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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4AF8C it is the complementary color #2B5073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4AF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4AF8C shade: #D9AF87, #EAC19A, #FBD3AD, #FFE5C0 and #FFF7D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4AF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4AF8C shade: #D4AF8C, #C39D79, #B28B66, #A17953 and #906740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4AF8C shade: #D4AF8C, #D49B8C and #D48C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4AF8C shade: #D4AF8C, #D4C38C, #D2D48C, #BFD48C and #ABD48C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4AF8C shade matches the following richer shades: #D4AF8C, #E1AF7F, #EEAE72 and #FBAE65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4AF8C shade: #D4AF8C, #C8AF98, #BBB0A5, #AEB0B2 and #A1B0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4AF8C shade: #D48C8F, #D49B8C, #D4AF8C, #D4C28C and #D3D48C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4AF8C shade: #BE854F, #C99A6D, #D4AF8C, #DFC4AA and #EBD9C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4AF8C shade: #D4AF8C, #A3D48C and #928CD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4AF8C shade: #D4AF8C, #8CD4AF and #AF8CD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4AF8C shade: #D4AF8C, #A3D48C, #8CB1D4 and #BD8CD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4AF8C shade: #D4AF8C, #8DD48C, #8CB1D4 and #D38CD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

Complementary color

CMYK 63 / 30 / 0 / 55

HEX #2B5073

RGB 43 80 115

HSL 209.17, 0.46%, 0.31%

LAB 32.89, -1.57, -24.02

 

CMYK 0 / 19 / 38 / 15

HEX #D9AF87

RGB 217 175 135

HSL 29.27, 0.52%, 0.69%

LAB 74.29, 9.86, 26.29

 

CMYK 0 / 18 / 34 / 8

HEX #EAC19A

RGB 234 193 154

HSL 29.25, 0.66%, 0.76%

LAB 80.72, 9.23, 25.14

 

CMYK 0 / 16 / 31 / 2

HEX #FBD3AD

RGB 251 211 173

HSL 29.23, 0.91%, 0.83%

LAB 87.05, 8.67, 24.05

 

CMYK 0 / 10 / 25 / 0

HEX #FFE5C0

RGB 255 229 192

HSL 35.24, 1%, 0.88%

LAB 92.18, 3.38, 21.31

 

CMYK 0 / 3 / 17 / 0

HEX #FFF7D3

RGB 255 247 211

HSL 49.09, 1%, 0.91%

LAB 97.02, -3.06, 18.28

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 0 / 19 / 38 / 24

HEX #C39D79

RGB 195 157 121

HSL 29.19, 0.38%, 0.62%

LAB 67.35, 9.12, 24.17

 

CMYK 0 / 22 / 43 / 30

HEX #B28B66

RGB 178 139 102

HSL 29.21, 0.33%, 0.55%

LAB 60.68, 9.86, 25.44

 

CMYK 0 / 25 / 48 / 37

HEX #A17953

RGB 161 121 83

HSL 29.23, 0.32%, 0.48%

LAB 53.9, 10.74, 26.83

 

CMYK 0 / 28 / 56 / 44

HEX #906740

RGB 144 103 64

HSL 29.25, 0.38%, 0.41%

LAB 46.97, 11.79, 28.35

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 0 / 27 / 34 / 17

HEX #D49B8C

RGB 212 155 140

HSL 12.5, 0.46%, 0.69%

LAB 68.99, 19.29, 16.24

 

CMYK 0 / 34 / 34 / 17

HEX #D48C8C

RGB 212 140 140

HSL 0, 0.46%, 0.69%

LAB 65.47, 27.42, 11.31

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 0 / 8 / 34 / 17

HEX #D4C38C

RGB 212 195 140

HSL 45.83, 0.46%, 0.69%

LAB 79, -2.1, 29.85

 

CMYK 1 / 0 / 34 / 17

HEX #D2D48C

RGB 210 212 140

HSL 61.67, 0.46%, 0.69%

LAB 83.27, -11.62, 35.45

 

CMYK 10 / 0 / 34 / 17

HEX #BFD48C

RGB 191 212 140

HSL 77.5, 0.46%, 0.69%

LAB 81.87, -18.86, 33.35

 

CMYK 19 / 0 / 34 / 17

HEX #ABD48C

RGB 171 212 140

HSL 94.17, 0.46%, 0.69%

LAB 80.54, -26.2, 31.34

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 0 / 22 / 44 / 12

HEX #E1AF7F

RGB 225 175 127

HSL 29.39, 0.62%, 0.69%

LAB 74.95, 12.17, 31.57

 

CMYK 0 / 27 / 52 / 7

HEX #EEAE72

RGB 238 174 114

HSL 29.03, 0.78%, 0.69%

LAB 75.86, 16.7, 39.81

 

CMYK 0 / 31 / 60 / 2

HEX #FBAE65

RGB 251 174 101

HSL 29.2, 0.95%, 0.69%

LAB 77.11, 20.96, 48.24

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 0 / 13 / 24 / 22

HEX #C8AF98

RGB 200 175 152

HSL 28.75, 0.3%, 0.69%

LAB 73.03, 5.43, 15.11

 

CMYK 0 / 6 / 12 / 27

HEX #BBB0A5

RGB 187 176 165

HSL 30, 0.14%, 0.69%

LAB 72.45, 2.02, 7.03

 

CMYK 2 / 1 / 0 / 30

HEX #AEB0B2

RGB 174 176 178

HSL 210, 0.03%, 0.69%

LAB 71.73, -0.32, -1.28

 

CMYK 16 / 8 / 0 / 25

HEX #A1B0BF

RGB 161 176 191

HSL 210, 0.19%, 0.69%

LAB 71.14, -2.07, -9.41

 

CMYK 0 / 34 / 33 / 17

HEX #D48C8F

RGB 212 140 143

HSL 357.5, 0.46%, 0.69%

LAB 65.54, 27.8, 9.72

 

CMYK 0 / 27 / 34 / 17

HEX #D49B8C

RGB 212 155 140

HSL 12.5, 0.46%, 0.69%

LAB 68.99, 19.29, 16.24

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 0 / 8 / 34 / 17

HEX #D4C28C

RGB 212 194 140

HSL 45, 0.46%, 0.69%

LAB 78.74, -1.58, 29.5

 

CMYK 0 / 0 / 34 / 17

HEX #D3D48C

RGB 211 212 140

HSL 60.83, 0.46%, 0.69%

LAB 83.35, -11.23, 35.57

 

CMYK 0 / 30 / 58 / 25

HEX #BE854F

RGB 190 133 79

HSL 29.19, 0.46%, 0.53%

LAB 60.15, 16.08, 37.52

 

CMYK 0 / 23 / 46 / 21

HEX #C99A6D

RGB 201 154 109

HSL 29.35, 0.46%, 0.61%

LAB 67, 11.88, 30.34

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 0 / 12 / 24 / 13

HEX #DFC4AA

RGB 223 196 170

HSL 29.43, 0.45%, 0.77%

LAB 80.78, 5.55, 16.56

 

CMYK 0 / 8 / 15 / 8

HEX #EBD9C8

RGB 235 217 200

HSL 29.14, 0.47%, 0.85%

LAB 87.71, 3.44, 10.6

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 23 / 0 / 34 / 17

HEX #A3D48C

RGB 163 212 140

HSL 100.83, 0.46%, 0.69%

LAB 80.05, -29.03, 30.61

 

CMYK 31 / 34 / 0 / 17

HEX #928CD4

RGB 146 140 212

HSL 245, 0.46%, 0.69%

LAB 61.33, 18.53, -36.16

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 34 / 0 / 17 / 17

HEX #8CD4AF

RGB 140 212 175

HSL 149.17, 0.46%, 0.69%

LAB 79.48, -30.4, 11.24

 

CMYK 17 / 34 / 0 / 17

HEX #AF8CD4

RGB 175 140 212

HSL 269.17, 0.46%, 0.69%

LAB 63.85, 27.16, -32.03

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 23 / 0 / 34 / 17

HEX #A3D48C

RGB 163 212 140

HSL 100.83, 0.46%, 0.69%

LAB 80.05, -29.03, 30.61

 

CMYK 34 / 17 / 0 / 17

HEX #8CB1D4

RGB 140 177 212

HSL 209.17, 0.46%, 0.69%

LAB 70.71, -4.07, -21.72

 

CMYK 11 / 34 / 0 / 17

HEX #BD8CD4

RGB 189 140 212

HSL 280.83, 0.46%, 0.69%

LAB 65.22, 31.49, -29.81

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8C

RGB 212 175 140

HSL 29.17, 0.46%, 0.69%

LAB 73.9, 8.48, 23

 

CMYK 33 / 0 / 34 / 17

HEX #8DD48C

RGB 141 212 140

HSL 119.17, 0.46%, 0.69%

LAB 78.84, -36.4, 28.78

 

CMYK 34 / 17 / 0 / 17

HEX #8CB1D4

RGB 140 177 212

HSL 209.17, 0.46%, 0.69%

LAB 70.71, -4.07, -21.72

 

CMYK 0 / 34 / 0 / 17

HEX #D38CD4

RGB 211 140 212

HSL 299.17, 0.46%, 0.69%

LAB 67.55, 38.41, -26.04

 

Description

Color code: HEX #D4AF8C | qconv.com Color code: HEX #D4AF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 175 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 175 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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