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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4CFDB3F it is the complementary color #2B30243F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4CFDB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4CFDB3F shade: #D9CFD63F, #EAE1E93F, #FBF3FC3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4CFDB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4CFDB3F shade: #D4CFDB3F, #C3BDC83F, #B2ABB53F, #A199A23F and #90878F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4CFDB3F shade: #D5D0DC, #D8D0DC, #DBD0DC, #DCD0D9 and #DCD0D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4CFDB3F shade: #D5D0DC, #D2D0DC and #D0D0DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4CFDB3F shade matches the following richer shades: #D5D0DC, #D4CAE3, #D3C3E9, #D2BDF0 and #D1B6F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4CFDB3F shade: #D5D0DC, #D6D7D5, #D7DECF, #D9E4C8 and #DAEBC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4CFDB3F shade: #D0D2DC, #D2D0DC, #D5D0DC, #D8D0DC and #DBD0DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4CFDB3F shade: #ABA1B8, #C0B9CA, #D5D0DC, #EAE8EE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4CFDB3F shade: #D4CFDB, #DCD0D5 and #D0DCD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4CFDB3F shade: #D4CFDB, #DCD5D0 and #D0DCD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4CFDB3F shade: #D4CFDB, #DCD0D5, #D7DCD0 and #D0DCD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4CFDB3F shade: #D4CFDB, #DCD0D1, #D7DCD0 and #D0DCDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 1 / 0 / 4

HEX #D4CFDB3F

RGBA 212 207 219 0.25

HSLA 265, 0.14%, 0.84%, 0.25

LABA 83.83, 3.92, -5.32, 0.25

 

Complementary color

CMYK 3 / 0 / 6 / 20

HEX #2B30243F

RGBA 43 48 36 0.25

HSLA 85, 0.14%, 0.16%, 0.25

LABA 19.03, -4.9, 6.98, 0.25

 

CMYK 0 / 1 / 0 / 4

HEX #D9CFD63F

RGBA 217 207 214 0.25

HSLA 318, 0.12%, 0.83%, 0.25

LABA 84.09, 4.69, -2.24, 0.25

 

CMYK 0 / 1 / 0 / 2

HEX #EAE1E93F

RGBA 234 225 233 0.25

HSLA 306.67, 0.18%, 0.9%, 0.25

LABA 90.43, 4.46, -2.81, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FBF3FC3F

RGBA 251 243 252 0.25

HSLA 293.33, 0.6%, 0.97%, 0.25

LABA 96.67, 4.25, -3.38, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 1 / 1 / 0 / 4

HEX #D4CFDB3F

RGBA 212 207 219 0.25

HSLA 265, 0.14%, 0.84%, 0.25

LABA 83.83, 3.92, -5.32, 0.25

 

CMYK 1 / 1 / 0 / 5

HEX #C3BDC83F

RGBA 195 189 200 0.25

HSLA 272.73, 0.09%, 0.76%, 0.25

LABA 77.38, 4.14, -4.79, 0.25

 

CMYK 0 / 1 / 0 / 7

HEX #B2ABB53F

RGBA 178 171 181 0.25

HSLA 282, 0.06%, 0.69%, 0.25

LABA 70.82, 4.37, -4.23, 0.25

 

CMYK 0 / 1 / 0 / 9

HEX #A199A23F

RGBA 161 153 162 0.25

HSLA 293.33, 0.05%, 0.62%, 0.25

LABA 64.14, 4.62, -3.66, 0.25

 

CMYK 0 / 2 / 0 / 11

HEX #90878F3F

RGBA 144 135 143 0.25

HSLA 306.67, 0.04%, 0.55%, 0.25

LABA 57.31, 4.9, -3.07, 0.25

 

CMYK 3 / 5 / 0 / 14

HEX #D5D0DC

RGB 213 208 220

HSL 265, 0.15%, 0.84%

LAB 84.19, 3.91, -5.32

 

CMYK 2 / 5 / 0 / 14

HEX #D8D0DC

RGB 216 208 220

HSL 280, 0.15%, 0.84%

LAB 84.42, 4.92, -4.95

 

CMYK 0 / 5 / 0 / 14

HEX #DBD0DC

RGB 219 208 220

HSL 295, 0.15%, 0.84%

LAB 84.66, 5.94, -4.57

 

CMYK 0 / 5 / 1 / 14

HEX #DCD0D9

RGB 220 208 217

HSL 315, 0.15%, 0.84%

LAB 84.66, 5.73, -2.97

 

CMYK 0 / 5 / 3 / 14

HEX #DCD0D6

RGB 220 208 214

HSL 330, 0.15%, 0.84%

LAB 84.58, 5.2, -1.49

 

CMYK 3 / 5 / 0 / 14

HEX #D5D0DC

RGB 213 208 220

HSL 265, 0.15%, 0.84%

LAB 84.19, 3.91, -5.32

 

CMYK 5 / 5 / 0 / 14

HEX #D2D0DC

RGB 210 208 220

HSL 250, 0.15%, 0.84%

LAB 83.96, 2.91, -5.69

 

CMYK 5 / 5 / 0 / 14

HEX #D0D0DC

RGB 208 208 220

HSL 240, 0.15%, 0.84%

LAB 83.8, 2.24, -5.93

 

CMYK 3 / 5 / 0 / 14

HEX #D5D0DC

RGB 213 208 220

HSL 265, 0.15%, 0.84%

LAB 84.19, 3.91, -5.32

 

CMYK 7 / 11 / 0 / 11

HEX #D4CAE3

RGB 212 202 227

HSL 264, 0.31%, 0.84%

LAB 82.8, 8.1, -11.12

 

CMYK 9 / 16 / 0 / 9

HEX #D3C3E9

RGB 211 195 233

HSL 265.26, 0.46%, 0.84%

LAB 81.16, 12.7, -16.79

 

CMYK 13 / 21 / 0 / 6

HEX #D2BDF0

RGB 210 189 240

HSL 264.71, 0.63%, 0.84%

LAB 79.83, 17.04, -22.56

 

CMYK 15 / 26 / 0 / 4

HEX #D1B6F6

RGB 209 182 246

HSL 265.31, 0.78%, 0.84%

LAB 78.27, 21.78, -28.18

 

CMYK 3 / 5 / 0 / 14

HEX #D5D0DC

RGB 213 208 220

HSL 265, 0.15%, 0.84%

LAB 84.19, 3.91, -5.32

 

CMYK 0 / 0 / 1 / 16

HEX #D6D7D5

RGB 214 215 213

HSL 90, 0.02%, 0.84%

LAB 85.86, -0.7, 0.86

 

CMYK 3 / 0 / 7 / 13

HEX #D7DECF

RGB 215 222 207

HSL 88, 0.19%, 0.84%

LAB 87.58, -5.03, 6.53

 

CMYK 5 / 0 / 12 / 11

HEX #D9E4C8

RGB 217 228 200

HSL 83.57, 0.34%, 0.84%

LAB 89.12, -8.57, 12.41

 

CMYK 7 / 0 / 17 / 8

HEX #DAEBC2

RGB 218 235 194

HSL 84.88, 0.51%, 0.84%

LAB 90.88, -12.71, 18.03

 

CMYK 5 / 5 / 0 / 14

HEX #D0D2DC

RGB 208 210 220

HSL 230, 0.15%, 0.84%

LAB 84.31, 1.19, -5.17

 

CMYK 5 / 5 / 0 / 14

HEX #D2D0DC

RGB 210 208 220

HSL 250, 0.15%, 0.84%

LAB 83.96, 2.91, -5.69

 

CMYK 3 / 5 / 0 / 14

HEX #D5D0DC

RGB 213 208 220

HSL 265, 0.15%, 0.84%

LAB 84.19, 3.91, -5.32

 

CMYK 2 / 5 / 0 / 14

HEX #D8D0DC

RGB 216 208 220

HSL 280, 0.15%, 0.84%

LAB 84.42, 4.92, -4.95

 

CMYK 0 / 5 / 0 / 14

HEX #DBD0DC

RGB 219 208 220

HSL 295, 0.15%, 0.84%

LAB 84.66, 5.94, -4.57

 

CMYK 7 / 13 / 0 / 28

HEX #ABA1B8

RGB 171 161 184

HSL 266.09, 0.14%, 0.68%

LAB 67.73, 8.05, -10.54

 

CMYK 5 / 8 / 0 / 21

HEX #C0B9CA

RGB 192 185 202

HSL 264.71, 0.14%, 0.76%

LAB 76.17, 5.65, -7.68

 

CMYK 3 / 5 / 0 / 14

HEX #D5D0DC

RGB 213 208 220

HSL 265, 0.15%, 0.84%

LAB 84.19, 3.91, -5.32

 

CMYK 2 / 3 / 0 / 7

HEX #EAE8EE

RGB 234 232 238

HSL 260, 0.15%, 0.92%

LAB 92.3, 1.75, -2.68

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 3 / 5 / 0 / 14

HEX #D4CFDB

RGB 212 207 219

HSL 265, 0.14%, 0.84%

LAB 83.83, 3.92, -5.32

 

CMYK 0 / 5 / 3 / 14

HEX #DCD0D5

RGB 220 208 213

HSL 335, 0.15%, 0.84%

LAB 84.55, 5.02, -0.99

 

CMYK 5 / 0 / 5 / 14

HEX #D0DCD1

RGB 208 220 209

HSL 125, 0.15%, 0.84%

LAB 86.6, -6.04, 4

 

CMYK 3 / 5 / 0 / 14

HEX #D4CFDB

RGB 212 207 219

HSL 265, 0.14%, 0.84%

LAB 83.83, 3.92, -5.32

 

CMYK 0 / 3 / 5 / 14

HEX #DCD5D0

RGB 220 213 208

HSL 25, 0.15%, 0.84%

LAB 85.68, 1.53, 3.31

 

CMYK 5 / 0 / 3 / 14

HEX #D0DCD5

RGB 208 220 213

HSL 145, 0.15%, 0.84%

LAB 86.7, -5.31, 2.03

 

CMYK 3 / 5 / 0 / 14

HEX #D4CFDB

RGB 212 207 219

HSL 265, 0.14%, 0.84%

LAB 83.83, 3.92, -5.32

 

CMYK 0 / 5 / 3 / 14

HEX #DCD0D5

RGB 220 208 213

HSL 335, 0.15%, 0.84%

LAB 84.55, 5.02, -0.99

 

CMYK 2 / 0 / 5 / 14

HEX #D7DCD0

RGB 215 220 208

HSL 85, 0.15%, 0.84%

LAB 87.09, -3.83, 5.29

 

CMYK 5 / 0 / 2 / 14

HEX #D0DCD8

RGB 208 220 216

HSL 160, 0.15%, 0.84%

LAB 86.78, -4.76, 0.56

 

CMYK 3 / 5 / 0 / 14

HEX #D4CFDB

RGB 212 207 219

HSL 265, 0.14%, 0.84%

LAB 83.83, 3.92, -5.32

 

CMYK 0 / 5 / 5 / 14

HEX #DCD0D1

RGB 220 208 209

HSL 355, 0.15%, 0.84%

LAB 84.45, 4.32, 0.98

 

CMYK 2 / 0 / 5 / 14

HEX #D7DCD0

RGB 215 220 208

HSL 85, 0.15%, 0.84%

LAB 87.09, -3.83, 5.29

 

CMYK 5 / 0 / 0 / 14

HEX #D0DCDB

RGB 208 220 219

HSL 175, 0.15%, 0.84%

LAB 86.85, -4.2, -0.91

 

Description

Color code: HEX #D4CFDB3F | qconv.com Color code: HEX #D4CFDB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 207 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 207 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 1 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 1% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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