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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4CF7E it is the complementary color #2B3081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4CF7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4CF7E shade: #D9CF79, #EAE18C, #FBF39F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4CF7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4CF7E shade: #D4CF7E, #C3BD6B, #B2AB58, #A19945 and #908732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4CF7E shade: #D4CF7D, #D4B77D, #D4A07D, #D4887D and #D47D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4CF7E shade: #D4CF7D, #C1D47D, #AAD47D, #93D47D and #7DD47F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4CF7E shade matches the following richer shades: #D4CF7D, #E2DB6F, #F0E761 and #FEF453

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4CF7E shade: #D4CF7D, #C6C28B, #B8B699, #AAA9A7 and #9C9DB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4CF7E shade: #D4A07D, #D4B77D, #D4CE7D, #C2D47D and #ABD47D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4CF7E shade: #BFB740, #C9C35E, #D4CF7D, #DEDA9C and #E8E6BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4CF7E shade: #D4CF7E, #7DD489 and #AB7DD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4CF7E shade: #D4CF7E, #7DD4CE and #CE7DD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4CF7E shade: #D4CF7E, #7DD489, #7D83D4 and #D47DC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4CF7E shade: #D4CF7E, #7DD4A3, #7D83D4 and #D47DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 41 / 17

HEX #D4CF7E

RGB 212 207 126

HSL 56.51, 0.5%, 0.66%

LAB 81.91, -9.88, 40.81

 

Complementary color

CMYK 67 / 63 / 0 / 49

HEX #2B3081

RGB 43 48 129

HSL 236.51, 0.5%, 0.34%

LAB 24.36, 25.29, -46.45

 

CMYK 0 / 5 / 44 / 15

HEX #D9CF79

RGB 217 207 121

HSL 53.75, 0.56%, 0.66%

LAB 82.25, -8.4, 43.82

 

CMYK 0 / 4 / 40 / 8

HEX #EAE18C

RGB 234 225 140

HSL 54.26, 0.69%, 0.73%

LAB 88.56, -8.84, 42.64

 

CMYK 0 / 3 / 37 / 2

HEX #FBF39F

RGB 251 243 159

HSL 54.78, 0.92%, 0.8%

LAB 94.79, -9.23, 41.49

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7E

RGB 212 207 126

HSL 56.51, 0.5%, 0.66%

LAB 81.91, -9.88, 40.81

 

CMYK 0 / 3 / 45 / 24

HEX #C3BD6B

RGB 195 189 107

HSL 55.91, 0.42%, 0.59%

LAB 75.49, -9.45, 42.01

 

CMYK 0 / 4 / 51 / 30

HEX #B2AB58

RGB 178 171 88

HSL 55.33, 0.37%, 0.52%

LAB 68.96, -8.93, 43.22

 

CMYK 0 / 5 / 57 / 37

HEX #A19945

RGB 161 153 69

HSL 54.78, 0.4%, 0.45%

LAB 62.33, -8.28, 44.39

 

CMYK 0 / 6 / 65 / 44

HEX #908732

RGB 144 135 50

HSL 54.26, 0.48%, 0.38%

LAB 55.57, -7.47, 45.4

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7D

RGB 212 207 125

HSL 56.55, 0.5%, 0.66%

LAB 81.89, -9.99, 41.3

 

CMYK 0 / 14 / 41 / 17

HEX #D4B77D

RGB 212 183 125

HSL 40, 0.5%, 0.66%

LAB 75.67, 2.47, 33.32

 

CMYK 0 / 25 / 41 / 17

HEX #D4A07D

RGB 212 160 125

HSL 24.14, 0.5%, 0.66%

LAB 69.91, 14.8, 25.73

 

CMYK 0 / 36 / 41 / 17

HEX #D4887D

RGB 212 136 125

HSL 7.59, 0.5%, 0.66%

LAB 64.23, 27.8, 18.02

 

CMYK 0 / 41 / 41 / 17

HEX #D47D7D

RGB 212 125 125

HSL 0, 0.5%, 0.66%

LAB 61.78, 33.69, 14.63

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7D

RGB 212 207 125

HSL 56.55, 0.5%, 0.66%

LAB 81.89, -9.99, 41.3

 

CMYK 9 / 0 / 41 / 17

HEX #C1D47D

RGB 193 212 125

HSL 73.1, 0.5%, 0.66%

LAB 81.79, -19.93, 40.86

 

CMYK 20 / 0 / 41 / 17

HEX #AAD47D

RGB 170 212 125

HSL 88.97, 0.5%, 0.66%

LAB 80.24, -28.57, 38.58

 

CMYK 31 / 0 / 41 / 17

HEX #93D47D

RGB 147 212 125

HSL 104.83, 0.5%, 0.66%

LAB 78.91, -36.66, 36.6

 

CMYK 41 / 0 / 40 / 17

HEX #7DD47F

RGB 125 212 127

HSL 121.38, 0.5%, 0.66%

LAB 77.86, -43.38, 34.02

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7D

RGB 212 207 125

HSL 56.55, 0.5%, 0.66%

LAB 81.89, -9.99, 41.3

 

CMYK 0 / 3 / 51 / 11

HEX #E2DB6F

RGB 226 219 111

HSL 56.35, 0.66%, 0.66%

LAB 86, -11.76, 53.35

 

CMYK 0 / 4 / 60 / 6

HEX #F0E761

RGB 240 231 97

HSL 56.22, 0.83%, 0.66%

LAB 90.11, -13.11, 64.58

 

CMYK 0 / 4 / 67 / 0

HEX #FEF453

RGB 254 244 83

HSL 56.49, 0.99%, 0.66%

LAB 94.48, -14.62, 75.08

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7D

RGB 212 207 125

HSL 56.55, 0.5%, 0.66%

LAB 81.89, -9.99, 41.3

 

CMYK 0 / 2 / 30 / 22

HEX #C6C28B

RGB 198 194 139

HSL 55.93, 0.34%, 0.66%

LAB 77.55, -7.18, 28.24

 

CMYK 0 / 1 / 17 / 28

HEX #B8B699

RGB 184 182 153

HSL 56.13, 0.18%, 0.66%

LAB 73.51, -4.24, 15.04

 

CMYK 0 / 1 / 2 / 33

HEX #AAA9A7

RGB 170 169 167

HSL 40, 0.02%, 0.66%

LAB 69.26, -0.01, 1.15

 

CMYK 14 / 13 / 0 / 29

HEX #9C9DB5

RGB 156 157 181

HSL 237.6, 0.14%, 0.66%

LAB 65.37, 4.57, -12.53

 

CMYK 0 / 25 / 41 / 17

HEX #D4A07D

RGB 212 160 125

HSL 24.14, 0.5%, 0.66%

LAB 69.91, 14.8, 25.73

 

CMYK 0 / 14 / 41 / 17

HEX #D4B77D

RGB 212 183 125

HSL 40, 0.5%, 0.66%

LAB 75.67, 2.47, 33.32

 

CMYK 0 / 3 / 41 / 17

HEX #D4CE7D

RGB 212 206 125

HSL 55.86, 0.5%, 0.66%

LAB 81.63, -9.48, 40.96

 

CMYK 8 / 0 / 41 / 17

HEX #C2D47D

RGB 194 212 125

HSL 72.41, 0.5%, 0.66%

LAB 81.86, -19.54, 40.96

 

CMYK 19 / 0 / 41 / 17

HEX #ABD47D

RGB 171 212 125

HSL 88.28, 0.5%, 0.66%

LAB 80.31, -28.21, 38.67

 

CMYK 0 / 4 / 66 / 25

HEX #BFB740

RGB 191 183 64

HSL 56.22, 0.5%, 0.5%

LAB 73.1, -11.41, 59.01

 

CMYK 0 / 3 / 53 / 21

HEX #C9C35E

RGB 201 195 94

HSL 56.64, 0.5%, 0.58%

LAB 77.43, -11.24, 50.78

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7D

RGB 212 207 125

HSL 56.55, 0.5%, 0.66%

LAB 81.89, -9.99, 41.3

 

CMYK 0 / 2 / 30 / 13

HEX #DEDA9C

RGB 222 218 156

HSL 56.36, 0.5%, 0.74%

LAB 86.04, -8.09, 31.08

 

CMYK 0 / 1 / 19 / 9

HEX #E8E6BB

RGB 232 230 187

HSL 57.33, 0.49%, 0.82%

LAB 90.48, -6.25, 21.25

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7E

RGB 212 207 126

HSL 56.51, 0.5%, 0.66%

LAB 81.91, -9.88, 40.81

 

CMYK 41 / 0 / 35 / 17

HEX #7DD489

RGB 125 212 137

HSL 128.28, 0.5%, 0.66%

LAB 78.02, -41.79, 29.11

 

CMYK 19 / 41 / 0 / 17

HEX #AB7DD4

RGB 171 125 212

HSL 271.72, 0.5%, 0.66%

LAB 59.96, 34.39, -38.13

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7E

RGB 212 207 126

HSL 56.51, 0.5%, 0.66%

LAB 81.91, -9.88, 40.81

 

CMYK 41 / 0 / 3 / 17

HEX #7DD4CE

RGB 125 212 206

HSL 175.86, 0.5%, 0.66%

LAB 79.56, -27.63, -5.28

 

CMYK 3 / 41 / 0 / 17

HEX #CE7DD4

RGB 206 125 212

HSL 295.86, 0.5%, 0.66%

LAB 63.79, 44.83, -31.88

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7E

RGB 212 207 126

HSL 56.51, 0.5%, 0.66%

LAB 81.91, -9.88, 40.81

 

CMYK 41 / 0 / 35 / 17

HEX #7DD489

RGB 125 212 137

HSL 128.28, 0.5%, 0.66%

LAB 78.02, -41.79, 29.11

 

CMYK 41 / 38 / 0 / 17

HEX #7D83D4

RGB 125 131 212

HSL 235.86, 0.5%, 0.66%

LAB 57.41, 18.07, -42.42

 

CMYK 0 / 41 / 6 / 17

HEX #D47DC8

RGB 212 125 200

HSL 308.28, 0.5%, 0.66%

LAB 64.03, 44.5, -24.72

 

CMYK 0 / 2 / 41 / 17

HEX #D4CF7E

RGB 212 207 126

HSL 56.51, 0.5%, 0.66%

LAB 81.91, -9.88, 40.81

 

CMYK 41 / 0 / 23 / 17

HEX #7DD4A3

RGB 125 212 163

HSL 146.21, 0.5%, 0.66%

LAB 78.51, -37.08, 16.16

 

CMYK 41 / 38 / 0 / 17

HEX #7D83D4

RGB 125 131 212

HSL 235.86, 0.5%, 0.66%

LAB 57.41, 18.07, -42.42

 

CMYK 0 / 41 / 18 / 17

HEX #D47DAE

RGB 212 125 174

HSL 326.21, 0.5%, 0.66%

LAB 63.11, 40.22, -11.41

 

Description

Color code: HEX #D4CF7E | qconv.com Color code: HEX #D4CF7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 207 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 207 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 41 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 41% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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