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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4F737 it is the complementary color #2B08C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4F737. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4F737 shade: #D9F732, #EAFF45, #FBFF58, #FFFF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4F737. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4F737 shade: #D4F737, #C3E524, #B2D311, #A1C100 and #90AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4F737 shade: #D4F736, #F7E636, #F7B236, #F77E36 and #F74A36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4F737 shade: #D4F736, #A0F736, #6CF736, #38F736 and #36F768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4F737 shade matches the following richer shades: #D4F736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4F737 shade: #D4F736, #C9E647, #BED558, #B3C469 and #A9B37A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4F737 shade: #F7B036, #F7E336, #D7F736, #A3F736 and #70F736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4F737 shade: #ADD209, #CBF50F, #D4F736, #DCF85E and #E5FA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4F737 shade: #D4F737, #36F77D and #CA36F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4F737 shade: #D4F737, #36D7F7 and #F736D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4F737 shade: #D4F737, #36F77D, #5636F7 and #F736B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4F737 shade: #D4F737, #36F7B7, #5636F7 and #F73676

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 78 / 3

HEX #D4F737

RGB 212 247 55

HSL 70.94, 0.92%, 0.59%

LAB 92.04, -34.16, 80.76

 

Complementary color

CMYK 79 / 96 / 0 / 22

HEX #2B08C8

RGB 43 8 200

HSL 250.94, 0.92%, 0.41%

LAB 26.32, 64.93, -86.28

 

CMYK 12 / 0 / 80 / 3

HEX #D9F732

RGB 217 247 50

HSL 69.14, 0.92%, 0.58%

LAB 92.36, -32.37, 82.49

 

CMYK 8 / 0 / 73 / 0

HEX #EAFF45

RGB 234 255 69

HSL 66.77, 1%, 0.64%

LAB 95.76, -28.57, 80.61

 

CMYK 2 / 0 / 65 / 0

HEX #FBFF58

RGB 251 255 88

HSL 61.44, 1%, 0.67%

LAB 97.12, -20.86, 75.82

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 14 / 0 / 78 / 3

HEX #D4F737

RGB 212 247 55

HSL 70.94, 0.92%, 0.59%

LAB 92.04, -34.16, 80.76

 

CMYK 15 / 0 / 84 / 10

HEX #C3E524

RGB 195 229 36

HSL 70.57, 0.79%, 0.52%

LAB 85.89, -33.3, 79.6

 

CMYK 16 / 0 / 92 / 17

HEX #B2D311

RGB 178 211 17

HSL 70.21, 0.85%, 0.45%

LAB 79.67, -32.26, 77.32

 

CMYK 17 / 0 / 100 / 24

HEX #A1C100

RGB 161 193 0

HSL 69.95, 1%, 0.38%

LAB 73.36, -31.05, 73.78

 

CMYK 18 / 0 / 100 / 31

HEX #90AF00

RGB 144 175 0

HSL 70.63, 1%, 0.34%

LAB 66.97, -29.62, 68.46

 

CMYK 14 / 0 / 78 / 3

HEX #D4F736

RGB 212 247 54

HSL 70.88, 0.92%, 0.59%

LAB 92.04, -34.2, 81.03

 

CMYK 0 / 7 / 78 / 3

HEX #F7E636

RGB 247 230 54

HSL 54.72, 0.92%, 0.59%

LAB 90.15, -11.86, 80.34

 

CMYK 0 / 28 / 78 / 3

HEX #F7B236

RGB 247 178 54

HSL 38.55, 0.92%, 0.59%

LAB 77.21, 14.75, 68.68

 

CMYK 0 / 49 / 78 / 3

HEX #F77E36

RGB 247 126 54

HSL 22.38, 0.92%, 0.59%

LAB 65.72, 41.7, 57.87

 

CMYK 0 / 70 / 78 / 3

HEX #F74A36

RGB 247 74 54

HSL 6.22, 0.92%, 0.59%

LAB 57.02, 64.52, 49.29

 

CMYK 14 / 0 / 78 / 3

HEX #D4F736

RGB 212 247 54

HSL 70.88, 0.92%, 0.59%

LAB 92.04, -34.2, 81.03

 

CMYK 35 / 0 / 78 / 3

HEX #A0F736

RGB 160 247 54

HSL 87.05, 0.92%, 0.59%

LAB 89.05, -53.44, 77.2

 

CMYK 56 / 0 / 78 / 3

HEX #6CF736

RGB 108 247 54

HSL 103.21, 0.92%, 0.59%

LAB 86.99, -68.86, 74.54

 

CMYK 77 / 0 / 78 / 3

HEX #38F736

RGB 56 247 54

HSL 119.38, 0.92%, 0.59%

LAB 85.82, -78.61, 73.02

 

CMYK 78 / 0 / 58 / 3

HEX #36F768

RGB 54 247 104

HSL 135.54, 0.92%, 0.59%

LAB 86.16, -74.34, 54.79

 

CMYK 14 / 0 / 78 / 3

HEX #D4F736

RGB 212 247 54

HSL 70.88, 0.92%, 0.59%

LAB 92.04, -34.2, 81.03

 

CMYK 14 / 0 / 78 / 3

HEX #D4F736

RGB 212 247 54

HSL 70.88, 0.92%, 0.59%

LAB 92.04, -34.2, 81.03

 

CMYK 13 / 0 / 69 / 10

HEX #C9E647

RGB 201 230 71

HSL 70.94, 0.76%, 0.59%

LAB 86.73, -29.93, 70.4

 

CMYK 11 / 0 / 59 / 16

HEX #BED558

RGB 190 213 88

HSL 71.04, 0.6%, 0.59%

LAB 81.42, -25.13, 57.8

 

CMYK 9 / 0 / 46 / 23

HEX #B3C469

RGB 179 196 105

HSL 71.21, 0.44%, 0.59%

LAB 76.12, -19.65, 43.5

 

CMYK 6 / 0 / 32 / 30

HEX #A9B37A

RGB 169 179 122

HSL 70.53, 0.27%, 0.59%

LAB 70.93, -12.94, 28

 

CMYK 0 / 29 / 78 / 3

HEX #F7B036

RGB 247 176 54

HSL 37.93, 0.92%, 0.59%

LAB 76.73, 15.8, 68.24

 

CMYK 0 / 8 / 78 / 3

HEX #F7E336

RGB 247 227 54

HSL 53.78, 0.92%, 0.59%

LAB 89.38, -10.37, 79.66

 

CMYK 13 / 0 / 78 / 3

HEX #D7F736

RGB 215 247 54

HSL 69.95, 0.92%, 0.59%

LAB 92.24, -33.02, 81.28

 

CMYK 34 / 0 / 78 / 3

HEX #A3F736

RGB 163 247 54

HSL 86.11, 0.92%, 0.59%

LAB 89.19, -52.42, 77.39

 

CMYK 55 / 0 / 78 / 3

HEX #70F736

RGB 112 247 54

HSL 101.97, 0.92%, 0.59%

LAB 87.11, -67.86, 74.7

 

CMYK 18 / 0 / 96 / 18

HEX #ADD209

RGB 173 210 9

HSL 71.04, 0.92%, 0.43%

LAB 79.04, -33.93, 77.56

 

CMYK 17 / 0 / 94 / 4

HEX #CBF50F

RGB 203 245 15

HSL 70.96, 0.92%, 0.51%

LAB 90.8, -37.78, 86.95

 

CMYK 14 / 0 / 78 / 3

HEX #D4F736

RGB 212 247 54

HSL 70.88, 0.92%, 0.59%

LAB 92.04, -34.2, 81.03

 

CMYK 11 / 0 / 62 / 3

HEX #DCF85E

RGB 220 248 94

HSL 70.91, 0.92%, 0.67%

LAB 93.08, -29.44, 68.6

 

CMYK 8 / 0 / 47 / 2

HEX #E5FA85

RGB 229 250 133

HSL 70.77, 0.92%, 0.75%

LAB 94.62, -23.71, 53.46

 

CMYK 14 / 0 / 78 / 3

HEX #D4F737

RGB 212 247 55

HSL 70.94, 0.92%, 0.59%

LAB 92.04, -34.16, 80.76

 

CMYK 78 / 0 / 49 / 3

HEX #36F77D

RGB 54 247 125

HSL 142.07, 0.92%, 0.59%

LAB 86.4, -71.47, 45.47

 

CMYK 18 / 78 / 0 / 3

HEX #CA36F7

RGB 202 54 247

HSL 286.01, 0.92%, 0.59%

LAB 53.93, 80.81, -67.12

 

CMYK 14 / 0 / 78 / 3

HEX #D4F737

RGB 212 247 55

HSL 70.94, 0.92%, 0.59%

LAB 92.04, -34.16, 80.76

 

CMYK 78 / 13 / 0 / 3

HEX #36D7F7

RGB 54 215 247

HSL 189.95, 0.92%, 0.59%

LAB 79.67, -29.7, -27.21

 

CMYK 0 / 78 / 13 / 3

HEX #F736D7

RGB 247 54 215

HSL 309.95, 0.92%, 0.59%

LAB 59.27, 84.36, -40.19

 

CMYK 14 / 0 / 78 / 3

HEX #D4F737

RGB 212 247 55

HSL 70.94, 0.92%, 0.59%

LAB 92.04, -34.16, 80.76

 

CMYK 78 / 0 / 49 / 3

HEX #36F77D

RGB 54 247 125

HSL 142.07, 0.92%, 0.59%

LAB 86.4, -71.47, 45.47

 

CMYK 65 / 78 / 0 / 3

HEX #5636F7

RGB 86 54 247

HSL 249.95, 0.92%, 0.59%

LAB 40.13, 64.78, -90.23

 

CMYK 0 / 78 / 29 / 3

HEX #F736B0

RGB 247 54 176

HSL 322.07, 0.92%, 0.59%

LAB 57.6, 79.56, -20.4

 

CMYK 14 / 0 / 78 / 3

HEX #D4F737

RGB 212 247 55

HSL 70.94, 0.92%, 0.59%

LAB 92.04, -34.16, 80.76

 

CMYK 78 / 0 / 26 / 3

HEX #36F7B7

RGB 54 247 183

HSL 160.1, 0.92%, 0.59%

LAB 87.35, -60.66, 17.79

 

CMYK 65 / 78 / 0 / 3

HEX #5636F7

RGB 86 54 247

HSL 249.95, 0.92%, 0.59%

LAB 40.13, 64.78, -90.23

 

CMYK 0 / 78 / 52 / 3

HEX #F73676

RGB 247 54 118

HSL 340.1, 0.92%, 0.59%

LAB 55.81, 74.17, 11.16

 

Description

Color code: HEX #D4F737 | qconv.com Color code: HEX #D4F737 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 247 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 247 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 78 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 78% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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