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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4A07A it is the complementary color #2B5F85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4A07A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4A07A shade: #D9A075, #EAB288, #FBC49B, #FFD6AE and #FFE8C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4A07A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4A07A shade: #D4A07A, #C38E67, #B27C54, #A16A41 and #90582E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4A07A shade: #D39E78, #D38678 and #D37878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4A07A shade: #D39E78, #D3B778, #D3CF78, #BED378 and #A5D378

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4A07A shade matches the following richer shades: #D39E78, #E19C69, #F09A5B and #FE974C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4A07A shade: #D39E78, #C4A086, #B6A395, #A7A5A3 and #99A7B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4A07A shade: #D37882, #D38578, #D39E78, #D3B678 and #D3CE78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4A07A shade: #BB723D, #C98859, #D39E78, #DDB497 and #E7CBB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4A07A shade: #D4A07A, #9BD378 and #7978D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4A07A shade: #D4A07A, #78D39E and #9E78D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4A07A shade: #D4A07A, #9BD378, #78ADD3 and #B078D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4A07A shade: #D4A07A, #7FD378, #78ADD3 and #CB78D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 42 / 17

HEX #D4A07A

RGB 212 160 122

HSL 25.33, 0.51%, 0.65%

LAB 69.86, 14.47, 27.28

 

Complementary color

CMYK 68 / 29 / 0 / 48

HEX #2B5F85

RGB 43 95 133

HSL 205.33, 0.51%, 0.35%

LAB 38.54, -4.49, -26.29

 

CMYK 0 / 26 / 46 / 15

HEX #D9A075

RGB 217 160 117

HSL 25.8, 0.57%, 0.65%

LAB 70.3, 15.97, 30.66

 

CMYK 0 / 24 / 42 / 8

HEX #EAB288

RGB 234 178 136

HSL 25.71, 0.7%, 0.73%

LAB 76.75, 15.1, 29.34

 

CMYK 0 / 22 / 38 / 2

HEX #FBC49B

RGB 251 196 155

HSL 25.63, 0.92%, 0.8%

LAB 83.1, 14.34, 28.11

 

CMYK 0 / 16 / 32 / 0

HEX #FFD6AE

RGB 255 214 174

HSL 29.63, 1%, 0.84%

LAB 88.17, 8.75, 25.11

 

CMYK 0 / 9 / 24 / 0

HEX #FFE8C1

RGB 255 232 193

HSL 37.74, 1%, 0.88%

LAB 92.94, 1.98, 21.84

 

CMYK 0 / 25 / 42 / 17

HEX #D4A07A

RGB 212 160 122

HSL 25.33, 0.51%, 0.65%

LAB 69.86, 14.47, 27.28

 

CMYK 0 / 27 / 47 / 24

HEX #C38E67

RGB 195 142 103

HSL 25.43, 0.43%, 0.58%

LAB 63.28, 15.37, 28.64

 

CMYK 0 / 30 / 53 / 30

HEX #B27C54

RGB 178 124 84

HSL 25.53, 0.38%, 0.51%

LAB 56.61, 16.41, 30.13

 

CMYK 0 / 34 / 60 / 37

HEX #A16A41

RGB 161 106 65

HSL 25.63, 0.42%, 0.44%

LAB 49.82, 17.64, 31.75

 

CMYK 0 / 39 / 68 / 44

HEX #90582E

RGB 144 88 46

HSL 25.71, 0.52%, 0.37%

LAB 42.92, 19.1, 33.49

 

CMYK 0 / 25 / 43 / 17

HEX #D39E78

RGB 211 158 120

HSL 25.05, 0.51%, 0.65%

LAB 69.23, 14.93, 27.51

 

CMYK 0 / 36 / 43 / 17

HEX #D38678

RGB 211 134 120

HSL 9.23, 0.51%, 0.65%

LAB 63.55, 27.94, 19.89

 

CMYK 0 / 43 / 43 / 17

HEX #D37878

RGB 211 120 120

HSL 0, 0.51%, 0.65%

LAB 60.46, 35.41, 15.64

 

CMYK 0 / 25 / 43 / 17

HEX #D39E78

RGB 211 158 120

HSL 25.05, 0.51%, 0.65%

LAB 69.23, 14.93, 27.51

 

CMYK 0 / 13 / 43 / 17

HEX #D3B778

RGB 211 183 120

HSL 41.54, 0.51%, 0.65%

LAB 75.5, 1.53, 35.69

 

CMYK 0 / 2 / 43 / 17

HEX #D3CF78

RGB 211 207 120

HSL 57.36, 0.51%, 0.65%

LAB 81.75, -10.9, 43.58

 

CMYK 10 / 0 / 43 / 17

HEX #BED378

RGB 190 211 120

HSL 73.85, 0.51%, 0.65%

LAB 81.23, -21.15, 42.6

 

CMYK 22 / 0 / 43 / 17

HEX #A5D378

RGB 165 211 120

HSL 90.33, 0.51%, 0.65%

LAB 79.58, -30.54, 40.17

 

CMYK 0 / 25 / 43 / 17

HEX #D39E78

RGB 211 158 120

HSL 25.05, 0.51%, 0.65%

LAB 69.23, 14.93, 27.51

 

CMYK 0 / 31 / 53 / 12

HEX #E19C69

RGB 225 156 105

HSL 25.5, 0.67%, 0.65%

LAB 70.04, 20.25, 36.89

 

CMYK 0 / 36 / 62 / 6

HEX #F09A5B

RGB 240 154 91

HSL 25.37, 0.83%, 0.65%

LAB 71.14, 26.35, 45.86

 

CMYK 0 / 41 / 70 / 0

HEX #FE974C

RGB 254 151 76

HSL 25.28, 0.99%, 0.65%

LAB 72.04, 32.67, 54.67

 

CMYK 0 / 25 / 43 / 17

HEX #D39E78

RGB 211 158 120

HSL 25.05, 0.51%, 0.65%

LAB 69.23, 14.93, 27.51

 

CMYK 0 / 18 / 32 / 23

HEX #C4A086

RGB 196 160 134

HSL 25.16, 0.34%, 0.65%

LAB 68.46, 9.51, 18.57

 

CMYK 0 / 10 / 18 / 29

HEX #B6A395

RGB 182 163 149

HSL 25.45, 0.18%, 0.65%

LAB 68.25, 4.6, 9.79

 

CMYK 0 / 1 / 2 / 35

HEX #A7A5A3

RGB 167 165 163

HSL 30, 0.02%, 0.65%

LAB 67.85, 0.35, 1.28

 

CMYK 14 / 6 / 0 / 31

HEX #99A7B1

RGB 153 167 177

HSL 205, 0.13%, 0.65%

LAB 67.71, -2.82, -6.83

 

CMYK 0 / 43 / 38 / 17

HEX #D37882

RGB 211 120 130

HSL 353.41, 0.51%, 0.65%

LAB 60.69, 36.53, 10.22

 

CMYK 0 / 37 / 43 / 17

HEX #D38578

RGB 211 133 120

HSL 8.57, 0.51%, 0.65%

LAB 63.33, 28.48, 19.58

 

CMYK 0 / 25 / 43 / 17

HEX #D39E78

RGB 211 158 120

HSL 25.05, 0.51%, 0.65%

LAB 69.23, 14.93, 27.51

 

CMYK 0 / 14 / 43 / 17

HEX #D3B678

RGB 211 182 120

HSL 40.88, 0.51%, 0.65%

LAB 75.24, 2.06, 35.36

 

CMYK 0 / 2 / 43 / 17

HEX #D3CE78

RGB 211 206 120

HSL 56.7, 0.51%, 0.65%

LAB 81.48, -10.39, 43.26

 

CMYK 0 / 39 / 67 / 27

HEX #BB723D

RGB 187 114 61

HSL 25.24, 0.51%, 0.49%

LAB 55.01, 24.05, 40.81

 

CMYK 0 / 32 / 56 / 21

HEX #C98859

RGB 201 136 89

HSL 25.18, 0.51%, 0.57%

LAB 62.29, 19.87, 35.12

 

CMYK 0 / 25 / 43 / 17

HEX #D39E78

RGB 211 158 120

HSL 25.05, 0.51%, 0.65%

LAB 69.23, 14.93, 27.51

 

CMYK 0 / 19 / 32 / 13

HEX #DDB497

RGB 221 180 151

HSL 24.86, 0.51%, 0.73%

LAB 76.22, 10.71, 20.39

 

CMYK 0 / 12 / 21 / 9

HEX #E7CBB6

RGB 231 203 182

HSL 25.71, 0.51%, 0.81%

LAB 83.48, 6.58, 14.07

 

CMYK 0 / 25 / 42 / 17

HEX #D4A07A

RGB 212 160 122

HSL 25.33, 0.51%, 0.65%

LAB 69.86, 14.47, 27.28

 

CMYK 27 / 0 / 43 / 17

HEX #9BD378

RGB 155 211 120

HSL 96.92, 0.51%, 0.65%

LAB 78.99, -34.12, 39.3

 

CMYK 43 / 43 / 0 / 17

HEX #7978D3

RGB 121 120 211

HSL 240.66, 0.51%, 0.65%

LAB 54.24, 23.31, -46.89

 

CMYK 0 / 25 / 42 / 17

HEX #D4A07A

RGB 212 160 122

HSL 25.33, 0.51%, 0.65%

LAB 69.86, 14.47, 27.28

 

CMYK 43 / 0 / 25 / 17

HEX #78D39E

RGB 120 211 158

HSL 145.05, 0.51%, 0.65%

LAB 77.9, -38.98, 17.92

 

CMYK 25 / 43 / 0 / 17

HEX #9E78D3

RGB 158 120 211

HSL 265.05, 0.51%, 0.65%

LAB 57.47, 33.23, -41.57

 

CMYK 0 / 25 / 42 / 17

HEX #D4A07A

RGB 212 160 122

HSL 25.33, 0.51%, 0.65%

LAB 69.86, 14.47, 27.28

 

CMYK 27 / 0 / 43 / 17

HEX #9BD378

RGB 155 211 120

HSL 96.92, 0.51%, 0.65%

LAB 78.99, -34.12, 39.3

 

CMYK 43 / 18 / 0 / 17

HEX #78ADD3

RGB 120 173 211

HSL 205.05, 0.51%, 0.65%

LAB 68.45, -7.52, -24.73

 

CMYK 17 / 43 / 0 / 17

HEX #B078D3

RGB 176 120 211

HSL 276.92, 0.51%, 0.65%

LAB 59.31, 38.41, -38.55

 

CMYK 0 / 25 / 42 / 17

HEX #D4A07A

RGB 212 160 122

HSL 25.33, 0.51%, 0.65%

LAB 69.86, 14.47, 27.28

 

CMYK 40 / 0 / 43 / 17

HEX #7FD378

RGB 127 211 120

HSL 115.38, 0.51%, 0.65%

LAB 77.55, -43.38, 37.18

 

CMYK 43 / 18 / 0 / 17

HEX #78ADD3

RGB 120 173 211

HSL 205.05, 0.51%, 0.65%

LAB 68.45, -7.52, -24.73

 

CMYK 4 / 43 / 0 / 17

HEX #CB78D3

RGB 203 120 211

HSL 294.73, 0.51%, 0.65%

LAB 62.37, 46.36, -33.55

 

Description

Color code: HEX #D4A07A | qconv.com Color code: HEX #D4A07A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 160 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 160 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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