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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4EDDC00 it is the complementary color #2B122300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4EDDC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4EDDC00 shade: #D9EDD700, #EAFFEA00, #FBFFFD00 and #FFFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4EDDC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4EDDC00 shade: #D4EDDC00, #C3DBC900, #B2C9B600, #A1B7A300 and #90A59000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4EDDC00 shade: #D4EDDC, #D4EDD5, #D9EDD4, #E0EDD4 and #E7EDD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4EDDC00 shade: #D4EDDC, #D4EDE3, #D4EDE9, #D4EAED and #D4E3ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4EDDC00 shade matches the following richer shades: #D4EDDC, #CFF2DA, #CAF7D8 and #C5FCD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4EDDC00 shade: #D4EDDC, #D9E8DE, #DEE3DF, #E3DEE1 and #E8D9E3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4EDDC00 shade: #D9EDD4, #D4EDD5, #D4EDDC, #D4EDE2 and #D4EDE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4EDDC00 shade: #9AD5AD, #B7E1C4, #D4EDDC, #F1F9F4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4EDDC00 shade: #D4EDDC, #D4E0ED and #EDD4D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4EDDC00 shade: #D4EDDC, #DCD4ED and #EDDCD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4EDDC00 shade: #D4EDDC, #D4E0ED, #EDD4E5 and #EDE1D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4EDDC00 shade: #D4EDDC, #D4D8ED, #EDD4E5 and #EDE8D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #D4EDDC00

RGBA 212 237 220 0

HSLA 139.2, 0.41%, 0.88%, 0

LABA 91.56, -11.35, 5.44, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #2B122300

RGBA 43 18 35 0

HSLA 319.2, 0.41%, 0.12%, 0

LABA 9.54, 15.76, -6.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D9EDD700

RGBA 217 237 215 0

HSLA 114.55, 0.38%, 0.89%, 0

LABA 91.79, -10.57, 8.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EAFFEA00

RGBA 234 255 234 0

HSLA 120, 1%, 0.96%, 0

LABA 98.01, -10.59, 7.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FBFFFD00

RGBA 251 255 253 0

HSLA 150, 1%, 0.99%, 0

LABA 99.66, -1.66, 0.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF00

RGBA 255 255 255 0

HSLA 0, 0%, 1%, 0

LABA 100, 0.01, -0.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D4EDDC00

RGBA 212 237 220 0

HSLA 139.2, 0.41%, 0.88%, 0

LABA 91.56, -11.35, 5.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C3DBC900

RGBA 195 219 201 0

HSLA 135, 0.25%, 0.81%, 0

LABA 85.24, -11.36, 6.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2C9B600

RGBA 178 201 182 0

HSLA 130.43, 0.18%, 0.74%, 0

LABA 78.82, -11.39, 6.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A1B7A300

RGBA 161 183 163 0

HSLA 125.45, 0.13%, 0.67%, 0

LABA 72.29, -11.43, 7.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #90A59000

RGBA 144 165 144 0

HSLA 120, 0.1%, 0.61%, 0

LABA 65.63, -11.47, 8.43, 0

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 11 / 0 / 10 / 7

HEX #D4EDD5

RGB 212 237 213

HSL 122.4, 0.41%, 0.88%

LAB 91.4, -12.6, 8.85

 

CMYK 8 / 0 / 11 / 7

HEX #D9EDD4

RGB 217 237 212

HSL 108, 0.41%, 0.88%

LAB 91.72, -11.09, 9.87

 

CMYK 5 / 0 / 11 / 7

HEX #E0EDD4

RGB 224 237 212

HSL 91.2, 0.41%, 0.88%

LAB 92.21, -8.71, 10.63

 

CMYK 3 / 0 / 11 / 7

HEX #E7EDD4

RGB 231 237 212

HSL 74.4, 0.41%, 0.88%

LAB 92.71, -6.3, 11.42

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 11 / 0 / 4 / 7

HEX #D4EDE3

RGB 212 237 227

HSL 156, 0.41%, 0.88%

LAB 91.73, -10.06, 2.05

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE9

RGB 212 237 233

HSL 170.4, 0.41%, 0.88%

LAB 91.89, -8.93, -0.86

 

CMYK 11 / 1 / 0 / 7

HEX #D4EAED

RGB 212 234 237

HSL 187.2, 0.41%, 0.88%

LAB 91.21, -6.63, -3.93

 

CMYK 11 / 4 / 0 / 7

HEX #D4E3ED

RGB 212 227 237

HSL 204, 0.41%, 0.88%

LAB 89.42, -3.05, -6.58

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 14 / 0 / 10 / 5

HEX #CFF2DA

RGB 207 242 218

HSL 138.86, 0.57%, 0.88%

LAB 92.5, -15.84, 7.79

 

CMYK 18 / 0 / 13 / 3

HEX #CAF7D8

RGB 202 247 216

HSL 138.67, 0.74%, 0.88%

LAB 93.47, -20.28, 10.17

 

CMYK 22 / 0 / 15 / 1

HEX #C5FCD7

RGB 197 252 215

HSL 139.64, 0.9%, 0.88%

LAB 94.48, -24.46, 12.09

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 6 / 0 / 4 / 9

HEX #D9E8DE

RGB 217 232 222

HSL 140, 0.25%, 0.88%

LAB 90.66, -6.8, 3.14

 

CMYK 2 / 0 / 2 / 11

HEX #DEE3DF

RGB 222 227 223

HSL 132, 0.08%, 0.88%

LAB 89.76, -2.39, 1.35

 

CMYK 0 / 2 / 1 / 11

HEX #E3DEE1

RGB 227 222 225

HSL 324, 0.08%, 0.88%

LAB 88.93, 2.23, -0.87

 

CMYK 0 / 6 / 2 / 9

HEX #E8D9E3

RGB 232 217 227

HSL 320, 0.25%, 0.88%

LAB 88.13, 6.88, -3.05

 

CMYK 8 / 0 / 11 / 7

HEX #D9EDD4

RGB 217 237 212

HSL 108, 0.41%, 0.88%

LAB 91.72, -11.09, 9.87

 

CMYK 11 / 0 / 10 / 7

HEX #D4EDD5

RGB 212 237 213

HSL 122.4, 0.41%, 0.88%

LAB 91.4, -12.6, 8.85

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE9

RGB 212 237 233

HSL 170.4, 0.41%, 0.88%

LAB 91.89, -8.93, -0.86

 

CMYK 28 / 0 / 19 / 16

HEX #9AD5AD

RGB 154 213 173

HSL 139.32, 0.41%, 0.72%

LAB 80.45, -26.99, 13.78

 

CMYK 19 / 0 / 13 / 12

HEX #B7E1C4

RGB 183 225 196

HSL 138.57, 0.41%, 0.8%

LAB 85.96, -19.27, 9.7

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 3 / 0 / 2 / 2

HEX #F1F9F4

RGB 241 249 244

HSL 142.5, 0.4%, 0.96%

LAB 97.22, -3.52, 1.47

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 11 / 5 / 0 / 7

HEX #D4E0ED

RGB 212 224 237

HSL 211.2, 0.41%, 0.88%

LAB 88.65, -1.5, -7.72

 

CMYK 0 / 11 / 10 / 7

HEX #EDD4D6

RGB 237 212 214

HSL 355.2, 0.41%, 0.88%

LAB 86.97, 8.99, 2.17

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 7 / 11 / 0 / 7

HEX #DCD4ED

RGB 220 212 237

HSL 259.2, 0.41%, 0.88%

LAB 86.21, 7.37, -11.27

 

CMYK 0 / 7 / 11 / 7

HEX #EDDCD4

RGB 237 220 212

HSL 19.2, 0.41%, 0.88%

LAB 88.9, 4.5, 6.01

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 11 / 5 / 0 / 7

HEX #D4E0ED

RGB 212 224 237

HSL 211.2, 0.41%, 0.88%

LAB 88.65, -1.5, -7.72

 

CMYK 0 / 11 / 3 / 7

HEX #EDD4E5

RGB 237 212 229

HSL 319.2, 0.41%, 0.88%

LAB 87.36, 11.55, -5.19

 

CMYK 0 / 5 / 11 / 7

HEX #EDE1D4

RGB 237 225 212

HSL 31.2, 0.41%, 0.88%

LAB 90.14, 1.92, 7.81

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDC

RGB 212 237 220

HSL 139.2, 0.41%, 0.88%

LAB 91.56, -11.35, 5.44

 

CMYK 11 / 9 / 0 / 7

HEX #D4D8ED

RGB 212 216 237

HSL 230.4, 0.41%, 0.88%

LAB 86.61, 2.67, -10.74

 

CMYK 0 / 11 / 3 / 7

HEX #EDD4E5

RGB 237 212 229

HSL 319.2, 0.41%, 0.88%

LAB 87.36, 11.55, -5.19

 

CMYK 0 / 2 / 11 / 7

HEX #EDE8D4

RGB 237 232 212

HSL 48, 0.41%, 0.88%

LAB 91.9, -1.67, 10.32

 

Description

Color code: HEX #D4EDDC00 | qconv.com Color code: HEX #D4EDDC00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 237 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 237 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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