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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4DD46 it is the complementary color #2B22B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4DD46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4DD46 shade: #D9DD41, #EAEF54, #FBFF67, #FFFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4DD46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4DD46 shade: #D4DD46, #C3CB33, #B2B920, #A1A70D and #909500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4DD46 shade: #D4DD46, #DDBD46, #DD9446, #DD6C46 and #DD4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4DD46 shade: #D4DD46, #ABDD46, #82DD46, #5ADD46 and #46DD5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4DD46 shade matches the following richer shades: #D4DD46 and #E4EF34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4DD46 shade: #D4DD46, #C4CB57, #B5BA69, #A5A87B and #95968D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4DD46 shade: #DD9446, #DDBC46, #D5DD46, #ADDD46 and #85DD46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4DD46 shade: #A7B020, #C9D327, #D4DD46, #DCE369 and #E4EA8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4DD46 shade: #D4DD46, #46DD6C and #A846DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4DD46 shade: #D4DD46, #46D5DD and #DD46D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4DD46 shade: #D4DD46, #46DD6C, #4D46DD and #DD46B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4DD46 shade: #D4DD46, #46DD99, #4D46DD and #DD468A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

Complementary color

CMYK 77 / 82 / 0 / 27

HEX #2B22B9

RGB 43 34 185

HSL 243.58, 0.69%, 0.43%

LAB 27.19, 52.42, -75.99

 

CMYK 2 / 0 / 71 / 13

HEX #D9DD41

RGB 217 221 65

HSL 61.54, 0.7%, 0.56%

LAB 85.43, -19.45, 71.62

 

CMYK 2 / 0 / 65 / 6

HEX #EAEF54

RGB 234 239 84

HSL 61.94, 0.83%, 0.63%

LAB 91.62, -20.25, 71.3

 

CMYK 2 / 0 / 60 / 0

HEX #FBFF67

RGB 251 255 103

HSL 61.58, 1%, 0.7%

LAB 97.23, -19.96, 70.08

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 4 / 0 / 75 / 20

HEX #C3CB33

RGB 195 203 51

HSL 63.16, 0.6%, 0.5%

LAB 78.78, -20.42, 69.38

 

CMYK 4 / 0 / 83 / 27

HEX #B2B920

RGB 178 185 32

HSL 62.75, 0.71%, 0.43%

LAB 72.41, -19.4, 68.61

 

CMYK 4 / 0 / 92 / 35

HEX #A1A70D

RGB 161 167 13

HSL 62.34, 0.86%, 0.35%

LAB 65.94, -18.17, 66.56

 

CMYK 3 / 0 / 100 / 42

HEX #909500

RGB 144 149 0

HSL 62.01, 1%, 0.29%

LAB 59.36, -16.7, 62.79

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 0 / 14 / 68 / 13

HEX #DDBD46

RGB 221 189 70

HSL 47.28, 0.69%, 0.57%

LAB 77.41, -1.36, 61.85

 

CMYK 0 / 33 / 68 / 13

HEX #DD9446

RGB 221 148 70

HSL 30.99, 0.69%, 0.57%

LAB 67.27, 20.43, 51.15

 

CMYK 0 / 51 / 68 / 13

HEX #DD6C46

RGB 221 108 70

HSL 15.1, 0.69%, 0.57%

LAB 58.55, 41.4, 41.39

 

CMYK 0 / 68 / 68 / 13

HEX #DD4646

RGB 221 70 70

HSL 0, 0.69%, 0.57%

LAB 52.06, 58.48, 33.76

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 23 / 0 / 68 / 13

HEX #ABDD46

RGB 171 221 70

HSL 79.87, 0.69%, 0.57%

LAB 82.28, -37.54, 65.63

 

CMYK 41 / 0 / 68 / 13

HEX #82DD46

RGB 130 221 70

HSL 96.16, 0.69%, 0.57%

LAB 80.12, -52, 62.73

 

CMYK 59 / 0 / 68 / 13

HEX #5ADD46

RGB 90 221 70

HSL 112.05, 0.69%, 0.57%

LAB 78.65, -63.15, 60.74

 

CMYK 68 / 0 / 59 / 13

HEX #46DD5B

RGB 70 221 91

HSL 128.34, 0.69%, 0.57%

LAB 78.33, -65.13, 51.5

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 5 / 0 / 78 / 6

HEX #E4EF34

RGB 228 239 52

HSL 63.53, 0.85%, 0.57%

LAB 91, -24.13, 81.07

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 3 / 0 / 57 / 20

HEX #C4CB57

RGB 196 203 87

HSL 63.62, 0.53%, 0.57%

LAB 79.12, -17.89, 55.79

 

CMYK 3 / 0 / 44 / 27

HEX #B5BA69

RGB 181 186 105

HSL 63.7, 0.37%, 0.57%

LAB 73.52, -13.8, 40.33

 

CMYK 2 / 0 / 27 / 34

HEX #A5A87B

RGB 165 168 123

HSL 64, 0.21%, 0.57%

LAB 67.6, -8.59, 22.96

 

CMYK 1 / 0 / 6 / 41

HEX #95968D

RGB 149 150 141

HSL 66.67, 0.04%, 0.57%

LAB 61.76, -2.06, 4.61

 

CMYK 0 / 33 / 68 / 13

HEX #DD9446

RGB 221 148 70

HSL 30.99, 0.69%, 0.57%

LAB 67.27, 20.43, 51.15

 

CMYK 0 / 15 / 68 / 13

HEX #DDBC46

RGB 221 188 70

HSL 46.89, 0.69%, 0.57%

LAB 77.15, -0.84, 61.59

 

CMYK 4 / 0 / 68 / 13

HEX #D5DD46

RGB 213 221 70

HSL 63.18, 0.69%, 0.57%

LAB 85.15, -20.85, 69.47

 

CMYK 22 / 0 / 68 / 13

HEX #ADDD46

RGB 173 221 70

HSL 79.07, 0.69%, 0.57%

LAB 82.4, -36.78, 65.8

 

CMYK 40 / 0 / 68 / 13

HEX #85DD46

RGB 133 221 70

HSL 94.97, 0.69%, 0.57%

LAB 80.26, -51.03, 62.92

 

CMYK 5 / 0 / 82 / 31

HEX #A7B020

RGB 167 176 32

HSL 63.75, 0.69%, 0.41%

LAB 69.02, -19.63, 65.36

 

CMYK 5 / 0 / 82 / 17

HEX #C9D327

RGB 201 211 39

HSL 63.49, 0.69%, 0.49%

LAB 81.38, -22.25, 75.25

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 3 / 0 / 54 / 11

HEX #DCE369

RGB 220 227 105

HSL 63.44, 0.69%, 0.65%

LAB 87.57, -18.61, 57.81

 

CMYK 3 / 0 / 41 / 8

HEX #E4EA8B

RGB 228 234 139

HSL 63.79, 0.69%, 0.73%

LAB 90.42, -15.75, 45.38

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 68 / 0 / 51 / 13

HEX #46DD6C

RGB 70 221 108

HSL 135.1, 0.69%, 0.57%

LAB 78.52, -62.91, 43.87

 

CMYK 24 / 68 / 0 / 13

HEX #A846DD

RGB 168 70 221

HSL 278.94, 0.69%, 0.57%

LAB 49.41, 63.69, -60.02

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 68 / 4 / 0 / 13

HEX #46D5DD

RGB 70 213 221

HSL 183.18, 0.69%, 0.57%

LAB 78.53, -34.72, -15.04

 

CMYK 0 / 68 / 4 / 13

HEX #DD46D5

RGB 221 70 213

HSL 303.18, 0.69%, 0.57%

LAB 56.64, 73.74, -43.48

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 68 / 0 / 51 / 13

HEX #46DD6C

RGB 70 221 108

HSL 135.1, 0.69%, 0.57%

LAB 78.52, -62.91, 43.87

 

CMYK 65 / 68 / 0 / 13

HEX #4D46DD

RGB 77 70 221

HSL 242.78, 0.69%, 0.57%

LAB 39.88, 47.87, -75.94

 

CMYK 0 / 68 / 17 / 13

HEX #DD46B7

RGB 221 70 183

HSL 315.1, 0.69%, 0.57%

LAB 55.25, 69.32, -28.45

 

CMYK 4 / 0 / 68 / 13

HEX #D4DD46

RGB 212 221 70

HSL 63.58, 0.69%, 0.57%

LAB 85.07, -21.26, 69.37

 

CMYK 68 / 0 / 31 / 13

HEX #46DD99

RGB 70 221 153

HSL 152.98, 0.69%, 0.57%

LAB 79.22, -55.05, 22.12

 

CMYK 65 / 68 / 0 / 13

HEX #4D46DD

RGB 77 70 221

HSL 242.78, 0.69%, 0.57%

LAB 39.88, 47.87, -75.94

 

CMYK 0 / 68 / 38 / 13

HEX #DD468A

RGB 221 70 138

HSL 332.98, 0.69%, 0.57%

LAB 53.59, 63.81, -4.55

 

Description

Color code: HEX #D4DD46 | qconv.com Color code: HEX #D4DD46 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 221 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 221 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 68 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 68% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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