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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4DE6D it is the complementary color #2B2192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4DE6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4DE6D shade: #D9DE68, #EAF07B, #FBFF8E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4DE6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4DE6D shade: #D4DE6D, #C3CC5A, #B2BA47, #A1A834 and #909621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4DE6D shade: #D4DE6E, #DECA6E, #DEAB6E, #DE8D6E and #DE6F6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4DE6D shade: #D4DE6E, #B6DE6E, #97DE6E, #79DE6E and #6EDE80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4DE6D shade matches the following richer shades: #D4DE6E, #E0EC5F and #ECFB51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4DE6D shade: #D4DE6E, #C8D07C, #BCC18A, #B0B399 and #A4A4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4DE6D shade: #DEAB6E, #DEC96E, #D5DE6E, #B7DE6E and #99DE6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4DE6D shade: #BDCB2E, #CAD64C, #D4DE6E, #DEE68F and #E8EDB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4DE6D shade: #D4DE6D, #6EDE8D and #BA6EDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4DE6D shade: #D4DE6D, #6ED5DE and #DE6ED5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4DE6D shade: #D4DE6D, #6EDE8D, #776EDE and #DE6EBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4DE6D shade: #D4DE6D, #6EDEAF, #776EDE and #DE6E9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 51 / 13

HEX #D4DE6D

RGB 212 222 109

HSL 65.31, 0.63%, 0.65%

LAB 85.68, -19.02, 53.64

 

Complementary color

CMYK 71 / 77 / 0 / 43

HEX #2B2192

RGB 43 33 146

HSL 245.31, 0.63%, 0.35%

LAB 22.57, 40.58, -59.99

 

CMYK 2 / 0 / 53 / 13

HEX #D9DE68

RGB 217 222 104

HSL 62.54, 0.64%, 0.64%

LAB 86, -17.44, 56.41

 

CMYK 3 / 0 / 49 / 6

HEX #EAF07B

RGB 234 240 123

HSL 63.08, 0.8%, 0.71%

LAB 92.24, -17.9, 55.33

 

CMYK 2 / 0 / 44 / 0

HEX #FBFF8E

RGB 251 255 142

HSL 62.12, 1%, 0.78%

LAB 97.62, -16.84, 53.27

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 5 / 0 / 51 / 13

HEX #D4DE6D

RGB 212 222 109

HSL 65.31, 0.63%, 0.65%

LAB 85.68, -19.02, 53.64

 

CMYK 4 / 0 / 56 / 20

HEX #C3CC5A

RGB 195 204 90

HSL 64.74, 0.53%, 0.58%

LAB 79.34, -18.56, 54.68

 

CMYK 4 / 0 / 62 / 27

HEX #B2BA47

RGB 178 186 71

HSL 64.17, 0.45%, 0.5%

LAB 72.92, -17.99, 55.58

 

CMYK 4 / 0 / 69 / 34

HEX #A1A834

RGB 161 168 52

HSL 63.62, 0.53%, 0.43%

LAB 66.39, -17.29, 56.18

 

CMYK 4 / 0 / 78 / 41

HEX #909621

RGB 144 150 33

HSL 63.08, 0.64%, 0.36%

LAB 59.75, -16.39, 56.15

 

CMYK 5 / 0 / 50 / 13

HEX #D4DE6E

RGB 212 222 110

HSL 65.36, 0.63%, 0.65%

LAB 85.69, -18.93, 53.19

 

CMYK 0 / 9 / 50 / 13

HEX #DECA6E

RGB 222 202 110

HSL 49.29, 0.63%, 0.65%

LAB 81.23, -4.85, 48.07

 

CMYK 0 / 23 / 50 / 13

HEX #DEAB6E

RGB 222 171 110

HSL 32.68, 0.63%, 0.65%

LAB 73.4, 11.43, 38.43

 

CMYK 0 / 36 / 50 / 13

HEX #DE8D6E

RGB 222 141 110

HSL 16.61, 0.63%, 0.65%

LAB 66.29, 27.52, 29.33

 

CMYK 0 / 50 / 50 / 13

HEX #DE6F6E

RGB 222 111 110

HSL 0.54, 0.63%, 0.65%

LAB 59.91, 43.14, 20.86

 

CMYK 5 / 0 / 50 / 13

HEX #D4DE6E

RGB 212 222 110

HSL 65.36, 0.63%, 0.65%

LAB 85.69, -18.93, 53.19

 

CMYK 18 / 0 / 50 / 13

HEX #B6DE6E

RGB 182 222 110

HSL 81.43, 0.63%, 0.65%

LAB 83.61, -30.54, 50.2

 

CMYK 32 / 0 / 50 / 13

HEX #97DE6E

RGB 151 222 110

HSL 98.04, 0.63%, 0.65%

LAB 81.81, -41.67, 47.61

 

CMYK 45 / 0 / 50 / 13

HEX #79DE6E

RGB 121 222 110

HSL 114.11, 0.63%, 0.65%

LAB 80.42, -51.12, 45.61

 

CMYK 50 / 0 / 42 / 13

HEX #6EDE80

RGB 110 222 128

HSL 129.64, 0.63%, 0.65%

LAB 80.24, -51.59, 36.49

 

CMYK 5 / 0 / 50 / 13

HEX #D4DE6E

RGB 212 222 110

HSL 65.36, 0.63%, 0.65%

LAB 85.69, -18.93, 53.19

 

CMYK 5 / 0 / 60 / 7

HEX #E0EC5F

RGB 224 236 95

HSL 65.11, 0.79%, 0.65%

LAB 90.17, -22.12, 65.13

 

CMYK 6 / 0 / 68 / 2

HEX #ECFB51

RGB 236 251 81

HSL 65.29, 0.96%, 0.65%

LAB 94.92, -25.32, 75.79

 

CMYK 5 / 0 / 50 / 13

HEX #D4DE6E

RGB 212 222 110

HSL 65.36, 0.63%, 0.65%

LAB 85.69, -18.93, 53.19

 

CMYK 4 / 0 / 40 / 18

HEX #C8D07C

RGB 200 208 124

HSL 65.71, 0.47%, 0.65%

LAB 81.21, -15.33, 40.73

 

CMYK 3 / 0 / 28 / 24

HEX #BCC18A

RGB 188 193 138

HSL 65.45, 0.31%, 0.65%

LAB 76.48, -10.66, 27.19

 

CMYK 2 / 0 / 15 / 30

HEX #B0B399

RGB 176 179 153

HSL 66.92, 0.15%, 0.65%

LAB 72.07, -5.64, 12.93

 

CMYK 2 / 2 / 0 / 35

HEX #A4A4A7

RGB 164 164 167

HSL 240, 0.02%, 0.65%

LAB 67.45, 0.58, -1.56

 

CMYK 0 / 23 / 50 / 13

HEX #DEAB6E

RGB 222 171 110

HSL 32.68, 0.63%, 0.65%

LAB 73.4, 11.43, 38.43

 

CMYK 0 / 9 / 50 / 13

HEX #DEC96E

RGB 222 201 110

HSL 48.75, 0.63%, 0.65%

LAB 80.98, -4.33, 47.76

 

CMYK 4 / 0 / 50 / 13

HEX #D5DE6E

RGB 213 222 110

HSL 64.82, 0.63%, 0.65%

LAB 85.76, -18.53, 53.29

 

CMYK 18 / 0 / 50 / 13

HEX #B7DE6E

RGB 183 222 110

HSL 80.89, 0.63%, 0.65%

LAB 83.67, -30.17, 50.3

 

CMYK 31 / 0 / 50 / 13

HEX #99DE6E

RGB 153 222 110

HSL 96.96, 0.63%, 0.65%

LAB 81.91, -40.99, 47.77

 

CMYK 7 / 0 / 77 / 20

HEX #BDCB2E

RGB 189 203 46

HSL 65.35, 0.63%, 0.49%

LAB 78.3, -23.13, 70.3

 

CMYK 6 / 0 / 64 / 16

HEX #CAD64C

RGB 202 214 76

HSL 65.22, 0.63%, 0.57%

LAB 82.47, -21.6, 64.18

 

CMYK 5 / 0 / 50 / 13

HEX #D4DE6E

RGB 212 222 110

HSL 65.36, 0.63%, 0.65%

LAB 85.69, -18.93, 53.19

 

CMYK 3 / 0 / 38 / 10

HEX #DEE68F

RGB 222 230 143

HSL 65.52, 0.64%, 0.73%

LAB 88.97, -15.65, 41.48

 

CMYK 2 / 0 / 25 / 7

HEX #E8EDB1

RGB 232 237 177

HSL 65, 0.63%, 0.81%

LAB 92.09, -11.16, 28.59

 

CMYK 5 / 0 / 51 / 13

HEX #D4DE6D

RGB 212 222 109

HSL 65.31, 0.63%, 0.65%

LAB 85.68, -19.02, 53.64

 

CMYK 50 / 0 / 36 / 13

HEX #6EDE8D

RGB 110 222 141

HSL 136.61, 0.63%, 0.65%

LAB 80.45, -49.47, 30.17

 

CMYK 16 / 50 / 0 / 13

HEX #BA6EDE

RGB 186 110 222

HSL 280.71, 0.63%, 0.65%

LAB 58.85, 48.95, -45.38

 

CMYK 5 / 0 / 51 / 13

HEX #D4DE6D

RGB 212 222 109

HSL 65.31, 0.63%, 0.65%

LAB 85.68, -19.02, 53.64

 

CMYK 50 / 4 / 0 / 13

HEX #6ED5DE

RGB 110 213 222

HSL 184.82, 0.63%, 0.65%

LAB 79.71, -27.51, -13.67

 

CMYK 0 / 50 / 4 / 13

HEX #DE6ED5

RGB 222 110 213

HSL 304.82, 0.63%, 0.65%

LAB 62.92, 57.22, -33.64

 

CMYK 5 / 0 / 51 / 13

HEX #D4DE6D

RGB 212 222 109

HSL 65.31, 0.63%, 0.65%

LAB 85.68, -19.02, 53.64

 

CMYK 50 / 0 / 36 / 13

HEX #6EDE8D

RGB 110 222 141

HSL 136.61, 0.63%, 0.65%

LAB 80.45, -49.47, 30.17

 

CMYK 46 / 50 / 0 / 13

HEX #776EDE

RGB 119 110 222

HSL 244.82, 0.63%, 0.65%

LAB 52.23, 32.01, -56.32

 

CMYK 0 / 50 / 14 / 13

HEX #DE6EBE

RGB 222 110 190

HSL 317.14, 0.63%, 0.65%

LAB 62, 53.49, -22.06

 

CMYK 5 / 0 / 51 / 13

HEX #D4DE6D

RGB 212 222 109

HSL 65.31, 0.63%, 0.65%

LAB 85.68, -19.02, 53.64

 

CMYK 50 / 0 / 21 / 13

HEX #6EDEAF

RGB 110 222 175

HSL 154.82, 0.63%, 0.65%

LAB 81.1, -42.94, 13.37

 

CMYK 46 / 50 / 0 / 13

HEX #776EDE

RGB 119 110 222

HSL 244.82, 0.63%, 0.65%

LAB 52.23, 32.01, -56.32

 

CMYK 0 / 50 / 30 / 13

HEX #DE6E9C

RGB 222 110 156

HSL 335.36, 0.63%, 0.65%

LAB 60.85, 48.67, -4.32

 

Description

Color code: HEX #D4DE6D | qconv.com Color code: HEX #D4DE6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 222 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 222 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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