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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4F590 it is the complementary color #2B0A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4F590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4F590 shade: #D9F58B, #EAFF9E, #FBFFB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4F590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4F590 shade: #D4F590, #C3E37D, #B2D16A, #A1BF57 and #90AD44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4F590 shade: #D3F58F, #EFF58F, #F5DF8F, #F5C48F and #F5A88F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4F590 shade: #D3F58F, #B8F58F, #9DF58F, #8FF59D and #8FF5B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4F590 shade matches the following richer shades: #D3F58F and #D7FE85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4F590 shade: #D3F58F, #D0EB99, #CDE1A3, #C9D7AD and #C6CDB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4F590 shade: #F5DF8F, #F0F58F, #D4F58F, #B9F58F and #9EF58F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4F590 shade: #B6EE44, #C5F169, #D3F58F, #E2F8B5 and #F1FCDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4F590 shade: #D4F590, #8FF5C3 and #EC8FF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4F590 shade: #D4F590, #8FD4F5 and #F58FD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4F590 shade: #D4F590, #8FF5C3, #AF8FF5 and #F58FC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4F590 shade: #D4F590, #8FF5E2, #AF8FF5 and #F58FA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 41 / 4

HEX #D4F590

RGB 212 245 144

HSL 79.6, 0.83%, 0.76%

LAB 92.27, -26.54, 45.05

 

Complementary color

CMYK 61 / 91 / 0 / 56

HEX #2B0A6F

RGB 43 10 111

HSL 259.6, 0.83%, 0.24%

LAB 14.84, 40.63, -50.57

 

CMYK 11 / 0 / 43 / 4

HEX #D9F58B

RGB 217 245 139

HSL 75.85, 0.84%, 0.75%

LAB 92.54, -25.24, 47.87

 

CMYK 8 / 0 / 38 / 0

HEX #EAFF9E

RGB 234 255 158

HSL 72.99, 1%, 0.81%

LAB 96.61, -21.57, 44.07

 

CMYK 2 / 0 / 31 / 0

HEX #FBFFB1

RGB 251 255 177

HSL 63.08, 1%, 0.85%

LAB 98.11, -13.04, 36.92

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 13 / 0 / 41 / 4

HEX #D4F590

RGB 212 245 144

HSL 79.6, 0.83%, 0.76%

LAB 92.27, -26.54, 45.05

 

CMYK 14 / 0 / 45 / 11

HEX #C3E37D

RGB 195 227 125

HSL 78.82, 0.65%, 0.69%

LAB 86.02, -26.44, 46.18

 

CMYK 15 / 0 / 49 / 18

HEX #B2D16A

RGB 178 209 106

HSL 78.06, 0.53%, 0.62%

LAB 79.67, -26.3, 47.31

 

CMYK 16 / 0 / 54 / 25

HEX #A1BF57

RGB 161 191 87

HSL 77.31, 0.45%, 0.55%

LAB 73.24, -26.09, 48.41

 

CMYK 17 / 0 / 61 / 32

HEX #90AD44

RGB 144 173 68

HSL 76.57, 0.44%, 0.47%

LAB 66.7, -25.8, 49.4

 

CMYK 14 / 0 / 42 / 4

HEX #D3F58F

RGB 211 245 143

HSL 80, 0.84%, 0.76%

LAB 92.19, -27.02, 45.42

 

CMYK 2 / 0 / 42 / 4

HEX #EFF58F

RGB 239 245 143

HSL 63.53, 0.84%, 0.76%

LAB 94.16, -16.49, 48.31

 

CMYK 0 / 9 / 42 / 4

HEX #F5DF8F

RGB 245 223 143

HSL 47.06, 0.84%, 0.76%

LAB 89, -3.22, 41.9

 

CMYK 0 / 20 / 42 / 4

HEX #F5C48F

RGB 245 196 143

HSL 31.18, 0.84%, 0.76%

LAB 82.31, 10.7, 33.22

 

CMYK 0 / 31 / 42 / 4

HEX #F5A88F

RGB 245 168 143

HSL 14.71, 0.84%, 0.76%

LAB 75.7, 25.44, 24.39

 

CMYK 14 / 0 / 42 / 4

HEX #D3F58F

RGB 211 245 143

HSL 80, 0.84%, 0.76%

LAB 92.19, -27.02, 45.42

 

CMYK 25 / 0 / 42 / 4

HEX #B8F58F

RGB 184 245 143

HSL 95.88, 0.84%, 0.76%

LAB 90.54, -36.65, 42.98

 

CMYK 36 / 0 / 42 / 4

HEX #9DF58F

RGB 157 245 143

HSL 111.76, 0.84%, 0.76%

LAB 89.14, -45.52, 40.9

 

CMYK 42 / 0 / 36 / 4

HEX #8FF59D

RGB 143 245 157

HSL 128.24, 0.84%, 0.76%

LAB 88.72, -47.59, 33.3

 

CMYK 42 / 0 / 25 / 4

HEX #8FF5B8

RGB 143 245 184

HSL 144.12, 0.84%, 0.76%

LAB 89.21, -42.89, 20.23

 

CMYK 14 / 0 / 42 / 4

HEX #D3F58F

RGB 211 245 143

HSL 80, 0.84%, 0.76%

LAB 92.19, -27.02, 45.42

 

CMYK 15 / 0 / 48 / 0

HEX #D7FE85

RGB 215 254 133

HSL 79.34, 0.98%, 0.76%

LAB 94.75, -30.83, 53.4

 

CMYK 14 / 0 / 42 / 4

HEX #D3F58F

RGB 211 245 143

HSL 80, 0.84%, 0.76%

LAB 92.19, -27.02, 45.42

 

CMYK 11 / 0 / 35 / 8

HEX #D0EB99

RGB 208 235 153

HSL 79.76, 0.67%, 0.76%

LAB 89.45, -22.14, 36.92

 

CMYK 9 / 0 / 28 / 12

HEX #CDE1A3

RGB 205 225 163

HSL 79.35, 0.51%, 0.76%

LAB 86.74, -17.01, 28.2

 

CMYK 7 / 0 / 20 / 16

HEX #C9D7AD

RGB 201 215 173

HSL 80, 0.34%, 0.76%

LAB 83.98, -11.97, 19.18

 

CMYK 3 / 0 / 11 / 20

HEX #C6CDB7

RGB 198 205 183

HSL 79.09, 0.18%, 0.76%

LAB 81.34, -6.3, 10.13

 

CMYK 0 / 9 / 42 / 4

HEX #F5DF8F

RGB 245 223 143

HSL 47.06, 0.84%, 0.76%

LAB 89, -3.22, 41.9

 

CMYK 2 / 0 / 42 / 4

HEX #F0F58F

RGB 240 245 143

HSL 62.94, 0.84%, 0.76%

LAB 94.23, -16.11, 48.42

 

CMYK 13 / 0 / 42 / 4

HEX #D4F58F

RGB 212 245 143

HSL 79.41, 0.84%, 0.76%

LAB 92.26, -26.65, 45.52

 

CMYK 24 / 0 / 42 / 4

HEX #B9F58F

RGB 185 245 143

HSL 95.29, 0.84%, 0.76%

LAB 90.6, -36.31, 43.07

 

CMYK 36 / 0 / 42 / 4

HEX #9EF58F

RGB 158 245 143

HSL 111.18, 0.84%, 0.76%

LAB 89.19, -45.2, 40.97

 

CMYK 24 / 0 / 71 / 7

HEX #B6EE44

RGB 182 238 68

HSL 79.76, 0.83%, 0.6%

LAB 87.73, -41.07, 72.03

 

CMYK 18 / 0 / 56 / 5

HEX #C5F169

RGB 197 241 105

HSL 79.41, 0.83%, 0.68%

LAB 89.77, -34.17, 59.91

 

CMYK 14 / 0 / 42 / 4

HEX #D3F58F

RGB 211 245 143

HSL 80, 0.84%, 0.76%

LAB 92.19, -27.02, 45.42

 

CMYK 9 / 0 / 27 / 3

HEX #E2F8B5

RGB 226 248 181

HSL 79.7, 0.83%, 0.84%

LAB 94.59, -18.2, 29.87

 

CMYK 4 / 0 / 13 / 1

HEX #F1FCDB

RGB 241 252 219

HSL 80, 0.85%, 0.92%

LAB 97.4, -9.23, 14.58

 

CMYK 13 / 0 / 41 / 4

HEX #D4F590

RGB 212 245 144

HSL 79.6, 0.83%, 0.76%

LAB 92.27, -26.54, 45.05

 

CMYK 42 / 0 / 20 / 4

HEX #8FF5C3

RGB 143 245 195

HSL 150.59, 0.84%, 0.76%

LAB 89.43, -40.77, 14.87

 

CMYK 4 / 42 / 0 / 4

HEX #EC8FF5

RGB 236 143 245

HSL 294.71, 0.84%, 0.76%

LAB 72.28, 50.54, -36.66

 

CMYK 13 / 0 / 41 / 4

HEX #D4F590

RGB 212 245 144

HSL 79.6, 0.83%, 0.76%

LAB 92.27, -26.54, 45.05

 

CMYK 42 / 13 / 0 / 4

HEX #8FD4F5

RGB 143 212 245

HSL 199.41, 0.84%, 0.76%

LAB 81.58, -13.35, -22.99

 

CMYK 0 / 42 / 13 / 4

HEX #F58FD4

RGB 245 143 212

HSL 319.41, 0.84%, 0.76%

LAB 72.1, 47.64, -18.73

 

CMYK 13 / 0 / 41 / 4

HEX #D4F590

RGB 212 245 144

HSL 79.6, 0.83%, 0.76%

LAB 92.27, -26.54, 45.05

 

CMYK 42 / 0 / 20 / 4

HEX #8FF5C3

RGB 143 245 195

HSL 150.59, 0.84%, 0.76%

LAB 89.43, -40.77, 14.87

 

CMYK 29 / 42 / 0 / 4

HEX #AF8FF5

RGB 175 143 245

HSL 258.82, 0.84%, 0.76%

LAB 66.02, 33.2, -46.9

 

CMYK 0 / 42 / 22 / 4

HEX #F58FC0

RGB 245 143 192

HSL 331.18, 0.84%, 0.76%

LAB 71.46, 44.64, -8.62

 

CMYK 13 / 0 / 41 / 4

HEX #D4F590

RGB 212 245 144

HSL 79.6, 0.83%, 0.76%

LAB 92.27, -26.54, 45.05

 

CMYK 42 / 0 / 8 / 4

HEX #8FF5E2

RGB 143 245 226

HSL 168.82, 0.84%, 0.76%

LAB 90.15, -34.17, -0.19

 

CMYK 29 / 42 / 0 / 4

HEX #AF8FF5

RGB 175 143 245

HSL 258.82, 0.84%, 0.76%

LAB 66.02, 33.2, -46.9

 

CMYK 0 / 42 / 34 / 4

HEX #F58FA2

RGB 245 143 162

HSL 348.82, 0.84%, 0.76%

LAB 70.64, 40.67, 6.89

 

Description

Color code: HEX #D4F590 | qconv.com Color code: HEX #D4F590 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 245 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 245 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 41% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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