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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D48C73 it is the complementary color #2B738C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D48C73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D48C73 shade: #D98C6E, #EA9E81, #FBB094, #FFC2A7 and #FFD4BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D48C73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D48C73 shade: #D48C73, #C37A60, #B2684D, #A1563A and #904427

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D48C73 shade: #D48C73 and #D47373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D48C73 shade: #D48C73, #D4A673, #D4C073, #CDD473 and #B3D473

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D48C73 shade matches the following richer shades: #D48C73, #E38464 and #F27D55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D48C73 shade: #D48C73, #C59381, #B69A90, #A7A19F and #98A8AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D48C73 shade: #D4738E, #D47374, #D48B73, #D4A573 and #D4BF73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D48C73 shade: #BB5B39, #CA7253, #D48C73, #DEA692 and #E7BFB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D48C73 shade: #D48C73, #A8D473 and #7381D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D48C73 shade: #D48C73, #73D48B and #8B73D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D48C73 shade: #D48C73, #A8D473, #73BCD4 and #9E73D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D48C73 shade: #D48C73, #8BD473, #73BCD4 and #BC73D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

Complementary color

CMYK 69 / 18 / 0 / 45

HEX #2B738C

RGB 43 115 140

HSL 195.46, 0.53%, 0.36%

LAB 45.18, -13.84, -20.2

 

CMYK 0 / 35 / 49 / 15

HEX #D98C6E

RGB 217 140 110

HSL 16.82, 0.58%, 0.64%

LAB 65.46, 26.07, 28.13

 

CMYK 0 / 32 / 45 / 8

HEX #EA9E81

RGB 234 158 129

HSL 16.57, 0.71%, 0.71%

LAB 71.91, 25.01, 26.66

 

CMYK 0 / 30 / 41 / 2

HEX #FBB094

RGB 251 176 148

HSL 16.31, 0.93%, 0.78%

LAB 78.29, 24.07, 25.32

 

CMYK 0 / 24 / 35 / 0

HEX #FFC2A7

RGB 255 194 167

HSL 18.41, 1%, 0.83%

LAB 83.25, 18.31, 22.04

 

CMYK 0 / 17 / 27 / 0

HEX #FFD4BA

RGB 255 212 186

HSL 22.61, 1%, 0.86%

LAB 87.92, 11.32, 18.5

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 0 / 37 / 51 / 24

HEX #C37A60

RGB 195 122 96

HSL 15.76, 0.45%, 0.57%

LAB 58.38, 25.68, 26.13

 

CMYK 0 / 42 / 57 / 30

HEX #B2684D

RGB 178 104 77

HSL 16.04, 0.4%, 0.5%

LAB 51.73, 26.94, 27.87

 

CMYK 0 / 47 / 64 / 37

HEX #A1563A

RGB 161 86 58

HSL 16.31, 0.47%, 0.43%

LAB 44.99, 28.36, 29.83

 

CMYK 0 / 53 / 73 / 44

HEX #904427

RGB 144 68 39

HSL 16.57, 0.57%, 0.36%

LAB 38.22, 29.96, 32.04

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 0 / 46 / 46 / 17

HEX #D47373

RGB 212 115 115

HSL 0, 0.53%, 0.64%

LAB 59.43, 37.89, 17.11

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 0 / 22 / 46 / 17

HEX #D4A673

RGB 212 166 115

HSL 31.55, 0.53%, 0.64%

LAB 71.22, 10.5, 32.82

 

CMYK 0 / 9 / 46 / 17

HEX #D4C073

RGB 212 192 115

HSL 47.63, 0.53%, 0.64%

LAB 77.84, -3.29, 41.23

 

CMYK 3 / 0 / 46 / 17

HEX #CDD473

RGB 205 212 115

HSL 64.33, 0.53%, 0.64%

LAB 82.54, -16.3, 46.91

 

CMYK 16 / 0 / 46 / 17

HEX #B3D473

RGB 179 212 115

HSL 80.41, 0.53%, 0.64%

LAB 80.69, -26.4, 44.21

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 0 / 42 / 56 / 11

HEX #E38464

RGB 227 132 100

HSL 15.12, 0.69%, 0.64%

LAB 64.77, 33.4, 32.96

 

CMYK 0 / 48 / 65 / 5

HEX #F27D55

RGB 242 125 85

HSL 15.29, 0.86%, 0.64%

LAB 65.12, 41.74, 41.91

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 0 / 25 / 35 / 23

HEX #C59381

RGB 197 147 129

HSL 15.88, 0.37%, 0.64%

LAB 65.22, 16.39, 16.88

 

CMYK 0 / 15 / 21 / 29

HEX #B69A90

RGB 182 154 144

HSL 15.79, 0.21%, 0.64%

LAB 65.8, 8.77, 9.1

 

CMYK 0 / 4 / 5 / 35

HEX #A7A19F

RGB 167 161 159

HSL 15, 0.04%, 0.64%

LAB 66.68, 1.8, 1.8

 

CMYK 13 / 3 / 0 / 32

HEX #98A8AE

RGB 152 168 174

HSL 196.36, 0.12%, 0.64%

LAB 67.83, -4.34, -5

 

CMYK 0 / 46 / 33 / 17

HEX #D4738E

RGB 212 115 142

HSL 343.3, 0.53%, 0.64%

LAB 60.08, 40.95, 2.45

 

CMYK 0 / 46 / 45 / 17

HEX #D47374

RGB 212 115 116

HSL 359.38, 0.53%, 0.64%

LAB 59.45, 37.99, 16.56

 

CMYK 0 / 34 / 46 / 17

HEX #D48B73

RGB 212 139 115

HSL 14.85, 0.53%, 0.64%

LAB 64.72, 25.11, 24.28

 

CMYK 0 / 22 / 46 / 17

HEX #D4A573

RGB 212 165 115

HSL 30.93, 0.53%, 0.64%

LAB 70.97, 11.04, 32.5

 

CMYK 0 / 10 / 46 / 17

HEX #D4BF73

RGB 212 191 115

HSL 47.01, 0.53%, 0.64%

LAB 77.58, -2.77, 40.9

 

CMYK 0 / 51 / 70 / 27

HEX #BB5B39

RGB 187 91 57

HSL 15.69, 0.53%, 0.48%

LAB 49.91, 36.15, 37.13

 

CMYK 0 / 44 / 59 / 21

HEX #CA7253

RGB 202 114 83

HSL 15.63, 0.53%, 0.56%

LAB 57.29, 31.72, 32.18

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 0 / 25 / 34 / 13

HEX #DEA692

RGB 222 166 146

HSL 15.79, 0.54%, 0.72%

LAB 72.81, 17.97, 18.41

 

CMYK 0 / 17 / 23 / 9

HEX #E7BFB2

RGB 231 191 178

HSL 14.72, 0.52%, 0.8%

LAB 80.44, 12.32, 11.91

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 21 / 0 / 46 / 17

HEX #A8D473

RGB 168 212 115

HSL 87.22, 0.53%, 0.64%

LAB 79.98, -30.52, 43.18

 

CMYK 46 / 39 / 0 / 17

HEX #7381D4

RGB 115 129 212

HSL 231.34, 0.53%, 0.64%

LAB 56.19, 16.74, -44.4

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 46 / 0 / 34 / 17

HEX #73D48B

RGB 115 212 139

HSL 134.85, 0.53%, 0.64%

LAB 77.64, -44.29, 27.48

 

CMYK 34 / 46 / 0 / 17

HEX #8B73D4

RGB 139 115 212

HSL 254.85, 0.53%, 0.64%

LAB 54.56, 31.17, -46.86

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 21 / 0 / 46 / 17

HEX #A8D473

RGB 168 212 115

HSL 87.22, 0.53%, 0.64%

LAB 79.98, -30.52, 43.18

 

CMYK 46 / 11 / 0 / 17

HEX #73BCD4

RGB 115 188 212

HSL 194.85, 0.53%, 0.64%

LAB 72.47, -16.47, -19.17

 

CMYK 25 / 46 / 0 / 17

HEX #9E73D4

RGB 158 115 212

HSL 266.6, 0.53%, 0.64%

LAB 56.37, 36.31, -43.87

 

CMYK 0 / 34 / 46 / 17

HEX #D48C73

RGB 212 140 115

HSL 15.46, 0.53%, 0.64%

LAB 64.96, 24.57, 24.59

 

CMYK 34 / 0 / 46 / 17

HEX #8BD473

RGB 139 212 115

HSL 105.15, 0.53%, 0.64%

LAB 78.35, -40.67, 40.8

 

CMYK 46 / 11 / 0 / 17

HEX #73BCD4

RGB 115 188 212

HSL 194.85, 0.53%, 0.64%

LAB 72.47, -16.47, -19.17

 

CMYK 11 / 46 / 0 / 17

HEX #BC73D4

RGB 188 115 212

HSL 285.15, 0.53%, 0.64%

LAB 59.62, 44.8, -38.53

 

Description

Color code: HEX #D48C73 | qconv.com Color code: HEX #D48C73 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 140 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 140 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 46 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 46% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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