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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4E356 it is the complementary color #2B1CA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4E356. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4E356 shade: #D9E351, #EAF564, #FBFF77, #FFFF8A and #FFFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4E356. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4E356 shade: #D4E356, #C3D143, #B2BF30, #A1AD1D and #909B0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4E356 shade: #D4E354, #E3CC54, #E3A554, #E37F54 and #E35854

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4E356 shade: #D4E354, #ADE354, #87E354, #60E354 and #54E36E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4E356 shade matches the following richer shades: #D4E354 and #E1F344

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4E356 shade: #D4E354, #C7D364, #BBC374, #AEB384 and #A1A394

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4E356 shade: #E3A554, #E3CB54, #D5E354, #AFE354 and #88E354

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4E356 shade: #B3C520, #CBDD30, #D4E354, #DDE977 and #E6EF9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4E356 shade: #D4E356, #54E37F and #B854E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4E356 shade: #D4E356, #54D5E3 and #E354D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4E356 shade: #D4E356, #54E37F, #6254E3 and #E354B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4E356 shade: #D4E356, #54E3AA, #6254E3 and #E3548D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 62 / 11

HEX #D4E356

RGB 212 227 86

HSL 66.38, 0.72%, 0.61%

LAB 86.8, -23.21, 64.95

 

Complementary color

CMYK 75 / 83 / 0 / 34

HEX #2B1CA9

RGB 43 28 169

HSL 246.38, 0.72%, 0.39%

LAB 24.35, 50.31, -71.12

 

CMYK 4 / 0 / 64 / 11

HEX #D9E351

RGB 217 227 81

HSL 64.11, 0.72%, 0.6%

LAB 87.14, -21.5, 67.42

 

CMYK 4 / 0 / 59 / 4

HEX #EAF564

RGB 234 245 100

HSL 64.55, 0.88%, 0.68%

LAB 93.33, -22.12, 66.71

 

CMYK 2 / 0 / 53 / 0

HEX #FBFF77

RGB 251 255 119

HSL 61.76, 1%, 0.73%

LAB 97.37, -18.82, 63.45

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 7 / 0 / 62 / 11

HEX #D4E356

RGB 212 227 86

HSL 66.38, 0.72%, 0.61%

LAB 86.8, -23.21, 64.95

 

CMYK 7 / 0 / 68 / 18

HEX #C3D143

RGB 195 209 67

HSL 65.92, 0.61%, 0.54%

LAB 80.52, -22.57, 65.5

 

CMYK 7 / 0 / 75 / 25

HEX #B2BF30

RGB 178 191 48

HSL 65.45, 0.6%, 0.47%

LAB 74.15, -21.78, 65.56

 

CMYK 7 / 0 / 83 / 32

HEX #A1AD1D

RGB 161 173 29

HSL 65, 0.71%, 0.4%

LAB 67.69, -20.82, 64.8

 

CMYK 7 / 0 / 94 / 39

HEX #909B0A

RGB 144 155 10

HSL 64.55, 0.88%, 0.32%

LAB 61.13, -19.62, 62.65

 

CMYK 7 / 0 / 63 / 11

HEX #D4E354

RGB 212 227 84

HSL 66.29, 0.72%, 0.61%

LAB 86.79, -23.34, 65.75

 

CMYK 0 / 10 / 63 / 11

HEX #E3CC54

RGB 227 204 84

HSL 50.35, 0.72%, 0.61%

LAB 81.92, -5.75, 60.91

 

CMYK 0 / 27 / 63 / 11

HEX #E3A554

RGB 227 165 84

HSL 33.99, 0.72%, 0.61%

LAB 72.15, 14.69, 50.1

 

CMYK 0 / 44 / 63 / 11

HEX #E37F54

RGB 227 127 84

HSL 18.04, 0.72%, 0.61%

LAB 63.47, 34.86, 39.97

 

CMYK 0 / 61 / 63 / 11

HEX #E35854

RGB 227 88 84

HSL 1.68, 0.72%, 0.61%

LAB 56.04, 53.81, 30.85

 

CMYK 7 / 0 / 63 / 11

HEX #D4E354

RGB 212 227 84

HSL 66.29, 0.72%, 0.61%

LAB 86.79, -23.34, 65.75

 

CMYK 24 / 0 / 63 / 11

HEX #ADE354

RGB 173 227 84

HSL 82.66, 0.72%, 0.61%

LAB 84.21, -38.5, 62.22

 

CMYK 41 / 0 / 63 / 11

HEX #87E354

RGB 135 227 84

HSL 98.6, 0.72%, 0.61%

LAB 82.23, -51.68, 59.5

 

CMYK 58 / 0 / 63 / 11

HEX #60E354

RGB 96 227 84

HSL 114.97, 0.72%, 0.61%

LAB 80.77, -62.57, 57.48

 

CMYK 63 / 0 / 52 / 11

HEX #54E36E

RGB 84 227 110

HSL 130.91, 0.72%, 0.61%

LAB 80.71, -62.13, 45.68

 

CMYK 7 / 0 / 63 / 11

HEX #D4E354

RGB 212 227 84

HSL 66.29, 0.72%, 0.61%

LAB 86.79, -23.34, 65.75

 

CMYK 7 / 0 / 72 / 5

HEX #E1F344

RGB 225 243 68

HSL 66.17, 0.88%, 0.61%

LAB 91.92, -26.6, 77.06

 

CMYK 7 / 0 / 63 / 11

HEX #D4E354

RGB 212 227 84

HSL 66.29, 0.72%, 0.61%

LAB 86.79, -23.34, 65.75

 

CMYK 6 / 0 / 53 / 17

HEX #C7D364

RGB 199 211 100

HSL 66.49, 0.56%, 0.61%

LAB 81.65, -19.58, 52.84

 

CMYK 4 / 0 / 41 / 24

HEX #BBC374

RGB 187 195 116

HSL 66.08, 0.4%, 0.61%

LAB 76.59, -14.79, 38.72

 

CMYK 3 / 0 / 26 / 30

HEX #AEB384

RGB 174 179 132

HSL 66.38, 0.24%, 0.61%

LAB 71.49, -9.61, 23.48

 

CMYK 1 / 0 / 9 / 36

HEX #A1A394

RGB 161 163 148

HSL 68, 0.08%, 0.61%

LAB 66.45, -3.47, 7.54

 

CMYK 0 / 27 / 63 / 11

HEX #E3A554

RGB 227 165 84

HSL 33.99, 0.72%, 0.61%

LAB 72.15, 14.69, 50.1

 

CMYK 0 / 11 / 63 / 11

HEX #E3CB54

RGB 227 203 84

HSL 49.93, 0.72%, 0.61%

LAB 81.67, -5.24, 60.64

 

CMYK 6 / 0 / 63 / 11

HEX #D5E354

RGB 213 227 84

HSL 65.87, 0.72%, 0.61%

LAB 86.86, -22.93, 65.85

 

CMYK 23 / 0 / 63 / 11

HEX #AFE354

RGB 175 227 84

HSL 81.82, 0.72%, 0.61%

LAB 84.32, -37.75, 62.38

 

CMYK 40 / 0 / 63 / 11

HEX #88E354

RGB 136 227 84

HSL 98.18, 0.72%, 0.61%

LAB 82.28, -51.36, 59.56

 

CMYK 9 / 0 / 84 / 23

HEX #B3C520

RGB 179 197 32

HSL 66.55, 0.72%, 0.45%

LAB 75.84, -24.88, 71.55

 

CMYK 8 / 0 / 78 / 13

HEX #CBDD30

RGB 203 221 48

HSL 66.24, 0.72%, 0.53%

LAB 84.29, -25.93, 75.5

 

CMYK 7 / 0 / 63 / 11

HEX #D4E354

RGB 212 227 84

HSL 66.29, 0.72%, 0.61%

LAB 86.79, -23.34, 65.75

 

CMYK 5 / 0 / 49 / 9

HEX #DDE977

RGB 221 233 119

HSL 66.32, 0.72%, 0.69%

LAB 89.38, -19.94, 53.55

 

CMYK 4 / 0 / 35 / 6

HEX #E6EF9B

RGB 230 239 155

HSL 66.43, 0.72%, 0.77%

LAB 92.1, -15.66, 39.67

 

CMYK 7 / 0 / 62 / 11

HEX #D4E356

RGB 212 227 86

HSL 66.38, 0.72%, 0.61%

LAB 86.8, -23.21, 64.95

 

CMYK 63 / 0 / 44 / 11

HEX #54E37F

RGB 84 227 127

HSL 138.04, 0.72%, 0.61%

LAB 80.94, -59.6, 37.72

 

CMYK 19 / 63 / 0 / 11

HEX #B854E3

RGB 184 84 227

HSL 281.96, 0.72%, 0.61%

LAB 54.11, 62.24, -55.75

 

CMYK 7 / 0 / 62 / 11

HEX #D4E356

RGB 212 227 86

HSL 66.38, 0.72%, 0.61%

LAB 86.8, -23.21, 64.95

 

CMYK 63 / 6 / 0 / 11

HEX #54D5E3

RGB 84 213 227

HSL 185.87, 0.72%, 0.61%

LAB 79.05, -30.95, -17.42

 

CMYK 0 / 63 / 6 / 11

HEX #E354D5

RGB 227 84 213

HSL 305.87, 0.72%, 0.61%

LAB 59.41, 69.94, -39.06

 

CMYK 7 / 0 / 62 / 11

HEX #D4E356

RGB 212 227 86

HSL 66.38, 0.72%, 0.61%

LAB 86.8, -23.21, 64.95

 

CMYK 63 / 0 / 44 / 11

HEX #54E37F

RGB 84 227 127

HSL 138.04, 0.72%, 0.61%

LAB 80.94, -59.6, 37.72

 

CMYK 57 / 63 / 0 / 11

HEX #6254E3

RGB 98 84 227

HSL 245.87, 0.72%, 0.61%

LAB 44.92, 44.75, -71.05

 

CMYK 0 / 63 / 19 / 11

HEX #E354B8

RGB 227 84 184

HSL 318.04, 0.72%, 0.61%

LAB 58.16, 65.66, -24.45

 

CMYK 7 / 0 / 62 / 11

HEX #D4E356

RGB 212 227 86

HSL 66.38, 0.72%, 0.61%

LAB 86.8, -23.21, 64.95

 

CMYK 63 / 0 / 25 / 11

HEX #54E3AA

RGB 84 227 170

HSL 156.08, 0.72%, 0.61%

LAB 81.69, -51.5, 16.71

 

CMYK 57 / 63 / 0 / 11

HEX #6254E3

RGB 98 84 227

HSL 245.87, 0.72%, 0.61%

LAB 44.92, 44.75, -71.05

 

CMYK 0 / 63 / 38 / 11

HEX #E3548D

RGB 227 84 141

HSL 336.08, 0.72%, 0.61%

LAB 56.68, 60.35, -1.66

 

Description

Color code: HEX #D4E356 | qconv.com Color code: HEX #D4E356 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 227 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 227 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 62 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 62% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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