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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4AF93 it is the complementary color #2B506C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4AF93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4AF93 shade: #D9AF8E, #EAC1A1, #FBD3B4, #FFE5C7 and #FFF7DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4AF93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4AF93 shade: #D4AF93, #C39D80, #B28B6D, #A1795A and #906747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4AF93 shade: #D3AE92, #D39C92 and #D39292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4AF93 shade: #D3AE92, #D3C092, #D3D192, #C4D392 and #B2D392

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4AF93 shade matches the following richer shades: #D3AE92, #E0AC85, #ECAB79 and #F9A96C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4AF93 shade: #D3AE92, #C7B09E, #BBB1AA, #AEB3B7 and #A2B5C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4AF93 shade: #D39299, #D39B92, #D3AD92, #D3BF92 and #D3D092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4AF93 shade: #BC8257, #C89874, #D3AE92, #DFC4AF and #EBDACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4AF93 shade: #D4AF93, #ABD392 and #9392D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4AF93 shade: #D4AF93, #92D3AD and #AD92D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4AF93 shade: #D4AF93, #ABD392, #92B8D3 and #BA92D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4AF93 shade: #D4AF93, #97D392, #92B8D3 and #CE92D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 31 / 17

HEX #D4AF93

RGB 212 175 147

HSL 25.85, 0.43%, 0.7%

LAB 74.04, 9.38, 19.4

 

Complementary color

CMYK 60 / 26 / 0 / 58

HEX #2B506C

RGB 43 80 108

HSL 205.85, 0.43%, 0.3%

LAB 32.55, -4.07, -20.16

 

CMYK 0 / 19 / 35 / 15

HEX #D9AF8E

RGB 217 175 142

HSL 26.4, 0.5%, 0.7%

LAB 74.42, 10.7, 22.71

 

CMYK 0 / 18 / 31 / 8

HEX #EAC1A1

RGB 234 193 161

HSL 26.3, 0.63%, 0.77%

LAB 80.85, 10.1, 21.61

 

CMYK 0 / 16 / 28 / 2

HEX #FBD3B4

RGB 251 211 180

HSL 26.2, 0.9%, 0.85%

LAB 87.19, 9.56, 20.58

 

CMYK 0 / 10 / 22 / 0

HEX #FFE5C7

RGB 255 229 199

HSL 32.14, 1%, 0.89%

LAB 92.32, 4.34, 17.88

 

CMYK 0 / 3 / 15 / 0

HEX #FFF7DA

RGB 255 247 218

HSL 47.03, 1%, 0.93%

LAB 97.16, -2.02, 14.9

 

CMYK 0 / 17 / 31 / 17

HEX #D4AF93

RGB 212 175 147

HSL 25.85, 0.43%, 0.7%

LAB 74.04, 9.38, 19.4

 

CMYK 0 / 19 / 34 / 24

HEX #C39D80

RGB 195 157 128

HSL 25.97, 0.36%, 0.63%

LAB 67.48, 9.98, 20.51

 

CMYK 0 / 22 / 39 / 30

HEX #B28B6D

RGB 178 139 109

HSL 26.09, 0.31%, 0.56%

LAB 60.81, 10.68, 21.72

 

CMYK 0 / 25 / 44 / 37

HEX #A1795A

RGB 161 121 90

HSL 26.2, 0.28%, 0.49%

LAB 54.02, 11.49, 23.04

 

CMYK 0 / 28 / 51 / 44

HEX #906747

RGB 144 103 71

HSL 26.3, 0.34%, 0.42%

LAB 47.09, 12.47, 24.5

 

CMYK 0 / 18 / 31 / 17

HEX #D3AE92

RGB 211 174 146

HSL 25.85, 0.42%, 0.7%

LAB 73.67, 9.39, 19.42

 

CMYK 0 / 26 / 31 / 17

HEX #D39C92

RGB 211 156 146

HSL 9.23, 0.42%, 0.7%

LAB 69.26, 19.13, 13.28

 

CMYK 0 / 31 / 31 / 17

HEX #D39292

RGB 211 146 146

HSL 0, 0.42%, 0.7%

LAB 66.89, 24.57, 9.93

 

CMYK 0 / 18 / 31 / 17

HEX #D3AE92

RGB 211 174 146

HSL 25.85, 0.42%, 0.7%

LAB 73.67, 9.39, 19.42

 

CMYK 0 / 9 / 31 / 17

HEX #D3C092

RGB 211 192 146

HSL 42.46, 0.42%, 0.7%

LAB 78.24, -0.17, 25.66

 

CMYK 0 / 1 / 31 / 17

HEX #D3D192

RGB 211 209 146

HSL 58.15, 0.42%, 0.7%

LAB 82.66, -8.98, 31.58

 

CMYK 7 / 0 / 31 / 17

HEX #C4D392

RGB 196 211 146

HSL 73.85, 0.42%, 0.7%

LAB 82.05, -15.69, 30.57

 

CMYK 16 / 0 / 31 / 17

HEX #B2D392

RGB 178 211 146

HSL 90.46, 0.42%, 0.7%

LAB 80.81, -22.34, 28.69

 

CMYK 0 / 18 / 31 / 17

HEX #D3AE92

RGB 211 174 146

HSL 25.85, 0.42%, 0.7%

LAB 73.67, 9.39, 19.42

 

CMYK 0 / 23 / 41 / 12

HEX #E0AC85

RGB 224 172 133

HSL 25.71, 0.59%, 0.7%

LAB 74.22, 14.02, 27.39

 

CMYK 0 / 28 / 49 / 7

HEX #ECAB79

RGB 236 171 121

HSL 26.09, 0.75%, 0.7%

LAB 75.04, 18.12, 35.07

 

CMYK 0 / 32 / 57 / 2

HEX #F9A96C

RGB 249 169 108

HSL 25.96, 0.92%, 0.7%

LAB 75.82, 23.29, 43.11

 

CMYK 0 / 18 / 31 / 17

HEX #D3AE92

RGB 211 174 146

HSL 25.85, 0.42%, 0.7%

LAB 73.67, 9.39, 19.42

 

CMYK 0 / 12 / 21 / 22

HEX #C7B09E

RGB 199 176 158

HSL 26.34, 0.27%, 0.7%

LAB 73.33, 5.4, 12.25

 

CMYK 0 / 5 / 9 / 27

HEX #BBB1AA

RGB 187 177 170

HSL 24.71, 0.11%, 0.7%

LAB 72.83, 2.33, 4.84

 

CMYK 5 / 2 / 0 / 28

HEX #AEB3B7

RGB 174 179 183

HSL 206.67, 0.06%, 0.7%

LAB 72.67, -0.97, -2.65

 

CMYK 17 / 7 / 0 / 24

HEX #A2B5C3

RGB 162 181 195

HSL 205.45, 0.22%, 0.7%

LAB 72.67, -3.58, -9.31

 

CMYK 0 / 31 / 27 / 17

HEX #D39299

RGB 211 146 153

HSL 353.54, 0.42%, 0.7%

LAB 67.06, 25.52, 6.25

 

CMYK 0 / 27 / 31 / 17

HEX #D39B92

RGB 211 155 146

HSL 8.31, 0.42%, 0.7%

LAB 69.02, 19.68, 12.94

 

CMYK 0 / 18 / 31 / 17

HEX #D3AD92

RGB 211 173 146

HSL 24.92, 0.42%, 0.7%

LAB 73.42, 9.93, 19.08

 

CMYK 0 / 9 / 31 / 17

HEX #D3BF92

RGB 211 191 146

HSL 41.54, 0.42%, 0.7%

LAB 77.98, 0.35, 25.31

 

CMYK 0 / 1 / 31 / 17

HEX #D3D092

RGB 211 208 146

HSL 57.23, 0.42%, 0.7%

LAB 82.4, -8.47, 31.23

 

CMYK 0 / 31 / 54 / 26

HEX #BC8257

RGB 188 130 87

HSL 25.54, 0.43%, 0.54%

LAB 59.29, 17.56, 32.12

 

CMYK 0 / 24 / 42 / 22

HEX #C89874

RGB 200 152 116

HSL 25.71, 0.43%, 0.62%

LAB 66.52, 13.31, 25.88

 

CMYK 0 / 18 / 31 / 17

HEX #D3AE92

RGB 211 174 146

HSL 25.85, 0.42%, 0.7%

LAB 73.67, 9.39, 19.42

 

CMYK 0 / 12 / 22 / 13

HEX #DFC4AF

RGB 223 196 175

HSL 26.25, 0.43%, 0.78%

LAB 80.88, 6.27, 14.04

 

CMYK 0 / 7 / 13 / 8

HEX #EBDACD

RGB 235 218 205

HSL 26, 0.43%, 0.86%

LAB 88.07, 3.71, 8.49

 

CMYK 0 / 17 / 31 / 17

HEX #D4AF93

RGB 212 175 147

HSL 25.85, 0.43%, 0.7%

LAB 74.04, 9.38, 19.4

 

CMYK 19 / 0 / 31 / 17

HEX #ABD392

RGB 171 211 146

HSL 96.92, 0.42%, 0.7%

LAB 80.36, -24.85, 28.01

 

CMYK 30 / 31 / 0 / 17

HEX #9392D3

RGB 147 146 211

HSL 240.92, 0.42%, 0.7%

LAB 62.9, 15.1, -33.15

 

CMYK 0 / 17 / 31 / 17

HEX #D4AF93

RGB 212 175 147

HSL 25.85, 0.43%, 0.7%

LAB 74.04, 9.38, 19.4

 

CMYK 31 / 0 / 18 / 17

HEX #92D3AD

RGB 146 211 173

HSL 144.92, 0.42%, 0.7%

LAB 79.45, -28.52, 12.32

 

CMYK 18 / 31 / 0 / 17

HEX #AD92D3

RGB 173 146 211

HSL 264.92, 0.42%, 0.7%

LAB 65.08, 22.93, -29.6

 

CMYK 0 / 17 / 31 / 17

HEX #D4AF93

RGB 212 175 147

HSL 25.85, 0.43%, 0.7%

LAB 74.04, 9.38, 19.4

 

CMYK 19 / 0 / 31 / 17

HEX #ABD392

RGB 171 211 146

HSL 96.92, 0.42%, 0.7%

LAB 80.36, -24.85, 28.01

 

CMYK 31 / 13 / 0 / 17

HEX #92B8D3

RGB 146 184 211

HSL 204.92, 0.42%, 0.7%

LAB 72.95, -6.4, -17.74

 

CMYK 12 / 31 / 0 / 17

HEX #BA92D3

RGB 186 146 211

HSL 276.92, 0.42%, 0.7%

LAB 66.29, 27, -27.63

 

CMYK 0 / 17 / 31 / 17

HEX #D4AF93

RGB 212 175 147

HSL 25.85, 0.43%, 0.7%

LAB 74.04, 9.38, 19.4

 

CMYK 28 / 0 / 31 / 17

HEX #97D392

RGB 151 211 146

HSL 115.38, 0.42%, 0.7%

LAB 79.18, -31.72, 26.22

 

CMYK 31 / 13 / 0 / 17

HEX #92B8D3

RGB 146 184 211

HSL 204.92, 0.42%, 0.7%

LAB 72.95, -6.4, -17.74

 

CMYK 2 / 31 / 0 / 17

HEX #CE92D3

RGB 206 146 211

HSL 295.38, 0.42%, 0.7%

LAB 68.3, 33.39, -24.37

 

Description

Color code: HEX #D4AF93 | qconv.com Color code: HEX #D4AF93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 175 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 175 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 31 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 31% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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