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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D524CE it is the complementary color #2ADB31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D524CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D524CE shade: #DA24C9, #EB36DC, #FC48EF, #FF5AFF and #FF6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D524CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D524CE shade: #D524CE, #C412BB, #B300A8, #A20095 and #910082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D524CE shade: #D624CF, #D6249F, #D6246F, #D6243F and #D62424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D524CE shade: #D624CF, #AD24D6, #7D24D6, #4D24D6 and #2424D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D524CE shade matches the following richer shades: #D624CF and #EA10E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D524CE shade: #D624CF, #C138BC, #AD4DA9, #996197 and #857584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D524CE shade: #7D24D6, #AC24D6, #D624D0, #D624A0 and #D62471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D524CE shade: #8F188A, #B21EAD, #D624CF, #DF44D9 and #E567E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D524CE shade: #D524CE, #D64E24 and #24D695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D524CE shade: #D524CE, #D0D624 and #24D0D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D524CE shade: #D524CE, #D64E24, #24D62A and #24ACD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D524CE shade: #D524CE, #D68324, #24D62A and #2477D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 3 / 16

HEX #D524CE

RGB 213 36 206

HSL 302.37, 0.71%, 0.49%

LAB 51.68, 80.48, -47.42

 

Complementary color

CMYK 81 / 0 / 78 / 14

HEX #2ADB31

RGB 42 219 49

HSL 122.37, 0.71%, 0.51%

LAB 76.91, -72.42, 65.9

 

CMYK 0 / 83 / 8 / 15

HEX #DA24C9

RGB 218 36 201

HSL 305.6, 0.72%, 0.5%

LAB 52.27, 80.7, -43.56

 

CMYK 0 / 77 / 6 / 8

HEX #EB36DC

RGB 235 54 220

HSL 304.97, 0.82%, 0.57%

LAB 57.53, 82.61, -45.9

 

CMYK 0 / 71 / 5 / 1

HEX #FC48EF

RGB 252 72 239

HSL 304.33, 0.97%, 0.64%

LAB 62.98, 83.77, -47.76

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 83 / 3 / 16

HEX #D524CE

RGB 213 36 206

HSL 302.37, 0.71%, 0.49%

LAB 51.68, 80.48, -47.42

 

CMYK 0 / 91 / 5 / 23

HEX #C412BB

RGB 196 18 187

HSL 303.03, 0.83%, 0.42%

LAB 46.65, 77.6, -44.58

 

CMYK 0 / 100 / 6 / 30

HEX #B300A8

RGB 179 0 168

HSL 303.69, 1%, 0.35%

LAB 41.86, 73.74, -41.16

 

CMYK 0 / 100 / 8 / 36

HEX #A20095

RGB 162 0 149

HSL 304.81, 1%, 0.32%

LAB 37.57, 68.07, -36.7

 

CMYK 0 / 100 / 10 / 43

HEX #910082

RGB 145 0 130

HSL 306.21, 1%, 0.28%

LAB 33.2, 62.29, -32.11

 

CMYK 0 / 83 / 3 / 16

HEX #D624CF

RGB 214 36 207

HSL 302.36, 0.71%, 0.49%

LAB 51.91, 80.81, -47.62

 

CMYK 0 / 83 / 26 / 16

HEX #D6249F

RGB 214 36 159

HSL 318.54, 0.71%, 0.49%

LAB 49.57, 74.45, -23.25

 

CMYK 0 / 83 / 48 / 16

HEX #D6246F

RGB 214 36 111

HSL 334.72, 0.71%, 0.49%

LAB 47.89, 69.65, 3.27

 

CMYK 0 / 83 / 71 / 16

HEX #D6243F

RGB 214 36 63

HSL 350.9, 0.71%, 0.49%

LAB 46.87, 66.64, 31.31

 

CMYK 0 / 83 / 83 / 16

HEX #D62424

RGB 214 36 36

HSL 0, 0.71%, 0.49%

LAB 46.56, 65.72, 46.24

 

CMYK 0 / 83 / 3 / 16

HEX #D624CF

RGB 214 36 207

HSL 302.36, 0.71%, 0.49%

LAB 51.91, 80.81, -47.62

 

CMYK 19 / 83 / 0 / 16

HEX #AD24D6

RGB 173 36 214

HSL 286.18, 0.71%, 0.49%

LAB 45.64, 74.77, -62.08

 

CMYK 42 / 83 / 0 / 16

HEX #7D24D6

RGB 125 36 214

HSL 270, 0.71%, 0.49%

LAB 38.68, 67.64, -73.7

 

CMYK 64 / 83 / 0 / 16

HEX #4D24D6

RGB 77 36 214

HSL 253.82, 0.71%, 0.49%

LAB 33.34, 62.42, -82.7

 

CMYK 83 / 83 / 0 / 16

HEX #2424D6

RGB 36 36 214

HSL 240, 0.71%, 0.49%

LAB 30.62, 59.9, -87.29

 

CMYK 0 / 83 / 3 / 16

HEX #D624CF

RGB 214 36 207

HSL 302.36, 0.71%, 0.49%

LAB 51.91, 80.81, -47.62

 

CMYK 0 / 93 / 4 / 8

HEX #EA10E1

RGB 234 16 225

HSL 302.48, 0.87%, 0.49%

LAB 55.38, 89.69, -52.15

 

CMYK 0 / 83 / 3 / 16

HEX #D624CF

RGB 214 36 207

HSL 302.36, 0.71%, 0.49%

LAB 51.91, 80.81, -47.62

 

CMYK 0 / 71 / 3 / 24

HEX #C138BC

RGB 193 56 188

HSL 302.19, 0.55%, 0.49%

LAB 49.25, 68.34, -41.08

 

CMYK 0 / 55 / 2 / 32

HEX #AD4DA9

RGB 173 77 169

HSL 302.5, 0.38%, 0.49%

LAB 48.33, 51.59, -31.61

 

CMYK 0 / 37 / 1 / 40

HEX #996197

RGB 153 97 151

HSL 302.14, 0.22%, 0.49%

LAB 48.95, 31.6, -20.22

 

CMYK 0 / 12 / 1 / 48

HEX #857584

RGB 133 117 132

HSL 303.75, 0.06%, 0.49%

LAB 51.12, 9.05, -5.92

 

CMYK 42 / 83 / 0 / 16

HEX #7D24D6

RGB 125 36 214

HSL 270, 0.71%, 0.49%

LAB 38.68, 67.64, -73.7

 

CMYK 20 / 83 / 0 / 16

HEX #AC24D6

RGB 172 36 214

HSL 285.84, 0.71%, 0.49%

LAB 45.48, 74.61, -62.34

 

CMYK 0 / 83 / 3 / 16

HEX #D624D0

RGB 214 36 208

HSL 302.02, 0.71%, 0.49%

LAB 51.96, 80.96, -48.11

 

CMYK 0 / 83 / 25 / 16

HEX #D624A0

RGB 214 36 160

HSL 318.2, 0.71%, 0.49%

LAB 49.61, 74.57, -23.78

 

CMYK 0 / 83 / 47 / 16

HEX #D62471

RGB 214 36 113

HSL 334.04, 0.71%, 0.49%

LAB 47.94, 69.82, 2.12

 

CMYK 0 / 83 / 3 / 44

HEX #8F188A

RGB 143 24 138

HSL 302.52, 0.71%, 0.33%

LAB 34.66, 59.11, -34.8

 

CMYK 0 / 83 / 3 / 30

HEX #B21EAD

RGB 178 30 173

HSL 302.03, 0.71%, 0.41%

LAB 43.38, 70.17, -41.74

 

CMYK 0 / 83 / 3 / 16

HEX #D624CF

RGB 214 36 207

HSL 302.36, 0.71%, 0.49%

LAB 51.91, 80.81, -47.62

 

CMYK 0 / 70 / 3 / 13

HEX #DF44D9

RGB 223 68 217

HSL 302.32, 0.71%, 0.57%

LAB 56.91, 75.49, -45.3

 

CMYK 0 / 55 / 2 / 10

HEX #E567E0

RGB 229 103 224

HSL 302.38, 0.71%, 0.65%

LAB 63.13, 64.22, -39.4

 

CMYK 0 / 83 / 3 / 16

HEX #D524CE

RGB 213 36 206

HSL 302.37, 0.71%, 0.49%

LAB 51.68, 80.48, -47.42

 

CMYK 0 / 64 / 83 / 16

HEX #D64E24

RGB 214 78 36

HSL 14.16, 0.71%, 0.49%

LAB 51.69, 51.56, 50.88

 

CMYK 83 / 0 / 30 / 16

HEX #24D695

RGB 36 214 149

HSL 158.09, 0.71%, 0.49%

LAB 76.46, -57.35, 20.33

 

CMYK 0 / 83 / 3 / 16

HEX #D524CE

RGB 213 36 206

HSL 302.37, 0.71%, 0.49%

LAB 51.68, 80.48, -47.42

 

CMYK 3 / 0 / 83 / 16

HEX #D0D624

RGB 208 214 36

HSL 62.02, 0.71%, 0.49%

LAB 82.72, -20.86, 77.31

 

CMYK 83 / 3 / 0 / 16

HEX #24D0D6

RGB 36 208 214

HSL 182.02, 0.71%, 0.49%

LAB 76.28, -37.94, -14.71

 

CMYK 0 / 83 / 3 / 16

HEX #D524CE

RGB 213 36 206

HSL 302.37, 0.71%, 0.49%

LAB 51.68, 80.48, -47.42

 

CMYK 0 / 64 / 83 / 16

HEX #D64E24

RGB 214 78 36

HSL 14.16, 0.71%, 0.49%

LAB 51.69, 51.56, 50.88

 

CMYK 83 / 0 / 80 / 16

HEX #24D62A

RGB 36 214 42

HSL 122.02, 0.71%, 0.49%

LAB 75.22, -72.03, 66.3

 

CMYK 83 / 20 / 0 / 16

HEX #24ACD6

RGB 36 172 214

HSL 194.16, 0.71%, 0.49%

LAB 65.54, -20.3, -31.09

 

CMYK 0 / 83 / 3 / 16

HEX #D524CE

RGB 213 36 206

HSL 302.37, 0.71%, 0.49%

LAB 51.68, 80.48, -47.42

 

CMYK 0 / 39 / 83 / 16

HEX #D68324

RGB 214 131 36

HSL 32.02, 0.71%, 0.49%

LAB 62.22, 25.18, 60.13

 

CMYK 83 / 0 / 80 / 16

HEX #24D62A

RGB 36 214 42

HSL 122.02, 0.71%, 0.49%

LAB 75.22, -72.03, 66.3

 

CMYK 83 / 44 / 0 / 16

HEX #2477D6

RGB 36 119 214

HSL 212.02, 0.71%, 0.49%

LAB 50.01, 10.2, -55.58

 

Description

Color code: HEX #D524CE | qconv.com Color code: HEX #D524CE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 36 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 36 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 3 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 3% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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