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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4C29F it is the complementary color #2B3D60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4C29F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4C29F shade: #D9C29A, #EAD4AD, #FBE6C0, #FFF8D3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4C29F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4C29F shade: #D4C29F, #C3B08C, #B29E79, #A18C66 and #907A53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4C29F shade: #D4C3A0, #D4B4A0, #D4A6A0 and #D4A0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4C29F shade: #D4C3A0, #D4D1A0, #CAD4A0, #BCD4A0 and #AED4A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4C29F shade matches the following richer shades: #D4C3A0, #DFC695, #EBCA8A and #F6CD7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4C29F shade: #D4C3A0, #C9BFAB, #BEBBB6, #B3B8C1 and #A8B4CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4C29F shade: #D4A6A0, #D4B4A0, #D4C2A0, #D4D0A0 and #CBD4A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4C29F shade: #BB9E67, #C8B084, #D4C3A0, #E1D5BC and #EEE7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4C29F shade: #D4C29F, #A8D4A0 and #ADA0D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4C29F shade: #D4C29F, #A0D4C2 and #C2A0D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4C29F shade: #D4C29F, #A8D4A0, #A0B2D4 and #CCA0D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4C29F shade: #D4C29F, #A0D4A8, #A0B2D4 and #D4A0CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 25 / 17

HEX #D4C29F

RGB 212 194 159

HSL 39.62, 0.38%, 0.73%

LAB 79.09, 0.9, 19.93

 

Complementary color

CMYK 55 / 36 / 0 / 62

HEX #2B3D60

RGB 43 61 96

HSL 219.62, 0.38%, 0.27%

LAB 25.85, 4.13, -22.99

 

CMYK 0 / 11 / 29 / 15

HEX #D9C29A

RGB 217 194 154

HSL 38.1, 0.45%, 0.73%

LAB 79.42, 2.14, 23.12

 

CMYK 0 / 9 / 26 / 8

HEX #EAD4AD

RGB 234 212 173

HSL 38.36, 0.59%, 0.8%

LAB 85.8, 1.74, 22.1

 

CMYK 0 / 8 / 24 / 2

HEX #FBE6C0

RGB 251 230 192

HSL 38.64, 0.88%, 0.87%

LAB 92.09, 1.4, 21.13

 

CMYK 0 / 3 / 17 / 0

HEX #FFF8D3

RGB 255 248 211

HSL 50.45, 1%, 0.91%

LAB 97.27, -3.56, 18.63

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 8 / 25 / 17

HEX #D4C29F

RGB 212 194 159

HSL 39.62, 0.38%, 0.73%

LAB 79.09, 0.9, 19.93

 

CMYK 0 / 10 / 28 / 24

HEX #C3B08C

RGB 195 176 140

HSL 39.27, 0.31%, 0.66%

LAB 72.59, 1.27, 20.95

 

CMYK 0 / 11 / 32 / 30

HEX #B29E79

RGB 178 158 121

HSL 38.95, 0.27%, 0.59%

LAB 65.98, 1.7, 22.05

 

CMYK 0 / 13 / 37 / 37

HEX #A18C66

RGB 161 140 102

HSL 38.64, 0.24%, 0.52%

LAB 59.24, 2.21, 23.23

 

CMYK 0 / 15 / 42 / 44

HEX #907A53

RGB 144 122 83

HSL 38.36, 0.27%, 0.45%

LAB 52.37, 2.82, 24.5

 

CMYK 0 / 8 / 25 / 17

HEX #D4C3A0

RGB 212 195 160

HSL 40.38, 0.38%, 0.73%

LAB 79.37, 0.51, 19.78

 

CMYK 0 / 15 / 25 / 17

HEX #D4B4A0

RGB 212 180 160

HSL 23.08, 0.38%, 0.73%

LAB 75.56, 8.47, 14.48

 

CMYK 0 / 22 / 25 / 17

HEX #D4A6A0

RGB 212 166 160

HSL 6.92, 0.38%, 0.73%

LAB 72.1, 16.02, 9.58

 

CMYK 0 / 25 / 25 / 17

HEX #D4A0A0

RGB 212 160 160

HSL 0, 0.38%, 0.73%

LAB 70.65, 19.27, 7.51

 

CMYK 0 / 8 / 25 / 17

HEX #D4C3A0

RGB 212 195 160

HSL 40.38, 0.38%, 0.73%

LAB 79.37, 0.51, 19.78

 

CMYK 0 / 1 / 25 / 17

HEX #D4D1A0

RGB 212 209 160

HSL 56.54, 0.38%, 0.73%

LAB 82.99, -6.76, 24.75

 

CMYK 5 / 0 / 25 / 17

HEX #CAD4A0

RGB 202 212 160

HSL 71.54, 0.38%, 0.73%

LAB 83.01, -12.02, 24.66

 

CMYK 11 / 0 / 25 / 17

HEX #BCD4A0

RGB 188 212 160

HSL 87.69, 0.38%, 0.73%

LAB 82.01, -17.15, 23.13

 

CMYK 18 / 0 / 25 / 17

HEX #AED4A0

RGB 174 212 160

HSL 103.85, 0.38%, 0.73%

LAB 81.08, -22.12, 21.71

 

CMYK 0 / 8 / 25 / 17

HEX #D4C3A0

RGB 212 195 160

HSL 40.38, 0.38%, 0.73%

LAB 79.37, 0.51, 19.78

 

CMYK 0 / 11 / 33 / 13

HEX #DFC695

RGB 223 198 149

HSL 39.73, 0.54%, 0.73%

LAB 80.88, 1.73, 27.81

 

CMYK 0 / 14 / 41 / 8

HEX #EBCA8A

RGB 235 202 138

HSL 39.59, 0.71%, 0.73%

LAB 82.77, 3.09, 36.23

 

CMYK 0 / 17 / 48 / 4

HEX #F6CD7F

RGB 246 205 127

HSL 39.33, 0.87%, 0.73%

LAB 84.37, 4.84, 44.04

 

CMYK 0 / 8 / 25 / 17

HEX #D4C3A0

RGB 212 195 160

HSL 40.38, 0.38%, 0.73%

LAB 79.37, 0.51, 19.78

 

CMYK 0 / 5 / 15 / 21

HEX #C9BFAB

RGB 201 191 171

HSL 40, 0.22%, 0.73%

LAB 77.65, 0.15, 11.34

 

CMYK 0 / 2 / 4 / 25

HEX #BEBBB6

RGB 190 187 182

HSL 37.5, 0.06%, 0.73%

LAB 75.99, 0.15, 2.89

 

CMYK 7 / 5 / 0 / 24

HEX #B3B8C1

RGB 179 184 193

HSL 218.57, 0.1%, 0.73%

LAB 74.64, 0.01, -5.16

 

CMYK 18 / 12 / 0 / 20

HEX #A8B4CD

RGB 168 180 205

HSL 220.54, 0.27%, 0.73%

LAB 73.14, 1.07, -14.04

 

CMYK 0 / 22 / 25 / 17

HEX #D4A6A0

RGB 212 166 160

HSL 6.92, 0.38%, 0.73%

LAB 72.1, 16.02, 9.58

 

CMYK 0 / 15 / 25 / 17

HEX #D4B4A0

RGB 212 180 160

HSL 23.08, 0.38%, 0.73%

LAB 75.56, 8.47, 14.48

 

CMYK 0 / 8 / 25 / 17

HEX #D4C2A0

RGB 212 194 160

HSL 39.23, 0.38%, 0.73%

LAB 79.11, 1.04, 19.42

 

CMYK 0 / 2 / 25 / 17

HEX #D4D0A0

RGB 212 208 160

HSL 55.38, 0.38%, 0.73%

LAB 82.73, -6.24, 24.39

 

CMYK 4 / 0 / 25 / 17

HEX #CBD4A0

RGB 203 212 160

HSL 70.38, 0.38%, 0.73%

LAB 83.08, -11.65, 24.77

 

CMYK 0 / 16 / 45 / 27

HEX #BB9E67

RGB 187 158 103

HSL 39.29, 0.38%, 0.57%

LAB 66.52, 3.27, 32.66

 

CMYK 0 / 12 / 34 / 22

HEX #C8B084

RGB 200 176 132

HSL 38.82, 0.38%, 0.65%

LAB 72.89, 2.2, 25.74

 

CMYK 0 / 8 / 25 / 17

HEX #D4C3A0

RGB 212 195 160

HSL 40.38, 0.38%, 0.73%

LAB 79.37, 0.51, 19.78

 

CMYK 0 / 5 / 16 / 12

HEX #E1D5BC

RGB 225 213 188

HSL 40.54, 0.38%, 0.81%

LAB 85.62, 0.06, 13.84

 

CMYK 0 / 3 / 9 / 7

HEX #EEE7D9

RGB 238 231 217

HSL 40, 0.38%, 0.89%

LAB 91.84, 0, 7.64

 

CMYK 0 / 8 / 25 / 17

HEX #D4C29F

RGB 212 194 159

HSL 39.62, 0.38%, 0.73%

LAB 79.09, 0.9, 19.93

 

CMYK 21 / 0 / 25 / 17

HEX #A8D4A0

RGB 168 212 160

HSL 110.77, 0.38%, 0.73%

LAB 80.71, -24.19, 21.14

 

CMYK 18 / 25 / 0 / 17

HEX #ADA0D4

RGB 173 160 212

HSL 255, 0.38%, 0.73%

LAB 68.59, 15.28, -24.75

 

CMYK 0 / 8 / 25 / 17

HEX #D4C29F

RGB 212 194 159

HSL 39.62, 0.38%, 0.73%

LAB 79.09, 0.9, 19.93

 

CMYK 25 / 0 / 8 / 17

HEX #A0D4C2

RGB 160 212 194

HSL 159.23, 0.38%, 0.73%

LAB 80.99, -20.51, 3.44

 

CMYK 8 / 25 / 0 / 17

HEX #C2A0D4

RGB 194 160 212

HSL 279.23, 0.38%, 0.73%

LAB 70.43, 22.01, -21.78

 

CMYK 0 / 8 / 25 / 17

HEX #D4C29F

RGB 212 194 159

HSL 39.62, 0.38%, 0.73%

LAB 79.09, 0.9, 19.93

 

CMYK 21 / 0 / 25 / 17

HEX #A8D4A0

RGB 168 212 160

HSL 110.77, 0.38%, 0.73%

LAB 80.71, -24.19, 21.14

 

CMYK 25 / 16 / 0 / 17

HEX #A0B2D4

RGB 160 178 212

HSL 219.23, 0.38%, 0.73%

LAB 72.27, 1.26, -19.23

 

CMYK 4 / 25 / 0 / 17

HEX #CCA0D4

RGB 204 160 212

HSL 290.77, 0.38%, 0.73%

LAB 71.37, 25.28, -20.26

 

CMYK 0 / 8 / 25 / 17

HEX #D4C29F

RGB 212 194 159

HSL 39.62, 0.38%, 0.73%

LAB 79.09, 0.9, 19.93

 

CMYK 25 / 0 / 21 / 17

HEX #A0D4A8

RGB 160 212 168

HSL 129.23, 0.38%, 0.73%

LAB 80.4, -25.49, 16.41

 

CMYK 25 / 16 / 0 / 17

HEX #A0B2D4

RGB 160 178 212

HSL 219.23, 0.38%, 0.73%

LAB 72.27, 1.26, -19.23

 

CMYK 0 / 25 / 4 / 17

HEX #D4A0CC

RGB 212 160 204

HSL 309.23, 0.38%, 0.73%

LAB 71.89, 26.45, -14.99

 

Description

Color code: HEX #D4C29F | qconv.com Color code: HEX #D4C29F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 194 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 194 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 25% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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