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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4A745 it is the complementary color #2B58BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4A745. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4A745 shade: #D9A740, #EAB953, #FBCB66, #FFDD79 and #FFEF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4A745. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4A745 shade: #D4A745, #C39532, #B2831F, #A1710C and #905F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4A745 shade: #D3A745, #D38045, #D35A45 and #D34545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4A745 shade: #D3A745, #D3CD45, #B3D345, #8DD345 and #67D345

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4A745 shade matches the following richer shades: #D3A745, #E6AE33 and #F9B420

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4A745 shade: #D3A745, #C1A058, #AE996A, #9C927D and #898B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4A745 shade: #D35A45, #D38045, #D3A645, #D3CC45 and #B5D345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4A745 shade: #A07A26, #C2932D, #D3A745, #DBB767 and #E3C688

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4A745 shade: #D4A745, #56D345 and #6D45D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4A745 shade: #D4A745, #45D3A6 and #A645D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4A745 shade: #D4A745, #56D345, #4572D3 and #C345D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4A745 shade: #D4A745, #45D35F, #4572D3 and #D345B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 67 / 17

HEX #D4A745

RGB 212 167 69

HSL 41.12, 0.62%, 0.55%

LAB 70.92, 6.34, 55.22

 

Complementary color

CMYK 77 / 53 / 0 / 27

HEX #2B58BA

RGB 43 88 186

HSL 221.12, 0.62%, 0.45%

LAB 39.64, 20.05, -56.15

 

CMYK 0 / 23 / 71 / 15

HEX #D9A740

RGB 217 167 64

HSL 40.39, 0.67%, 0.55%

LAB 71.39, 8.22, 58.04

 

CMYK 0 / 21 / 65 / 8

HEX #EAB953

RGB 234 185 83

HSL 40.53, 0.78%, 0.62%

LAB 77.77, 6.97, 57.03

 

CMYK 0 / 19 / 59 / 2

HEX #FBCB66

RGB 251 203 102

HSL 40.67, 0.95%, 0.69%

LAB 84.06, 5.9, 55.86

 

CMYK 0 / 13 / 53 / 0

HEX #FFDD79

RGB 255 221 121

HSL 44.78, 1%, 0.74%

LAB 89.09, -0.26, 52.92

 

CMYK 0 / 6 / 45 / 0

HEX #FFEF8C

RGB 255 239 140

HSL 51.65, 1%, 0.77%

LAB 93.83, -7.64, 49.62

 

CMYK 0 / 21 / 67 / 17

HEX #D4A745

RGB 212 167 69

HSL 41.12, 0.62%, 0.55%

LAB 70.92, 6.34, 55.22

 

CMYK 0 / 24 / 74 / 24

HEX #C39532

RGB 195 149 50

HSL 40.97, 0.59%, 0.48%

LAB 64.43, 7.68, 56.07

 

CMYK 0 / 26 / 83 / 30

HEX #B2831F

RGB 178 131 31

HSL 40.82, 0.7%, 0.41%

LAB 57.84, 9.27, 56.34

 

CMYK 0 / 30 / 93 / 37

HEX #A1710C

RGB 161 113 12

HSL 40.67, 0.86%, 0.34%

LAB 51.17, 11.16, 55.36

 

CMYK 0 / 34 / 100 / 44

HEX #905F00

RGB 144 95 0

HSL 39.58, 1%, 0.28%

LAB 44.4, 13.4, 52.23

 

CMYK 0 / 21 / 67 / 17

HEX #D3A745

RGB 211 167 69

HSL 41.41, 0.62%, 0.55%

LAB 70.81, 5.91, 55.08

 

CMYK 0 / 39 / 67 / 17

HEX #D38045

RGB 211 128 69

HSL 24.93, 0.62%, 0.55%

LAB 61.41, 26.95, 44.8

 

CMYK 0 / 57 / 67 / 17

HEX #D35A45

RGB 211 90 69

HSL 8.87, 0.62%, 0.55%

LAB 53.59, 46.4, 35.76

 

CMYK 0 / 67 / 67 / 17

HEX #D34545

RGB 211 69 69

HSL 0, 0.62%, 0.55%

LAB 50.14, 55.6, 31.6

 

CMYK 0 / 21 / 67 / 17

HEX #D3A745

RGB 211 167 69

HSL 41.41, 0.62%, 0.55%

LAB 70.81, 5.91, 55.08

 

CMYK 0 / 3 / 67 / 17

HEX #D3CD45

RGB 211 205 69

HSL 57.46, 0.62%, 0.55%

LAB 80.71, -13.83, 65.33

 

CMYK 15 / 0 / 67 / 17

HEX #B3D345

RGB 179 211 69

HSL 73.52, 0.62%, 0.55%

LAB 79.96, -29.89, 63.8

 

CMYK 33 / 0 / 67 / 17

HEX #8DD345

RGB 141 211 69

HSL 89.58, 0.62%, 0.55%

LAB 77.69, -44.24, 60.74

 

CMYK 51 / 0 / 67 / 17

HEX #67D345

RGB 103 211 69

HSL 105.63, 0.62%, 0.55%

LAB 76.01, -56.3, 58.46

 

CMYK 0 / 21 / 67 / 17

HEX #D3A745

RGB 211 167 69

HSL 41.41, 0.62%, 0.55%

LAB 70.81, 5.91, 55.08

 

CMYK 0 / 24 / 78 / 10

HEX #E6AE33

RGB 230 174 51

HSL 41.23, 0.78%, 0.55%

LAB 74.4, 9.52, 66.48

 

CMYK 0 / 28 / 87 / 2

HEX #F9B420

RGB 249 180 32

HSL 40.92, 0.95%, 0.55%

LAB 77.81, 13.94, 75.79

 

CMYK 0 / 21 / 67 / 17

HEX #D3A745

RGB 211 167 69

HSL 41.41, 0.62%, 0.55%

LAB 70.81, 5.91, 55.08

 

CMYK 0 / 17 / 54 / 24

HEX #C1A058

RGB 193 160 88

HSL 41.14, 0.46%, 0.55%

LAB 67.41, 3.3, 41.7

 

CMYK 0 / 12 / 39 / 32

HEX #AE996A

RGB 174 153 106

HSL 41.47, 0.3%, 0.55%

LAB 64.02, 0.93, 27.56

 

CMYK 0 / 6 / 20 / 39

HEX #9C927D

RGB 156 146 125

HSL 40.65, 0.14%, 0.55%

LAB 60.88, 0.1, 12.47

 

CMYK 4 / 3 / 0 / 44

HEX #898B8F

RGB 137 139 143

HSL 220, 0.03%, 0.55%

LAB 57.82, 0.07, -2.39

 

CMYK 0 / 57 / 67 / 17

HEX #D35A45

RGB 211 90 69

HSL 8.87, 0.62%, 0.55%

LAB 53.59, 46.4, 35.76

 

CMYK 0 / 39 / 67 / 17

HEX #D38045

RGB 211 128 69

HSL 24.93, 0.62%, 0.55%

LAB 61.41, 26.95, 44.8

 

CMYK 0 / 21 / 67 / 17

HEX #D3A645

RGB 211 166 69

HSL 40.99, 0.62%, 0.55%

LAB 70.56, 6.44, 54.82

 

CMYK 0 / 3 / 67 / 17

HEX #D3CC45

RGB 211 204 69

HSL 57.04, 0.62%, 0.55%

LAB 80.44, -13.33, 65.06

 

CMYK 14 / 0 / 67 / 17

HEX #B5D345

RGB 181 211 69

HSL 72.68, 0.62%, 0.55%

LAB 80.09, -29.09, 63.98

 

CMYK 0 / 24 / 76 / 37

HEX #A07A26

RGB 160 122 38

HSL 41.31, 0.62%, 0.39%

LAB 53.53, 6.41, 49.02

 

CMYK 0 / 24 / 77 / 24

HEX #C2932D

RGB 194 147 45

HSL 41.07, 0.62%, 0.47%

LAB 63.78, 8.11, 57.37

 

CMYK 0 / 21 / 67 / 17

HEX #D3A745

RGB 211 167 69

HSL 41.41, 0.62%, 0.55%

LAB 70.81, 5.91, 55.08

 

CMYK 0 / 16 / 53 / 14

HEX #DBB767

RGB 219 183 103

HSL 41.38, 0.62%, 0.63%

LAB 76.01, 3.21, 45.13

 

CMYK 0 / 13 / 40 / 11

HEX #E3C688

RGB 227 198 136

HSL 40.88, 0.62%, 0.71%

LAB 81.01, 1.79, 34.83

 

CMYK 0 / 21 / 67 / 17

HEX #D4A745

RGB 212 167 69

HSL 41.12, 0.62%, 0.55%

LAB 70.92, 6.34, 55.22

 

CMYK 59 / 0 / 67 / 17

HEX #56D345

RGB 86 211 69

HSL 112.82, 0.62%, 0.55%

LAB 75.45, -60.67, 57.69

 

CMYK 48 / 67 / 0 / 17

HEX #6D45D3

RGB 109 69 211

HSL 256.9, 0.62%, 0.55%

LAB 41.55, 50.29, -67.36

 

CMYK 0 / 21 / 67 / 17

HEX #D4A745

RGB 212 167 69

HSL 41.12, 0.62%, 0.55%

LAB 70.92, 6.34, 55.22

 

CMYK 67 / 0 / 21 / 17

HEX #45D3A6

RGB 69 211 166

HSL 160.99, 0.62%, 0.55%

LAB 76.44, -48.34, 11.38

 

CMYK 21 / 67 / 0 / 17

HEX #A645D3

RGB 166 69 211

HSL 280.99, 0.62%, 0.55%

LAB 48.34, 61.61, -56.04

 

CMYK 0 / 21 / 67 / 17

HEX #D4A745

RGB 212 167 69

HSL 41.12, 0.62%, 0.55%

LAB 70.92, 6.34, 55.22

 

CMYK 59 / 0 / 67 / 17

HEX #56D345

RGB 86 211 69

HSL 112.82, 0.62%, 0.55%

LAB 75.45, -60.67, 57.69

 

CMYK 67 / 46 / 0 / 17

HEX #4572D3

RGB 69 114 211

HSL 220.99, 0.62%, 0.55%

LAB 49.5, 16.2, -54.64

 

CMYK 8 / 67 / 0 / 17

HEX #C345D3

RGB 195 69 211

HSL 293.24, 0.62%, 0.55%

LAB 52.47, 67.96, -49.21

 

CMYK 0 / 21 / 67 / 17

HEX #D4A745

RGB 212 167 69

HSL 41.12, 0.62%, 0.55%

LAB 70.92, 6.34, 55.22

 

CMYK 67 / 0 / 55 / 17

HEX #45D35F

RGB 69 211 95

HSL 130.99, 0.62%, 0.55%

LAB 75.25, -61.37, 46.05

 

CMYK 67 / 46 / 0 / 17

HEX #4572D3

RGB 69 114 211

HSL 220.99, 0.62%, 0.55%

LAB 49.5, 16.2, -54.64

 

CMYK 0 / 67 / 12 / 17

HEX #D345B9

RGB 211 69 185

HSL 310.99, 0.62%, 0.55%

LAB 53.61, 67.49, -32.28

 

Description

Color code: HEX #D4A745 | qconv.com Color code: HEX #D4A745 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 167 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 167 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 67 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 67% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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