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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4D12B it is the complementary color #2B2ED4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4D12B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4D12B shade: #D9D126, #EAE339, #FBF54C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4D12B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4D12B shade: #D4D12B, #C3BF18, #B2AD05, #A19B00 and #908900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4D12B shade: #D4D12B, #D4A32B, #D4762B, #D4482B and #D42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4D12B shade: #D4D12B, #A9D42B, #7CD42B, #4ED42B and #2BD436

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4D12B shade matches the following richer shades: #D4D12B, #E8E517 and #FDF802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4D12B shade: #D4D12B, #BFBD40, #AAA955, #969569 and #81817E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4D12B shade: #D4742B, #D4A12B, #D4CE2B, #ACD42B and #80D42B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4D12B shade: #8F8D1D, #B1AF24, #D4D12B, #DBD84E and #E2E070

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4D12B shade: #D4D12B, #2BD447 and #8B2BD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4D12B shade: #D4D12B, #2BD4CE and #CE2BD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4D12B shade: #D4D12B, #2BD447, #2B31D4 and #D42BB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4D12B shade: #D4D12B, #2BD47A, #2B31D4 and #D42B85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

Complementary color

CMYK 80 / 78 / 0 / 17

HEX #2B2ED4

RGB 43 46 212

HSL 238.93, 0.66%, 0.5%

LAB 32.3, 54.94, -83.33

 

CMYK 0 / 4 / 82 / 15

HEX #D9D126

RGB 217 209 38

HSL 57.32, 0.7%, 0.5%

LAB 82.11, -14.54, 76.62

 

CMYK 0 / 3 / 76 / 8

HEX #EAE339

RGB 234 227 57

HSL 57.63, 0.81%, 0.57%

LAB 88.32, -15.69, 77.41

 

CMYK 0 / 2 / 70 / 2

HEX #FBF54C

RGB 251 245 76

HSL 57.94, 0.96%, 0.64%

LAB 94.46, -16.67, 77.49

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 0 / 2 / 88 / 24

HEX #C3BF18

RGB 195 191 24

HSL 58.6, 0.78%, 0.43%

LAB 75.41, -15.28, 73.37

 

CMYK 0 / 3 / 97 / 30

HEX #B2AD05

RGB 178 173 5

HSL 58.27, 0.95%, 0.36%

LAB 69.01, -13.84, 70.53

 

CMYK 0 / 4 / 100 / 37

HEX #A19B00

RGB 161 155 0

HSL 57.76, 1%, 0.32%

LAB 62.52, -12.16, 65.76

 

CMYK 0 / 5 / 100 / 44

HEX #908900

RGB 144 137 0

HSL 57.08, 1%, 0.28%

LAB 55.91, -10.35, 60.27

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 0 / 23 / 80 / 17

HEX #D4A32B

RGB 212 163 43

HSL 42.6, 0.66%, 0.5%

LAB 69.73, 7.3, 64.28

 

CMYK 0 / 44 / 80 / 17

HEX #D4762B

RGB 212 118 43

HSL 26.63, 0.66%, 0.5%

LAB 59.09, 31.49, 54.54

 

CMYK 0 / 66 / 80 / 17

HEX #D4482B

RGB 212 72 43

HSL 10.3, 0.66%, 0.5%

LAB 50.46, 53.61, 46.27

 

CMYK 0 / 80 / 80 / 17

HEX #D42B2B

RGB 212 43 43

HSL 0, 0.66%, 0.5%

LAB 46.84, 63.6, 42.68

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 20 / 0 / 80 / 17

HEX #A9D42B

RGB 169 212 43

HSL 75.27, 0.66%, 0.5%

LAB 79.44, -35.62, 71.66

 

CMYK 42 / 0 / 80 / 17

HEX #7CD42B

RGB 124 212 43

HSL 91.24, 0.66%, 0.5%

LAB 77.01, -52.01, 68.55

 

CMYK 63 / 0 / 80 / 17

HEX #4ED42B

RGB 78 212 43

HSL 107.57, 0.66%, 0.5%

LAB 75.38, -64.69, 66.44

 

CMYK 80 / 0 / 75 / 17

HEX #2BD436

RGB 43 212 54

HSL 123.91, 0.66%, 0.5%

LAB 74.74, -69.89, 62.18

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 0 / 1 / 90 / 9

HEX #E8E517

RGB 232 229 23

HSL 59.14, 0.82%, 0.5%

LAB 88.57, -18.38, 85.18

 

CMYK 0 / 2 / 99 / 1

HEX #FDF802

RGB 253 248 2

HSL 58.8, 0.98%, 0.5%

LAB 95.17, -19.03, 92.83

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 0 / 1 / 66 / 25

HEX #BFBD40

RGB 191 189 64

HSL 59.06, 0.5%, 0.5%

LAB 74.72, -14.47, 60.68

 

CMYK 0 / 1 / 50 / 33

HEX #AAA955

RGB 170 169 85

HSL 59.29, 0.33%, 0.5%

LAB 67.71, -11.51, 43.04

 

CMYK 0 / 1 / 30 / 41

HEX #969569

RGB 150 149 105

HSL 58.67, 0.18%, 0.5%

LAB 60.78, -6.9, 23.44

 

CMYK 0 / 0 / 2 / 49

HEX #81817E

RGB 129 129 126

HSL 60, 0.01%, 0.5%

LAB 53.89, -0.59, 1.62

 

CMYK 0 / 45 / 80 / 17

HEX #D4742B

RGB 212 116 43

HSL 25.92, 0.66%, 0.5%

LAB 58.66, 32.54, 54.13

 

CMYK 0 / 24 / 80 / 17

HEX #D4A12B

RGB 212 161 43

HSL 41.89, 0.66%, 0.5%

LAB 69.23, 8.37, 63.83

 

CMYK 0 / 3 / 80 / 17

HEX #D4CE2B

RGB 212 206 43

HSL 57.87, 0.66%, 0.5%

LAB 80.91, -15.02, 74.16

 

CMYK 19 / 0 / 80 / 17

HEX #ACD42B

RGB 172 212 43

HSL 74.2, 0.66%, 0.5%

LAB 79.63, -34.44, 71.9

 

CMYK 40 / 0 / 80 / 17

HEX #80D42B

RGB 128 212 43

HSL 89.82, 0.66%, 0.5%

LAB 77.19, -50.69, 68.78

 

CMYK 0 / 1 / 80 / 44

HEX #8F8D1D

RGB 143 141 29

HSL 58.95, 0.66%, 0.34%

LAB 57.05, -12.26, 54.95

 

CMYK 0 / 1 / 80 / 31

HEX #B1AF24

RGB 177 175 36

HSL 59.15, 0.66%, 0.42%

LAB 69.57, -14.65, 65.05

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 0 / 1 / 64 / 14

HEX #DBD84E

RGB 219 216 78

HSL 58.72, 0.66%, 0.58%

LAB 84.34, -15.48, 65.74

 

CMYK 0 / 1 / 50 / 11

HEX #E2E070

RGB 226 224 112

HSL 58.95, 0.66%, 0.66%

LAB 87.31, -14.17, 54.44

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 80 / 0 / 67 / 17

HEX #2BD447

RGB 43 212 71

HSL 129.94, 0.66%, 0.5%

LAB 74.86, -68.41, 55.99

 

CMYK 34 / 80 / 0 / 17

HEX #8B2BD4

RGB 139 43 212

HSL 274.08, 0.66%, 0.5%

LAB 41.17, 66.93, -68.41

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 80 / 0 / 3 / 17

HEX #2BD4CE

RGB 43 212 206

HSL 177.87, 0.66%, 0.5%

LAB 77.31, -41.53, -8.85

 

CMYK 3 / 80 / 0 / 17

HEX #CE2BD4

RGB 206 43 212

HSL 297.87, 0.66%, 0.5%

LAB 51.39, 78.54, -51.4

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 80 / 0 / 67 / 17

HEX #2BD447

RGB 43 212 71

HSL 129.94, 0.66%, 0.5%

LAB 74.86, -68.41, 55.99

 

CMYK 80 / 77 / 0 / 17

HEX #2B31D4

RGB 43 49 212

HSL 237.87, 0.66%, 0.5%

LAB 32.84, 53.4, -82.44

 

CMYK 0 / 80 / 13 / 17

HEX #D42BB8

RGB 212 43 184

HSL 309.94, 0.66%, 0.5%

LAB 50.9, 75.61, -35.93

 

CMYK 0 / 1 / 80 / 17

HEX #D4D12B

RGB 212 209 43

HSL 58.93, 0.66%, 0.5%

LAB 81.71, -16.51, 74.86

 

CMYK 80 / 0 / 42 / 17

HEX #2BD47A

RGB 43 212 122

HSL 148.05, 0.66%, 0.5%

LAB 75.45, -61.3, 32.98

 

CMYK 80 / 77 / 0 / 17

HEX #2B31D4

RGB 43 49 212

HSL 237.87, 0.66%, 0.5%

LAB 32.84, 53.4, -82.44

 

CMYK 0 / 80 / 37 / 17

HEX #D42B85

RGB 212 43 133

HSL 328.05, 0.66%, 0.5%

LAB 48.78, 69.5, -8.87

 

Description

Color code: HEX #D4D12B | qconv.com Color code: HEX #D4D12B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 209 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 209 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 80 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 80% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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