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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D50BAA it is the complementary color #2AF455. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D50BAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D50BAA shade: #DA0BA5, #EB1DB8, #FC2FCB, #FF41DE and #FF53F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D50BAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D50BAA shade: #D50BAA, #C40097, #B30084, #A20071 and #91005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D50BAA shade: #D50BAA, #D50B74, #D50B3D and #D50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D50BAA shade: #D50BAA, #CA0BD5, #930BD5, #5D0BD5 and #260BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D50BAA shade matches the following richer shades: #D50BAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D50BAA shade: #D50BAA, #C31DA0, #B13095, #9F428B and #8D5480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D50BAA shade: #920BD5, #C80BD5, #D50BAD, #D50B77 and #D50B41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D50BAA shade: #87076C, #AE098B, #D50BAA, #F317C4 and #F53ECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D50BAA shade: #D50BAA, #D55C0B and #0BD5AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D50BAA shade: #D50BAA, #ADD50B and #0BADD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D50BAA shade: #D50BAA, #D55C0B, #0BD534 and #0B84D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D50BAA shade: #D50BAA, #D5990B, #0BD534 and #0B48D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

Complementary color

CMYK 83 / 0 / 65 / 4

HEX #2AF455

RGB 42 244 85

HSL 132.77, 0.9%, 0.56%

LAB 84.92, -76.8, 61.34

 

CMYK 0 / 95 / 24 / 15

HEX #DA0BA5

RGB 218 11 165

HSL 315.36, 0.9%, 0.45%

LAB 49.33, 79.59, -27.13

 

CMYK 0 / 88 / 22 / 8

HEX #EB1DB8

RGB 235 29 184

HSL 314.85, 0.84%, 0.52%

LAB 54.03, 83.03, -30.74

 

CMYK 0 / 81 / 19 / 1

HEX #FC2FCB

RGB 252 47 203

HSL 314.34, 0.97%, 0.59%

LAB 59.01, 85.46, -33.71

 

CMYK 0 / 75 / 13 / 0

HEX #FF41DE

RGB 255 65 222

HSL 310.42, 1%, 0.63%

LAB 61.92, 84.07, -39.88

 

CMYK 0 / 67 / 5 / 0

HEX #FF53F1

RGB 255 83 241

HSL 304.88, 1%, 0.66%

LAB 64.8, 81.14, -45.97

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 0 / 100 / 23 / 23

HEX #C40097

RGB 196 0 151

HSL 313.78, 1%, 0.38%

LAB 44.19, 74.64, -27.06

 

CMYK 0 / 100 / 26 / 30

HEX #B30084

RGB 179 0 132

HSL 315.75, 1%, 0.35%

LAB 40, 69.1, -22.22

 

CMYK 0 / 100 / 30 / 36

HEX #A20071

RGB 162 0 113

HSL 318.15, 1%, 0.32%

LAB 35.74, 63.48, -17.19

 

CMYK 0 / 100 / 35 / 43

HEX #91005E

RGB 145 0 94

HSL 321.1, 1%, 0.28%

LAB 31.41, 57.78, -11.92

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 0 / 95 / 46 / 16

HEX #D50B74

RGB 213 11 116

HSL 328.81, 0.9%, 0.44%

LAB 46.51, 73.68, -1.84

 

CMYK 0 / 95 / 71 / 16

HEX #D50B3D

RGB 213 11 61

HSL 345.15, 0.9%, 0.44%

LAB 45.25, 70.26, 30.53

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 5 / 95 / 0 / 16

HEX #CA0BD5

RGB 202 11 213

HSL 296.73, 0.9%, 0.44%

LAB 49.01, 83.18, -55.82

 

CMYK 31 / 95 / 0 / 16

HEX #930BD5

RGB 147 11 213

HSL 280.4, 0.9%, 0.44%

LAB 39.99, 75.39, -70.86

 

CMYK 56 / 95 / 0 / 16

HEX #5D0BD5

RGB 93 11 213

HSL 264.36, 0.9%, 0.44%

LAB 32.64, 70.09, -83.24

 

CMYK 82 / 95 / 0 / 16

HEX #260BD5

RGB 38 11 213

HSL 248.02, 0.9%, 0.44%

LAB 27.99, 67.51, -91.09

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 0 / 85 / 18 / 24

HEX #C31DA0

RGB 195 29 160

HSL 312.65, 0.74%, 0.44%

LAB 45.66, 71.95, -30.19

 

CMYK 0 / 73 / 16 / 31

HEX #B13095

RGB 177 48 149

HSL 313.02, 0.57%, 0.44%

LAB 43.7, 61.38, -26.88

 

CMYK 0 / 58 / 13 / 38

HEX #9F428B

RGB 159 66 139

HSL 312.9, 0.41%, 0.44%

LAB 42.96, 47.68, -22.2

 

CMYK 0 / 40 / 9 / 45

HEX #8D5480

RGB 141 84 128

HSL 313.68, 0.25%, 0.44%

LAB 43.6, 30.52, -14.76

 

CMYK 31 / 95 / 0 / 16

HEX #920BD5

RGB 146 11 213

HSL 280.1, 0.9%, 0.44%

LAB 39.84, 75.27, -71.12

 

CMYK 6 / 95 / 0 / 16

HEX #C80BD5

RGB 200 11 213

HSL 296.14, 0.9%, 0.44%

LAB 48.66, 82.87, -56.39

 

CMYK 0 / 95 / 19 / 16

HEX #D50BAD

RGB 213 11 173

HSL 311.88, 0.9%, 0.44%

LAB 48.76, 79.58, -32.81

 

CMYK 0 / 95 / 44 / 16

HEX #D50B77

RGB 213 11 119

HSL 327.92, 0.9%, 0.44%

LAB 46.6, 73.93, -3.55

 

CMYK 0 / 95 / 69 / 16

HEX #D50B41

RGB 213 11 65

HSL 343.96, 0.9%, 0.44%

LAB 45.31, 70.43, 28.16

 

CMYK 0 / 95 / 20 / 47

HEX #87076C

RGB 135 7 108

HSL 312.66, 0.9%, 0.28%

LAB 30.37, 56.27, -22.77

 

CMYK 0 / 95 / 20 / 32

HEX #AE098B

RGB 174 9 139

HSL 312.73, 0.9%, 0.36%

LAB 39.68, 67.99, -27.1

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 0 / 91 / 19 / 5

HEX #F317C4

RGB 243 23 196

HSL 312.82, 0.9%, 0.52%

LAB 55.74, 86.82, -34.92

 

CMYK 0 / 75 / 16 / 4

HEX #F53ECE

RGB 245 62 206

HSL 312.79, 0.9%, 0.6%

LAB 59.26, 80.61, -35.11

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 0 / 57 / 95 / 16

HEX #D55C0B

RGB 213 92 11

HSL 24.06, 0.9%, 0.44%

LAB 53.84, 44.35, 60.84

 

CMYK 95 / 0 / 19 / 16

HEX #0BD5AD

RGB 11 213 173

HSL 168.12, 0.9%, 0.44%

LAB 76.48, -52.71, 7.6

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 19 / 0 / 95 / 16

HEX #ADD50B

RGB 173 213 11

HSL 71.88, 0.9%, 0.44%

LAB 79.9, -35.28, 78.04

 

CMYK 95 / 19 / 0 / 16

HEX #0BADD5

RGB 11 173 213

HSL 191.88, 0.9%, 0.44%

LAB 65.56, -22.51, -30.52

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 0 / 57 / 95 / 16

HEX #D55C0B

RGB 213 92 11

HSL 24.06, 0.9%, 0.44%

LAB 53.84, 44.35, 60.84

 

CMYK 95 / 0 / 76 / 16

HEX #0BD534

RGB 11 213 52

HSL 132.18, 0.9%, 0.44%

LAB 74.77, -72.8, 62.78

 

CMYK 95 / 38 / 0 / 16

HEX #0B84D5

RGB 11 132 213

HSL 204.06, 0.9%, 0.44%

LAB 53.36, 0.39, -49.68

 

CMYK 0 / 95 / 20 / 16

HEX #D50BAA

RGB 213 11 170

HSL 312.77, 0.9%, 0.44%

LAB 48.62, 79.22, -31.26

 

CMYK 0 / 28 / 95 / 16

HEX #D5990B

RGB 213 153 11

HSL 42.18, 0.9%, 0.44%

LAB 67.24, 12.4, 70.04

 

CMYK 95 / 0 / 76 / 16

HEX #0BD534

RGB 11 213 52

HSL 132.18, 0.9%, 0.44%

LAB 74.77, -72.8, 62.78

 

CMYK 95 / 66 / 0 / 16

HEX #0B48D5

RGB 11 72 213

HSL 221.88, 0.9%, 0.44%

LAB 36.95, 38.73, -76.27

 

Description

Color code: HEX #D50BAA | qconv.com Color code: HEX #D50BAA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 11 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 11 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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