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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4A8AC it is the complementary color #2B5753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4A8AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4A8AC shade: #D9A8A7, #EABABA, #FBCCCD, #FFDEE0 and #FFF0F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4A8AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4A8AC shade: #D4A8AC, #C39699, #B28486, #A17273 and #906060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4A8AC shade: #D5AAAE and #D5AAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4A8AC shade: #D5AAAE, #D5AAB9, #D5AAC5, #D5AAD1 and #CEAAD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4A8AC shade matches the following richer shades: #D5AAAE, #DF9FA5, #EA959D, #F48B94 and #FE808C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4A8AC shade: #D5AAAE, #CBB4B6, #C0BEBE, #B6C9C7 and #ACD3CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4A8AC shade: #D5AAC5, #D5AAB9, #D5AAAE, #D5B1AA and #D5BCAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4A8AC shade: #BA7279, #C78E93, #D5AAAE, #E3C5C8 and #F0E1E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4A8AC shade: #D4A8AC, #D1D5AA and #AABFD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4A8AC shade: #D4A8AC, #AED5AA and #AAAED5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4A8AC shade: #D4A8AC, #D1D5AA, #AAD5D1 and #AEAAD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4A8AC shade: #D4A8AC, #C4D5AA, #AAD5D1 and #BBAAD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 19 / 17

HEX #D4A8AC

RGB 212 168 172

HSL 354.55, 0.34%, 0.75%

LAB 72.88, 16.73, 4.1

 

Complementary color

CMYK 51 / 0 / 5 / 66

HEX #2B5753

RGB 43 87 83

HSL 174.55, 0.34%, 0.25%

LAB 33.89, -16.33, -2.39

 

CMYK 0 / 23 / 23 / 15

HEX #D9A8A7

RGB 217 168 167

HSL 1.2, 0.4%, 0.75%

LAB 73.25, 17.83, 7.45

 

CMYK 0 / 21 / 21 / 8

HEX #EABABA

RGB 234 186 186

HSL 0, 0.53%, 0.82%

LAB 79.7, 17.25, 6.58

 

CMYK 0 / 19 / 18 / 2

HEX #FBCCCD

RGB 251 204 205

HSL 358.72, 0.85%, 0.89%

LAB 86.06, 16.72, 5.78

 

CMYK 0 / 13 / 12 / 0

HEX #FFDEE0

RGB 255 222 224

HSL 356.36, 1%, 0.94%

LAB 91.18, 11.69, 3.21

 

CMYK 0 / 6 / 5 / 0

HEX #FFF0F3

RGB 255 240 243

HSL 348, 1%, 0.97%

LAB 96.02, 5.55, 0.36

 

CMYK 0 / 21 / 19 / 17

HEX #D4A8AC

RGB 212 168 172

HSL 354.55, 0.34%, 0.75%

LAB 72.88, 16.73, 4.1

 

CMYK 0 / 23 / 22 / 24

HEX #C39699

RGB 195 150 153

HSL 356, 0.27%, 0.68%

LAB 66.3, 17.31, 4.94

 

CMYK 0 / 26 / 25 / 30

HEX #B28486

RGB 178 132 134

HSL 357.39, 0.23%, 0.61%

LAB 59.61, 17.97, 5.85

 

CMYK 0 / 29 / 29 / 37

HEX #A17273

RGB 161 114 115

HSL 358.72, 0.2%, 0.54%

LAB 52.78, 18.71, 6.85

 

CMYK 0 / 33 / 33 / 44

HEX #906060

RGB 144 96 96

HSL 0, 0.2%, 0.47%

LAB 45.82, 19.56, 7.98

 

CMYK 0 / 20 / 18 / 16

HEX #D5AAAE

RGB 213 170 174

HSL 354.42, 0.34%, 0.75%

LAB 73.51, 16.32, 3.93

 

CMYK 0 / 20 / 20 / 16

HEX #D5AAAA

RGB 213 170 170

HSL 0, 0.34%, 0.75%

LAB 73.41, 15.71, 5.98

 

CMYK 0 / 20 / 18 / 16

HEX #D5AAAE

RGB 213 170 174

HSL 354.42, 0.34%, 0.75%

LAB 73.51, 16.32, 3.93

 

CMYK 0 / 20 / 13 / 16

HEX #D5AAB9

RGB 213 170 185

HSL 339.07, 0.34%, 0.75%

LAB 73.8, 18.08, -1.69

 

CMYK 0 / 20 / 8 / 16

HEX #D5AAC5

RGB 213 170 197

HSL 322.33, 0.34%, 0.75%

LAB 74.14, 20.11, -7.77

 

CMYK 0 / 20 / 2 / 16

HEX #D5AAD1

RGB 213 170 209

HSL 305.58, 0.34%, 0.75%

LAB 74.51, 22.26, -13.79

 

CMYK 3 / 20 / 0 / 16

HEX #CEAAD5

RGB 206 170 213

HSL 290.23, 0.34%, 0.75%

LAB 73.98, 20.66, -16.84

 

CMYK 0 / 20 / 18 / 16

HEX #D5AAAE

RGB 213 170 174

HSL 354.42, 0.34%, 0.75%

LAB 73.51, 16.32, 3.93

 

CMYK 0 / 29 / 26 / 13

HEX #DF9FA5

RGB 223 159 165

HSL 354.38, 0.5%, 0.75%

LAB 71.69, 24.63, 6.39

 

CMYK 0 / 36 / 33 / 8

HEX #EA959D

RGB 234 149 157

HSL 354.35, 0.67%, 0.75%

LAB 70.47, 32.96, 9.25

 

CMYK 0 / 43 / 39 / 4

HEX #F48B94

RGB 244 139 148

HSL 354.86, 0.83%, 0.75%

LAB 69.35, 40.74, 12.86

 

CMYK 0 / 50 / 45 / 0

HEX #FE808C

RGB 254 128 140

HSL 354.29, 0.98%, 0.75%

LAB 68.32, 48.95, 16.09

 

CMYK 0 / 20 / 18 / 16

HEX #D5AAAE

RGB 213 170 174

HSL 354.42, 0.34%, 0.75%

LAB 73.51, 16.32, 3.93

 

CMYK 0 / 11 / 10 / 20

HEX #CBB4B6

RGB 203 180 182

HSL 354.78, 0.18%, 0.75%

LAB 75.27, 8.56, 1.99

 

CMYK 0 / 1 / 1 / 25

HEX #C0BEBE

RGB 192 190 190

HSL 0, 0.02%, 0.75%

LAB 77.13, 0.7, 0.24

 

CMYK 9 / 0 / 1 / 21

HEX #B6C9C7

RGB 182 201 199

HSL 173.68, 0.15%, 0.75%

LAB 79.52, -6.81, -1.21

 

CMYK 18 / 0 / 2 / 17

HEX #ACD3CF

RGB 172 211 207

HSL 173.85, 0.31%, 0.75%

LAB 81.76, -13.59, -2.28

 

CMYK 0 / 20 / 8 / 16

HEX #D5AAC5

RGB 213 170 197

HSL 322.33, 0.34%, 0.75%

LAB 74.14, 20.11, -7.77

 

CMYK 0 / 20 / 13 / 16

HEX #D5AAB9

RGB 213 170 185

HSL 339.07, 0.34%, 0.75%

LAB 73.8, 18.08, -1.69

 

CMYK 0 / 20 / 18 / 16

HEX #D5AAAE

RGB 213 170 174

HSL 354.42, 0.34%, 0.75%

LAB 73.51, 16.32, 3.93

 

CMYK 0 / 17 / 20 / 16

HEX #D5B1AA

RGB 213 177 170

HSL 9.77, 0.34%, 0.75%

LAB 75.13, 11.93, 8.45

 

CMYK 0 / 12 / 20 / 16

HEX #D5BCAA

RGB 213 188 170

HSL 25.12, 0.34%, 0.75%

LAB 77.88, 6.04, 12.36

 

CMYK 0 / 39 / 35 / 27

HEX #BA7279

RGB 186 114 121

HSL 354.17, 0.34%, 0.59%

LAB 55.94, 29.27, 8.25

 

CMYK 0 / 29 / 26 / 22

HEX #C78E93

RGB 199 142 147

HSL 354.74, 0.34%, 0.67%

LAB 64.64, 22.34, 5.98

 

CMYK 0 / 20 / 18 / 16

HEX #D5AAAE

RGB 213 170 174

HSL 354.42, 0.34%, 0.75%

LAB 73.51, 16.32, 3.93

 

CMYK 0 / 13 / 12 / 11

HEX #E3C5C8

RGB 227 197 200

HSL 354, 0.35%, 0.83%

LAB 82.07, 11.07, 2.4

 

CMYK 0 / 6 / 6 / 6

HEX #F0E1E2

RGB 240 225 226

HSL 356, 0.33%, 0.91%

LAB 90.72, 5.28, 1.34

 

CMYK 0 / 21 / 19 / 17

HEX #D4A8AC

RGB 212 168 172

HSL 354.55, 0.34%, 0.75%

LAB 72.88, 16.73, 4.1

 

CMYK 2 / 0 / 20 / 16

HEX #D1D5AA

RGB 209 213 170

HSL 65.58, 0.34%, 0.75%

LAB 83.99, -8.5, 20.85

 

CMYK 20 / 10 / 0 / 16

HEX #AABFD5

RGB 170 191 213

HSL 210.7, 0.34%, 0.75%

LAB 76.44, -2.46, -13.42

 

CMYK 0 / 21 / 19 / 17

HEX #D4A8AC

RGB 212 168 172

HSL 354.55, 0.34%, 0.75%

LAB 72.88, 16.73, 4.1

 

CMYK 18 / 0 / 20 / 16

HEX #AED5AA

RGB 174 213 170

HSL 114.42, 0.34%, 0.75%

LAB 81.56, -20.95, 17.1

 

CMYK 20 / 18 / 0 / 16

HEX #AAAED5

RGB 170 174 213

HSL 234.42, 0.34%, 0.75%

LAB 71.98, 6.77, -20.16

 

CMYK 0 / 21 / 19 / 17

HEX #D4A8AC

RGB 212 168 172

HSL 354.55, 0.34%, 0.75%

LAB 72.88, 16.73, 4.1

 

CMYK 2 / 0 / 20 / 16

HEX #D1D5AA

RGB 209 213 170

HSL 65.58, 0.34%, 0.75%

LAB 83.99, -8.5, 20.85

 

CMYK 20 / 0 / 2 / 16

HEX #AAD5D1

RGB 170 213 209

HSL 174.42, 0.34%, 0.75%

LAB 82.24, -14.81, -2.67

 

CMYK 18 / 20 / 0 / 16

HEX #AEAAD5

RGB 174 170 213

HSL 245.58, 0.34%, 0.75%

LAB 71.25, 10.24, -21.24

 

CMYK 0 / 21 / 19 / 17

HEX #D4A8AC

RGB 212 168 172

HSL 354.55, 0.34%, 0.75%

LAB 72.88, 16.73, 4.1

 

CMYK 8 / 0 / 20 / 16

HEX #C4D5AA

RGB 196 213 170

HSL 83.72, 0.34%, 0.75%

LAB 83.03, -13.23, 19.38

 

CMYK 20 / 0 / 2 / 16

HEX #AAD5D1

RGB 170 213 209

HSL 174.42, 0.34%, 0.75%

LAB 82.24, -14.81, -2.67

 

CMYK 12 / 20 / 0 / 16

HEX #BBAAD5

RGB 187 170 213

HSL 263.72, 0.34%, 0.75%

LAB 72.31, 14.41, -19.53

 

Description

Color code: HEX #D4A8AC | qconv.com Color code: HEX #D4A8AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 168 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 168 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 19 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 19% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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