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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4A6AA it is the complementary color #2B5955. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4A6AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4A6AA shade: #D9A6A5, #EAB8B8, #FBCACB, #FFDCDE and #FFEEF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4A6AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4A6AA shade: #D4A6AA, #C39497, #B28284, #A17071 and #905E5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4A6AA shade: #D4A5AA and #D4A5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4A6AA shade: #D4A5AA, #D4A5B6, #D4A5C3, #D4A5CF and #CCA5D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4A6AA shade matches the following richer shades: #D4A5AA, #DF9BA1, #E99098, #F4858F and #FF7B86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4A6AA shade: #D4A5AA, #C9B0B2, #BEBBBB, #B4C6C4 and #A9D0CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4A6AA shade: #D4A5C3, #D4A5B7, #D4A5AA, #D4ADA5 and #D4BAA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4A6AA shade: #B96E74, #C68A8F, #D4A5AA, #E1C1C4 and #EFDDDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4A6AA shade: #D4A6AA, #CFD4A5 and #A5BDD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4A6AA shade: #D4A6AA, #AAD4A5 and #A5AAD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4A6AA shade: #D4A6AA, #CFD4A5, #A5D4CF and #AAA5D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4A6AA shade: #D4A6AA, #C1D4A5, #A5D4CF and #B8A5D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 20 / 17

HEX #D4A6AA

RGB 212 166 170

HSL 354.78, 0.35%, 0.74%

LAB 72.34, 17.5, 4.43

 

Complementary color

CMYK 52 / 0 / 4 / 65

HEX #2B5955

RGB 43 89 85

HSL 174.78, 0.35%, 0.26%

LAB 34.63, -16.86, -2.56

 

CMYK 0 / 24 / 24 / 15

HEX #D9A6A5

RGB 217 166 165

HSL 1.15, 0.41%, 0.75%

LAB 72.72, 18.62, 7.79

 

CMYK 0 / 21 / 21 / 8

HEX #EAB8B8

RGB 234 184 184

HSL 0, 0.54%, 0.82%

LAB 79.18, 18.02, 6.91

 

CMYK 0 / 20 / 19 / 2

HEX #FBCACB

RGB 251 202 203

HSL 358.78, 0.86%, 0.89%

LAB 85.54, 17.47, 6.09

 

CMYK 0 / 14 / 13 / 0

HEX #FFDCDE

RGB 255 220 222

HSL 356.57, 1%, 0.93%

LAB 90.65, 12.41, 3.49

 

CMYK 0 / 7 / 5 / 0

HEX #FFEEF1

RGB 255 238 241

HSL 349.41, 1%, 0.97%

LAB 95.48, 6.24, 0.61

 

CMYK 0 / 22 / 20 / 17

HEX #D4A6AA

RGB 212 166 170

HSL 354.78, 0.35%, 0.74%

LAB 72.34, 17.5, 4.43

 

CMYK 0 / 24 / 23 / 24

HEX #C39497

RGB 195 148 151

HSL 356.17, 0.28%, 0.67%

LAB 65.76, 18.11, 5.28

 

CMYK 0 / 27 / 26 / 30

HEX #B28284

RGB 178 130 132

HSL 357.5, 0.24%, 0.6%

LAB 59.06, 18.79, 6.22

 

CMYK 0 / 30 / 30 / 37

HEX #A17071

RGB 161 112 113

HSL 358.78, 0.21%, 0.54%

LAB 52.24, 19.56, 7.25

 

CMYK 0 / 35 / 35 / 44

HEX #905E5E

RGB 144 94 94

HSL 0, 0.21%, 0.47%

LAB 45.28, 20.44, 8.42

 

CMYK 0 / 22 / 20 / 17

HEX #D4A5AA

RGB 212 165 170

HSL 353.62, 0.35%, 0.74%

LAB 72.1, 18.04, 4.08

 

CMYK 0 / 22 / 22 / 17

HEX #D4A5A5

RGB 212 165 165

HSL 0, 0.35%, 0.74%

LAB 71.98, 17.29, 6.65

 

CMYK 0 / 22 / 20 / 17

HEX #D4A5AA

RGB 212 165 170

HSL 353.62, 0.35%, 0.74%

LAB 72.1, 18.04, 4.08

 

CMYK 0 / 22 / 14 / 17

HEX #D4A5B6

RGB 212 165 182

HSL 338.3, 0.35%, 0.74%

LAB 72.42, 19.94, -2.08

 

CMYK 0 / 22 / 8 / 17

HEX #D4A5C3

RGB 212 165 195

HSL 321.7, 0.35%, 0.74%

LAB 72.79, 22.13, -8.69

 

CMYK 0 / 22 / 2 / 17

HEX #D4A5CF

RGB 212 165 207

HSL 306.38, 0.35%, 0.74%

LAB 73.16, 24.27, -14.73

 

CMYK 4 / 22 / 0 / 17

HEX #CCA5D4

RGB 204 165 212

HSL 289.79, 0.35%, 0.74%

LAB 72.56, 22.54, -18.45

 

CMYK 0 / 22 / 20 / 17

HEX #D4A5AA

RGB 212 165 170

HSL 353.62, 0.35%, 0.74%

LAB 72.1, 18.04, 4.08

 

CMYK 0 / 30 / 28 / 13

HEX #DF9BA1

RGB 223 155 161

HSL 354.71, 0.52%, 0.74%

LAB 70.67, 26.22, 7.14

 

CMYK 0 / 38 / 35 / 9

HEX #E99098

RGB 233 144 152

HSL 354.61, 0.67%, 0.74%

LAB 69.14, 34.61, 10.12

 

CMYK 0 / 45 / 41 / 4

HEX #F4858F

RGB 244 133 143

HSL 354.59, 0.83%, 0.74%

LAB 68.01, 43.25, 13.78

 

CMYK 0 / 52 / 47 / 0

HEX #FF7B86

RGB 255 123 134

HSL 355, 1%, 0.74%

LAB 67.39, 51.15, 18.2

 

CMYK 0 / 22 / 20 / 17

HEX #D4A5AA

RGB 212 165 170

HSL 353.62, 0.35%, 0.74%

LAB 72.1, 18.04, 4.08

 

CMYK 0 / 12 / 11 / 21

HEX #C9B0B2

RGB 201 176 178

HSL 355.2, 0.19%, 0.74%

LAB 73.99, 9.33, 2.28

 

CMYK 0 / 2 / 2 / 25

HEX #BEBBBB

RGB 190 187 187

HSL 0, 0.02%, 0.74%

LAB 76.12, 1.05, 0.36

 

CMYK 9 / 0 / 1 / 22

HEX #B4C6C4

RGB 180 198 196

HSL 173.33, 0.14%, 0.74%

LAB 78.51, -6.49, -1.1

 

CMYK 19 / 0 / 1 / 18

HEX #A9D0CD

RGB 169 208 205

HSL 175.38, 0.29%, 0.74%

LAB 80.71, -13.41, -2.78

 

CMYK 0 / 22 / 8 / 17

HEX #D4A5C3

RGB 212 165 195

HSL 321.7, 0.35%, 0.74%

LAB 72.79, 22.13, -8.69

 

CMYK 0 / 22 / 14 / 17

HEX #D4A5B7

RGB 212 165 183

HSL 337.02, 0.35%, 0.74%

LAB 72.45, 20.1, -2.59

 

CMYK 0 / 22 / 20 / 17

HEX #D4A5AA

RGB 212 165 170

HSL 353.62, 0.35%, 0.74%

LAB 72.1, 18.04, 4.08

 

CMYK 0 / 18 / 22 / 17

HEX #D4ADA5

RGB 212 173 165

HSL 10.21, 0.35%, 0.74%

LAB 73.93, 12.96, 9.45

 

CMYK 0 / 12 / 22 / 17

HEX #D4BAA5

RGB 212 186 165

HSL 26.81, 0.35%, 0.74%

LAB 77.18, 5.99, 14.05

 

CMYK 0 / 41 / 37 / 27

HEX #B96E74

RGB 185 110 116

HSL 355.2, 0.35%, 0.58%

LAB 54.79, 30.45, 9.52

 

CMYK 0 / 30 / 28 / 22

HEX #C68A8F

RGB 198 138 143

HSL 355, 0.34%, 0.66%

LAB 63.48, 23.6, 6.56

 

CMYK 0 / 22 / 20 / 17

HEX #D4A5AA

RGB 212 165 170

HSL 353.62, 0.35%, 0.74%

LAB 72.1, 18.04, 4.08

 

CMYK 0 / 14 / 13 / 12

HEX #E1C1C4

RGB 225 193 196

HSL 354.38, 0.35%, 0.82%

LAB 80.81, 11.82, 2.7

 

CMYK 0 / 8 / 7 / 6

HEX #EFDDDF

RGB 239 221 223

HSL 353.33, 0.36%, 0.9%

LAB 89.58, 6.5, 1.24

 

CMYK 0 / 22 / 20 / 17

HEX #D4A6AA

RGB 212 166 170

HSL 354.78, 0.35%, 0.74%

LAB 72.34, 17.5, 4.43

 

CMYK 2 / 0 / 22 / 17

HEX #CFD4A5

RGB 207 212 165

HSL 66.38, 0.35%, 0.74%

LAB 83.48, -9.45, 22.74

 

CMYK 22 / 11 / 0 / 17

HEX #A5BDD4

RGB 165 189 212

HSL 209.36, 0.35%, 0.74%

LAB 75.54, -3.17, -14.26

 

CMYK 0 / 22 / 20 / 17

HEX #D4A6AA

RGB 212 166 170

HSL 354.78, 0.35%, 0.74%

LAB 72.34, 17.5, 4.43

 

CMYK 20 / 0 / 22 / 17

HEX #AAD4A5

RGB 170 212 165

HSL 113.62, 0.35%, 0.74%

LAB 80.93, -22.67, 18.83

 

CMYK 22 / 20 / 0 / 17

HEX #A5AAD4

RGB 165 170 212

HSL 233.62, 0.35%, 0.74%

LAB 70.53, 7.2, -21.85

 

CMYK 0 / 22 / 20 / 17

HEX #D4A6AA

RGB 212 166 170

HSL 354.78, 0.35%, 0.74%

LAB 72.34, 17.5, 4.43

 

CMYK 2 / 0 / 22 / 17

HEX #CFD4A5

RGB 207 212 165

HSL 66.38, 0.35%, 0.74%

LAB 83.48, -9.45, 22.74

 

CMYK 22 / 0 / 2 / 17

HEX #A5D4CF

RGB 165 212 207

HSL 173.62, 0.35%, 0.74%

LAB 81.62, -16.26, -2.55

 

CMYK 20 / 22 / 0 / 17

HEX #AAA5D4

RGB 170 165 212

HSL 246.38, 0.35%, 0.74%

LAB 69.62, 11.54, -23.2

 

CMYK 0 / 22 / 20 / 17

HEX #D4A6AA

RGB 212 166 170

HSL 354.78, 0.35%, 0.74%

LAB 72.34, 17.5, 4.43

 

CMYK 9 / 0 / 22 / 17

HEX #C1D4A5

RGB 193 212 165

HSL 84.26, 0.35%, 0.74%

LAB 82.45, -14.58, 21.17

 

CMYK 22 / 0 / 2 / 17

HEX #A5D4CF

RGB 165 212 207

HSL 173.62, 0.35%, 0.74%

LAB 81.62, -16.26, -2.55

 

CMYK 13 / 22 / 0 / 17

HEX #B8A5D4

RGB 184 165 212

HSL 264.26, 0.35%, 0.74%

LAB 70.77, 15.99, -21.34

 

Description

Color code: HEX #D4A6AA | qconv.com Color code: HEX #D4A6AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 166 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 166 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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