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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4A852 it is the complementary color #2B57AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4A852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4A852 shade: #D9A84D, #EABA60, #FBCC73, #FFDE86 and #FFF099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4A852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4A852 shade: #D4A852, #C3963F, #B2842C, #A17219 and #906006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4A852 shade: #D4A954, #D48654, #D46354 and #D45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4A852 shade: #D4A954, #D4CB54, #BAD454, #98D454 and #75D454

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4A852 shade matches the following richer shades: #D4A954, #E5AE42 and #F7B431

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4A852 shade: #D4A954, #C3A365, #B29D76, #A09888 and #8F9299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4A852 shade: #D46354, #D48554, #D4A754, #D4C954 and #BDD454

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4A852 shade: #AB7F2B, #CC9833, #D4A954, #DCB975 and #E5CA96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4A852 shade: #D4A852, #67D454 and #7454D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4A852 shade: #D4A852, #54D4A7 and #A754D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4A852 shade: #D4A852, #67D454, #5481D4 and #C154D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4A852 shade: #D4A852, #54D467, #5481D4 and #D454C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 61 / 17

HEX #D4A852

RGB 212 168 82

HSL 39.69, 0.6%, 0.58%

LAB 71.29, 6.62, 49.66

 

Complementary color

CMYK 75 / 50 / 0 / 32

HEX #2B57AD

RGB 43 87 173

HSL 219.69, 0.6%, 0.42%

LAB 38.46, 15.73, -50.42

 

CMYK 0 / 23 / 65 / 15

HEX #D9A84D

RGB 217 168 77

HSL 39, 0.65%, 0.58%

LAB 71.75, 8.42, 52.66

 

CMYK 0 / 21 / 59 / 8

HEX #EABA60

RGB 234 186 96

HSL 39.13, 0.77%, 0.65%

LAB 78.14, 7.31, 51.42

 

CMYK 0 / 19 / 54 / 2

HEX #FBCC73

RGB 251 204 115

HSL 39.26, 0.94%, 0.72%

LAB 84.45, 6.35, 50.14

 

CMYK 0 / 13 / 47 / 0

HEX #FFDE86

RGB 255 222 134

HSL 43.64, 1%, 0.76%

LAB 89.5, 0.35, 47.15

 

CMYK 0 / 6 / 40 / 0

HEX #FFF099

RGB 255 240 153

HSL 51.18, 1%, 0.8%

LAB 94.26, -6.85, 43.83

 

CMYK 0 / 21 / 61 / 17

HEX #D4A852

RGB 212 168 82

HSL 39.69, 0.6%, 0.58%

LAB 71.29, 6.62, 49.66

 

CMYK 0 / 23 / 68 / 24

HEX #C3963F

RGB 195 150 63

HSL 39.55, 0.52%, 0.51%

LAB 64.78, 7.81, 50.85

 

CMYK 0 / 26 / 75 / 30

HEX #B2842C

RGB 178 132 44

HSL 39.4, 0.6%, 0.44%

LAB 58.18, 9.22, 51.77

 

CMYK 0 / 29 / 84 / 37

HEX #A17219

RGB 161 114 25

HSL 39.26, 0.73%, 0.36%

LAB 51.48, 10.9, 52.04

 

CMYK 0 / 33 / 96 / 44

HEX #906006

RGB 144 96 6

HSL 39.13, 0.92%, 0.29%

LAB 44.67, 12.93, 50.92

 

CMYK 0 / 20 / 60 / 17

HEX #D4A954

RGB 212 169 84

HSL 39.84, 0.6%, 0.58%

LAB 71.56, 6.23, 49.01

 

CMYK 0 / 37 / 60 / 17

HEX #D48654

RGB 212 134 84

HSL 23.44, 0.6%, 0.58%

LAB 63.08, 25.11, 39.05

 

CMYK 0 / 53 / 60 / 17

HEX #D46354

RGB 212 99 84

HSL 7.03, 0.6%, 0.58%

LAB 55.65, 43.36, 29.86

 

CMYK 0 / 60 / 60 / 17

HEX #D45454

RGB 212 84 84

HSL 0, 0.6%, 0.58%

LAB 52.93, 50.46, 26.39

 

CMYK 0 / 20 / 60 / 17

HEX #D4A954

RGB 212 169 84

HSL 39.84, 0.6%, 0.58%

LAB 71.56, 6.23, 49.01

 

CMYK 0 / 4 / 60 / 17

HEX #D4CB54

RGB 212 203 84

HSL 55.78, 0.6%, 0.58%

LAB 80.38, -11.5, 58.86

 

CMYK 12 / 0 / 60 / 17

HEX #BAD454

RGB 186 212 84

HSL 72.19, 0.6%, 0.58%

LAB 80.83, -26.55, 58.79

 

CMYK 28 / 0 / 60 / 17

HEX #98D454

RGB 152 212 84

HSL 88.13, 0.6%, 0.58%

LAB 78.7, -39.53, 55.83

 

CMYK 45 / 0 / 60 / 17

HEX #75D454

RGB 117 212 84

HSL 104.53, 0.6%, 0.58%

LAB 76.99, -51.24, 53.44

 

CMYK 0 / 20 / 60 / 17

HEX #D4A954

RGB 212 169 84

HSL 39.84, 0.6%, 0.58%

LAB 71.56, 6.23, 49.01

 

CMYK 0 / 24 / 71 / 10

HEX #E5AE42

RGB 229 174 66

HSL 39.75, 0.76%, 0.58%

LAB 74.4, 9.73, 60.67

 

CMYK 0 / 27 / 80 / 3

HEX #F7B431

RGB 247 180 49

HSL 39.7, 0.93%, 0.58%

LAB 77.66, 13.53, 70.79

 

CMYK 0 / 20 / 60 / 17

HEX #D4A954

RGB 212 169 84

HSL 39.84, 0.6%, 0.58%

LAB 71.56, 6.23, 49.01

 

CMYK 0 / 16 / 48 / 24

HEX #C3A365

RGB 195 163 101

HSL 39.57, 0.44%, 0.58%

LAB 68.56, 3.71, 36.46

 

CMYK 0 / 12 / 34 / 30

HEX #B29D76

RGB 178 157 118

HSL 39, 0.28%, 0.58%

LAB 65.66, 1.86, 23.26

 

CMYK 0 / 5 / 15 / 37

HEX #A09888

RGB 160 152 136

HSL 40, 0.11%, 0.58%

LAB 63.1, 0.12, 9.47

 

CMYK 7 / 5 / 0 / 40

HEX #8F9299

RGB 143 146 153

HSL 222, 0.05%, 0.58%

LAB 60.51, 0.32, -4.08

 

CMYK 0 / 53 / 60 / 17

HEX #D46354

RGB 212 99 84

HSL 7.03, 0.6%, 0.58%

LAB 55.65, 43.36, 29.86

 

CMYK 0 / 37 / 60 / 17

HEX #D48554

RGB 212 133 84

HSL 22.97, 0.6%, 0.58%

LAB 62.85, 25.65, 38.77

 

CMYK 0 / 21 / 60 / 17

HEX #D4A754

RGB 212 167 84

HSL 38.91, 0.6%, 0.58%

LAB 71.06, 7.3, 48.43

 

CMYK 0 / 5 / 60 / 17

HEX #D4C954

RGB 212 201 84

HSL 54.84, 0.6%, 0.58%

LAB 79.85, -10.48, 58.28

 

CMYK 11 / 0 / 60 / 17

HEX #BDD454

RGB 189 212 84

HSL 70.78, 0.6%, 0.58%

LAB 81.04, -25.35, 59.08

 

CMYK 0 / 26 / 75 / 33

HEX #AB7F2B

RGB 171 127 43

HSL 39.38, 0.6%, 0.42%

LAB 56.1, 8.82, 49.88

 

CMYK 0 / 25 / 75 / 20

HEX #CC9833

RGB 204 152 51

HSL 39.61, 0.6%, 0.5%

LAB 66.16, 10.04, 57.7

 

CMYK 0 / 20 / 60 / 17

HEX #D4A954

RGB 212 169 84

HSL 39.84, 0.6%, 0.58%

LAB 71.56, 6.23, 49.01

 

CMYK 0 / 16 / 47 / 14

HEX #DCB975

RGB 220 185 117

HSL 39.61, 0.6%, 0.66%

LAB 76.8, 3.83, 39.06

 

CMYK 0 / 12 / 34 / 10

HEX #E5CA96

RGB 229 202 150

HSL 39.49, 0.6%, 0.74%

LAB 82.43, 2.09, 29.47

 

CMYK 0 / 21 / 61 / 17

HEX #D4A852

RGB 212 168 82

HSL 39.69, 0.6%, 0.58%

LAB 71.29, 6.62, 49.66

 

CMYK 51 / 0 / 60 / 17

HEX #67D454

RGB 103 212 84

HSL 111.09, 0.6%, 0.58%

LAB 76.44, -55.26, 52.68

 

CMYK 45 / 60 / 0 / 17

HEX #7454D4

RGB 116 84 212

HSL 255, 0.6%, 0.58%

LAB 45.37, 43.66, -61.7

 

CMYK 0 / 21 / 61 / 17

HEX #D4A852

RGB 212 168 82

HSL 39.69, 0.6%, 0.58%

LAB 71.29, 6.62, 49.66

 

CMYK 60 / 0 / 21 / 17

HEX #54D4A7

RGB 84 212 167

HSL 158.91, 0.6%, 0.58%

LAB 77.14, -45.91, 11.89

 

CMYK 21 / 60 / 0 / 17

HEX #A754D4

RGB 167 84 212

HSL 278.91, 0.6%, 0.58%

LAB 51.05, 55.14, -52.27

 

CMYK 0 / 21 / 61 / 17

HEX #D4A852

RGB 212 168 82

HSL 39.69, 0.6%, 0.58%

LAB 71.29, 6.62, 49.66

 

CMYK 51 / 0 / 60 / 17

HEX #67D454

RGB 103 212 84

HSL 111.09, 0.6%, 0.58%

LAB 76.44, -55.26, 52.68

 

CMYK 60 / 39 / 0 / 17

HEX #5481D4

RGB 84 129 212

HSL 218.91, 0.6%, 0.58%

LAB 54.38, 9.95, -47.37

 

CMYK 9 / 60 / 0 / 17

HEX #C154D4

RGB 193 84 212

HSL 291.09, 0.6%, 0.58%

LAB 54.48, 61.43, -46.59

 

CMYK 0 / 21 / 61 / 17

HEX #D4A852

RGB 212 168 82

HSL 39.69, 0.6%, 0.58%

LAB 71.29, 6.62, 49.66

 

CMYK 60 / 0 / 51 / 17

HEX #54D467

RGB 84 212 103

HSL 128.91, 0.6%, 0.58%

LAB 76.04, -57.63, 43.3

 

CMYK 60 / 39 / 0 / 17

HEX #5481D4

RGB 84 129 212

HSL 218.91, 0.6%, 0.58%

LAB 54.38, 9.95, -47.37

 

CMYK 0 / 60 / 9 / 17

HEX #D454C1

RGB 212 84 193

HSL 308.91, 0.6%, 0.58%

LAB 56.28, 63, -32.73

 

Description

Color code: HEX #D4A852 | qconv.com Color code: HEX #D4A852 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 168 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 168 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 61 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 61% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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