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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4944ACE it is the complementary color #2B6BB5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4944ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4944ACE shade: #D99445CE, #EAA658CE, #FBB86BCE, #FFCA7ECE and #FFDC91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4944ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4944ACE shade: #D4944ACE, #C38237CE, #B27024CE, #A15E11CE and #904C00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4944ACE shade: #D49449, #D46E49 and #D44949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4944ACE shade: #D49449, #D4B949, #CAD449, #A4D449 and #7FD449

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4944ACE shade matches the following richer shades: #D49449, #E79537 and #F99625

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4944ACE shade: #D49449, #C2935B, #B0916E, #9E9080 and #8C8F92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4944ACE shade: #D44949, #D46E49, #D49349, #D4B949 and #CBD449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4944ACE shade: #A46A27, #C6802E, #D49449, #DCA86B and #E4BB8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4944ACE shade: #D4944A, #6ED449 and #5C49D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4944ACE shade: #D4944A, #49D493 and #9349D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4944ACE shade: #D4944A, #6ED449, #498AD4 and #AF49D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4944ACE shade: #D4944A, #49D44E, #498AD4 and #D449D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 53 / 14

HEX #D4944ACE

RGBA 212 148 74 0.81

HSLA 32.17, 0.62%, 0.56%, 0.81

LABA 66.27, 16.87, 47.83, 0.81

 

Complementary color

CMYK 62 / 33 / 0 / 24

HEX #2B6BB5CE

RGBA 43 107 181 0.81

HSLA 212.17, 0.62%, 0.44%, 0.81

LABA 44.75, 5.88, -45.02, 0.81

 

CMYK 0 / 26 / 55 / 12

HEX #D99445CE

RGBA 217 148 69 0.81

HSLA 32.03, 0.66%, 0.56%, 0.81

LABA 66.79, 18.69, 50.96, 0.81

 

CMYK 0 / 24 / 51 / 7

HEX #EAA658CE

RGBA 234 166 88 0.81

HSLA 32.05, 0.78%, 0.63%, 0.81

LABA 73.2, 17.33, 49.57, 0.81

 

CMYK 0 / 22 / 46 / 1

HEX #FBB86BCE

RGBA 251 184 107 0.81

HSLA 32.08, 0.95%, 0.7%, 0.81

LABA 79.53, 16.15, 48.15, 0.81

 

CMYK 0 / 17 / 41 / 0

HEX #FFCA7ECE

RGBA 255 202 126 0.81

HSLA 35.35, 1%, 0.75%, 0.81

LABA 84.49, 9.91, 44.87, 0.81

 

CMYK 0 / 11 / 35 / 0

HEX #FFDC91CE

RGBA 255 220 145 0.81

HSLA 40.91, 1%, 0.78%, 0.81

LABA 89.15, 2.43, 41.27, 0.81

 

CMYK 0 / 24 / 53 / 14

HEX #D4944ACE

RGBA 212 148 74 0.81

HSLA 32.17, 0.62%, 0.56%, 0.81

LABA 66.27, 16.87, 47.83, 0.81

 

CMYK 0 / 27 / 58 / 19

HEX #C38237CE

RGBA 195 130 55 0.81

HSLA 32.14, 0.56%, 0.49%, 0.81

LABA 59.75, 18.34, 49.18, 0.81

 

CMYK 0 / 30 / 65 / 24

HEX #B27024CE

RGBA 178 112 36 0.81

HSLA 32.11, 0.66%, 0.42%, 0.81

LABA 53.15, 20.04, 50.24, 0.81

 

CMYK 0 / 34 / 72 / 30

HEX #A15E11CE

RGBA 161 94 17 0.81

HSLA 32.08, 0.81%, 0.35%, 0.81

LABA 46.48, 22.04, 50.46, 0.81

 

CMYK 0 / 38 / 81 / 35

HEX #904C00CE

RGBA 144 76 0 0.81

HSLA 31.67, 1%, 0.28%, 0.81

LABA 39.75, 24.32, 49.26, 0.81

 

CMYK 0 / 30 / 66 / 17

HEX #D49449

RGB 212 148 73

HSL 32.37, 0.62%, 0.56%

LAB 66.26, 16.81, 48.3

 

CMYK 0 / 48 / 66 / 17

HEX #D46E49

RGB 212 110 73

HSL 15.97, 0.62%, 0.56%

LAB 57.68, 37.09, 38.45

 

CMYK 0 / 66 / 66 / 17

HEX #D44949

RGB 212 73 73

HSL 0, 0.62%, 0.56%

LAB 50.97, 54.53, 30.33

 

CMYK 0 / 30 / 66 / 17

HEX #D49449

RGB 212 148 73

HSL 32.37, 0.62%, 0.56%

LAB 66.26, 16.81, 48.3

 

CMYK 0 / 13 / 66 / 17

HEX #D4B949

RGB 212 185 73

HSL 48.35, 0.62%, 0.56%

LAB 75.56, -2.94, 58.41

 

CMYK 5 / 0 / 66 / 17

HEX #CAD449

RGB 202 212 73

HSL 64.32, 0.62%, 0.56%

LAB 81.91, -20.81, 64.78

 

CMYK 23 / 0 / 66 / 17

HEX #A4D449

RGB 164 212 73

HSL 80.72, 0.62%, 0.56%

LAB 79.31, -35.93, 61.26

 

CMYK 40 / 0 / 66 / 17

HEX #7FD449

RGB 127 212 73

HSL 96.69, 0.62%, 0.56%

LAB 77.33, -49.1, 58.57

 

CMYK 0 / 30 / 66 / 17

HEX #D49449

RGB 212 148 73

HSL 32.37, 0.62%, 0.56%

LAB 66.26, 16.81, 48.3

 

CMYK 0 / 35 / 76 / 9

HEX #E79537

RGB 231 149 55

HSL 32.05, 0.79%, 0.56%

LAB 68.58, 23.38, 59.5

 

CMYK 0 / 40 / 85 / 2

HEX #F99625

RGB 249 150 37

HSL 31.98, 0.95%, 0.56%

LAB 70.93, 29.75, 68.92

 

CMYK 0 / 30 / 66 / 17

HEX #D49449

RGB 212 148 73

HSL 32.37, 0.62%, 0.56%

LAB 66.26, 16.81, 48.3

 

CMYK 0 / 24 / 53 / 24

HEX #C2935B

RGB 194 147 91

HSL 32.62, 0.46%, 0.56%

LAB 64.24, 11.07, 36.29

 

CMYK 0 / 18 / 38 / 31

HEX #B0916E

RGB 176 145 110

HSL 31.82, 0.29%, 0.56%

LAB 62.17, 6.64, 22.95

 

CMYK 0 / 9 / 19 / 38

HEX #9E9080

RGB 158 144 128

HSL 32, 0.13%, 0.56%

LAB 60.58, 2.48, 10.39

 

CMYK 4 / 2 / 0 / 43

HEX #8C8F92

RGB 140 143 146

HSL 210, 0.03%, 0.56%

LAB 59.25, -0.49, -1.98

 

CMYK 0 / 66 / 66 / 17

HEX #D44949

RGB 212 73 73

HSL 0, 0.62%, 0.56%

LAB 50.97, 54.53, 30.33

 

CMYK 0 / 48 / 66 / 17

HEX #D46E49

RGB 212 110 73

HSL 15.97, 0.62%, 0.56%

LAB 57.68, 37.09, 38.45

 

CMYK 0 / 31 / 66 / 17

HEX #D49349

RGB 212 147 73

HSL 31.94, 0.62%, 0.56%

LAB 66.02, 17.35, 48.03

 

CMYK 0 / 13 / 66 / 17

HEX #D4B949

RGB 212 185 73

HSL 48.35, 0.62%, 0.56%

LAB 75.56, -2.94, 58.41

 

CMYK 4 / 0 / 66 / 17

HEX #CBD449

RGB 203 212 73

HSL 63.88, 0.62%, 0.56%

LAB 81.98, -20.4, 64.88

 

CMYK 0 / 35 / 76 / 36

HEX #A46A27

RGB 164 106 39

HSL 32.16, 0.62%, 0.4%

LAB 49.91, 17.34, 45.21

 

CMYK 0 / 35 / 77 / 22

HEX #C6802E

RGB 198 128 46

HSL 32.37, 0.62%, 0.48%

LAB 59.56, 20.31, 53.09

 

CMYK 0 / 30 / 66 / 17

HEX #D49449

RGB 212 148 73

HSL 32.37, 0.62%, 0.56%

LAB 66.26, 16.81, 48.3

 

CMYK 0 / 24 / 51 / 14

HEX #DCA86B

RGB 220 168 107

HSL 32.39, 0.62%, 0.64%

LAB 72.42, 11.94, 38.71

 

CMYK 0 / 18 / 39 / 11

HEX #E4BB8C

RGB 228 187 140

HSL 32.05, 0.62%, 0.72%

LAB 78.42, 8.41, 29.34

 

CMYK 0 / 30 / 65 / 17

HEX #D4944A

RGB 212 148 74

HSL 32.17, 0.62%, 0.56%

LAB 66.27, 16.87, 47.83

 

CMYK 48 / 0 / 66 / 17

HEX #6ED449

RGB 110 212 73

HSL 104.03, 0.62%, 0.56%

LAB 76.61, -54.35, 57.58

 

CMYK 57 / 66 / 0 / 17

HEX #5C49D4

RGB 92 73 212

HSL 248.2, 0.62%, 0.56%

LAB 40.89, 45.5, -69.09

 

CMYK 0 / 30 / 65 / 17

HEX #D4944A

RGB 212 148 74

HSL 32.17, 0.62%, 0.56%

LAB 66.27, 16.87, 47.83

 

CMYK 66 / 0 / 31 / 17

HEX #49D493

RGB 73 212 147

HSL 151.94, 0.62%, 0.56%

LAB 76.44, -52.23, 21.46

 

CMYK 31 / 66 / 0 / 17

HEX #9349D4

RGB 147 73 212

HSL 271.94, 0.62%, 0.56%

LAB 46.61, 55.96, -59.53

 

CMYK 0 / 30 / 65 / 17

HEX #D4944A

RGB 212 148 74

HSL 32.17, 0.62%, 0.56%

LAB 66.27, 16.87, 47.83

 

CMYK 48 / 0 / 66 / 17

HEX #6ED449

RGB 110 212 73

HSL 104.03, 0.62%, 0.56%

LAB 76.61, -54.35, 57.58

 

CMYK 66 / 35 / 0 / 17

HEX #498AD4

RGB 73 138 212

HSL 211.94, 0.62%, 0.56%

LAB 56.43, 2.58, -44.15

 

CMYK 17 / 66 / 0 / 17

HEX #AF49D4

RGB 175 73 212

HSL 284.03, 0.62%, 0.56%

LAB 50.25, 62.06, -53.48

 

CMYK 0 / 30 / 65 / 17

HEX #D4944A

RGB 212 148 74

HSL 32.17, 0.62%, 0.56%

LAB 66.27, 16.87, 47.83

 

CMYK 66 / 0 / 63 / 17

HEX #49D44E

RGB 73 212 78

HSL 122.16, 0.62%, 0.56%

LAB 75.48, -62.96, 53.94

 

CMYK 66 / 35 / 0 / 17

HEX #498AD4

RGB 73 138 212

HSL 211.94, 0.62%, 0.56%

LAB 56.43, 2.58, -44.15

 

CMYK 0 / 66 / 2 / 17

HEX #D449D0

RGB 212 73 208

HSL 301.73, 0.62%, 0.56%

LAB 55.4, 69.8, -42.69

 

Description

Color code: HEX #D4944ACE | qconv.com Color code: HEX #D4944ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 148 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 148 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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