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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4DBAB it is the complementary color #2B2454. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4DBAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4DBAB shade: #D9DBA6, #EAEDB9, #FBFFCC, #FFFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4DBAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4DBAB shade: #D4DBAB, #C3C998, #B2B785, #A1A572 and #90935F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4DBAB shade: #D3DAA9, #DAD4A9, #DAC7A9, #DAB9A9 and #DAACA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4DBAB shade: #D3DAA9, #C5DAA9, #B8DAA9, #ABDAA9 and #A9DAB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4DBAB shade matches the following richer shades: #D3DAA9, #DAE49F, #E1EE95 and #E8F78B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4DBAB shade: #D3DAA9, #CCD0B3, #C5C6BD, #BEBCC7 and #B7B2D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4DBAB shade: #DAC6A9, #DAD3A9, #D3DAA9, #C6DAA9 and #B9DAA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4DBAB shade: #B5C16F, #C4CD8C, #D3DAA9, #E1E6C6 and #F0F3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4DBAB shade: #D4DBAB, #A9DAB9 and #CDA9DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4DBAB shade: #D4DBAB, #A9D3DA and #DAA9D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4DBAB shade: #D4DBAB, #A9DAB9, #AFA9DA and #DAA9C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4DBAB shade: #D4DBAB, #A9DAC8, #AFA9DA and #DAA9BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 22 / 14

HEX #D4DBAB

RGB 212 219 171

HSL 68.75, 0.4%, 0.76%

LAB 85.81, -10.3, 22.87

 

Complementary color

CMYK 49 / 57 / 0 / 67

HEX #2B2454

RGB 43 36 84

HSL 248.75, 0.4%, 0.24%

LAB 17.53, 17.38, -28.27

 

CMYK 1 / 0 / 24 / 14

HEX #D9DBA6

RGB 217 219 166

HSL 62.26, 0.42%, 0.75%

LAB 86.09, -9.16, 25.92

 

CMYK 1 / 0 / 22 / 7

HEX #EAEDB9

RGB 234 237 185

HSL 63.46, 0.59%, 0.83%

LAB 92.38, -9.33, 24.93

 

CMYK 2 / 0 / 20 / 0

HEX #FBFFCC

RGB 251 255 204

HSL 64.71, 1%, 0.9%

LAB 98.59, -9.47, 23.99

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 3 / 0 / 22 / 14

HEX #D4DBAB

RGB 212 219 171

HSL 68.75, 0.4%, 0.76%

LAB 85.81, -10.3, 22.87

 

CMYK 3 / 0 / 24 / 21

HEX #C3C998

RGB 195 201 152

HSL 67.35, 0.31%, 0.69%

LAB 79.41, -10.17, 23.86

 

CMYK 3 / 0 / 27 / 28

HEX #B2B785

RGB 178 183 133

HSL 66, 0.26%, 0.62%

LAB 72.91, -10.01, 24.91

 

CMYK 2 / 0 / 31 / 35

HEX #A1A572

RGB 161 165 114

HSL 64.71, 0.22%, 0.55%

LAB 66.29, -9.83, 26.02

 

CMYK 2 / 0 / 35 / 42

HEX #90935F

RGB 144 147 95

HSL 63.46, 0.21%, 0.47%

LAB 59.55, -9.6, 27.2

 

CMYK 3 / 0 / 22 / 15

HEX #D3DAA9

RGB 211 218 169

HSL 68.57, 0.4%, 0.76%

LAB 85.43, -10.45, 23.38

 

CMYK 0 / 3 / 22 / 15

HEX #DAD4A9

RGB 218 212 169

HSL 52.65, 0.4%, 0.76%

LAB 84.41, -4.79, 22.06

 

CMYK 0 / 9 / 22 / 15

HEX #DAC7A9

RGB 218 199 169

HSL 36.73, 0.4%, 0.76%

LAB 81.08, 1.96, 17.45

 

CMYK 0 / 15 / 22 / 15

HEX #DAB9A9

RGB 218 185 169

HSL 19.59, 0.4%, 0.76%

LAB 77.56, 9.36, 12.5

 

CMYK 0 / 21 / 22 / 15

HEX #DAACA9

RGB 218 172 169

HSL 3.67, 0.4%, 0.76%

LAB 74.37, 16.34, 7.96

 

CMYK 3 / 0 / 22 / 15

HEX #D3DAA9

RGB 211 218 169

HSL 68.57, 0.4%, 0.76%

LAB 85.43, -10.45, 23.38

 

CMYK 10 / 0 / 22 / 15

HEX #C5DAA9

RGB 197 218 169

HSL 85.71, 0.4%, 0.76%

LAB 84.42, -15.54, 21.83

 

CMYK 16 / 0 / 22 / 15

HEX #B8DAA9

RGB 184 218 169

HSL 101.63, 0.4%, 0.76%

LAB 83.55, -20.14, 20.49

 

CMYK 22 / 0 / 22 / 15

HEX #ABDAA9

RGB 171 218 169

HSL 117.55, 0.4%, 0.76%

LAB 82.74, -24.59, 19.24

 

CMYK 22 / 0 / 17 / 15

HEX #A9DAB4

RGB 169 218 180

HSL 133.47, 0.4%, 0.76%

LAB 82.85, -23.32, 13.59

 

CMYK 3 / 0 / 22 / 15

HEX #D3DAA9

RGB 211 218 169

HSL 68.57, 0.4%, 0.76%

LAB 85.43, -10.45, 23.38

 

CMYK 4 / 0 / 30 / 11

HEX #DAE49F

RGB 218 228 159

HSL 68.7, 0.56%, 0.76%

LAB 88.4, -14.24, 32.63

 

CMYK 5 / 0 / 37 / 7

HEX #E1EE95

RGB 225 238 149

HSL 68.76, 0.72%, 0.76%

LAB 91.38, -17.75, 41.65

 

CMYK 6 / 0 / 44 / 3

HEX #E8F78B

RGB 232 247 139

HSL 68.33, 0.87%, 0.76%

LAB 94.12, -20.54, 50.06

 

CMYK 3 / 0 / 22 / 15

HEX #D3DAA9

RGB 211 218 169

HSL 68.57, 0.4%, 0.76%

LAB 85.43, -10.45, 23.38

 

CMYK 2 / 0 / 14 / 18

HEX #CCD0B3

RGB 204 208 179

HSL 68.28, 0.24%, 0.76%

LAB 82.49, -6.37, 13.95

 

CMYK 1 / 0 / 5 / 22

HEX #C5C6BD

RGB 197 198 189

HSL 66.67, 0.07%, 0.76%

LAB 79.58, -1.96, 4.37

 

CMYK 5 / 6 / 0 / 22

HEX #BEBCC7

RGB 190 188 199

HSL 250.91, 0.09%, 0.76%

LAB 76.7, 2.78, -5.29

 

CMYK 12 / 14 / 0 / 18

HEX #B7B2D0

RGB 183 178 208

HSL 250, 0.24%, 0.76%

LAB 73.84, 7.66, -14.51

 

CMYK 0 / 9 / 22 / 15

HEX #DAC6A9

RGB 218 198 169

HSL 35.51, 0.4%, 0.76%

LAB 80.83, 2.48, 17.09

 

CMYK 0 / 3 / 22 / 15

HEX #DAD3A9

RGB 218 211 169

HSL 51.43, 0.4%, 0.76%

LAB 84.15, -4.28, 21.71

 

CMYK 3 / 0 / 22 / 15

HEX #D3DAA9

RGB 211 218 169

HSL 68.57, 0.4%, 0.76%

LAB 85.43, -10.45, 23.38

 

CMYK 9 / 0 / 22 / 15

HEX #C6DAA9

RGB 198 218 169

HSL 84.49, 0.4%, 0.76%

LAB 84.49, -15.18, 21.94

 

CMYK 15 / 0 / 22 / 15

HEX #B9DAA9

RGB 185 218 169

HSL 100.41, 0.4%, 0.76%

LAB 83.61, -19.79, 20.59

 

CMYK 6 / 0 / 42 / 24

HEX #B5C16F

RGB 181 193 111

HSL 68.78, 0.4%, 0.6%

LAB 75.52, -16.71, 39.8

 

CMYK 4 / 0 / 32 / 20

HEX #C4CD8C

RGB 196 205 140

HSL 68.31, 0.39%, 0.68%

LAB 80.34, -13.46, 31.4

 

CMYK 3 / 0 / 22 / 15

HEX #D3DAA9

RGB 211 218 169

HSL 68.57, 0.4%, 0.76%

LAB 85.43, -10.45, 23.38

 

CMYK 2 / 0 / 14 / 10

HEX #E1E6C6

RGB 225 230 198

HSL 69.38, 0.39%, 0.84%

LAB 90.17, -7.1, 15.04

 

CMYK 1 / 0 / 7 / 5

HEX #F0F3E3

RGB 240 243 227

HSL 71.25, 0.4%, 0.92%

LAB 95.23, -3.76, 7.35

 

CMYK 3 / 0 / 22 / 14

HEX #D4DBAB

RGB 212 219 171

HSL 68.75, 0.4%, 0.76%

LAB 85.81, -10.3, 22.87

 

CMYK 22 / 0 / 15 / 15

HEX #A9DAB9

RGB 169 218 185

HSL 139.59, 0.4%, 0.76%

LAB 82.96, -22.4, 11.11

 

CMYK 6 / 22 / 0 / 15

HEX #CDA9DA

RGB 205 169 218

HSL 284.08, 0.4%, 0.76%

LAB 73.82, 21.86, -19.83

 

CMYK 3 / 0 / 22 / 14

HEX #D4DBAB

RGB 212 219 171

HSL 68.75, 0.4%, 0.76%

LAB 85.81, -10.3, 22.87

 

CMYK 22 / 3 / 0 / 15

HEX #A9D3DA

RGB 169 211 218

HSL 188.57, 0.4%, 0.76%

LAB 81.88, -12.16, -8

 

CMYK 0 / 22 / 3 / 15

HEX #DAA9D3

RGB 218 169 211

HSL 308.57, 0.4%, 0.76%

LAB 74.82, 24.86, -14.38

 

CMYK 3 / 0 / 22 / 14

HEX #D4DBAB

RGB 212 219 171

HSL 68.75, 0.4%, 0.76%

LAB 85.81, -10.3, 22.87

 

CMYK 22 / 0 / 15 / 15

HEX #A9DAB9

RGB 169 218 185

HSL 139.59, 0.4%, 0.76%

LAB 82.96, -22.4, 11.11

 

CMYK 20 / 22 / 0 / 15

HEX #AFA9DA

RGB 175 169 218

HSL 247.35, 0.4%, 0.76%

LAB 71.25, 12.24, -23.97

 

CMYK 0 / 22 / 8 / 15

HEX #DAA9C9

RGB 218 169 201

HSL 320.82, 0.4%, 0.76%

LAB 74.51, 23.09, -9.37

 

CMYK 3 / 0 / 22 / 14

HEX #D4DBAB

RGB 212 219 171

HSL 68.75, 0.4%, 0.76%

LAB 85.81, -10.3, 22.87

 

CMYK 22 / 0 / 8 / 15

HEX #A9DAC8

RGB 169 218 200

HSL 157.96, 0.4%, 0.76%

LAB 83.31, -19.49, 3.67

 

CMYK 20 / 22 / 0 / 15

HEX #AFA9DA

RGB 175 169 218

HSL 247.35, 0.4%, 0.76%

LAB 71.25, 12.24, -23.97

 

CMYK 0 / 22 / 14 / 15

HEX #DAA9BB

RGB 218 169 187

HSL 337.96, 0.4%, 0.76%

LAB 74.11, 20.74, -2.28

 

Description

Color code: HEX #D4DBAB | qconv.com Color code: HEX #D4DBAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 219 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 219 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 22 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 22% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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