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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D48B3C it is the complementary color #2B74C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D48B3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D48B3C shade: #D98B37, #EA9D4A, #FBAF5D, #FFC170 and #FFD383

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D48B3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D48B3C shade: #D48B3C, #C37929, #B26716, #A15503 and #904300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D48B3C shade: #D48A3A, #D4613A and #D43A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D48B3C shade: #D48A3A, #D4B43A, #CBD43A, #A1D43A and #78D43A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D48B3C shade matches the following richer shades: #D48A3A, #E78B27 and #FB8C14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D48B3C shade: #D48A3A, #C0894E, #AD8961, #9A8875 and #868788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D48B3C shade: #D43A3D, #D4613A, #D48A3A, #D4B33A and #CCD43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D48B3C shade: #9A6022, #BC7529, #D48A3A, #DB9E5C and #E3B27E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D48B3C shade: #D48B3C, #66D43A and #4C3AD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D48B3C shade: #D48B3C, #3AD48A and #8A3AD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D48B3C shade: #D48B3C, #66D43A, #3A85D4 and #A83AD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D48B3C shade: #D48B3C, #3AD43D, #3A85D4 and #D43AD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 72 / 17

HEX #D48B3C

RGB 212 139 60

HSL 31.18, 0.64%, 0.53%

LAB 63.99, 20.96, 51.96

 

Complementary color

CMYK 78 / 41 / 0 / 24

HEX #2B74C3

RGB 43 116 195

HSL 211.18, 0.64%, 0.47%

LAB 48.19, 5.54, -47.64

 

CMYK 0 / 36 / 75 / 15

HEX #D98B37

RGB 217 139 55

HSL 31.11, 0.68%, 0.53%

LAB 64.56, 22.84, 54.96

 

CMYK 0 / 33 / 68 / 8

HEX #EA9D4A

RGB 234 157 74

HSL 31.13, 0.79%, 0.6%

LAB 70.94, 21.27, 53.7

 

CMYK 0 / 30 / 63 / 2

HEX #FBAF5D

RGB 251 175 93

HSL 31.14, 0.95%, 0.67%

LAB 77.26, 19.9, 52.3

 

CMYK 0 / 24 / 56 / 0

HEX #FFC170

RGB 255 193 112

HSL 33.99, 1%, 0.72%

LAB 82.15, 13.44, 48.93

 

CMYK 0 / 17 / 49 / 0

HEX #FFD383

RGB 255 211 131

HSL 38.71, 1%, 0.76%

LAB 86.74, 5.71, 45.2

 

CMYK 0 / 34 / 72 / 17

HEX #D48B3C

RGB 212 139 60

HSL 31.18, 0.64%, 0.53%

LAB 63.99, 20.96, 51.96

 

CMYK 0 / 38 / 79 / 24

HEX #C37929

RGB 195 121 41

HSL 31.17, 0.65%, 0.46%

LAB 57.5, 22.65, 53.06

 

CMYK 0 / 42 / 88 / 30

HEX #B26716

RGB 178 103 22

HSL 31.15, 0.78%, 0.39%

LAB 50.95, 24.61, 53.46

 

CMYK 0 / 47 / 98 / 37

HEX #A15503

RGB 161 85 3

HSL 31.14, 0.96%, 0.32%

LAB 44.35, 26.81, 52.57

 

CMYK 0 / 53 / 100 / 44

HEX #904300

RGB 144 67 0

HSL 27.92, 1%, 0.28%

LAB 37.74, 29.29, 48.06

 

CMYK 0 / 35 / 73 / 17

HEX #D48A3A

RGB 212 138 58

HSL 31.17, 0.64%, 0.53%

LAB 63.74, 21.4, 52.6

 

CMYK 0 / 54 / 73 / 17

HEX #D4613A

RGB 212 97 58

HSL 15.19, 0.64%, 0.53%

LAB 54.92, 42.83, 43.25

 

CMYK 0 / 73 / 73 / 17

HEX #D43A3A

RGB 212 58 58

HSL 0, 0.64%, 0.53%

LAB 48.67, 59.5, 36.26

 

CMYK 0 / 35 / 73 / 17

HEX #D48A3A

RGB 212 138 58

HSL 31.17, 0.64%, 0.53%

LAB 63.74, 21.4, 52.6

 

CMYK 0 / 15 / 73 / 17

HEX #D4B43A

RGB 212 180 58

HSL 47.53, 0.64%, 0.53%

LAB 74.15, -1.12, 63.05

 

CMYK 4 / 0 / 73 / 17

HEX #CBD43A

RGB 203 212 58

HSL 63.51, 0.64%, 0.53%

LAB 81.89, -21.18, 70.23

 

CMYK 24 / 0 / 73 / 17

HEX #A1D43A

RGB 161 212 58

HSL 79.87, 0.64%, 0.53%

LAB 79.02, -38.02, 66.48

 

CMYK 43 / 0 / 73 / 17

HEX #78D43A

RGB 120 212 58

HSL 95.84, 0.64%, 0.53%

LAB 76.91, -52.46, 63.69

 

CMYK 0 / 35 / 73 / 17

HEX #D48A3A

RGB 212 138 58

HSL 31.17, 0.64%, 0.53%

LAB 63.74, 21.4, 52.6

 

CMYK 0 / 40 / 83 / 9

HEX #E78B27

RGB 231 139 39

HSL 31.25, 0.8%, 0.53%

LAB 66.21, 28.14, 63.39

 

CMYK 0 / 44 / 92 / 2

HEX #FB8C14

RGB 251 140 20

HSL 31.17, 0.97%, 0.53%

LAB 68.98, 35.41, 71.91

 

CMYK 0 / 35 / 73 / 17

HEX #D48A3A

RGB 212 138 58

HSL 31.17, 0.64%, 0.53%

LAB 63.74, 21.4, 52.6

 

CMYK 0 / 29 / 59 / 25

HEX #C0894E

RGB 192 137 78

HSL 31.05, 0.48%, 0.53%

LAB 61.35, 14.65, 39.54

 

CMYK 0 / 21 / 44 / 32

HEX #AD8961

RGB 173 137 97

HSL 31.58, 0.32%, 0.53%

LAB 59.56, 8.33, 26.64

 

CMYK 0 / 12 / 24 / 40

HEX #9A8875

RGB 154 136 117

HSL 30.81, 0.15%, 0.53%

LAB 57.81, 3.66, 12.69

 

CMYK 1 / 1 / 0 / 47

HEX #868788

RGB 134 135 136

HSL 210, 0.01%, 0.53%

LAB 56.26, -0.17, -0.67

 

CMYK 0 / 73 / 71 / 17

HEX #D43A3D

RGB 212 58 61

HSL 358.83, 0.64%, 0.53%

LAB 48.71, 59.63, 34.58

 

CMYK 0 / 54 / 73 / 17

HEX #D4613A

RGB 212 97 58

HSL 15.19, 0.64%, 0.53%

LAB 54.92, 42.83, 43.25

 

CMYK 0 / 35 / 73 / 17

HEX #D48A3A

RGB 212 138 58

HSL 31.17, 0.64%, 0.53%

LAB 63.74, 21.4, 52.6

 

CMYK 0 / 16 / 73 / 17

HEX #D4B33A

RGB 212 179 58

HSL 47.14, 0.64%, 0.53%

LAB 73.9, -0.59, 62.8

 

CMYK 4 / 0 / 73 / 17

HEX #CCD43A

RGB 204 212 58

HSL 63.12, 0.64%, 0.53%

LAB 81.96, -20.77, 70.33

 

CMYK 0 / 38 / 78 / 40

HEX #9A6022

RGB 154 96 34

HSL 31, 0.64%, 0.37%

LAB 46.11, 18.33, 43.27

 

CMYK 0 / 38 / 78 / 26

HEX #BC7529

RGB 188 117 41

HSL 31.02, 0.64%, 0.45%

LAB 55.66, 21.83, 50.99

 

CMYK 0 / 35 / 73 / 17

HEX #D48A3A

RGB 212 138 58

HSL 31.17, 0.64%, 0.53%

LAB 63.74, 21.4, 52.6

 

CMYK 0 / 28 / 58 / 14

HEX #DB9E5C

RGB 219 158 92

HSL 31.18, 0.64%, 0.61%

LAB 69.67, 15.66, 43.03

 

CMYK 0 / 22 / 44 / 11

HEX #E3B27E

RGB 227 178 126

HSL 30.89, 0.64%, 0.69%

LAB 75.87, 11.27, 33.34

 

CMYK 0 / 34 / 72 / 17

HEX #D48B3C

RGB 212 139 60

HSL 31.18, 0.64%, 0.53%

LAB 63.99, 20.96, 51.96

 

CMYK 52 / 0 / 73 / 17

HEX #66D43A

RGB 102 212 58

HSL 102.86, 0.64%, 0.53%

LAB 76.2, -57.8, 62.75

 

CMYK 64 / 73 / 0 / 17

HEX #4C3AD4

RGB 76 58 212

HSL 247.01, 0.64%, 0.53%

LAB 36.59, 51.57, -76.19

 

CMYK 0 / 34 / 72 / 17

HEX #D48B3C

RGB 212 139 60

HSL 31.18, 0.64%, 0.53%

LAB 63.99, 20.96, 51.96

 

CMYK 73 / 0 / 35 / 17

HEX #3AD48A

RGB 58 212 138

HSL 151.17, 0.64%, 0.53%

LAB 75.96, -56.42, 25.46

 

CMYK 35 / 73 / 0 / 17

HEX #8A3AD4

RGB 138 58 212

HSL 271.17, 0.64%, 0.53%

LAB 43.04, 61.02, -65.37

 

CMYK 0 / 34 / 72 / 17

HEX #D48B3C

RGB 212 139 60

HSL 31.18, 0.64%, 0.53%

LAB 63.99, 20.96, 51.96

 

CMYK 52 / 0 / 73 / 17

HEX #66D43A

RGB 102 212 58

HSL 102.86, 0.64%, 0.53%

LAB 76.2, -57.8, 62.75

 

CMYK 73 / 37 / 0 / 17

HEX #3A85D4

RGB 58 133 212

HSL 210.78, 0.64%, 0.53%

LAB 54.48, 3.28, -47.28

 

CMYK 21 / 73 / 0 / 17

HEX #A83AD4

RGB 168 58 212

HSL 282.86, 0.64%, 0.53%

LAB 47.11, 66.67, -58.58

 

CMYK 0 / 34 / 72 / 17

HEX #D48B3C

RGB 212 139 60

HSL 31.18, 0.64%, 0.53%

LAB 63.99, 20.96, 51.96

 

CMYK 73 / 0 / 71 / 17

HEX #3AD43D

RGB 58 212 61

HSL 121.17, 0.64%, 0.53%

LAB 75.03, -67.25, 60.09

 

CMYK 73 / 37 / 0 / 17

HEX #3A85D4

RGB 58 133 212

HSL 210.78, 0.64%, 0.53%

LAB 54.48, 3.28, -47.28

 

CMYK 0 / 73 / 1 / 17

HEX #D43AD1

RGB 212 58 209

HSL 301.17, 0.64%, 0.53%

LAB 53.63, 75.11, -46.06

 

Description

Color code: HEX #D48B3C | qconv.com Color code: HEX #D48B3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 139 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 139 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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