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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4F501 it is the complementary color #2B0AFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4F501. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4F501 shade: #D9F500, #EAFF0F, #FBFF22, #FFFF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4F501. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4F501 shade: #D4F501, #C3E300, #B2D100, #A1BF00 and #90AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4F501 shade: #D3F401, #F4D301, #F49201, #F45001 and #F40F01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4F501 shade: #D3F401, #91F401, #50F401, #0FF401 and #01F435

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4F501 shade matches the following richer shades: #D3F401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4F501 shade: #D3F401, #C4E015, #B6CC29, #A7B83D and #99A450

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4F501 shade: #F49301, #F4D301, #D3F401, #93F401 and #52F401

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4F501 shade: #8CA101, #AFCB01, #D3F401, #E0FE20 and #E6FE49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4F501 shade: #D4F501, #01F452 and #B301F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4F501 shade: #D4F501, #01D3F4 and #F401D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4F501 shade: #D4F501, #01F452, #2201F4 and #F401A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4F501 shade: #D4F501, #01F49B, #2201F4 and #F4015A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 100 / 4

HEX #D4F501

RGB 212 245 1

HSL 68.11, 0.99%, 0.48%

LAB 91.37, -34.35, 88.75

 

Complementary color

CMYK 83 / 96 / 0 / 0

HEX #2B0AFE

RGB 43 10 254

HSL 248.11, 0.99%, 0.52%

LAB 33.75, 77.9, -104.86

 

CMYK 11 / 0 / 100 / 4

HEX #D9F500

RGB 217 245 0

HSL 66.86, 1%, 0.48%

LAB 91.71, -32.35, 89.23

 

CMYK 8 / 0 / 94 / 0

HEX #EAFF0F

RGB 234 255 15

HSL 65.25, 1%, 0.53%

LAB 95.6, -29.98, 91.56

 

CMYK 2 / 0 / 87 / 0

HEX #FBFF22

RGB 251 255 34

HSL 61.09, 1%, 0.57%

LAB 96.88, -22.81, 90.64

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF35

RGB 255 255 53

HSL 60, 1%, 0.6%

LAB 97.24, -20.71, 87.06

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 13 / 0 / 100 / 4

HEX #D4F501

RGB 212 245 1

HSL 68.11, 0.99%, 0.48%

LAB 91.37, -34.35, 88.75

 

CMYK 14 / 0 / 100 / 11

HEX #C3E300

RGB 195 227 0

HSL 68.46, 1%, 0.45%

LAB 85.27, -32.95, 83.74

 

CMYK 15 / 0 / 100 / 18

HEX #B2D100

RGB 178 209 0

HSL 68.9, 1%, 0.41%

LAB 79.08, -31.54, 78.59

 

CMYK 16 / 0 / 100 / 25

HEX #A1BF00

RGB 161 191 0

HSL 69.42, 1%, 0.37%

LAB 72.79, -30.11, 73.35

 

CMYK 17 / 0 / 100 / 32

HEX #90AD00

RGB 144 173 0

HSL 70.06, 1%, 0.34%

LAB 66.38, -28.67, 68.01

 

CMYK 14 / 0 / 100 / 4

HEX #D3F401

RGB 211 244 1

HSL 68.15, 0.99%, 0.48%

LAB 91.03, -34.29, 88.46

 

CMYK 0 / 14 / 100 / 4

HEX #F4D301

RGB 244 211 1

HSL 51.85, 0.99%, 0.48%

LAB 84.91, -4.58, 85.15

 

CMYK 0 / 40 / 100 / 4

HEX #F49201

RGB 244 146 1

HSL 35.8, 0.99%, 0.48%

LAB 69.32, 29.28, 74.54

 

CMYK 0 / 67 / 100 / 4

HEX #F45001

RGB 244 80 1

HSL 19.51, 0.99%, 0.48%

LAB 57.05, 60.4, 67.4

 

CMYK 0 / 94 / 100 / 4

HEX #F40F01

RGB 244 15 1

HSL 3.46, 0.99%, 0.48%

LAB 51.36, 76.34, 64.88

 

CMYK 14 / 0 / 100 / 4

HEX #D3F401

RGB 211 244 1

HSL 68.15, 0.99%, 0.48%

LAB 91.03, -34.29, 88.46

 

CMYK 41 / 0 / 100 / 4

HEX #91F401

RGB 145 244 1

HSL 84.44, 0.99%, 0.48%

LAB 87.35, -58.59, 84.04

 

CMYK 67 / 0 / 100 / 4

HEX #50F401

RGB 80 244 1

HSL 100.49, 0.99%, 0.48%

LAB 85.2, -75.59, 81.44

 

CMYK 94 / 0 / 100 / 4

HEX #0FF401

RGB 15 244 1

HSL 116.54, 0.99%, 0.48%

LAB 84.38, -82.86, 80.43

 

CMYK 100 / 0 / 78 / 4

HEX #01F435

RGB 1 244 53

HSL 132.84, 0.99%, 0.48%

LAB 84.47, -81.6, 71.87

 

CMYK 14 / 0 / 100 / 4

HEX #D3F401

RGB 211 244 1

HSL 68.15, 0.99%, 0.48%

LAB 91.03, -34.29, 88.46

 

CMYK 14 / 0 / 100 / 4

HEX #D3F401

RGB 211 244 1

HSL 68.15, 0.99%, 0.48%

LAB 91.03, -34.29, 88.46

 

CMYK 13 / 0 / 91 / 12

HEX #C4E015

RGB 196 224 21

HSL 68.28, 0.83%, 0.48%

LAB 84.54, -30.92, 81.15

 

CMYK 11 / 0 / 80 / 20

HEX #B6CC29

RGB 182 204 41

HSL 68.1, 0.67%, 0.48%

LAB 78.05, -26.71, 71.29

 

CMYK 9 / 0 / 67 / 28

HEX #A7B83D

RGB 167 184 61

HSL 68.29, 0.5%, 0.48%

LAB 71.44, -22.25, 57.91

 

CMYK 7 / 0 / 51 / 36

HEX #99A450

RGB 153 164 80

HSL 67.86, 0.34%, 0.48%

LAB 64.89, -16.5, 41.83

 

CMYK 0 / 40 / 100 / 4

HEX #F49301

RGB 244 147 1

HSL 36.05, 0.99%, 0.48%

LAB 69.54, 28.75, 74.68

 

CMYK 0 / 14 / 100 / 4

HEX #F4D301

RGB 244 211 1

HSL 51.85, 0.99%, 0.48%

LAB 84.91, -4.58, 85.15

 

CMYK 14 / 0 / 100 / 4

HEX #D3F401

RGB 211 244 1

HSL 68.15, 0.99%, 0.48%

LAB 91.03, -34.29, 88.46

 

CMYK 40 / 0 / 100 / 4

HEX #93F401

RGB 147 244 1

HSL 83.95, 0.99%, 0.48%

LAB 87.44, -57.93, 84.15

 

CMYK 66 / 0 / 100 / 4

HEX #52F401

RGB 82 244 1

HSL 100, 0.99%, 0.48%

LAB 85.25, -75.21, 81.49

 

CMYK 13 / 0 / 99 / 37

HEX #8CA101

RGB 140 161 1

HSL 67.88, 0.99%, 0.32%

LAB 62.56, -24.53, 64.89

 

CMYK 14 / 0 / 100 / 20

HEX #AFCB01

RGB 175 203 1

HSL 68.32, 0.99%, 0.4%

LAB 77.18, -29.95, 76.97

 

CMYK 14 / 0 / 100 / 4

HEX #D3F401

RGB 211 244 1

HSL 68.15, 0.99%, 0.48%

LAB 91.03, -34.29, 88.46

 

CMYK 12 / 0 / 87 / 0

HEX #E0FE20

RGB 224 254 32

HSL 68.11, 0.99%, 0.56%

LAB 94.67, -33.27, 88.38

 

CMYK 9 / 0 / 71 / 0

HEX #E6FE49

RGB 230 254 73

HSL 67.96, 0.99%, 0.64%

LAB 95.24, -29.51, 78.72

 

CMYK 13 / 0 / 100 / 4

HEX #D4F501

RGB 212 245 1

HSL 68.11, 0.99%, 0.48%

LAB 91.37, -34.35, 88.75

 

CMYK 100 / 0 / 66 / 4

HEX #01F452

RGB 1 244 82

HSL 140, 0.99%, 0.48%

LAB 84.65, -79.28, 62.15

 

CMYK 27 / 100 / 0 / 4

HEX #B301F4

RGB 179 1 244

HSL 283.95, 0.99%, 0.48%

LAB 47.15, 85.93, -76.6

 

CMYK 13 / 0 / 100 / 4

HEX #D4F501

RGB 212 245 1

HSL 68.11, 0.99%, 0.48%

LAB 91.37, -34.35, 88.75

 

CMYK 100 / 14 / 0 / 4

HEX #01D3F4

RGB 1 211 244

HSL 188.15, 0.99%, 0.48%

LAB 77.95, -31.4, -28.29

 

CMYK 0 / 100 / 14 / 4

HEX #F401D3

RGB 244 1 211

HSL 308.15, 0.99%, 0.48%

LAB 56.05, 90.59, -43.03

 

CMYK 13 / 0 / 100 / 4

HEX #D4F501

RGB 212 245 1

HSL 68.11, 0.99%, 0.48%

LAB 91.37, -34.35, 88.75

 

CMYK 100 / 0 / 66 / 4

HEX #01F452

RGB 1 244 82

HSL 140, 0.99%, 0.48%

LAB 84.65, -79.28, 62.15

 

CMYK 86 / 100 / 0 / 4

HEX #2201F4

RGB 34 1 244

HSL 248.15, 0.99%, 0.48%

LAB 31.56, 76.7, -102.88

 

CMYK 0 / 100 / 33 / 4

HEX #F401A3

RGB 244 1 163

HSL 320, 0.99%, 0.48%

LAB 53.92, 85.21, -18.46

 

CMYK 13 / 0 / 100 / 4

HEX #D4F501

RGB 212 245 1

HSL 68.11, 0.99%, 0.48%

LAB 91.37, -34.35, 88.75

 

CMYK 100 / 0 / 36 / 4

HEX #01F49B

RGB 1 244 155

HSL 158.02, 0.99%, 0.48%

LAB 85.54, -68.44, 29.55

 

CMYK 86 / 100 / 0 / 4

HEX #2201F4

RGB 34 1 244

HSL 248.15, 0.99%, 0.48%

LAB 31.56, 76.7, -102.88

 

CMYK 0 / 100 / 63 / 4

HEX #F4015A

RGB 244 1 90

HSL 338.02, 0.99%, 0.48%

LAB 51.83, 79.7, 22.5

 

Description

Color code: HEX #D4F501 | qconv.com Color code: HEX #D4F501 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 245 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 245 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 100 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 100% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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