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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5099B it is the complementary color #2AF664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5099B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5099B shade: #DA0996, #EB1BA9, #FC2DBC, #FF3FCF and #FF51E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5099B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5099B shade: #D5099B, #C40088, #B30075, #A20062 and #91004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5099B shade: #D7099D, #D70965, #D7092D and #D70909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5099B shade: #D7099D, #D709D4, #A309D7, #6B09D7 and #3309D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5099B shade matches the following richer shades: #D7099D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5099B shade: #D7099D, #C51B95, #B32D8D, #A13F85 and #8F527D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5099B shade: #A409D7, #D709D4, #D7099D, #D70966 and #D7092F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5099B shade: #880663, #B00780, #D7099D, #F514B5 and #F73CC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5099B shade: #D5099B, #D76D09 and #09D7BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5099B shade: #D5099B, #9DD709 and #099DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5099B shade: #D5099B, #D76D09, #09D743 and #0974D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5099B shade: #D5099B, #D7AB09, #09D743 and #0936D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 27 / 16

HEX #D5099B

RGB 213 9 155

HSL 317.06, 0.92%, 0.44%

LAB 47.89, 77.64, -23.47

 

Complementary color

CMYK 83 / 0 / 59 / 4

HEX #2AF664

RGB 42 246 100

HSL 137.06, 0.92%, 0.56%

LAB 85.67, -75.75, 55.93

 

CMYK 0 / 96 / 31 / 15

HEX #DA0996

RGB 218 9 150

HSL 319.52, 0.92%, 0.45%

LAB 48.64, 78.11, -19.23

 

CMYK 0 / 89 / 28 / 8

HEX #EB1BA9

RGB 235 27 169

HSL 319.04, 0.84%, 0.51%

LAB 53.29, 81.62, -23.11

 

CMYK 0 / 82 / 25 / 1

HEX #FC2DBC

RGB 252 45 188

HSL 318.55, 0.97%, 0.58%

LAB 58.23, 84.1, -26.31

 

CMYK 0 / 75 / 19 / 0

HEX #FF3FCF

RGB 255 63 207

HSL 315, 1%, 0.62%

LAB 61.06, 82.66, -32.75

 

CMYK 0 / 68 / 11 / 0

HEX #FF51E2

RGB 255 81 226

HSL 310, 1%, 0.66%

LAB 63.86, 79.63, -39.09

 

CMYK 0 / 96 / 27 / 16

HEX #D5099B

RGB 213 9 155

HSL 317.06, 0.92%, 0.44%

LAB 47.89, 77.64, -23.47

 

CMYK 0 / 100 / 31 / 23

HEX #C40088

RGB 196 0 136

HSL 318.37, 1%, 0.38%

LAB 43.53, 72.95, -18.96

 

CMYK 0 / 100 / 35 / 30

HEX #B30075

RGB 179 0 117

HSL 320.78, 1%, 0.35%

LAB 39.36, 67.46, -13.87

 

CMYK 0 / 100 / 40 / 36

HEX #A20062

RGB 162 0 98

HSL 323.7, 1%, 0.32%

LAB 35.13, 61.91, -8.55

 

CMYK 0 / 100 / 46 / 43

HEX #91004F

RGB 145 0 79

HSL 327.31, 1%, 0.28%

LAB 30.84, 56.3, -2.93

 

CMYK 0 / 96 / 27 / 16

HEX #D7099D

RGB 215 9 157

HSL 316.89, 0.92%, 0.44%

LAB 48.36, 78.26, -23.91

 

CMYK 0 / 96 / 53 / 16

HEX #D70965

RGB 215 9 101

HSL 333.2, 0.92%, 0.44%

LAB 46.42, 73.15, 7.37

 

CMYK 0 / 96 / 79 / 16

HEX #D7092D

RGB 215 9 45

HSL 349.51, 0.92%, 0.44%

LAB 45.4, 70.37, 40.29

 

CMYK 0 / 96 / 96 / 16

HEX #D70909

RGB 215 9 9

HSL 0, 0.92%, 0.44%

LAB 45.17, 69.71, 56.44

 

CMYK 0 / 96 / 27 / 16

HEX #D7099D

RGB 215 9 157

HSL 316.89, 0.92%, 0.44%

LAB 48.36, 78.26, -23.91

 

CMYK 0 / 96 / 1 / 16

HEX #D709D4

RGB 215 9 212

HSL 300.87, 0.92%, 0.44%

LAB 51.15, 85.28, -51.7

 

CMYK 24 / 96 / 0 / 16

HEX #A309D7

RGB 163 9 215

HSL 284.85, 0.92%, 0.44%

LAB 42.59, 78.01, -67.66

 

CMYK 50 / 96 / 0 / 16

HEX #6B09D7

RGB 107 9 215

HSL 268.54, 0.92%, 0.44%

LAB 34.45, 71.92, -81.34

 

CMYK 76 / 96 / 0 / 16

HEX #3309D7

RGB 51 9 215

HSL 252.23, 0.92%, 0.44%

LAB 28.92, 68.74, -90.69

 

CMYK 0 / 96 / 27 / 16

HEX #D7099D

RGB 215 9 157

HSL 316.89, 0.92%, 0.44%

LAB 48.36, 78.26, -23.91

 

CMYK 0 / 96 / 27 / 16

HEX #D7099D

RGB 215 9 157

HSL 316.89, 0.92%, 0.44%

LAB 48.36, 78.26, -23.91

 

CMYK 0 / 86 / 24 / 23

HEX #C51B95

RGB 197 27 149

HSL 316.94, 0.76%, 0.44%

LAB 45.39, 71.38, -23.97

 

CMYK 0 / 75 / 21 / 30

HEX #B32D8D

RGB 179 45 141

HSL 317.01, 0.6%, 0.44%

LAB 43.34, 61.74, -22.57

 

CMYK 0 / 61 / 17 / 37

HEX #A13F85

RGB 161 63 133

HSL 317.14, 0.44%, 0.44%

LAB 42.5, 48.72, -19.23

 

CMYK 0 / 43 / 13 / 44

HEX #8F527D

RGB 143 82 125

HSL 317.7, 0.27%, 0.44%

LAB 43.29, 31.81, -13.38

 

CMYK 24 / 96 / 0 / 16

HEX #A409D7

RGB 164 9 215

HSL 285.15, 0.92%, 0.44%

LAB 42.75, 78.14, -67.39

 

CMYK 0 / 96 / 1 / 16

HEX #D709D4

RGB 215 9 212

HSL 300.87, 0.92%, 0.44%

LAB 51.15, 85.28, -51.7

 

CMYK 0 / 96 / 27 / 16

HEX #D7099D

RGB 215 9 157

HSL 316.89, 0.92%, 0.44%

LAB 48.36, 78.26, -23.91

 

CMYK 0 / 96 / 53 / 16

HEX #D70966

RGB 215 9 102

HSL 332.91, 0.92%, 0.44%

LAB 46.45, 73.22, 6.79

 

CMYK 0 / 96 / 78 / 16

HEX #D7092F

RGB 215 9 47

HSL 348.93, 0.92%, 0.44%

LAB 45.42, 70.43, 39.17

 

CMYK 0 / 96 / 27 / 47

HEX #880663

RGB 136 6 99

HSL 317.08, 0.92%, 0.28%

LAB 30.07, 55.48, -17.39

 

CMYK 0 / 96 / 27 / 31

HEX #B00780

RGB 176 7 128

HSL 317.04, 0.92%, 0.36%

LAB 39.48, 67.28, -20.59

 

CMYK 0 / 96 / 27 / 16

HEX #D7099D

RGB 215 9 157

HSL 316.89, 0.92%, 0.44%

LAB 48.36, 78.26, -23.91

 

CMYK 0 / 92 / 26 / 4

HEX #F514B5

RGB 245 20 181

HSL 317.07, 0.92%, 0.52%

LAB 55.33, 85.82, -26.84

 

CMYK 0 / 76 / 21 / 3

HEX #F73CC2

RGB 247 60 194

HSL 317.01, 0.92%, 0.6%

LAB 58.88, 80.08, -28.82

 

CMYK 0 / 96 / 27 / 16

HEX #D5099B

RGB 213 9 155

HSL 317.06, 0.92%, 0.44%

LAB 47.89, 77.64, -23.47

 

CMYK 0 / 49 / 96 / 16

HEX #D76D09

RGB 215 109 9

HSL 29.13, 0.92%, 0.44%

LAB 57.47, 36.67, 63.72

 

CMYK 96 / 0 / 11 / 16

HEX #09D7BF

RGB 9 215 191

HSL 173.01, 0.92%, 0.44%

LAB 77.53, -48.86, -0.52

 

CMYK 0 / 96 / 27 / 16

HEX #D5099B

RGB 213 9 155

HSL 317.06, 0.92%, 0.44%

LAB 47.89, 77.64, -23.47

 

CMYK 27 / 0 / 96 / 16

HEX #9DD709

RGB 157 215 9

HSL 76.89, 0.92%, 0.44%

LAB 79.49, -42.45, 77.49

 

CMYK 96 / 27 / 0 / 16

HEX #099DD7

RGB 9 157 215

HSL 196.89, 0.92%, 0.44%

LAB 60.85, -13.32, -38.97

 

CMYK 0 / 96 / 27 / 16

HEX #D5099B

RGB 213 9 155

HSL 317.06, 0.92%, 0.44%

LAB 47.89, 77.64, -23.47

 

CMYK 0 / 49 / 96 / 16

HEX #D76D09

RGB 215 109 9

HSL 29.13, 0.92%, 0.44%

LAB 57.47, 36.67, 63.72

 

CMYK 96 / 0 / 69 / 16

HEX #09D743

RGB 9 215 67

HSL 136.89, 0.92%, 0.44%

LAB 75.49, -72.19, 58.16

 

CMYK 96 / 46 / 0 / 16

HEX #0974D7

RGB 9 116 215

HSL 208.83, 0.92%, 0.44%

LAB 48.83, 10.98, -58.07

 

CMYK 0 / 96 / 27 / 16

HEX #D5099B

RGB 213 9 155

HSL 317.06, 0.92%, 0.44%

LAB 47.89, 77.64, -23.47

 

CMYK 0 / 20 / 96 / 16

HEX #D7AB09

RGB 215 171 9

HSL 47.18, 0.92%, 0.44%

LAB 71.96, 3.63, 73.78

 

CMYK 96 / 0 / 69 / 16

HEX #09D743

RGB 9 215 67

HSL 136.89, 0.92%, 0.44%

LAB 75.49, -72.19, 58.16

 

CMYK 96 / 75 / 0 / 16

HEX #0936D7

RGB 9 54 215

HSL 226.89, 0.92%, 0.44%

LAB 33.14, 50.33, -83.71

 

Description

Color code: HEX #D5099B | qconv.com Color code: HEX #D5099B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 9 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 9 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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