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Color name
HEX #D51B7F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D51B7F it is the complementary color #2AE480. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D51B7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D51B7F shade: #DA1B7A, #EB2D8D, #FC3FA0, #FF51B3 and #FF63C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D51B7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D51B7F shade: #D51B7F, #C4096C, #B30059, #A20046 and #910033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D51B7F shade: #D51A7F, #D51A4C and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D51B7F shade: #D51A7F, #D51AB1, #C71AD5, #951AD5 and #621AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D51B7F shade matches the following richer shades: #D51A7F and #E90780

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D51B7F shade: #D51A7F, #C22E7D, #AF417C, #9B557B and #886879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D51B7F shade: #C61AD5, #D51AB3, #D51A81, #D51A4F and #D51A1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D51B7F shade: #8C1153, #B11669, #D51A7F, #E63393 and #EA58A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D51B7F shade: #D51B7F, #D5941A and #1ACCD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D51B7F shade: #D51B7F, #81D51A and #1A81D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D51B7F shade: #D51B7F, #D5941A, #1AD56F and #1A5CD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D51B7F shade: #D51B7F, #D5CC1A, #1AD56F and #1A24D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 40 / 16

HEX #D51B7F

RGB 213 27 127

HSL 327.74, 0.78%, 0.47%

LAB 47.58, 72.58, -7.01

 

Complementary color

CMYK 82 / 0 / 44 / 11

HEX #2AE480

RGB 42 228 128

HSL 147.74, 0.78%, 0.53%

LAB 80.48, -65.89, 36.48

 

CMYK 0 / 88 / 44 / 15

HEX #DA1B7A

RGB 218 27 122

HSL 330.16, 0.78%, 0.48%

LAB 48.38, 73.28, -2.66

 

CMYK 0 / 81 / 40 / 8

HEX #EB2D8D

RGB 235 45 141

HSL 329.68, 0.83%, 0.55%

LAB 53.45, 75.36, -6.27

 

CMYK 0 / 75 / 37 / 1

HEX #FC3FA0

RGB 252 63 160

HSL 329.21, 0.97%, 0.62%

LAB 58.78, 76.59, -9.22

 

CMYK 0 / 68 / 30 / 0

HEX #FF51B3

RGB 255 81 179

HSL 326.21, 1%, 0.66%

LAB 62, 73.58, -15.33

 

CMYK 0 / 61 / 22 / 0

HEX #FF63C6

RGB 255 99 198

HSL 321.92, 1%, 0.69%

LAB 65.17, 69.04, -21.33

 

CMYK 0 / 87 / 40 / 16

HEX #D51B7F

RGB 213 27 127

HSL 327.74, 0.78%, 0.47%

LAB 47.58, 72.58, -7.01

 

CMYK 0 / 95 / 45 / 23

HEX #C4096C

RGB 196 9 108

HSL 328.24, 0.91%, 0.4%

LAB 42.78, 69.39, -2.74

 

CMYK 0 / 100 / 50 / 30

HEX #B30059

RGB 179 0 89

HSL 330.17, 1%, 0.35%

LAB 38.38, 64.92, 2.44

 

CMYK 0 / 100 / 57 / 36

HEX #A20046

RGB 162 0 70

HSL 334.07, 1%, 0.32%

LAB 34.24, 59.56, 8.38

 

CMYK 0 / 100 / 65 / 43

HEX #910033

RGB 145 0 51

HSL 338.9, 1%, 0.28%

LAB 30.06, 54.21, 14.67

 

CMYK 0 / 88 / 40 / 16

HEX #D51A7F

RGB 213 26 127

HSL 327.59, 0.78%, 0.47%

LAB 47.52, 72.75, -7.1

 

CMYK 0 / 88 / 64 / 16

HEX #D51A4C

RGB 213 26 76

HSL 343.96, 0.78%, 0.47%

LAB 46.19, 69, 22.5

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 88 / 40 / 16

HEX #D51A7F

RGB 213 26 127

HSL 327.59, 0.78%, 0.47%

LAB 47.52, 72.75, -7.1

 

CMYK 0 / 88 / 17 / 16

HEX #D51AB1

RGB 213 26 177

HSL 311.55, 0.78%, 0.47%

LAB 49.57, 78.29, -33.91

 

CMYK 7 / 88 / 0 / 16

HEX #C71AD5

RGB 199 26 213

HSL 295.51, 0.78%, 0.47%

LAB 49.11, 80.88, -55.68

 

CMYK 30 / 88 / 0 / 16

HEX #951AD5

RGB 149 26 213

HSL 279.47, 0.78%, 0.47%

LAB 41.11, 73.23, -69.03

 

CMYK 54 / 88 / 0 / 16

HEX #621AD5

RGB 98 26 213

HSL 263.1, 0.78%, 0.47%

LAB 34.27, 67.31, -80.51

 

CMYK 0 / 88 / 40 / 16

HEX #D51A7F

RGB 213 26 127

HSL 327.59, 0.78%, 0.47%

LAB 47.52, 72.75, -7.1

 

CMYK 0 / 97 / 45 / 9

HEX #E90780

RGB 233 7 128

HSL 327.88, 0.94%, 0.47%

LAB 50.73, 79.35, -2.52

 

CMYK 0 / 88 / 40 / 16

HEX #D51A7F

RGB 213 26 127

HSL 327.59, 0.78%, 0.47%

LAB 47.52, 72.75, -7.1

 

CMYK 0 / 76 / 36 / 24

HEX #C22E7D

RGB 194 46 125

HSL 327.97, 0.62%, 0.47%

LAB 45.5, 63.29, -9.26

 

CMYK 0 / 63 / 29 / 31

HEX #AF417C

RGB 175 65 124

HSL 327.82, 0.46%, 0.47%

LAB 44.73, 50.74, -10.14

 

CMYK 0 / 45 / 21 / 39

HEX #9B557B

RGB 155 85 123

HSL 327.43, 0.29%, 0.47%

LAB 45.49, 34.03, -8.69

 

CMYK 0 / 24 / 11 / 47

HEX #886879

RGB 136 104 121

HSL 328.13, 0.13%, 0.47%

LAB 47.64, 15.73, -4.52

 

CMYK 7 / 88 / 0 / 16

HEX #C61AD5

RGB 198 26 213

HSL 295.19, 0.78%, 0.47%

LAB 48.94, 80.72, -55.96

 

CMYK 0 / 88 / 16 / 16

HEX #D51AB3

RGB 213 26 179

HSL 310.91, 0.78%, 0.47%

LAB 49.66, 78.55, -34.93

 

CMYK 0 / 88 / 39 / 16

HEX #D51A81

RGB 213 26 129

HSL 326.95, 0.78%, 0.47%

LAB 47.59, 72.94, -8.21

 

CMYK 0 / 88 / 63 / 16

HEX #D51A4F

RGB 213 26 79

HSL 342.99, 0.78%, 0.47%

LAB 46.24, 69.17, 20.72

 

CMYK 0 / 88 / 86 / 16

HEX #D51A1D

RGB 213 26 29

HSL 359.04, 0.78%, 0.47%

LAB 45.6, 67.31, 48.79

 

CMYK 0 / 88 / 41 / 45

HEX #8C1153

RGB 140 17 83

HSL 327.8, 0.78%, 0.31%

LAB 30.88, 52.72, -5.63

 

CMYK 0 / 88 / 41 / 31

HEX #B11669

RGB 177 22 105

HSL 327.87, 0.78%, 0.39%

LAB 39.48, 62.98, -6.17

 

CMYK 0 / 88 / 40 / 16

HEX #D51A7F

RGB 213 26 127

HSL 327.59, 0.78%, 0.47%

LAB 47.52, 72.75, -7.1

 

CMYK 0 / 78 / 36 / 10

HEX #E63393

RGB 230 51 147

HSL 327.82, 0.78%, 0.55%

LAB 53.27, 73.22, -10.2

 

CMYK 0 / 62 / 29 / 8

HEX #EA58A7

RGB 234 88 167

HSL 327.53, 0.78%, 0.63%

LAB 59.22, 63.74, -12.94

 

CMYK 0 / 87 / 40 / 16

HEX #D51B7F

RGB 213 27 127

HSL 327.74, 0.78%, 0.47%

LAB 47.58, 72.58, -7.01

 

CMYK 0 / 31 / 88 / 16

HEX #D5941A

RGB 213 148 26

HSL 39.14, 0.78%, 0.47%

LAB 66.06, 15.34, 66.25

 

CMYK 88 / 4 / 0 / 16

HEX #1ACCD5

RGB 26 204 213

HSL 182.89, 0.78%, 0.47%

LAB 74.96, -37.02, -16.17

 

CMYK 0 / 87 / 40 / 16

HEX #D51B7F

RGB 213 27 127

HSL 327.74, 0.78%, 0.47%

LAB 47.58, 72.58, -7.01

 

CMYK 39 / 0 / 88 / 16

HEX #81D51A

RGB 129 213 26

HSL 86.95, 0.78%, 0.47%

LAB 77.48, -51.38, 72.97

 

CMYK 88 / 39 / 0 / 16

HEX #1A81D5

RGB 26 129 213

HSL 206.95, 0.78%, 0.47%

LAB 52.65, 2.92, -50.8

 

CMYK 0 / 87 / 40 / 16

HEX #D51B7F

RGB 213 27 127

HSL 327.74, 0.78%, 0.47%

LAB 47.58, 72.58, -7.01

 

CMYK 0 / 31 / 88 / 16

HEX #D5941A

RGB 213 148 26

HSL 39.14, 0.78%, 0.47%

LAB 66.06, 15.34, 66.25

 

CMYK 88 / 0 / 48 / 16

HEX #1AD56F

RGB 26 213 111

HSL 147.27, 0.78%, 0.47%

LAB 75.42, -65.02, 38.41

 

CMYK 88 / 57 / 0 / 16

HEX #1A5CD5

RGB 26 92 213

HSL 218.82, 0.78%, 0.47%

LAB 42.27, 26.4, -67.53

 

CMYK 0 / 87 / 40 / 16

HEX #D51B7F

RGB 213 27 127

HSL 327.74, 0.78%, 0.47%

LAB 47.58, 72.58, -7.01

 

CMYK 0 / 4 / 88 / 16

HEX #D5CC1A

RGB 213 204 26

HSL 57.11, 0.78%, 0.47%

LAB 80.41, -14.03, 77.63

 

CMYK 88 / 0 / 48 / 16

HEX #1AD56F

RGB 26 213 111

HSL 147.27, 0.78%, 0.47%

LAB 75.42, -65.02, 38.41

 

CMYK 88 / 83 / 0 / 16

HEX #1A24D5

RGB 26 36 213

HSL 236.79, 0.78%, 0.47%

LAB 30.12, 59.26, -87.56

 

Description

Color code: HEX #D51B7F | qconv.com Color code: HEX #D51B7F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 27 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 27 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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