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Color name
HEX #D4C82A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4C82A it is the complementary color #2B37D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4C82A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4C82A shade: #D9C825, #EADA38, #FBEC4B, #FFFE5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4C82A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4C82A shade: #D4C82A, #C3B617, #B2A404, #A19200 and #908000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4C82A shade: #D5C92A, #D59B2A, #D56D2A, #D53F2A and #D52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4C82A shade: #D5C92A, #B3D52A, #85D52A, #57D52A and #2AD52B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4C82A shade matches the following richer shades: #D5C92A, #EADB15 and #FEEC01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4C82A shade: #D5C92A, #C0B73F, #ACA553, #979468 and #82827D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4C82A shade: #D56C2A, #D5992A, #D5C72A, #B6D52A and #88D52A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4C82A shade: #90881C, #B2A823, #D5C92A, #DCD24D and #E3DA6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4C82A shade: #D4C82A, #2AD53E and #822AD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4C82A shade: #D4C82A, #2AD5C7 and #C72AD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4C82A shade: #D4C82A, #2AD53E, #2A38D5 and #D52AC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4C82A shade: #D4C82A, #2AD571, #2A38D5 and #D52A8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 80 / 17

HEX #D4C82A

RGB 212 200 42

HSL 55.76, 0.67%, 0.5%

LAB 79.31, -12.04, 73.04

 

Complementary color

CMYK 80 / 74 / 0 / 16

HEX #2B37D5

RGB 43 55 213

HSL 235.76, 0.67%, 0.5%

LAB 34.09, 50.49, -80.96

 

CMYK 0 / 8 / 83 / 15

HEX #D9C825

RGB 217 200 37

HSL 54.33, 0.71%, 0.5%

LAB 79.72, -10.05, 74.86

 

CMYK 0 / 7 / 76 / 8

HEX #EADA38

RGB 234 218 56

HSL 54.61, 0.81%, 0.57%

LAB 85.97, -11.27, 75.58

 

CMYK 0 / 6 / 70 / 2

HEX #FBEC4B

RGB 251 236 75

HSL 54.89, 0.96%, 0.64%

LAB 92.14, -12.32, 75.57

 

CMYK 0 / 0 / 63 / 0

HEX #FFFE5E

RGB 255 254 94

HSL 59.63, 1%, 0.68%

LAB 97.21, -18.45, 73.73

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 6 / 80 / 17

HEX #D4C82A

RGB 212 200 42

HSL 55.76, 0.67%, 0.5%

LAB 79.31, -12.04, 73.04

 

CMYK 0 / 7 / 88 / 24

HEX #C3B617

RGB 195 182 23

HSL 55.47, 0.79%, 0.43%

LAB 72.97, -10.72, 71.62

 

CMYK 0 / 8 / 98 / 30

HEX #B2A404

RGB 178 164 4

HSL 55.17, 0.96%, 0.36%

LAB 66.54, -9.18, 68.83

 

CMYK 0 / 9 / 100 / 37

HEX #A19200

RGB 161 146 0

HSL 54.41, 1%, 0.32%

LAB 60.01, -7.37, 63.94

 

CMYK 0 / 11 / 100 / 44

HEX #908000

RGB 144 128 0

HSL 53.33, 1%, 0.28%

LAB 53.35, -5.44, 58.42

 

CMYK 0 / 6 / 80 / 16

HEX #D5C92A

RGB 213 201 42

HSL 55.79, 0.67%, 0.5%

LAB 79.66, -12.12, 73.38

 

CMYK 0 / 27 / 80 / 16

HEX #D59B2A

RGB 213 155 42

HSL 39.65, 0.67%, 0.5%

LAB 67.84, 12, 62.96

 

CMYK 0 / 49 / 80 / 16

HEX #D56D2A

RGB 213 109 42

HSL 23.51, 0.67%, 0.5%

LAB 57.32, 36.55, 53.35

 

CMYK 0 / 70 / 80 / 16

HEX #D53F2A

RGB 213 63 42

HSL 7.37, 0.67%, 0.5%

LAB 49.34, 57.43, 45.74

 

CMYK 0 / 80 / 80 / 16

HEX #D52A2A

RGB 213 42 42

HSL 0, 0.67%, 0.5%

LAB 46.93, 64.12, 43.37

 

CMYK 0 / 6 / 80 / 16

HEX #D5C92A

RGB 213 201 42

HSL 55.79, 0.67%, 0.5%

LAB 79.66, -12.12, 73.38

 

CMYK 16 / 0 / 80 / 16

HEX #B3D52A

RGB 179 213 42

HSL 71.93, 0.67%, 0.5%

LAB 80.37, -32.14, 73

 

CMYK 38 / 0 / 80 / 16

HEX #85D52A

RGB 133 213 42

HSL 88.07, 0.67%, 0.5%

LAB 77.72, -49.44, 69.63

 

CMYK 59 / 0 / 80 / 16

HEX #57D52A

RGB 87 213 42

HSL 104.21, 0.67%, 0.5%

LAB 75.94, -63.02, 67.33

 

CMYK 80 / 0 / 80 / 16

HEX #2AD52B

RGB 42 213 43

HSL 120.35, 0.67%, 0.5%

LAB 74.99, -71.03, 65.82

 

CMYK 0 / 6 / 80 / 16

HEX #D5C92A

RGB 213 201 42

HSL 55.79, 0.67%, 0.5%

LAB 79.66, -12.12, 73.38

 

CMYK 0 / 6 / 91 / 8

HEX #EADB15

RGB 234 219 21

HSL 55.77, 0.84%, 0.5%

LAB 86.11, -12.65, 83.63

 

CMYK 0 / 7 / 100 / 0

HEX #FEEC01

RGB 254 236 1

HSL 55.73, 0.99%, 0.5%

LAB 92.16, -12.8, 90.75

 

CMYK 0 / 6 / 80 / 16

HEX #D5C92A

RGB 213 201 42

HSL 55.79, 0.67%, 0.5%

LAB 79.66, -12.12, 73.38

 

CMYK 0 / 5 / 67 / 25

HEX #C0B73F

RGB 192 183 63

HSL 55.81, 0.51%, 0.5%

LAB 73.18, -11.03, 59.52

 

CMYK 0 / 4 / 52 / 33

HEX #ACA553

RGB 172 165 83

HSL 55.28, 0.35%, 0.5%

LAB 66.75, -8.75, 42.94

 

CMYK 0 / 2 / 31 / 41

HEX #979468

RGB 151 148 104

HSL 56.17, 0.18%, 0.5%

LAB 60.57, -6.08, 23.72

 

CMYK 0 / 0 / 4 / 49

HEX #82827D

RGB 130 130 125

HSL 60, 0.02%, 0.5%

LAB 54.23, -0.97, 2.7

 

CMYK 0 / 49 / 80 / 16

HEX #D56C2A

RGB 213 108 42

HSL 23.16, 0.67%, 0.5%

LAB 57.11, 37.06, 53.16

 

CMYK 0 / 28 / 80 / 16

HEX #D5992A

RGB 213 153 42

HSL 38.95, 0.67%, 0.5%

LAB 67.35, 13.07, 62.52

 

CMYK 0 / 7 / 80 / 16

HEX #D5C72A

RGB 213 199 42

HSL 55.09, 0.67%, 0.5%

LAB 79.13, -11.11, 72.92

 

CMYK 15 / 0 / 80 / 16

HEX #B6D52A

RGB 182 213 42

HSL 70.88, 0.67%, 0.5%

LAB 80.57, -30.93, 73.26

 

CMYK 36 / 0 / 80 / 16

HEX #88D52A

RGB 136 213 42

HSL 87.02, 0.67%, 0.5%

LAB 77.87, -48.4, 69.82

 

CMYK 0 / 6 / 81 / 44

HEX #90881C

RGB 144 136 28

HSL 55.86, 0.67%, 0.34%

LAB 55.71, -9.15, 54.09

 

CMYK 0 / 6 / 80 / 30

HEX #B2A823

RGB 178 168 35

HSL 55.8, 0.67%, 0.42%

LAB 67.72, -10.62, 63.75

 

CMYK 0 / 6 / 80 / 16

HEX #D5C92A

RGB 213 201 42

HSL 55.79, 0.67%, 0.5%

LAB 79.66, -12.12, 73.38

 

CMYK 0 / 5 / 65 / 14

HEX #DCD24D

RGB 220 210 77

HSL 55.8, 0.67%, 0.58%

LAB 82.83, -12.13, 64.6

 

CMYK 0 / 4 / 51 / 11

HEX #E3DA6F

RGB 227 218 111

HSL 55.34, 0.67%, 0.66%

LAB 85.82, -10.86, 53.16

 

CMYK 0 / 6 / 80 / 17

HEX #D4C82A

RGB 212 200 42

HSL 55.76, 0.67%, 0.5%

LAB 79.31, -12.04, 73.04

 

CMYK 80 / 0 / 71 / 16

HEX #2AD53E

RGB 42 213 62

HSL 127.02, 0.67%, 0.5%

LAB 75.09, -69.67, 59.71

 

CMYK 39 / 80 / 0 / 16

HEX #822AD5

RGB 130 42 213

HSL 270.88, 0.67%, 0.5%

LAB 39.93, 66.14, -71.07

 

CMYK 0 / 6 / 80 / 17

HEX #D4C82A

RGB 212 200 42

HSL 55.76, 0.67%, 0.5%

LAB 79.31, -12.04, 73.04

 

CMYK 80 / 0 / 7 / 16

HEX #2AD5C7

RGB 42 213 199

HSL 175.09, 0.67%, 0.5%

LAB 77.4, -44.02, -4.96

 

CMYK 7 / 80 / 0 / 16

HEX #C72AD5

RGB 199 42 213

HSL 295.09, 0.67%, 0.5%

LAB 50.22, 77.65, -53.91

 

CMYK 0 / 6 / 80 / 17

HEX #D4C82A

RGB 212 200 42

HSL 55.76, 0.67%, 0.5%

LAB 79.31, -12.04, 73.04

 

CMYK 80 / 0 / 71 / 16

HEX #2AD53E

RGB 42 213 62

HSL 127.02, 0.67%, 0.5%

LAB 75.09, -69.67, 59.71

 

CMYK 80 / 74 / 0 / 16

HEX #2A38D5

RGB 42 56 213

HSL 235.09, 0.67%, 0.5%

LAB 34.24, 49.86, -80.7

 

CMYK 0 / 80 / 9 / 16

HEX #D52AC1

RGB 213 42 193

HSL 307.02, 0.67%, 0.5%

LAB 51.44, 77.3, -40.3

 

CMYK 0 / 6 / 80 / 17

HEX #D4C82A

RGB 212 200 42

HSL 55.76, 0.67%, 0.5%

LAB 79.31, -12.04, 73.04

 

CMYK 80 / 0 / 47 / 16

HEX #2AD571

RGB 42 213 113

HSL 144.91, 0.67%, 0.5%

LAB 75.62, -63.3, 37.71

 

CMYK 80 / 74 / 0 / 16

HEX #2A38D5

RGB 42 56 213

HSL 235.09, 0.67%, 0.5%

LAB 34.24, 49.86, -80.7

 

CMYK 0 / 80 / 33 / 16

HEX #D52A8E

RGB 213 42 142

HSL 324.91, 0.67%, 0.5%

LAB 49.2, 70.93, -13.66

 

Description

Color code: HEX #D4C82A | qconv.com Color code: HEX #D4C82A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 200 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 200 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 80 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 80% 17% C M Y K

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