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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4AB4B it is the complementary color #2B54B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4AB4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4AB4B shade: #D9AB46, #EABD59, #FBCF6C, #FFE17F and #FFF392

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4AB4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4AB4B shade: #D4AB4B, #C39938, #B28725, #A17512 and #906300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4AB4B shade: #D3AA4A, #D3854A, #D3604A and #D34A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4AB4B shade: #D3AA4A, #D3CF4A, #B2D34A, #8DD34A and #69D34A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4AB4B shade matches the following richer shades: #D3AA4A, #E5B238 and #F8B926

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4AB4B shade: #D3AA4A, #C1A35D, #AF9C6F, #9D9481 and #8B8D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4AB4B shade: #D3614A, #D3864A, #D3AA4A, #D3CF4A and #B3D34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4AB4B shade: #A37E28, #C59830, #D3AA4A, #DBBA6C and #E3C98D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4AB4B shade: #D4AB4B, #58D34A and #734AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4AB4B shade: #D4AB4B, #4AD3AA and #AA4AD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4AB4B shade: #D4AB4B, #58D34A, #4A73D3 and #C64AD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4AB4B shade: #D4AB4B, #4AD366, #4A73D3 and #D34AB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 65 / 17

HEX #D4AB4B

RGB 212 171 75

HSL 42.04, 0.61%, 0.56%

LAB 71.98, 4.56, 53.68

 

Complementary color

CMYK 76 / 53 / 0 / 29

HEX #2B54B4

RGB 43 84 180

HSL 222.04, 0.61%, 0.44%

LAB 38.11, 20.39, -55.11

 

CMYK 0 / 21 / 68 / 15

HEX #D9AB46

RGB 217 171 70

HSL 41.22, 0.66%, 0.56%

LAB 72.44, 6.4, 56.56

 

CMYK 0 / 19 / 62 / 8

HEX #EABD59

RGB 234 189 89

HSL 41.38, 0.78%, 0.63%

LAB 78.82, 5.26, 55.47

 

CMYK 0 / 18 / 57 / 2

HEX #FBCF6C

RGB 251 207 108

HSL 41.54, 0.95%, 0.7%

LAB 85.11, 4.26, 54.26

 

CMYK 0 / 12 / 50 / 0

HEX #FFE17F

RGB 255 225 127

HSL 45.94, 1%, 0.75%

LAB 90.16, -1.79, 51.35

 

CMYK 0 / 5 / 43 / 0

HEX #FFF392

RGB 255 243 146

HSL 53.39, 1%, 0.79%

LAB 94.92, -9.04, 48.09

 

CMYK 0 / 19 / 65 / 17

HEX #D4AB4B

RGB 212 171 75

HSL 42.04, 0.61%, 0.56%

LAB 71.98, 4.56, 53.68

 

CMYK 0 / 22 / 71 / 24

HEX #C39938

RGB 195 153 56

HSL 41.87, 0.55%, 0.49%

LAB 65.49, 5.79, 54.66

 

CMYK 0 / 24 / 79 / 30

HEX #B28725

RGB 178 135 37

HSL 41.7, 0.66%, 0.42%

LAB 58.91, 7.26, 55.19

 

CMYK 0 / 27 / 89 / 37

HEX #A17512

RGB 161 117 18

HSL 41.54, 0.8%, 0.35%

LAB 52.22, 9.01, 54.75

 

CMYK 0 / 31 / 100 / 44

HEX #906300

RGB 144 99 0

HSL 41.25, 1%, 0.28%

LAB 45.43, 11.07, 52.92

 

CMYK 0 / 19 / 65 / 17

HEX #D3AA4A

RGB 211 170 74

HSL 42.04, 0.61%, 0.56%

LAB 71.62, 4.6, 53.71

 

CMYK 0 / 37 / 65 / 17

HEX #D3854A

RGB 211 133 74

HSL 25.84, 0.61%, 0.56%

LAB 62.61, 24.56, 43.64

 

CMYK 0 / 55 / 65 / 17

HEX #D3604A

RGB 211 96 74

HSL 9.64, 0.61%, 0.56%

LAB 54.77, 43.81, 34.38

 

CMYK 0 / 65 / 65 / 17

HEX #D34A4A

RGB 211 74 74

HSL 0, 0.61%, 0.56%

LAB 50.97, 53.84, 29.71

 

CMYK 0 / 19 / 65 / 17

HEX #D3AA4A

RGB 211 170 74

HSL 42.04, 0.61%, 0.56%

LAB 71.62, 4.6, 53.71

 

CMYK 0 / 2 / 65 / 17

HEX #D3CF4A

RGB 211 207 74

HSL 58.25, 0.61%, 0.56%

LAB 81.27, -14.55, 63.96

 

CMYK 16 / 0 / 65 / 17

HEX #B2D34A

RGB 178 211 74

HSL 74.45, 0.61%, 0.56%

LAB 79.92, -29.96, 61.79

 

CMYK 33 / 0 / 65 / 17

HEX #8DD34A

RGB 141 211 74

HSL 90.66, 0.61%, 0.56%

LAB 77.72, -43.85, 58.79

 

CMYK 50 / 0 / 65 / 17

HEX #69D34A

RGB 105 211 74

HSL 106.42, 0.61%, 0.56%

LAB 76.12, -55.3, 56.59

 

CMYK 0 / 19 / 65 / 17

HEX #D3AA4A

RGB 211 170 74

HSL 42.04, 0.61%, 0.56%

LAB 71.62, 4.6, 53.71

 

CMYK 0 / 22 / 76 / 10

HEX #E5B238

RGB 229 178 56

HSL 42.31, 0.77%, 0.56%

LAB 75.32, 7.17, 65.5

 

CMYK 0 / 25 / 85 / 3

HEX #F8B926

RGB 248 185 38

HSL 42, 0.94%, 0.56%

LAB 78.92, 11.04, 75.15

 

CMYK 0 / 19 / 65 / 17

HEX #D3AA4A

RGB 211 170 74

HSL 42.04, 0.61%, 0.56%

LAB 71.62, 4.6, 53.71

 

CMYK 0 / 16 / 52 / 24

HEX #C1A35D

RGB 193 163 93

HSL 42, 0.45%, 0.56%

LAB 68.26, 2.12, 40.17

 

CMYK 0 / 11 / 37 / 31

HEX #AF9C6F

RGB 175 156 111

HSL 42.19, 0.29%, 0.56%

LAB 64.99, 0.3, 26.14

 

CMYK 0 / 6 / 18 / 38

HEX #9D9481

RGB 157 148 129

HSL 40.71, 0.13%, 0.56%

LAB 61.6, 0.03, 11.24

 

CMYK 5 / 4 / 0 / 42

HEX #8B8D93

RGB 139 141 147

HSL 225, 0.04%, 0.56%

LAB 58.64, 0.48, -3.45

 

CMYK 0 / 54 / 65 / 17

HEX #D3614A

RGB 211 97 74

HSL 10.07, 0.61%, 0.56%

LAB 54.96, 43.32, 34.61

 

CMYK 0 / 36 / 65 / 17

HEX #D3864A

RGB 211 134 74

HSL 26.28, 0.61%, 0.56%

LAB 62.84, 24.02, 43.9

 

CMYK 0 / 19 / 65 / 17

HEX #D3AA4A

RGB 211 170 74

HSL 42.04, 0.61%, 0.56%

LAB 71.62, 4.6, 53.71

 

CMYK 0 / 2 / 65 / 17

HEX #D3CF4A

RGB 211 207 74

HSL 58.25, 0.61%, 0.56%

LAB 81.27, -14.55, 63.96

 

CMYK 15 / 0 / 65 / 17

HEX #B3D34A

RGB 179 211 74

HSL 74.01, 0.61%, 0.56%

LAB 79.99, -29.56, 61.88

 

CMYK 0 / 23 / 75 / 36

HEX #A37E28

RGB 163 126 40

HSL 41.95, 0.61%, 0.4%

LAB 54.93, 5.61, 49.68

 

CMYK 0 / 23 / 76 / 23

HEX #C59830

RGB 197 152 48

HSL 41.88, 0.61%, 0.48%

LAB 65.39, 6.84, 57.87

 

CMYK 0 / 19 / 65 / 17

HEX #D3AA4A

RGB 211 170 74

HSL 42.04, 0.61%, 0.56%

LAB 71.62, 4.6, 53.71

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6C

RGB 219 186 108

HSL 42.16, 0.61%, 0.64%

LAB 76.84, 2.06, 43.65

 

CMYK 0 / 11 / 38 / 11

HEX #E3C98D

RGB 227 201 141

HSL 41.86, 0.61%, 0.72%

LAB 81.85, 0.78, 33.34

 

CMYK 0 / 19 / 65 / 17

HEX #D4AB4B

RGB 212 171 75

HSL 42.04, 0.61%, 0.56%

LAB 71.98, 4.56, 53.68

 

CMYK 58 / 0 / 65 / 17

HEX #58D34A

RGB 88 211 74

HSL 113.87, 0.61%, 0.56%

LAB 75.55, -59.73, 55.8

 

CMYK 45 / 65 / 0 / 17

HEX #734AD3

RGB 115 74 211

HSL 257.96, 0.61%, 0.56%

LAB 43.13, 48.72, -64.76

 

CMYK 0 / 19 / 65 / 17

HEX #D4AB4B

RGB 212 171 75

HSL 42.04, 0.61%, 0.56%

LAB 71.98, 4.56, 53.68

 

CMYK 65 / 0 / 19 / 17

HEX #4AD3AA

RGB 74 211 170

HSL 162.04, 0.61%, 0.56%

LAB 76.65, -46.59, 9.55

 

CMYK 19 / 65 / 0 / 17

HEX #AA4AD3

RGB 170 74 211

HSL 282.04, 0.61%, 0.56%

LAB 49.67, 60.3, -53.87

 

CMYK 0 / 19 / 65 / 17

HEX #D4AB4B

RGB 212 171 75

HSL 42.04, 0.61%, 0.56%

LAB 71.98, 4.56, 53.68

 

CMYK 58 / 0 / 65 / 17

HEX #58D34A

RGB 88 211 74

HSL 113.87, 0.61%, 0.56%

LAB 75.55, -59.73, 55.8

 

CMYK 65 / 45 / 0 / 17

HEX #4A73D3

RGB 74 115 211

HSL 222.04, 0.61%, 0.56%

LAB 50, 16.39, -53.82

 

CMYK 6 / 65 / 0 / 17

HEX #C64AD3

RGB 198 74 211

HSL 294.31, 0.61%, 0.56%

LAB 53.61, 66.67, -47.37

 

CMYK 0 / 19 / 65 / 17

HEX #D4AB4B

RGB 212 171 75

HSL 42.04, 0.61%, 0.56%

LAB 71.98, 4.56, 53.68

 

CMYK 65 / 0 / 52 / 17

HEX #4AD366

RGB 74 211 102

HSL 132.26, 0.61%, 0.56%

LAB 75.45, -59.47, 43

 

CMYK 65 / 45 / 0 / 17

HEX #4A73D3

RGB 74 115 211

HSL 222.04, 0.61%, 0.56%

LAB 50, 16.39, -53.82

 

CMYK 0 / 65 / 13 / 17

HEX #D34AB8

RGB 211 74 184

HSL 311.82, 0.61%, 0.56%

LAB 54.25, 65.44, -30.71

 

Description

Color code: HEX #D4AB4B | qconv.com Color code: HEX #D4AB4B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 171 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 171 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 65 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 65% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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