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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4EF3E it is the complementary color #2B10C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4EF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4EF3E shade: #D9EF39, #EAFF4C, #FBFF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4EF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4EF3E shade: #D4EF3E, #C3DD2B, #B2CB18, #A1B905 and #90A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4EF3E shade: #D4EF3E, #EFDA3E, #EFAB3E, #EF7B3E and #EF4B3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4EF3E shade: #D4EF3E, #A4EF3E, #74EF3E, #44EF3E and #3EEF67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4EF3E shade matches the following richer shades: #D4EF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4EF3E shade: #D4EF3E, #C8DE4E, #BDCD5F, #B1BD70 and #A5AC81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4EF3E shade: #EFAB3E, #EFDB3E, #D5EF3E, #A5EF3E and #76EF3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4EF3E shade: #AECA10, #CCEC17, #D4EF3E, #DDF264 and #E5F68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4EF3E shade: #D4EF3E, #3EEF7C and #C33EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4EF3E shade: #D4EF3E, #3ED5EF and #EF3ED5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4EF3E shade: #D4EF3E, #3EEF7C, #583EEF and #EF3EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4EF3E shade: #D4EF3E, #3EEFB1, #583EEF and #EF3E7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

Complementary color

CMYK 78 / 92 / 0 / 24

HEX #2B10C1

RGB 43 16 193

HSL 249.15, 0.85%, 0.41%

LAB 25.96, 61.35, -82.76

 

CMYK 9 / 0 / 76 / 6

HEX #D9EF39

RGB 217 239 57

HSL 67.25, 0.85%, 0.58%

LAB 90.22, -28.4, 78.67

 

CMYK 8 / 0 / 70 / 0

HEX #EAFF4C

RGB 234 255 76

HSL 67.04, 1%, 0.65%

LAB 95.8, -28.25, 78.36

 

CMYK 2 / 0 / 63 / 0

HEX #FBFF5F

RGB 251 255 95

HSL 61.5, 1%, 0.69%

LAB 97.17, -20.46, 73.21

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 12 / 0 / 81 / 13

HEX #C3DD2B

RGB 195 221 43

HSL 68.76, 0.72%, 0.52%

LAB 83.7, -29.37, 76.09

 

CMYK 12 / 0 / 88 / 20

HEX #B2CB18

RGB 178 203 24

HSL 68.38, 0.79%, 0.45%

LAB 77.43, -28.38, 74.46

 

CMYK 13 / 0 / 97 / 27

HEX #A1B905

RGB 161 185 5

HSL 68, 0.95%, 0.37%

LAB 71.07, -27.19, 71.49

 

CMYK 14 / 0 / 100 / 35

HEX #90A700

RGB 144 167 0

HSL 68.26, 1%, 0.33%

LAB 64.62, -25.77, 66.69

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 0 / 9 / 74 / 6

HEX #EFDA3E

RGB 239 218 62

HSL 52.88, 0.85%, 0.59%

LAB 86.43, -8.94, 74.22

 

CMYK 0 / 28 / 74 / 6

HEX #EFAB3E

RGB 239 171 62

HSL 36.95, 0.85%, 0.59%

LAB 74.71, 15.37, 62.98

 

CMYK 0 / 49 / 74 / 6

HEX #EF7B3E

RGB 239 123 62

HSL 20.68, 0.85%, 0.59%

LAB 64.05, 40.42, 52.19

 

CMYK 0 / 69 / 74 / 6

HEX #EF4B3E

RGB 239 75 62

HSL 4.41, 0.85%, 0.59%

LAB 55.82, 61.93, 43.39

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 31 / 0 / 74 / 6

HEX #A4EF3E

RGB 164 239 62

HSL 85.42, 0.85%, 0.59%

LAB 86.98, -48.38, 72.94

 

CMYK 51 / 0 / 74 / 6

HEX #74EF3E

RGB 116 239 62

HSL 101.69, 0.85%, 0.59%

LAB 84.89, -63.53, 70.19

 

CMYK 72 / 0 / 74 / 6

HEX #44EF3E

RGB 68 239 62

HSL 117.97, 0.85%, 0.59%

LAB 83.61, -73.98, 68.49

 

CMYK 74 / 0 / 57 / 6

HEX #3EEF67

RGB 62 239 103

HSL 133.9, 0.85%, 0.59%

LAB 83.83, -70.89, 52.54

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 10 / 0 / 65 / 13

HEX #C8DE4E

RGB 200 222 78

HSL 69.17, 0.69%, 0.59%

LAB 84.52, -26.14, 65.48

 

CMYK 8 / 0 / 54 / 20

HEX #BDCD5F

RGB 189 205 95

HSL 68.73, 0.52%, 0.59%

LAB 79.22, -21.06, 52.14

 

CMYK 6 / 0 / 41 / 26

HEX #B1BD70

RGB 177 189 112

HSL 69.35, 0.37%, 0.59%

LAB 74.13, -16.16, 37.49

 

CMYK 4 / 0 / 25 / 33

HEX #A5AC81

RGB 165 172 129

HSL 69.77, 0.21%, 0.59%

LAB 68.82, -9.84, 21.35

 

CMYK 0 / 28 / 74 / 6

HEX #EFAB3E

RGB 239 171 62

HSL 36.95, 0.85%, 0.59%

LAB 74.71, 15.37, 62.98

 

CMYK 0 / 8 / 74 / 6

HEX #EFDB3E

RGB 239 219 62

HSL 53.22, 0.85%, 0.59%

LAB 86.68, -9.44, 74.47

 

CMYK 11 / 0 / 74 / 6

HEX #D5EF3E

RGB 213 239 62

HSL 68.81, 0.85%, 0.59%

LAB 89.96, -29.8, 76.83

 

CMYK 31 / 0 / 74 / 6

HEX #A5EF3E

RGB 165 239 62

HSL 85.08, 0.85%, 0.59%

LAB 87.04, -48.03, 73.01

 

CMYK 51 / 0 / 74 / 6

HEX #76EF3E

RGB 118 239 62

HSL 101.02, 0.85%, 0.59%

LAB 84.96, -62.98, 70.28

 

CMYK 14 / 0 / 92 / 21

HEX #AECA10

RGB 174 202 16

HSL 69.03, 0.85%, 0.43%

LAB 76.85, -29.71, 75.11

 

CMYK 14 / 0 / 90 / 7

HEX #CCEC17

RGB 204 236 23

HSL 69.01, 0.85%, 0.51%

LAB 88.4, -33.19, 84.16

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 9 / 0 / 59 / 5

HEX #DDF264

RGB 221 242 100

HSL 68.87, 0.85%, 0.67%

LAB 91.59, -25.81, 64.54

 

CMYK 7 / 0 / 44 / 4

HEX #E5F68A

RGB 229 246 138

HSL 69.44, 0.86%, 0.75%

LAB 93.63, -21.3, 49.88

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 74 / 0 / 48 / 6

HEX #3EEF7C

RGB 62 239 124

HSL 141.02, 0.85%, 0.59%

LAB 84.08, -67.96, 43.07

 

CMYK 18 / 74 / 0 / 6

HEX #C33EEF

RGB 195 62 239

HSL 285.08, 0.85%, 0.59%

LAB 53.25, 75.59, -63.79

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 74 / 11 / 0 / 6

HEX #3ED5EF

RGB 62 213 239

HSL 188.81, 0.85%, 0.59%

LAB 78.95, -30.38, -24.03

 

CMYK 0 / 74 / 11 / 6

HEX #EF3ED5

RGB 239 62 213

HSL 308.81, 0.85%, 0.59%

LAB 58.6, 80.25, -40.2

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 74 / 0 / 48 / 6

HEX #3EEF7C

RGB 62 239 124

HSL 141.02, 0.85%, 0.59%

LAB 84.08, -67.96, 43.07

 

CMYK 63 / 74 / 0 / 6

HEX #583EEF

RGB 88 62 239

HSL 248.81, 0.85%, 0.59%

LAB 40.82, 58.92, -84.59

 

CMYK 0 / 74 / 26 / 6

HEX #EF3EB1

RGB 239 62 177

HSL 321.02, 0.85%, 0.59%

LAB 57.05, 75.58, -21.95

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3E

RGB 212 239 62

HSL 69.15, 0.85%, 0.59%

LAB 89.9, -30.2, 76.74

 

CMYK 74 / 0 / 26 / 6

HEX #3EEFB1

RGB 62 239 177

HSL 158.98, 0.85%, 0.59%

LAB 84.96, -58.04, 17.57

 

CMYK 63 / 74 / 0 / 6

HEX #583EEF

RGB 88 62 239

HSL 248.81, 0.85%, 0.59%

LAB 40.82, 58.92, -84.59

 

CMYK 0 / 74 / 48 / 6

HEX #EF3E7C

RGB 239 62 124

HSL 338.98, 0.85%, 0.59%

LAB 55.33, 70.2, 6.7

 

Description

Color code: HEX #D4EF3E | qconv.com Color code: HEX #D4EF3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 239 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 239 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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