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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4D2C4 it is the complementary color #2B2D3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4D2C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4D2C4 shade: #D9D2BF, #EAE4D2, #FBF6E5, #FFFFF8 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4D2C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4D2C4 shade: #D4D2C4, #C3C0B1, #B2AE9E, #A19C8B and #908A78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4D2C4 shade: #D4D2C4, #D4CEC4, #D4C9C4, #D4C5C4 and #D4C4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4D2C4 shade: #D4D2C4, #D2D4C4, #CDD4C4, #C9D4C4 and #C5D4C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4D2C4 shade matches the following richer shades: #D4D2C4, #DCD8BC, #E5DEB3, #EDE5AB and #F5EBA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4D2C4 shade: #D4D2C4, #CCCCCC, #C4C6D4, #BBC0DD and #B3B9E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4D2C4 shade: #D4C9C4, #D4CEC4, #D4D2C4, #D2D4C4 and #CED4C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4D2C4 shade: #B2AE94, #C3C0AC, #D4D2C4, #E5E4DC and #F7F6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4D2C4 shade: #D4D2C4, #C4D4C5 and #CBC4D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4D2C4 shade: #D4D2C4, #C4D4D2 and #D2C4D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4D2C4 shade: #D4D2C4, #C4D4C5, #C4C6D4 and #D4C4D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4D2C4 shade: #D4D2C4, #C4D4CA, #C4C6D4 and #D4C4CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

Complementary color

CMYK 27 / 24 / 0 / 77

HEX #2B2D3B

RGB 43 45 59

HSL 232.5, 0.16%, 0.2%

LAB 18.83, 2.9, -9.19

 

CMYK 0 / 3 / 12 / 15

HEX #D9D2BF

RGB 217 210 191

HSL 43.85, 0.25%, 0.8%

LAB 84.28, -0.8, 10.27

 

CMYK 0 / 3 / 10 / 8

HEX #EAE4D2

RGB 234 228 210

HSL 45, 0.36%, 0.87%

LAB 90.61, -1, 9.5

 

CMYK 0 / 2 / 9 / 2

HEX #FBF6E5

RGB 251 246 229

HSL 46.36, 0.73%, 0.94%

LAB 96.85, -1.18, 8.76

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 0 / 2 / 9 / 24

HEX #C3C0B1

RGB 195 192 177

HSL 50, 0.13%, 0.73%

LAB 77.56, -1.58, 7.92

 

CMYK 0 / 2 / 11 / 30

HEX #B2AE9E

RGB 178 174 158

HSL 48, 0.11%, 0.66%

LAB 71.01, -1.4, 8.71

 

CMYK 0 / 3 / 14 / 37

HEX #A19C8B

RGB 161 156 139

HSL 46.36, 0.1%, 0.59%

LAB 64.34, -1.2, 9.55

 

CMYK 0 / 4 / 17 / 44

HEX #908A78

RGB 144 138 120

HSL 45, 0.1%, 0.52%

LAB 57.52, -0.97, 10.45

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 0 / 3 / 8 / 17

HEX #D4CEC4

RGB 212 206 196

HSL 37.5, 0.16%, 0.8%

LAB 82.98, 0.33, 5.69

 

CMYK 0 / 5 / 8 / 17

HEX #D4C9C4

RGB 212 201 196

HSL 18.75, 0.16%, 0.8%

LAB 81.71, 2.96, 3.85

 

CMYK 0 / 7 / 8 / 17

HEX #D4C5C4

RGB 212 197 196

HSL 3.75, 0.16%, 0.8%

LAB 80.69, 5.07, 2.38

 

CMYK 0 / 8 / 8 / 17

HEX #D4C4C4

RGB 212 196 196

HSL 0, 0.16%, 0.8%

LAB 80.44, 5.6, 2.02

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 1 / 0 / 8 / 17

HEX #D2D4C4

RGB 210 212 196

HSL 67.5, 0.16%, 0.8%

LAB 84.37, -3.5, 7.67

 

CMYK 3 / 0 / 8 / 17

HEX #CDD4C4

RGB 205 212 196

HSL 86.25, 0.16%, 0.8%

LAB 83.99, -5.24, 7.08

 

CMYK 5 / 0 / 8 / 17

HEX #C9D4C4

RGB 201 212 196

HSL 101.25, 0.16%, 0.8%

LAB 83.7, -6.63, 6.62

 

CMYK 7 / 0 / 8 / 17

HEX #C5D4C4

RGB 197 212 196

HSL 116.25, 0.16%, 0.8%

LAB 83.41, -8.01, 6.17

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 0 / 2 / 15 / 14

HEX #DCD8BC

RGB 220 216 188

HSL 52.5, 0.31%, 0.8%

LAB 85.99, -3.3, 14.3

 

CMYK 0 / 3 / 22 / 10

HEX #E5DEB3

RGB 229 222 179

HSL 51.6, 0.49%, 0.8%

LAB 88.04, -4.43, 21.99

 

CMYK 0 / 3 / 28 / 7

HEX #EDE5AB

RGB 237 229 171

HSL 52.73, 0.65%, 0.8%

LAB 90.31, -6.08, 29.33

 

CMYK 0 / 4 / 33 / 4

HEX #F5EBA3

RGB 245 235 163

HSL 52.68, 0.8%, 0.8%

LAB 92.34, -7.07, 36.21

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCC

RGB 204 204 204

HSL 0, 0%, 0.8%

LAB 82.05, 0, -0.01

 

CMYK 8 / 7 / 0 / 17

HEX #C4C6D4

RGB 196 198 212

HSL 232.5, 0.16%, 0.8%

LAB 80.11, 1.99, -7.21

 

CMYK 15 / 13 / 0 / 13

HEX #BBC0DD

RGB 187 192 221

HSL 231.18, 0.33%, 0.8%

LAB 78.16, 4.11, -15.04

 

CMYK 22 / 19 / 0 / 10

HEX #B3B9E5

RGB 179 185 229

HSL 232.8, 0.49%, 0.8%

LAB 76.03, 7.16, -22.64

 

CMYK 0 / 5 / 8 / 17

HEX #D4C9C4

RGB 212 201 196

HSL 18.75, 0.16%, 0.8%

LAB 81.71, 2.96, 3.85

 

CMYK 0 / 3 / 8 / 17

HEX #D4CEC4

RGB 212 206 196

HSL 37.5, 0.16%, 0.8%

LAB 82.98, 0.33, 5.69

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 1 / 0 / 8 / 17

HEX #D2D4C4

RGB 210 212 196

HSL 67.5, 0.16%, 0.8%

LAB 84.37, -3.5, 7.67

 

CMYK 3 / 0 / 8 / 17

HEX #CED4C4

RGB 206 212 196

HSL 82.5, 0.16%, 0.8%

LAB 84.07, -4.9, 7.2

 

CMYK 0 / 2 / 17 / 30

HEX #B2AE94

RGB 178 174 148

HSL 52, 0.16%, 0.64%

LAB 70.78, -3.03, 13.87

 

CMYK 0 / 2 / 12 / 24

HEX #C3C0AC

RGB 195 192 172

HSL 52.17, 0.16%, 0.72%

LAB 77.45, -2.42, 10.45

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 0 / 0 / 4 / 10

HEX #E5E4DC

RGB 229 228 220

HSL 53.33, 0.15%, 0.88%

LAB 90.47, -1.06, 4.01

 

CMYK 0 / 0 / 1 / 3

HEX #F7F6F4

RGB 247 246 244

HSL 40, 0.16%, 0.96%

LAB 96.91, -0.01, 1.07

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 8 / 0 / 7 / 17

HEX #C4D4C5

RGB 196 212 197

HSL 123.75, 0.16%, 0.8%

LAB 83.37, -8.17, 5.56

 

CMYK 4 / 8 / 0 / 17

HEX #CBC4D4

RGB 203 196 212

HSL 266.25, 0.16%, 0.8%

LAB 80.14, 5.4, -7.11

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 8 / 0 / 1 / 17

HEX #C4D4D2

RGB 196 212 210

HSL 172.5, 0.16%, 0.8%

LAB 83.69, -5.75, -0.87

 

CMYK 1 / 8 / 0 / 17

HEX #D2C4D4

RGB 210 196 212

HSL 292.5, 0.16%, 0.8%

LAB 80.7, 7.77, -6.22

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 8 / 0 / 7 / 17

HEX #C4D4C5

RGB 196 212 197

HSL 123.75, 0.16%, 0.8%

LAB 83.37, -8.17, 5.56

 

CMYK 8 / 7 / 0 / 17

HEX #C4C6D4

RGB 196 198 212

HSL 232.5, 0.16%, 0.8%

LAB 80.11, 1.99, -7.21

 

CMYK 0 / 8 / 0 / 17

HEX #D4C4D3

RGB 212 196 211

HSL 303.75, 0.16%, 0.8%

LAB 80.84, 8.27, -5.46

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C4

RGB 212 210 196

HSL 52.5, 0.16%, 0.8%

LAB 84.01, -1.75, 7.17

 

CMYK 8 / 0 / 5 / 17

HEX #C4D4CA

RGB 196 212 202

HSL 142.5, 0.16%, 0.8%

LAB 83.49, -7.26, 3.08

 

CMYK 8 / 7 / 0 / 17

HEX #C4C6D4

RGB 196 198 212

HSL 232.5, 0.16%, 0.8%

LAB 80.11, 1.99, -7.21

 

CMYK 0 / 8 / 3 / 17

HEX #D4C4CE

RGB 212 196 206

HSL 322.5, 0.16%, 0.8%

LAB 80.7, 7.36, -2.97

 

Description

Color code: HEX #D4D2C4 | qconv.com Color code: HEX #D4D2C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 210 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 210 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 8 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 8% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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