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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4CF3E it is the complementary color #2B30C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4CF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4CF3E shade: #D9CF39, #EAE14C, #FBF35F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4CF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4CF3E shade: #D4CF3E, #C3BD2B, #B2AB18, #A19905 and #908700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4CF3E shade: #D5D03F, #D5A73F, #D57F3F, #D5563F and #D53F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4CF3E shade: #D5D03F, #B1D53F, #89D53F, #60D53F and #3FD545

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4CF3E shade matches the following richer shades: #D5D03F, #E8E12C and #FBF319

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4CF3E shade: #D5D03F, #C2BE52, #AFAC65, #9C9B78 and #89898B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4CF3E shade: #D5803F, #D5A83F, #D5D03F, #B2D53F and #8AD53F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4CF3E shade: #9E9A23, #C0BB2A, #D5D03F, #DCD860 and #E4E082

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4CF3E shade: #D4CF3E, #3FD558 and #943FD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4CF3E shade: #D4CF3E, #3FD5D0 and #D03FD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4CF3E shade: #D4CF3E, #3FD558, #3F44D5 and #D53FBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4CF3E shade: #D4CF3E, #3FD585, #3F44D5 and #D53F8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 71 / 17

HEX #D4CF3E

RGB 212 207 62

HSL 58, 0.64%, 0.54%

LAB 81.28, -14.77, 68.51

 

Complementary color

CMYK 78 / 75 / 0 / 24

HEX #2B30C1

RGB 43 48 193

HSL 238, 0.64%, 0.46%

LAB 30.59, 47.77, -75.09

 

CMYK 0 / 5 / 74 / 15

HEX #D9CF39

RGB 217 207 57

HSL 56.25, 0.68%, 0.54%

LAB 81.66, -12.89, 70.75

 

CMYK 0 / 4 / 68 / 8

HEX #EAE14C

RGB 234 225 76

HSL 56.58, 0.79%, 0.61%

LAB 87.9, -13.85, 70.54

 

CMYK 0 / 3 / 62 / 2

HEX #FBF35F

RGB 251 243 95

HSL 56.92, 0.95%, 0.68%

LAB 94.07, -14.68, 69.94

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 2 / 71 / 17

HEX #D4CF3E

RGB 212 207 62

HSL 58, 0.64%, 0.54%

LAB 81.28, -14.77, 68.51

 

CMYK 0 / 3 / 78 / 24

HEX #C3BD2B

RGB 195 189 43

HSL 57.63, 0.64%, 0.47%

LAB 74.93, -13.73, 68.34

 

CMYK 0 / 4 / 87 / 30

HEX #B2AB18

RGB 178 171 24

HSL 57.27, 0.76%, 0.4%

LAB 68.5, -12.5, 67.2

 

CMYK 0 / 5 / 97 / 37

HEX #A19905

RGB 161 153 5

HSL 56.92, 0.94%, 0.33%

LAB 61.97, -11.03, 64.63

 

CMYK 0 / 6 / 100 / 44

HEX #908700

RGB 144 135 0

HSL 56.25, 1%, 0.28%

LAB 55.34, -9.27, 59.85

 

CMYK 0 / 2 / 70 / 16

HEX #D5D03F

RGB 213 208 63

HSL 58, 0.64%, 0.54%

LAB 81.63, -14.8, 68.53

 

CMYK 0 / 22 / 70 / 16

HEX #D5A73F

RGB 213 167 63

HSL 41.6, 0.64%, 0.54%

LAB 70.97, 6.44, 57.9

 

CMYK 0 / 40 / 70 / 16

HEX #D57F3F

RGB 213 127 63

HSL 25.6, 0.64%, 0.54%

LAB 61.38, 27.98, 47.81

 

CMYK 0 / 60 / 70 / 16

HEX #D5563F

RGB 213 86 63

HSL 9.2, 0.64%, 0.54%

LAB 53.12, 48.67, 38.61

 

CMYK 0 / 70 / 70 / 16

HEX #D53F3F

RGB 213 63 63

HSL 0, 0.64%, 0.54%

LAB 49.57, 58.24, 34.48

 

CMYK 0 / 2 / 70 / 16

HEX #D5D03F

RGB 213 208 63

HSL 58, 0.64%, 0.54%

LAB 81.63, -14.8, 68.53

 

CMYK 17 / 0 / 70 / 16

HEX #B1D53F

RGB 177 213 63

HSL 74.4, 0.64%, 0.54%

LAB 80.34, -31.97, 66.37

 

CMYK 36 / 0 / 70 / 16

HEX #89D53F

RGB 137 213 63

HSL 90.4, 0.64%, 0.54%

LAB 78.03, -46.9, 63.29

 

CMYK 55 / 0 / 70 / 16

HEX #60D53F

RGB 96 213 63

HSL 106.8, 0.64%, 0.54%

LAB 76.33, -59.41, 61.02

 

CMYK 70 / 0 / 68 / 16

HEX #3FD545

RGB 63 213 69

HSL 122.4, 0.64%, 0.54%

LAB 75.5, -66.04, 57.58

 

CMYK 0 / 2 / 70 / 16

HEX #D5D03F

RGB 213 208 63

HSL 58, 0.64%, 0.54%

LAB 81.63, -14.8, 68.53

 

CMYK 0 / 3 / 81 / 9

HEX #E8E12C

RGB 232 225 44

HSL 57.77, 0.8%, 0.54%

LAB 87.58, -15.97, 80.28

 

CMYK 0 / 3 / 90 / 2

HEX #FBF319

RGB 251 243 25

HSL 57.88, 0.97%, 0.54%

LAB 93.75, -17.23, 89.56

 

CMYK 0 / 2 / 70 / 16

HEX #D5D03F

RGB 213 208 63

HSL 58, 0.64%, 0.54%

LAB 81.63, -14.8, 68.53

 

CMYK 0 / 2 / 58 / 24

HEX #C2BE52

RGB 194 190 82

HSL 57.86, 0.48%, 0.54%

LAB 75.39, -12.54, 53.82

 

CMYK 0 / 2 / 42 / 31

HEX #AFAC65

RGB 175 172 101

HSL 57.57, 0.32%, 0.54%

LAB 69.15, -9.41, 36.82

 

CMYK 0 / 1 / 23 / 39

HEX #9C9B78

RGB 156 155 120

HSL 58.33, 0.15%, 0.54%

LAB 63.23, -5.6, 18.54

 

CMYK 1 / 1 / 0 / 45

HEX #89898B

RGB 137 137 139

HSL 240, 0.01%, 0.54%

LAB 57.15, 0.4, -1.07

 

CMYK 0 / 40 / 70 / 16

HEX #D5803F

RGB 213 128 63

HSL 26, 0.64%, 0.54%

LAB 61.61, 27.45, 48.05

 

CMYK 0 / 21 / 70 / 16

HEX #D5A83F

RGB 213 168 63

HSL 42, 0.64%, 0.54%

LAB 71.22, 5.91, 58.16

 

CMYK 0 / 2 / 70 / 16

HEX #D5D03F

RGB 213 208 63

HSL 58, 0.64%, 0.54%

LAB 81.63, -14.8, 68.53

 

CMYK 16 / 0 / 70 / 16

HEX #B2D53F

RGB 178 213 63

HSL 74, 0.64%, 0.54%

LAB 80.41, -31.57, 66.46

 

CMYK 35 / 0 / 70 / 16

HEX #8AD53F

RGB 138 213 63

HSL 90, 0.64%, 0.54%

LAB 78.08, -46.55, 63.36

 

CMYK 0 / 3 / 78 / 38

HEX #9E9A23

RGB 158 154 35

HSL 58.05, 0.64%, 0.38%

LAB 62.08, -12.17, 58.06

 

CMYK 0 / 3 / 78 / 25

HEX #C0BB2A

RGB 192 187 42

HSL 58, 0.64%, 0.46%

LAB 74.13, -14.05, 67.83

 

CMYK 0 / 2 / 70 / 16

HEX #D5D03F

RGB 213 208 63

HSL 58, 0.64%, 0.54%

LAB 81.63, -14.8, 68.53

 

CMYK 0 / 2 / 56 / 14

HEX #DCD860

RGB 220 216 96

HSL 58.06, 0.64%, 0.62%

LAB 84.57, -13.88, 58.43

 

CMYK 0 / 2 / 43 / 11

HEX #E4E082

RGB 228 224 130

HSL 57.55, 0.64%, 0.7%

LAB 87.69, -11.72, 46.35

 

CMYK 0 / 2 / 71 / 17

HEX #D4CF3E

RGB 212 207 62

HSL 58, 0.64%, 0.54%

LAB 81.28, -14.77, 68.51

 

CMYK 70 / 0 / 59 / 16

HEX #3FD558

RGB 63 213 88

HSL 130, 0.64%, 0.54%

LAB 75.67, -64, 49.72

 

CMYK 31 / 70 / 0 / 16

HEX #943FD5

RGB 148 63 213

HSL 274, 0.64%, 0.54%

LAB 45.16, 60.96, -62.45

 

CMYK 0 / 2 / 71 / 17

HEX #D4CF3E

RGB 212 207 62

HSL 58, 0.64%, 0.54%

LAB 81.28, -14.77, 68.51

 

CMYK 70 / 0 / 2 / 16

HEX #3FD5D0

RGB 63 213 208

HSL 178, 0.64%, 0.54%

LAB 77.99, -39.3, -8.88

 

CMYK 2 / 70 / 0 / 16

HEX #D03FD5

RGB 208 63 213

HSL 298, 0.64%, 0.54%

LAB 53.78, 73.29, -48.14

 

CMYK 0 / 2 / 71 / 17

HEX #D4CF3E

RGB 212 207 62

HSL 58, 0.64%, 0.54%

LAB 81.28, -14.77, 68.51

 

CMYK 70 / 0 / 59 / 16

HEX #3FD558

RGB 63 213 88

HSL 130, 0.64%, 0.54%

LAB 75.67, -64, 49.72

 

CMYK 70 / 68 / 0 / 16

HEX #3F44D5

RGB 63 68 213

HSL 238, 0.64%, 0.54%

LAB 37.83, 44.77, -74.74

 

CMYK 0 / 70 / 12 / 16

HEX #D53FBC

RGB 213 63 188

HSL 310, 0.64%, 0.54%

LAB 53.31, 70.54, -34.46

 

CMYK 0 / 2 / 71 / 17

HEX #D4CF3E

RGB 212 207 62

HSL 58, 0.64%, 0.54%

LAB 81.28, -14.77, 68.51

 

CMYK 70 / 0 / 38 / 16

HEX #3FD585

RGB 63 213 133

HSL 148, 0.64%, 0.54%

LAB 76.28, -57.02, 28.49

 

CMYK 70 / 68 / 0 / 16

HEX #3F44D5

RGB 63 68 213

HSL 238, 0.64%, 0.54%

LAB 37.83, 44.77, -74.74

 

CMYK 0 / 70 / 33 / 16

HEX #D53F8F

RGB 213 63 143

HSL 328, 0.64%, 0.54%

LAB 51.48, 64.69, -10.82

 

Description

Color code: HEX #D4CF3E | qconv.com Color code: HEX #D4CF3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 207 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 207 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 71 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 71% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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