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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D50F0A it is the complementary color #2AF0F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D50F0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D50F0A: #DA0F05, #EB2118, #FC332B, #FF453E and #FF5751

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D50F0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D50F0A: #D50F0A, #C40000, #B30000, #A20000 and #910000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 95 / 16

HEX #D50F0A

RGB 213 15 10

HSL 1.48, 0.91%, 0.44%

LAB 44.96, 68.63, 55.81

 

Complementary color

CMYK 83 / 2 / 0 / 4

HEX #2AF0F5

RGB 42 240 245

HSL 181.48, 0.91%, 0.56%

LAB 86.7, -42.88, -15.51

 

CMYK 0 / 93 / 98 / 15

HEX #DA0F05

RGB 218 15 5

HSL 2.82, 0.96%, 0.44%

LAB 45.99, 69.86, 58.36

 

CMYK 0 / 86 / 90 / 8

HEX #EB2118

RGB 235 33 24

HSL 2.56, 0.84%, 0.51%

LAB 50.47, 71.77, 56.62

 

CMYK 0 / 80 / 83 / 1

HEX #FC332B

RGB 252 51 43

HSL 2.3, 0.97%, 0.58%

LAB 55.32, 72.73, 53.46

 

CMYK 0 / 73 / 76 / 0

HEX #FF453E

RGB 255 69 62

HSL 2.18, 1%, 0.62%

LAB 57.91, 68.92, 46.48

 

CMYK 0 / 66 / 68 / 0

HEX #FF5751

RGB 255 87 81

HSL 2.07, 1%, 0.66%

LAB 60.49, 63.25, 39.05

 

CMYK 0 / 93 / 95 / 16

HEX #D50F0A

RGB 213 15 10

HSL 1.48, 0.91%, 0.44%

LAB 44.96, 68.63, 55.81

 

CMYK 0 / 100 / 100 / 23

HEX #C40000

RGB 196 0 0

HSL 0, 1%, 0.38%

LAB 40.79, 65.72, 55.14

 

CMYK 0 / 100 / 100 / 30

HEX #B30000

RGB 179 0 0

HSL 0, 1%, 0.35%

LAB 37.08, 61.42, 51.49

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 93 / 95 / 16

HEX #D50F0A

RGB 213 15 10

HSL 1.48, 0.91%, 0.44%

LAB 44.96, 68.63, 55.81

 

CMYK 0 / 78 / 95 / 16

HEX #D62F0A

RGB 214 47 10

HSL 10.88, 0.91%, 0.44%

LAB 47.43, 62.43, 57.26

 

CMYK 0 / 62 / 95 / 16

HEX #D6510A

RGB 214 81 10

HSL 20.88, 0.91%, 0.44%

LAB 52.07, 49.78, 60.01

 

CMYK 0 / 46 / 95 / 16

HEX #D6730A

RGB 214 115 10

HSL 30.88, 0.91%, 0.44%

LAB 58.58, 33.17, 64.22

 

CMYK 0 / 30 / 95 / 16

HEX #D6950A

RGB 214 149 10

HSL 40.88, 0.91%, 0.44%

LAB 66.38, 14.99, 69.61

 

CMYK 0 / 93 / 95 / 16

HEX #D50F0A

RGB 213 15 10

HSL 1.48, 0.91%, 0.44%

LAB 44.96, 68.63, 55.81

 

CMYK 0 / 89 / 100 / 96

HEX #090100

RGB 9 1 0

HSL 6.67, 1%, 0.02%

LAB 0.72, 1.95, 1.12

 

CMYK 0 / 93 / 95 / 76

HEX #3C0403

RGB 60 4 3

HSL 1.05, 0.9%, 0.12%

LAB 9.43, 26.62, 13.57

 

CMYK 0 / 93 / 95 / 56

HEX #6F0805

RGB 111 8 5

HSL 1.7, 0.91%, 0.23%

LAB 22.17, 41.69, 31.37

 

CMYK 0 / 93 / 95 / 36

HEX #A20B08

RGB 162 11 8

HSL 1.17, 0.91%, 0.33%

LAB 33.85, 55.7, 44.52

 

CMYK 0 / 93 / 95 / 16

HEX #D50F0A

RGB 213 15 10

HSL 1.48, 0.91%, 0.44%

LAB 44.96, 68.63, 55.81

 

CMYK 21 / 0 / 95 / 16

HEX #AAD60A

RGB 170 214 10

HSL 72.94, 0.91%, 0.44%

LAB 79.99, -36.94, 78.12

 

CMYK 95 / 59 / 0 / 16

HEX #0A58D6

RGB 10 88 214

HSL 217.06, 0.91%, 0.44%

LAB 41.06, 28.72, -70.1

 

CMYK 0 / 93 / 95 / 16

HEX #D50F0A

RGB 213 15 10

HSL 1.48, 0.91%, 0.44%

LAB 44.96, 68.63, 55.81

 

CMYK 95 / 0 / 94 / 16

HEX #0AD60D

RGB 10 214 13

HSL 120.88, 0.91%, 0.44%

LAB 74.94, -74.9, 71.64

 

CMYK 94 / 95 / 0 / 16

HEX #0D0AD6

RGB 13 10 214

HSL 240.88, 0.91%, 0.44%

LAB 27.18, 67.55, -93.05

 

CMYK 0 / 93 / 95 / 16

HEX #D50F0A

RGB 213 15 10

HSL 1.48, 0.91%, 0.44%

LAB 44.96, 68.63, 55.81

 

CMYK 21 / 0 / 95 / 16

HEX #AAD60A

RGB 170 214 10

HSL 72.94, 0.91%, 0.44%

LAB 79.99, -36.94, 78.12

 

CMYK 95 / 2 / 0 / 16

HEX #0AD2D6

RGB 10 210 214

HSL 181.18, 0.91%, 0.44%

LAB 76.69, -40.08, -14.12

 

CMYK 75 / 95 / 0 / 16

HEX #360AD6

RGB 54 10 214

HSL 252.94, 0.91%, 0.44%

LAB 29.05, 68.42, -89.89

 

CMYK 0 / 93 / 95 / 16

HEX #D50F0A

RGB 213 15 10

HSL 1.48, 0.91%, 0.44%

LAB 44.96, 68.63, 55.81

 

CMYK 50 / 0 / 95 / 16

HEX #6CD60A

RGB 108 214 10

HSL 91.18, 0.91%, 0.44%

LAB 76.86, -58.76, 74.32

 

CMYK 95 / 2 / 0 / 16

HEX #0AD2D6

RGB 10 210 214

HSL 181.18, 0.91%, 0.44%

LAB 76.69, -40.08, -14.12

 

CMYK 46 / 95 / 0 / 16

HEX #730AD6

RGB 115 10 214

HSL 270.88, 0.91%, 0.44%

LAB 35.43, 72.27, -79.1

 

Description

Color code: HEX #D50F0A | qconv.com Color code: HEX #D50F0A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 15 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 15 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 95 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 95% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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