95, 2.68, -1.5

 

CMYK 20 / 80 / 0 / 16

HEX #AA2AD5

RGB 170 42 213

HSL 284.91, 0.67%, 0.5%

LAB 45.64, 72.51, -61.51

 

CMYK 0 / 80 / 1 / 16

HEX #D52AD2

RGB 213 42 210

HSL 301.05, 0.67%, 0.5%

LAB 52.35, 79.78, -48.65

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA5

RGB 213 42 165

HSL 316.84, 0.67%, 0.5%

LAB 50.12, 73.59, -25.97

 

CMYK 0 / 80 / 44 / 16

HEX #D52A77

RGB 213 42 119

HSL 332.98, 0.67%, 0.5%

LAB 48.43, 68.67, -0.86

 

CMYK 0 / 80 / 66 / 16

HEX #D52A49

RGB 213 42 73

HSL 349.12, 0.67%, 0.5%

LAB 47.34, 65.39, 25.82

 

CMYK 0 / 81 / 23 / 44

HEX #901C6F

RGB 144 28 111

HSL 317.07, 0.67%, 0.34%

LAB 33.79, 54.3, -19.22

 

CMYK 0 / 80 / 23 / 30

HEX #B22389

RGB 178 35 137

HSL 317.2, 0.67%, 0.42%

LAB 41.96, 63.89, -22.27

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA4

RGB 213 42 164

HSL 317.19, 0.67%, 0.5%

LAB 50.08, 73.47, -25.45

 

CMYK 0 / 65 / 19 / 14

HEX #DC4DB2

RGB 220 77 178

HSL 317.62, 0.67%, 0.58%

LAB 55.82, 65.75, -24.68

 

CMYK 0 / 51 / 15 / 11

HEX #E36FC1

RGB 227 111 193

HSL 317.59, 0.67%, 0.66%

LAB 62.97, 54.97, -22.22

 

CMYK 0 / 80 / 23 / 16

HEX #D52BA4

RGB 213 43 164

HSL 317.29, 0.67%, 0.5%

LAB 50.16, 73.22, -25.32

 

CMYK 0 / 41 / 80 / 16

HEX #D57D2A

RGB 213 125 42

HSL 29.12, 0.67%, 0.5%

LAB 60.76, 28.16, 56.54

 

CMYK 80 / 0 / 9 / 16

HEX #2AD5C1

RGB 42 213 193

HSL 172.98, 0.67%, 0.5%

LAB 77.24, -45.66, -1.98

 

CMYK 0 / 80 / 23 / 16

HEX #D52BA4

RGB 213 43 164

HSL 317.29, 0.67%, 0.5%

LAB 50.16, 73.22, -25.32

 

CMYK 23 / 0 / 80 / 16

HEX #A5D52A

RGB 165 213 42

HSL 76.84, 0.67%, 0.5%

LAB 79.47, -37.68, 71.86

 

CMYK 80 / 23 / 0 / 16

HEX #2AA5D5

RGB 42 165 213

HSL 196.84, 0.67%, 0.5%

LAB 63.51, -16.42, -33.67

 

CMYK 0 / 80 / 23 / 16

HEX #D52BA4

RGB 213 43 164

HSL 317.29, 0.67%, 0.5%

LAB 50.16, 73.22, -25.32

 

CMYK 0 / 41 / 80 / 16

HEX #D57D2A

RGB 213 125 42

HSL 29.12, 0.67%, 0.5%

LAB 60.76, 28.16, 56.54

 

CMYK 80 / 0 / 58 / 16

HEX #2AD55A

RGB 42 213 90

HSL 136.84, 0.67%, 0.5%

LAB 75.34, -66.67, 48.34

 

CMYK 80 / 39 / 0 / 16

HEX #2A82D5

RGB 42 130 213

HSL 209.12, 0.67%, 0.5%

LAB 53.23, 3.6, -49.85

 

CMYK 0 / 80 / 23 / 16

HEX #D52BA4

RGB 213 43 164

HSL 317.29, 0.67%, 0.5%

LAB 50.16, 73.22, -25.32

 

CMYK 0 / 17 / 80 / 16

HEX #D5B02A

RGB 213 176 42

HSL 47.02, 0.67%, 0.5%

LAB 73.13, 0.79, 67.66

 

CMYK 80 / 0 / 58 / 16

HEX #2AD55A

RGB 42 213 90

HSL 136.84, 0.67%, 0.5%

LAB 75.34, -66.67, 48.34

 

CMYK 80 / 63 / 0 / 16

HEX #2A4FD5

RGB 42 79 213

HSL 227.02, 0.67%, 0.5%

LAB 39.39, 35.94, -72.22

 

Description

Color code: HEX #D52BA4 | qconv.com Color code: HEX #D52BA4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 43 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 43 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 23 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 23% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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