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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D49D6F it is the complementary color #2B6290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D49D6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D49D6F shade: #D99D6A, #EAAF7D, #FBC190, #FFD3A3 and #FFE5B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D49D6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D49D6F shade: #D49D6F, #C38B5C, #B27949, #A16736 and #905523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D49D6F shade: #D49C6E, #D4816E and #D46E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D49D6F shade: #D49C6E, #D4B86E, #D4D36E, #B9D46E and #9DD46E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D49D6F shade matches the following richer shades: #D49C6E, #E39B5E and #F2994F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D49D6F shade: #D49C6E, #C49D7D, #B59F8C, #A6A09B and #97A2AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D49D6F shade: #D46E76, #D4806E, #D49C6E, #D4B76E and #D4D26E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D49D6F shade: #B87237, #CA864E, #D49C6E, #DDB28D and #E7C7AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D49D6F shade: #D49D6F, #91D46E and #736ED4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D49D6F shade: #D49D6F, #6ED49C and #9C6ED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D49D6F shade: #D49D6F, #91D46E, #6EA6D4 and #B06ED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D49D6F shade: #D49D6F, #73D46E, #6EA6D4 and #CF6ED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 48 / 17

HEX #D49D6F

RGB 212 157 111

HSL 27.33, 0.54%, 0.63%

LAB 68.94, 14.96, 32.01

 

Complementary color

CMYK 70 / 32 / 0 / 44

HEX #2B6290

RGB 43 98 144

HSL 207.33, 0.54%, 0.37%

LAB 40.02, -2.33, -30.62

 

CMYK 0 / 28 / 51 / 15

HEX #D99D6A

RGB 217 157 106

HSL 27.57, 0.59%, 0.63%

LAB 69.4, 16.53, 35.37

 

CMYK 0 / 25 / 47 / 8

HEX #EAAF7D

RGB 234 175 125

HSL 27.52, 0.72%, 0.7%

LAB 75.84, 15.57, 33.97

 

CMYK 0 / 23 / 43 / 2

HEX #FBC190

RGB 251 193 144

HSL 27.48, 0.93%, 0.77%

LAB 82.2, 14.73, 32.66

 

CMYK 0 / 17 / 36 / 0

HEX #FFD3A3

RGB 255 211 163

HSL 31.3, 1%, 0.82%

LAB 87.24, 8.99, 29.57

 

CMYK 0 / 10 / 29 / 0

HEX #FFE5B6

RGB 255 229 182

HSL 38.63, 1%, 0.86%

LAB 91.99, 2.06, 26.2

 

CMYK 0 / 26 / 48 / 17

HEX #D49D6F

RGB 212 157 111

HSL 27.33, 0.54%, 0.63%

LAB 68.94, 14.96, 32.01

 

CMYK 0 / 29 / 53 / 24

HEX #C38B5C

RGB 195 139 92

HSL 27.38, 0.46%, 0.56%

LAB 62.37, 15.97, 33.46

 

CMYK 0 / 32 / 59 / 30

HEX #B27949

RGB 178 121 73

HSL 27.43, 0.42%, 0.49%

LAB 55.71, 17.15, 35.02

 

CMYK 0 / 36 / 66 / 37

HEX #A16736

RGB 161 103 54

HSL 27.48, 0.5%, 0.42%

LAB 48.94, 18.55, 36.66

 

CMYK 0 / 41 / 76 / 44

HEX #905523

RGB 144 85 35

HSL 27.52, 0.61%, 0.35%

LAB 42.07, 20.2, 38.29

 

CMYK 0 / 26 / 48 / 17

HEX #D49C6E

RGB 212 156 110

HSL 27.06, 0.54%, 0.63%

LAB 68.68, 15.4, 32.21

 

CMYK 0 / 39 / 48 / 17

HEX #D4816E

RGB 212 129 110

HSL 11.18, 0.54%, 0.63%

LAB 62.36, 30, 23.91

 

CMYK 0 / 48 / 48 / 17

HEX #D46E6E

RGB 212 110 110

HSL 0, 0.54%, 0.63%

LAB 58.3, 39.98, 18.43

 

CMYK 0 / 26 / 48 / 17

HEX #D49C6E

RGB 212 156 110

HSL 27.06, 0.54%, 0.63%

LAB 68.68, 15.4, 32.21

 

CMYK 0 / 13 / 48 / 17

HEX #D4B86E

RGB 212 184 110

HSL 43.53, 0.54%, 0.63%

LAB 75.7, 0.42, 41.1

 

CMYK 0 / 0 / 48 / 17

HEX #D4D36E

RGB 212 211 110

HSL 59.41, 0.54%, 0.63%

LAB 82.76, -13.47, 49.7

 

CMYK 13 / 0 / 48 / 17

HEX #B9D46E

RGB 185 212 110

HSL 75.88, 0.54%, 0.63%

LAB 81.03, -24.64, 47.15

 

CMYK 26 / 0 / 48 / 17

HEX #9DD46E

RGB 157 212 110

HSL 92.35, 0.54%, 0.63%

LAB 79.26, -35.09, 44.58

 

CMYK 0 / 26 / 48 / 17

HEX #D49C6E

RGB 212 156 110

HSL 27.06, 0.54%, 0.63%

LAB 68.68, 15.4, 32.21

 

CMYK 0 / 32 / 59 / 11

HEX #E39B5E

RGB 227 155 94

HSL 27.52, 0.7%, 0.63%

LAB 69.88, 20.73, 42.47

 

CMYK 0 / 37 / 67 / 5

HEX #F2994F

RGB 242 153 79

HSL 27.24, 0.86%, 0.63%

LAB 71.03, 26.95, 51.71

 

CMYK 0 / 26 / 48 / 17

HEX #D49C6E

RGB 212 156 110

HSL 27.06, 0.54%, 0.63%

LAB 68.68, 15.4, 32.21

 

CMYK 0 / 20 / 36 / 23

HEX #C49D7D

RGB 196 157 125

HSL 27.04, 0.38%, 0.63%

LAB 67.52, 10.01, 22.23

 

CMYK 0 / 12 / 23 / 29

HEX #B59F8C

RGB 181 159 140

HSL 27.8, 0.22%, 0.63%

LAB 66.91, 5.02, 12.88

 

CMYK 0 / 4 / 7 / 35

HEX #A6A09B

RGB 166 160 155

HSL 27.27, 0.06%, 0.63%

LAB 66.22, 1.26, 3.37

 

CMYK 12 / 5 / 0 / 33

HEX #97A2AB

RGB 151 162 171

HSL 207, 0.11%, 0.63%

LAB 66.03, -2.03, -6

 

CMYK 0 / 48 / 44 / 17

HEX #D46E76

RGB 212 110 118

HSL 355.29, 0.54%, 0.63%

LAB 58.47, 40.77, 14.05

 

CMYK 0 / 40 / 48 / 17

HEX #D4806E

RGB 212 128 110

HSL 10.59, 0.54%, 0.63%

LAB 62.14, 30.53, 23.62

 

CMYK 0 / 26 / 48 / 17

HEX #D49C6E

RGB 212 156 110

HSL 27.06, 0.54%, 0.63%

LAB 68.68, 15.4, 32.21

 

CMYK 0 / 14 / 48 / 17

HEX #D4B76E

RGB 212 183 110

HSL 42.94, 0.54%, 0.63%

LAB 75.44, 0.95, 40.78

 

CMYK 0 / 1 / 48 / 17

HEX #D4D26E

RGB 212 210 110

HSL 58.82, 0.54%, 0.63%

LAB 82.49, -12.97, 49.39

 

CMYK 0 / 38 / 70 / 28

HEX #B87237

RGB 184 114 55

HSL 27.44, 0.54%, 0.47%

LAB 54.55, 22.42, 43.23

 

CMYK 0 / 34 / 61 / 21

HEX #CA864E

RGB 202 134 78

HSL 27.1, 0.54%, 0.55%

LAB 61.79, 20.53, 40.35

 

CMYK 0 / 26 / 48 / 17

HEX #D49C6E

RGB 212 156 110

HSL 27.06, 0.54%, 0.63%

LAB 68.68, 15.4, 32.21

 

CMYK 0 / 19 / 36 / 13

HEX #DDB28D

RGB 221 178 141

HSL 27.75, 0.54%, 0.71%

LAB 75.54, 10.54, 24.82

 

CMYK 0 / 14 / 25 / 9

HEX #E7C7AD

RGB 231 199 173

HSL 26.9, 0.55%, 0.79%

LAB 82.3, 7.4, 17.19

 

CMYK 0 / 26 / 48 / 17

HEX #D49D6F

RGB 212 157 111

HSL 27.33, 0.54%, 0.63%

LAB 68.94, 14.96, 32.01

 

CMYK 32 / 0 / 48 / 17

HEX #91D46E

RGB 145 212 110

HSL 99.41, 0.54%, 0.63%

LAB 78.6, -39.29, 43.62

 

CMYK 46 / 48 / 0 / 17

HEX #736ED4

RGB 115 110 212

HSL 242.94, 0.54%, 0.63%

LAB 51.32, 28.15, -52.12

 

CMYK 0 / 26 / 48 / 17

HEX #D49D6F

RGB 212 157 111

HSL 27.33, 0.54%, 0.63%

LAB 68.94, 14.96, 32.01

 

CMYK 48 / 0 / 26 / 17

HEX #6ED49C

RGB 110 212 156

HSL 147.06, 0.54%, 0.63%

LAB 77.76, -42.45, 18.71

 

CMYK 26 / 48 / 0 / 17

HEX #9C6ED4

RGB 156 110 212

HSL 267.06, 0.54%, 0.63%

LAB 55.04, 38.57, -45.98

 

CMYK 0 / 26 / 48 / 17

HEX #D49D6F

RGB 212 157 111

HSL 27.33, 0.54%, 0.63%

LAB 68.94, 14.96, 32.01

 

CMYK 32 / 0 / 48 / 17

HEX #91D46E

RGB 145 212 110

HSL 99.41, 0.54%, 0.63%

LAB 78.6, -39.29, 43.62

 

CMYK 48 / 22 / 0 / 17

HEX #6EA6D4

RGB 110 166 212

HSL 207.06, 0.54%, 0.63%

LAB 66.01, -5.85, -29.07

 

CMYK 17 / 48 / 0 / 17

HEX #B06ED4

RGB 176 110 212

HSL 278.82, 0.54%, 0.63%

LAB 57.21, 44.07, -42.42

 

CMYK 0 / 26 / 48 / 17

HEX #D49D6F

RGB 212 157 111

HSL 27.33, 0.54%, 0.63%

LAB 68.94, 14.96, 32.01

 

CMYK 46 / 0 / 48 / 17

HEX #73D46E

RGB 115 212 110

HSL 117.06, 0.54%, 0.63%

LAB 77.2, -48.77, 41.57

 

CMYK 48 / 22 / 0 / 17

HEX #6EA6D4

RGB 110 166 212

HSL 207.06, 0.54%, 0.63%

LAB 66.01, -5.85, -29.07

 

CMYK 2 / 48 / 0 / 17

HEX #CF6ED4

RGB 207 110 212

HSL 297.06, 0.54%, 0.63%

LAB 60.93, 52.8, -36.31

 

Description

Color code: HEX #D49D6F | qconv.com Color code: HEX #D49D6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 157 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 157 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 48 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 48% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

100% - ciro y los persas
Link: http://www.ciroylospersas.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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