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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4C92B it is the complementary color #2B36D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4C92B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4C92B shade: #D9C926, #EADB39, #FBED4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4C92B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4C92B shade: #D4C92B, #C3B718, #B2A505, #A19300 and #908100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4C92B shade: #D4C92B, #D49B2B, #D46E2B, #D4412B and #D42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4C92B shade: #D4C92B, #B1D42B, #84D42B, #56D42B and #2BD42E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4C92B shade matches the following richer shades: #D4C92B, #E8DB17 and #FDED02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4C92B shade: #D4C92B, #BFB740, #AAA555, #969369 and #81817E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4C92B shade: #D46F2B, #D49C2B, #D4C82B, #B2D42B and #85D42B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4C92B shade: #8F881D, #B1A824, #D4C92B, #DBD14E and #E2DA70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4C92B shade: #D4C92B, #2BD442 and #852BD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4C92B shade: #D4C92B, #2BD4C8 and #C82BD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4C92B shade: #D4C92B, #2BD442, #2B37D4 and #D42BBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4C92B shade: #D4C92B, #2BD474, #2B37D4 and #D42B8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

Complementary color

CMYK 80 / 75 / 0 / 17

HEX #2B36D4

RGB 43 54 212

HSL 236.09, 0.66%, 0.5%

LAB 33.79, 50.71, -80.88

 

CMYK 0 / 7 / 82 / 15

HEX #D9C926

RGB 217 201 38

HSL 54.64, 0.7%, 0.5%

LAB 79.99, -10.53, 74.84

 

CMYK 0 / 6 / 76 / 8

HEX #EADB39

RGB 234 219 57

HSL 54.92, 0.81%, 0.57%

LAB 86.23, -11.73, 75.51

 

CMYK 0 / 6 / 70 / 2

HEX #FBED4C

RGB 251 237 76

HSL 55.2, 0.96%, 0.64%

LAB 92.4, -12.77, 75.47

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 0 / 6 / 88 / 24

HEX #C3B718

RGB 195 183 24

HSL 55.79, 0.78%, 0.43%

LAB 73.24, -11.21, 71.64

 

CMYK 0 / 7 / 97 / 30

HEX #B2A505

RGB 178 165 5

HSL 55.49, 0.95%, 0.36%

LAB 66.81, -9.69, 68.9

 

CMYK 0 / 9 / 100 / 37

HEX #A19300

RGB 161 147 0

HSL 54.78, 1%, 0.32%

LAB 60.29, -7.91, 64.14

 

CMYK 0 / 10 / 100 / 44

HEX #908100

RGB 144 129 0

HSL 53.75, 1%, 0.28%

LAB 53.63, -5.99, 58.63

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 0 / 27 / 80 / 17

HEX #D49B2B

RGB 212 155 43

HSL 39.76, 0.66%, 0.5%

LAB 67.74, 11.6, 62.48

 

CMYK 0 / 48 / 80 / 17

HEX #D46E2B

RGB 212 110 43

HSL 23.79, 0.66%, 0.5%

LAB 57.39, 35.67, 52.94

 

CMYK 0 / 69 / 80 / 17

HEX #D4412B

RGB 212 65 43

HSL 7.81, 0.66%, 0.5%

LAB 49.44, 56.39, 45.26

 

CMYK 0 / 80 / 80 / 17

HEX #D42B2B

RGB 212 43 43

HSL 0, 0.66%, 0.5%

LAB 46.84, 63.6, 42.68

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 17 / 0 / 80 / 17

HEX #B1D42B

RGB 177 212 43

HSL 72.43, 0.66%, 0.5%

LAB 79.96, -32.44, 72.32

 

CMYK 38 / 0 / 80 / 17

HEX #84D42B

RGB 132 212 43

HSL 88.4, 0.66%, 0.5%

LAB 77.38, -49.33, 69.03

 

CMYK 59 / 0 / 80 / 17

HEX #56D42B

RGB 86 212 43

HSL 104.73, 0.66%, 0.5%

LAB 75.6, -62.86, 66.73

 

CMYK 80 / 0 / 78 / 17

HEX #2BD42E

RGB 43 212 46

HSL 121.07, 0.66%, 0.5%

LAB 74.7, -70.44, 64.68

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 0 / 6 / 90 / 9

HEX #E8DB17

RGB 232 219 23

HSL 56.27, 0.82%, 0.5%

LAB 85.95, -13.47, 83.15

 

CMYK 0 / 6 / 99 / 1

HEX #FDED02

RGB 253 237 2

HSL 56.18, 0.98%, 0.5%

LAB 92.33, -13.7, 90.77

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 0 / 4 / 66 / 25

HEX #BFB740

RGB 191 183 64

HSL 56.22, 0.5%, 0.5%

LAB 73.1, -11.41, 59.01

 

CMYK 0 / 3 / 50 / 33

HEX #AAA555

RGB 170 165 85

HSL 56.47, 0.33%, 0.5%

LAB 66.61, -9.41, 41.73

 

CMYK 0 / 2 / 30 / 41

HEX #969369

RGB 150 147 105

HSL 56, 0.18%, 0.5%

LAB 60.22, -5.81, 22.69

 

CMYK 0 / 0 / 2 / 49

HEX #81817E

RGB 129 129 126

HSL 60, 0.01%, 0.5%

LAB 53.89, -0.59, 1.62

 

CMYK 0 / 48 / 80 / 17

HEX #D46F2B

RGB 212 111 43

HSL 24.14, 0.66%, 0.5%

LAB 57.6, 35.15, 53.13

 

CMYK 0 / 26 / 80 / 17

HEX #D49C2B

RGB 212 156 43

HSL 40.12, 0.66%, 0.5%

LAB 67.98, 11.06, 62.71

 

CMYK 0 / 6 / 80 / 17

HEX #D4C82B

RGB 212 200 43

HSL 55.74, 0.66%, 0.5%

LAB 79.32, -12.01, 72.77

 

CMYK 16 / 0 / 80 / 17

HEX #B2D42B

RGB 178 212 43

HSL 72.07, 0.66%, 0.5%

LAB 80.03, -32.04, 72.4

 

CMYK 37 / 0 / 80 / 17

HEX #85D42B

RGB 133 212 43

HSL 88.05, 0.66%, 0.5%

LAB 77.43, -48.99, 69.09

 

CMYK 0 / 5 / 80 / 44

HEX #8F881D

RGB 143 136 29

HSL 56.32, 0.66%, 0.34%

LAB 55.62, -9.57, 53.66

 

CMYK 0 / 5 / 80 / 31

HEX #B1A824

RGB 177 168 36

HSL 56.17, 0.66%, 0.42%

LAB 67.64, -11.03, 63.35

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 0 / 5 / 64 / 14

HEX #DBD14E

RGB 219 209 78

HSL 55.74, 0.66%, 0.58%

LAB 82.49, -11.99, 63.82

 

CMYK 0 / 4 / 50 / 11

HEX #E2DA70

RGB 226 218 112

HSL 55.79, 0.66%, 0.66%

LAB 85.75, -11.17, 52.59

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 80 / 0 / 69 / 17

HEX #2BD442

RGB 43 212 66

HSL 128.17, 0.66%, 0.5%

LAB 74.82, -68.89, 57.92

 

CMYK 37 / 80 / 0 / 17

HEX #852BD4

RGB 133 43 212

HSL 271.95, 0.66%, 0.5%

LAB 40.36, 66.02, -69.77

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 80 / 0 / 6 / 17

HEX #2BD4C8

RGB 43 212 200

HSL 175.74, 0.66%, 0.5%

LAB 77.14, -43.22, -5.88

 

CMYK 6 / 80 / 0 / 17

HEX #C82BD4

RGB 200 43 212

HSL 295.74, 0.66%, 0.5%

LAB 50.41, 77.42, -53.02

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 80 / 0 / 69 / 17

HEX #2BD442

RGB 43 212 66

HSL 128.17, 0.66%, 0.5%

LAB 74.82, -68.89, 57.92

 

CMYK 80 / 74 / 0 / 17

HEX #2B37D4

RGB 43 55 212

HSL 235.74, 0.66%, 0.5%

LAB 33.98, 50.16, -80.55

 

CMYK 0 / 80 / 11 / 17

HEX #D42BBD

RGB 212 43 189

HSL 308.17, 0.66%, 0.5%

LAB 51.15, 76.3, -38.45

 

CMYK 0 / 5 / 80 / 17

HEX #D4C92B

RGB 212 201 43

HSL 56.09, 0.66%, 0.5%

LAB 79.58, -12.51, 73

 

CMYK 80 / 0 / 45 / 17

HEX #2BD474

RGB 43 212 116

HSL 145.92, 0.66%, 0.5%

LAB 75.37, -62.35, 35.89

 

CMYK 80 / 74 / 0 / 17

HEX #2B37D4

RGB 43 55 212

HSL 235.74, 0.66%, 0.5%

LAB 33.98, 50.16, -80.55

 

CMYK 0 / 80 / 34 / 17

HEX #D42B8B

RGB 212 43 139

HSL 325.92, 0.66%, 0.5%

LAB 48.99, 70.12, -12.18

 

Description

Color code: HEX #D4C92B | qconv.com Color code: HEX #D4C92B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 201 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 201 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 80 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 80% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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