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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4B9EC it is the complementary color #2B4613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4B9EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4B9EC shade: #D9B9E7, #EACBFA, #FBDDFF, #FFEFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4B9EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4B9EC shade: #D4B9EC, #C3A7D9, #B295C6, #A183B3 and #9071A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4B9EC shade: #D5BBEC, #E2BBEC, #ECBBE9, #ECBBDC and #ECBBCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4B9EC shade: #D5BBEC, #C8BBEC and #BBBBEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4B9EC shade matches the following richer shades: #D5BBEC, #D6B4F3 and #D6ADFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4B9EC shade: #D5BBEC, #D5C2E5, #D4C9DE, #D4D0D7 and #D3D7D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4B9EC shade: #BBBCEC, #C7BBEC, #D4BBEC, #E2BBEC and #ECBBEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4B9EC shade: #AD7ADB, #C19BE3, #D5BBEC, #E9DBF5 and #FDFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4B9EC shade: #D4B9EC, #ECBBC9 and #BBECC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4B9EC shade: #D4B9EC, #ECD4BB and #BBECD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4B9EC shade: #D4B9EC, #ECBBC9, #D3ECBB and #BBECDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4B9EC shade: #D4B9EC, #ECBCBB, #D3ECBB and #BBECEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 22 / 0 / 7

HEX #D4B9EC

RGB 212 185 236

HSL 271.76, 0.57%, 0.83%

LAB 78.9, 19.02, -21.82

 

Complementary color

CMYK 39 / 0 / 73 / 73

HEX #2B4613

RGB 43 70 19

HSL 91.76, 0.57%, 0.17%

LAB 26.57, -20.29, 26.58

 

CMYK 6 / 20 / 0 / 9

HEX #D9B9E7

RGB 217 185 231

HSL 281.74, 0.49%, 0.82%

LAB 79.17, 19.64, -18.67

 

CMYK 6 / 19 / 0 / 2

HEX #EACBFA

RGB 234 203 250

HSL 279.57, 0.82%, 0.89%

LAB 85.56, 19.19, -19.03

 

CMYK 2 / 13 / 0 / 0

HEX #FBDDFF

RGB 251 221 255

HSL 292.94, 1%, 0.93%

LAB 91.43, 16.16, -12.7

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 10 / 22 / 0 / 7

HEX #D4B9EC

RGB 212 185 236

HSL 271.76, 0.57%, 0.83%

LAB 78.9, 19.02, -21.82

 

CMYK 10 / 23 / 0 / 15

HEX #C3A7D9

RGB 195 167 217

HSL 273.6, 0.4%, 0.75%

LAB 72.39, 19.49, -21.52

 

CMYK 10 / 25 / 0 / 22

HEX #B295C6

RGB 178 149 198

HSL 275.51, 0.3%, 0.68%

LAB 65.78, 20.01, -21.24

 

CMYK 10 / 27 / 0 / 30

HEX #A183B3

RGB 161 131 179

HSL 277.5, 0.24%, 0.61%

LAB 59.03, 20.57, -20.96

 

CMYK 10 / 29 / 0 / 37

HEX #9071A0

RGB 144 113 160

HSL 279.57, 0.2%, 0.54%

LAB 52.15, 21.19, -20.69

 

CMYK 10 / 21 / 0 / 7

HEX #D5BBEC

RGB 213 187 236

HSL 271.84, 0.56%, 0.83%

LAB 79.47, 18.26, -20.94

 

CMYK 4 / 21 / 0 / 7

HEX #E2BBEC

RGB 226 187 236

HSL 287.76, 0.56%, 0.83%

LAB 80.61, 22.46, -19.11

 

CMYK 0 / 21 / 1 / 7

HEX #ECBBE9

RGB 236 187 233

HSL 303.67, 0.56%, 0.83%

LAB 81.43, 25.18, -16.16

 

CMYK 0 / 21 / 7 / 7

HEX #ECBBDC

RGB 236 187 220

HSL 319.59, 0.56%, 0.83%

LAB 81.04, 22.88, -9.77

 

CMYK 0 / 21 / 13 / 7

HEX #ECBBCE

RGB 236 187 206

HSL 336.73, 0.56%, 0.83%

LAB 80.64, 20.54, -2.81

 

CMYK 10 / 21 / 0 / 7

HEX #D5BBEC

RGB 213 187 236

HSL 271.84, 0.56%, 0.83%

LAB 79.47, 18.26, -20.94

 

CMYK 15 / 21 / 0 / 7

HEX #C8BBEC

RGB 200 187 236

HSL 255.92, 0.56%, 0.83%

LAB 78.39, 14.13, -22.68

 

CMYK 21 / 21 / 0 / 7

HEX #BBBBEC

RGB 187 187 236

HSL 240, 0.56%, 0.83%

LAB 77.38, 10.1, -24.32

 

CMYK 10 / 21 / 0 / 7

HEX #D5BBEC

RGB 213 187 236

HSL 271.84, 0.56%, 0.83%

LAB 79.47, 18.26, -20.94

 

CMYK 12 / 26 / 0 / 5

HEX #D6B4F3

RGB 214 180 243

HSL 272.38, 0.72%, 0.83%

LAB 78.12, 23.79, -26.76

 

CMYK 14 / 31 / 0 / 2

HEX #D6ADFA

RGB 214 173 250

HSL 271.95, 0.89%, 0.83%

LAB 76.73, 29.05, -32.66

 

CMYK 10 / 21 / 0 / 7

HEX #D5BBEC

RGB 213 187 236

HSL 271.84, 0.56%, 0.83%

LAB 79.47, 18.26, -20.94

 

CMYK 7 / 15 / 0 / 10

HEX #D5C2E5

RGB 213 194 229

HSL 272.57, 0.4%, 0.83%

LAB 80.95, 13.09, -14.94

 

CMYK 5 / 9 / 0 / 13

HEX #D4C9DE

RGB 212 201 222

HSL 271.43, 0.24%, 0.83%

LAB 82.4, 7.66, -9.04

 

CMYK 1 / 3 / 0 / 16

HEX #D4D0D7

RGB 212 208 215

HSL 274.29, 0.08%, 0.83%

LAB 83.97, 2.65, -2.98

 

CMYK 2 / 0 / 3 / 16

HEX #D3D7D0

RGB 211 215 208

HSL 94.29, 0.08%, 0.83%

LAB 85.51, -2.62, 2.96

 

CMYK 21 / 20 / 0 / 7

HEX #BBBCEC

RGB 187 188 236

HSL 238.78, 0.56%, 0.83%

LAB 77.63, 9.55, -23.93

 

CMYK 16 / 21 / 0 / 7

HEX #C7BBEC

RGB 199 187 236

HSL 254.69, 0.56%, 0.83%

LAB 78.31, 13.82, -22.81

 

CMYK 10 / 21 / 0 / 7

HEX #D4BBEC

RGB 212 187 236

HSL 270.61, 0.56%, 0.83%

LAB 79.38, 17.94, -21.08

 

CMYK 4 / 21 / 0 / 7

HEX #E2BBEC

RGB 226 187 236

HSL 287.76, 0.56%, 0.83%

LAB 80.61, 22.46, -19.11

 

CMYK 0 / 21 / 1 / 7

HEX #ECBBEA

RGB 236 187 234

HSL 302.45, 0.56%, 0.83%

LAB 81.46, 25.36, -16.65

 

CMYK 21 / 44 / 0 / 14

HEX #AD7ADB

RGB 173 122 219

HSL 271.55, 0.57%, 0.67%

LAB 59.81, 38.23, -42.27

 

CMYK 15 / 32 / 0 / 11

HEX #C19BE3

RGB 193 155 227

HSL 271.67, 0.56%, 0.75%

LAB 69.7, 27.6, -31.15

 

CMYK 10 / 21 / 0 / 7

HEX #D5BBEC

RGB 213 187 236

HSL 271.84, 0.56%, 0.83%

LAB 79.47, 18.26, -20.94

 

CMYK 5 / 11 / 0 / 4

HEX #E9DBF5

RGB 233 219 245

HSL 272.31, 0.57%, 0.91%

LAB 89.2, 9.46, -10.94

 

CMYK 0 / 1 / 0 / 0

HEX #FDFCFE

RGB 253 252 254

HSL 270, 0.5%, 0.99%

LAB 99.09, 0.69, -0.85

 

CMYK 10 / 22 / 0 / 7

HEX #D4B9EC

RGB 212 185 236

HSL 271.76, 0.57%, 0.83%

LAB 78.9, 19.02, -21.82

 

CMYK 0 / 21 / 15 / 7

HEX #ECBBC9

RGB 236 187 201

HSL 342.86, 0.56%, 0.83%

LAB 80.51, 19.74, -0.31

 

CMYK 21 / 0 / 18 / 7

HEX #BBECC1

RGB 187 236 193

HSL 127.35, 0.56%, 0.83%

LAB 89.11, -23.89, 15.78

 

CMYK 10 / 22 / 0 / 7

HEX #D4B9EC

RGB 212 185 236

HSL 271.76, 0.57%, 0.83%

LAB 78.9, 19.02, -21.82

 

CMYK 0 / 10 / 21 / 7

HEX #ECD4BB

RGB 236 212 187

HSL 30.61, 0.56%, 0.83%

LAB 86.26, 4.45, 15.4

 

CMYK 21 / 0 / 10 / 7

HEX #BBECD4

RGB 187 236 212

HSL 150.61, 0.56%, 0.83%

LAB 89.54, -20.4, 6.49

 

CMYK 10 / 22 / 0 / 7

HEX #D4B9EC

RGB 212 185 236

HSL 271.76, 0.57%, 0.83%

LAB 78.9, 19.02, -21.82

 

CMYK 0 / 21 / 15 / 7

HEX #ECBBC9

RGB 236 187 201

HSL 342.86, 0.56%, 0.83%

LAB 80.51, 19.74, -0.31

 

CMYK 11 / 0 / 21 / 7

HEX #D3ECBB

RGB 211 236 187

HSL 90.61, 0.56%, 0.83%

LAB 90.52, -16.75, 21.07

 

CMYK 21 / 0 / 6 / 7

HEX #BBECDE

RGB 187 236 222

HSL 162.86, 0.56%, 0.83%

LAB 89.78, -18.45, 1.62

 

CMYK 10 / 22 / 0 / 7

HEX #D4B9EC

RGB 212 185 236

HSL 271.76, 0.57%, 0.83%

LAB 78.9, 19.02, -21.82

 

CMYK 0 / 20 / 21 / 7

HEX #ECBCBB

RGB 236 188 187

HSL 1.22, 0.56%, 0.83%

LAB 80.4, 17.06, 7.07

 

CMYK 11 / 0 / 21 / 7

HEX #D3ECBB

RGB 211 236 187

HSL 90.61, 0.56%, 0.83%

LAB 90.52, -16.75, 21.07

 

CMYK 21 / 0 / 0 / 7

HEX #BBECEC

RGB 187 236 236

HSL 180, 0.56%, 0.83%

LAB 90.14, -15.58, -5.17

 

Description

Color code: HEX #D4B9EC | qconv.com Color code: HEX #D4B9EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 185 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 185 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 22 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 22% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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