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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4AD3B it is the complementary color #2B52C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4AD3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4AD3B shade: #D9AD36, #EABF49, #FBD15C, #FFE36F and #FFF582

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4AD3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4AD3B shade: #D4AD3B, #C39B28, #B28915, #A17702 and #906500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4AD3B shade: #D4AD3A, #D4833A, #D45A3A and #D43A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4AD3B shade: #D4AD3A, #D2D43A, #A8D43A, #7FD43A and #55D43A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4AD3B shade matches the following richer shades: #D4AD3A, #E7B627 and #FBC014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4AD3B shade: #D4AD3A, #C0A34E, #AD9A61, #9A9075 and #868788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4AD3B shade: #D4593A, #D4823A, #D4AB3A, #D4D43A and #ABD43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4AD3B shade: #9A7B22, #BC9629, #D4AD3A, #DBBB5C and #E3C97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4AD3B shade: #D4AD3B, #45D43A and #6E3AD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4AD3B shade: #D4AD3B, #3AD4AB and #AB3AD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4AD3B shade: #D4AD3B, #45D43A, #3A63D4 and #CA3AD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4AD3B shade: #D4AD3B, #3AD45E, #3A63D4 and #D43AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 72 / 17

HEX #D4AD3B

RGB 212 173 59

HSL 44.71, 0.64%, 0.53%

LAB 72.36, 2.62, 60.9

 

Complementary color

CMYK 78 / 58 / 0 / 23

HEX #2B52C4

RGB 43 82 196

HSL 224.71, 0.64%, 0.47%

LAB 38.78, 27.78, -63.39

 

CMYK 0 / 20 / 75 / 15

HEX #D9AD36

RGB 217 173 54

HSL 43.8, 0.68%, 0.53%

LAB 72.83, 4.56, 63.44

 

CMYK 0 / 18 / 69 / 8

HEX #EABF49

RGB 234 191 73

HSL 43.98, 0.79%, 0.6%

LAB 79.18, 3.27, 62.84

 

CMYK 0 / 17 / 63 / 2

HEX #FBD15C

RGB 251 209 92

HSL 44.15, 0.95%, 0.67%

LAB 85.44, 2.16, 61.91

 

CMYK 0 / 11 / 56 / 0

HEX #FFE36F

RGB 255 227 111

HSL 48.33, 1%, 0.72%

LAB 90.48, -4.07, 59.2

 

CMYK 0 / 4 / 49 / 0

HEX #FFF582

RGB 255 245 130

HSL 55.2, 1%, 0.75%

LAB 95.24, -11.5, 56.06

 

CMYK 0 / 18 / 72 / 17

HEX #D4AD3B

RGB 212 173 59

HSL 44.71, 0.64%, 0.53%

LAB 72.36, 2.62, 60.9

 

CMYK 0 / 21 / 79 / 24

HEX #C39B28

RGB 195 155 40

HSL 44.52, 0.66%, 0.46%

LAB 65.9, 4.02, 61.18

 

CMYK 0 / 23 / 88 / 30

HEX #B28915

RGB 178 137 21

HSL 44.33, 0.79%, 0.39%

LAB 59.35, 5.67, 60.49

 

CMYK 0 / 26 / 99 / 37

HEX #A17702

RGB 161 119 2

HSL 44.15, 0.98%, 0.32%

LAB 52.7, 7.6, 58.42

 

CMYK 0 / 30 / 100 / 44

HEX #906500

RGB 144 101 0

HSL 42.08, 1%, 0.28%

LAB 45.96, 9.91, 53.28

 

CMYK 0 / 18 / 73 / 17

HEX #D4AD3A

RGB 212 173 58

HSL 44.81, 0.64%, 0.53%

LAB 72.36, 2.57, 61.29

 

CMYK 0 / 38 / 73 / 17

HEX #D4833A

RGB 212 131 58

HSL 28.44, 0.64%, 0.53%

LAB 62.11, 25.17, 50.92

 

CMYK 0 / 58 / 73 / 17

HEX #D45A3A

RGB 212 90 58

HSL 12.47, 0.64%, 0.53%

LAB 53.62, 46.21, 41.82

 

CMYK 0 / 73 / 73 / 17

HEX #D43A3A

RGB 212 58 58

HSL 0, 0.64%, 0.53%

LAB 48.67, 59.5, 36.26

 

CMYK 0 / 18 / 73 / 17

HEX #D4AD3A

RGB 212 173 58

HSL 44.81, 0.64%, 0.53%

LAB 72.36, 2.57, 61.29

 

CMYK 1 / 0 / 73 / 17

HEX #D2D43A

RGB 210 212 58

HSL 60.78, 0.64%, 0.53%

LAB 82.43, -18.27, 70.94

 

CMYK 21 / 0 / 73 / 17

HEX #A8D43A

RGB 168 212 58

HSL 77.14, 0.64%, 0.53%

LAB 79.45, -35.32, 67.05

 

CMYK 40 / 0 / 73 / 17

HEX #7FD43A

RGB 127 212 58

HSL 93.12, 0.64%, 0.53%

LAB 77.22, -50.19, 64.1

 

CMYK 60 / 0 / 73 / 17

HEX #55D43A

RGB 85 212 58

HSL 109.48, 0.64%, 0.53%

LAB 75.65, -62.15, 62.01

 

CMYK 0 / 18 / 73 / 17

HEX #D4AD3A

RGB 212 173 58

HSL 44.81, 0.64%, 0.53%

LAB 72.36, 2.57, 61.29

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 0 / 24 / 92 / 2

HEX #FBC014

RGB 251 192 20

HSL 44.68, 0.97%, 0.53%

LAB 80.88, 8.34, 80.54

 

CMYK 0 / 18 / 73 / 17

HEX #D4AD3A

RGB 212 173 58

HSL 44.81, 0.64%, 0.53%

LAB 72.36, 2.57, 61.29

 

CMYK 0 / 15 / 59 / 25

HEX #C0A34E

RGB 192 163 78

HSL 44.74, 0.48%, 0.53%

LAB 67.98, 0.47, 47.28

 

CMYK 0 / 11 / 44 / 32

HEX #AD9A61

RGB 173 154 97

HSL 45, 0.32%, 0.53%

LAB 64.05, -1.05, 32.43

 

CMYK 0 / 6 / 24 / 40

HEX #9A9075

RGB 154 144 117

HSL 43.78, 0.15%, 0.53%

LAB 59.98, -0.81, 15.71

 

CMYK 1 / 1 / 0 / 47

HEX #868788

RGB 134 135 136

HSL 210, 0.01%, 0.53%

LAB 56.26, -0.17, -0.67

 

CMYK 0 / 58 / 73 / 17

HEX #D4593A

RGB 212 89 58

HSL 12.08, 0.64%, 0.53%

LAB 53.44, 46.68, 41.62

 

CMYK 0 / 39 / 73 / 17

HEX #D4823A

RGB 212 130 58

HSL 28.05, 0.64%, 0.53%

LAB 61.88, 25.71, 50.68

 

CMYK 0 / 19 / 73 / 17

HEX #D4AB3A

RGB 212 171 58

HSL 44.03, 0.64%, 0.53%

LAB 71.84, 3.64, 60.78

 

CMYK 0 / 0 / 73 / 17

HEX #D4D43A

RGB 212 212 58

HSL 60, 0.64%, 0.53%

LAB 82.59, -17.43, 71.14

 

CMYK 19 / 0 / 73 / 17

HEX #ABD43A

RGB 171 212 58

HSL 75.97, 0.64%, 0.53%

LAB 79.64, -34.15, 67.3

 

CMYK 0 / 20 / 78 / 40

HEX #9A7B22

RGB 154 123 34

HSL 44.5, 0.64%, 0.37%

LAB 53.11, 2.91, 49.99

 

CMYK 0 / 20 / 78 / 26

HEX #BC9629

RGB 188 150 41

HSL 44.49, 0.64%, 0.45%

LAB 63.89, 3.66, 58.73

 

CMYK 0 / 18 / 73 / 17

HEX #D4AD3A

RGB 212 173 58

HSL 44.81, 0.64%, 0.53%

LAB 72.36, 2.57, 61.29

 

CMYK 0 / 15 / 58 / 14

HEX #DBBB5C

RGB 219 187 92

HSL 44.88, 0.64%, 0.61%

LAB 76.9, 0.24, 51.52

 

CMYK 0 / 11 / 44 / 11

HEX #E3C97E

RGB 227 201 126

HSL 44.55, 0.64%, 0.69%

LAB 81.63, -0.81, 40.72

 

CMYK 0 / 18 / 72 / 17

HEX #D4AD3B

RGB 212 173 59

HSL 44.71, 0.64%, 0.53%

LAB 72.36, 2.62, 60.9

 

CMYK 67 / 0 / 73 / 17

HEX #45D43A

RGB 69 212 58

HSL 115.71, 0.64%, 0.53%

LAB 75.24, -65.55, 61.46

 

CMYK 48 / 73 / 0 / 17

HEX #6E3AD4

RGB 110 58 212

HSL 260.26, 0.64%, 0.53%

LAB 39.74, 56.28, -70.89

 

CMYK 0 / 18 / 72 / 17

HEX #D4AD3B

RGB 212 173 59

HSL 44.71, 0.64%, 0.53%

LAB 72.36, 2.62, 60.9

 

CMYK 73 / 0 / 19 / 17

HEX #3AD4AB

RGB 58 212 171

HSL 164.03, 0.64%, 0.53%

LAB 76.63, -49.15, 8.95

 

CMYK 19 / 73 / 0 / 17

HEX #AB3AD4

RGB 171 58 212

HSL 284.03, 0.64%, 0.53%

LAB 47.54, 67.26, -57.86

 

CMYK 0 / 18 / 72 / 17

HEX #D4AD3B

RGB 212 173 59

HSL 44.71, 0.64%, 0.53%

LAB 72.36, 2.62, 60.9

 

CMYK 67 / 0 / 73 / 17

HEX #45D43A

RGB 69 212 58

HSL 115.71, 0.64%, 0.53%

LAB 75.24, -65.55, 61.46

 

CMYK 73 / 53 / 0 / 17

HEX #3A63D4

RGB 58 99 212

HSL 224.03, 0.64%, 0.53%

LAB 45.05, 24.47, -62.41

 

CMYK 5 / 73 / 0 / 17

HEX #CA3AD4

RGB 202 58 212

HSL 296.1, 0.64%, 0.53%

LAB 52.22, 73.51, -50.12

 

CMYK 0 / 18 / 72 / 17

HEX #D4AD3B

RGB 212 173 59

HSL 44.71, 0.64%, 0.53%

LAB 72.36, 2.62, 60.9

 

CMYK 73 / 0 / 56 / 17

HEX #3AD45E

RGB 58 212 94

HSL 134.03, 0.64%, 0.53%

LAB 75.32, -63.7, 46.54

 

CMYK 73 / 53 / 0 / 17

HEX #3A63D4

RGB 58 99 212

HSL 224.03, 0.64%, 0.53%

LAB 45.05, 24.47, -62.41

 

CMYK 0 / 73 / 17 / 17

HEX #D43AB0

RGB 212 58 176

HSL 314.03, 0.64%, 0.53%

LAB 52.02, 70.27, -29.51

 

Description

Color code: HEX #D4AD3B | qconv.com Color code: HEX #D4AD3B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 173 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 173 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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