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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D48AA0 it is the complementary color #2B755F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D48AA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D48AA0 shade: #D98A9B, #EA9CAE, #FBAEC1, #FFC0D4 and #FFD2E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D48AA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D48AA0 shade: #D48AA0, #C3788D, #B2667A, #A15467 and #904254

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D48AA0 shade: #D48CA1, #D48C8E and #D48C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D48AA0 shade: #D48CA1, #D48CB5, #D48CC8, #CD8CD4 and #B98CD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D48AA0 shade matches the following richer shades: #D48CA1, #E17F9C, #EE7297 and #FB6592

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D48AA0 shade: #D48CA1, #C898A6, #BBA5AC, #AEB2B1 and #A1BFB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D48AA0 shade: #D48CC8, #D48CB5, #D48CA1, #D48C8E and #D49D8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D48AA0 shade: #BE4F70, #C96D89, #D48CA1, #DFAABA and #EBC8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D48AA0 shade: #D48AA0, #D4CD8C and #8CBED4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D48AA0 shade: #D48AA0, #A1D48C and #8CA1D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D48AA0 shade: #D48AA0, #D4CD8C, #8CD4BE and #8C93D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D48AA0 shade: #D48AA0, #C6D48C, #8CD4BE and #9A8CD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 25 / 17

HEX #D48AA0

RGB 212 138 160

HSL 342.16, 0.46%, 0.69%

LAB 65.52, 31.2, 0.1

 

Complementary color

CMYK 63 / 0 / 19 / 54

HEX #2B755F

RGB 43 117 95

HSL 162.16, 0.46%, 0.31%

LAB 44.32, -28.6, 5.41

 

CMYK 0 / 36 / 29 / 15

HEX #D98A9B

RGB 217 138 155

HSL 347.09, 0.51%, 0.7%

LAB 65.98, 32.32, 3.66

 

CMYK 0 / 33 / 26 / 8

HEX #EA9CAE

RGB 234 156 174

HSL 346.15, 0.65%, 0.76%

LAB 72.45, 31.5, 2.66

 

CMYK 0 / 31 / 23 / 2

HEX #FBAEC1

RGB 251 174 193

HSL 345.19, 0.91%, 0.83%

LAB 78.83, 30.74, 1.75

 

CMYK 0 / 25 / 17 / 0

HEX #FFC0D4

RGB 255 192 212

HSL 340.95, 1%, 0.88%

LAB 83.82, 25.5, -1.17

 

CMYK 0 / 18 / 9 / 0

HEX #FFD2E7

RGB 255 210 231

HSL 332, 1%, 0.91%

LAB 88.51, 19.08, -4.38

 

CMYK 0 / 35 / 25 / 17

HEX #D48AA0

RGB 212 138 160

HSL 342.16, 0.46%, 0.69%

LAB 65.52, 31.2, 0.1

 

CMYK 0 / 38 / 28 / 24

HEX #C3788D

RGB 195 120 141

HSL 343.2, 0.38%, 0.62%

LAB 58.94, 32.04, 1.1

 

CMYK 0 / 43 / 31 / 30

HEX #B2667A

RGB 178 102 122

HSL 344.21, 0.33%, 0.55%

LAB 52.26, 32.94, 2.24

 

CMYK 0 / 48 / 36 / 37

HEX #A15467

RGB 161 84 103

HSL 345.19, 0.31%, 0.48%

LAB 45.49, 33.9, 3.57

 

CMYK 0 / 54 / 42 / 44

HEX #904254

RGB 144 66 84

HSL 346.15, 0.37%, 0.41%

LAB 38.67, 34.87, 5.19

 

CMYK 0 / 34 / 24 / 17

HEX #D48CA1

RGB 212 140 161

HSL 342.5, 0.46%, 0.69%

LAB 66, 30.27, 0.24

 

CMYK 0 / 34 / 33 / 17

HEX #D48C8E

RGB 212 140 142

HSL 358.33, 0.46%, 0.69%

LAB 65.52, 27.68, 10.25

 

CMYK 0 / 34 / 34 / 17

HEX #D48C8C

RGB 212 140 140

HSL 0, 0.46%, 0.69%

LAB 65.47, 27.42, 11.31

 

CMYK 0 / 34 / 24 / 17

HEX #D48CA1

RGB 212 140 161

HSL 342.5, 0.46%, 0.69%

LAB 66, 30.27, 0.24

 

CMYK 0 / 34 / 15 / 17

HEX #D48CB5

RGB 212 140 181

HSL 325.83, 0.46%, 0.69%

LAB 66.59, 33.34, -10.16

 

CMYK 0 / 34 / 6 / 17

HEX #D48CC8

RGB 212 140 200

HSL 310, 0.46%, 0.69%

LAB 67.22, 36.56, -19.84

 

CMYK 3 / 34 / 0 / 17

HEX #CD8CD4

RGB 205 140 212

HSL 294.17, 0.46%, 0.69%

LAB 66.89, 36.52, -27.1

 

CMYK 13 / 34 / 0 / 17

HEX #B98CD4

RGB 185 140 212

HSL 277.5, 0.46%, 0.69%

LAB 64.82, 30.24, -30.46

 

CMYK 0 / 34 / 24 / 17

HEX #D48CA1

RGB 212 140 161

HSL 342.5, 0.46%, 0.69%

LAB 66, 30.27, 0.24

 

CMYK 0 / 44 / 31 / 12

HEX #E17F9C

RGB 225 127 156

HSL 342.24, 0.62%, 0.69%

LAB 64.63, 41.1, 1.26

 

CMYK 0 / 52 / 37 / 7

HEX #EE7297

RGB 238 114 151

HSL 342.1, 0.78%, 0.69%

LAB 63.71, 51.43, 2.99

 

CMYK 0 / 60 / 42 / 2

HEX #FB6592

RGB 251 101 146

HSL 342, 0.95%, 0.69%

LAB 63.25, 61.01, 5.45

 

CMYK 0 / 34 / 24 / 17

HEX #D48CA1

RGB 212 140 161

HSL 342.5, 0.46%, 0.69%

LAB 66, 30.27, 0.24

 

CMYK 0 / 24 / 17 / 22

HEX #C898A6

RGB 200 152 166

HSL 342.5, 0.3%, 0.69%

LAB 67.64, 20.1, -0.33

 

CMYK 0 / 12 / 8 / 27

HEX #BBA5AC

RGB 187 165 172

HSL 340.91, 0.14%, 0.69%

LAB 69.79, 9.21, -0.68

 

CMYK 2 / 0 / 1 / 30

HEX #AEB2B1

RGB 174 178 177

HSL 165, 0.03%, 0.69%

LAB 72.24, -1.59, 0.01

 

CMYK 16 / 0 / 5 / 25

HEX #A1BFB6

RGB 161 191 182

HSL 162, 0.19%, 0.69%

LAB 74.96, -11.92, 1.14

 

CMYK 0 / 34 / 6 / 17

HEX #D48CC8

RGB 212 140 200

HSL 310, 0.46%, 0.69%

LAB 67.22, 36.56, -19.84

 

CMYK 0 / 34 / 15 / 17

HEX #D48CB5

RGB 212 140 181

HSL 325.83, 0.46%, 0.69%

LAB 66.59, 33.34, -10.16

 

CMYK 0 / 34 / 24 / 17

HEX #D48CA1

RGB 212 140 161

HSL 342.5, 0.46%, 0.69%

LAB 66, 30.27, 0.24

 

CMYK 0 / 34 / 33 / 17

HEX #D48C8E

RGB 212 140 142

HSL 358.33, 0.46%, 0.69%

LAB 65.52, 27.68, 10.25

 

CMYK 0 / 26 / 34 / 17

HEX #D49D8C

RGB 212 157 140

HSL 14.17, 0.46%, 0.69%

LAB 69.47, 18.2, 16.91

 

CMYK 0 / 58 / 41 / 25

HEX #BE4F70

RGB 190 79 112

HSL 342.16, 0.46%, 0.53%

LAB 49.14, 47.72, 3.93

 

CMYK 0 / 46 / 32 / 21

HEX #C96D89

RGB 201 109 137

HSL 341.74, 0.46%, 0.61%

LAB 57.23, 39.53, 1.04

 

CMYK 0 / 34 / 24 / 17

HEX #D48CA1

RGB 212 140 161

HSL 342.5, 0.46%, 0.69%

LAB 66, 30.27, 0.24

 

CMYK 0 / 24 / 17 / 13

HEX #DFAABA

RGB 223 170 186

HSL 341.89, 0.45%, 0.77%

LAB 74.81, 21.83, -0.64

 

CMYK 0 / 15 / 11 / 8

HEX #EBC8D2

RGB 235 200 210

HSL 342.86, 0.47%, 0.85%

LAB 83.77, 13.94, -0.39

 

CMYK 0 / 35 / 25 / 17

HEX #D48AA0

RGB 212 138 160

HSL 342.16, 0.46%, 0.69%

LAB 65.52, 31.2, 0.1

 

CMYK 0 / 3 / 34 / 17

HEX #D4CD8C

RGB 212 205 140

HSL 54.17, 0.46%, 0.69%

LAB 81.59, -7.28, 33.28

 

CMYK 34 / 10 / 0 / 17

HEX #8CBED4

RGB 140 190 212

HSL 198.33, 0.46%, 0.69%

LAB 74.29, -11.04, -16.3

 

CMYK 0 / 35 / 25 / 17

HEX #D48AA0

RGB 212 138 160

HSL 342.16, 0.46%, 0.69%

LAB 65.52, 31.2, 0.1

 

CMYK 24 / 0 / 34 / 17

HEX #A1D48C

RGB 161 212 140

HSL 102.5, 0.46%, 0.69%

LAB 79.93, -29.73, 30.43

 

CMYK 34 / 24 / 0 / 17

HEX #8CA1D4

RGB 140 161 212

HSL 222.5, 0.46%, 0.69%

LAB 66.38, 4.8, -28.36

 

CMYK 0 / 35 / 25 / 17

HEX #D48AA0

RGB 212 138 160

HSL 342.16, 0.46%, 0.69%

LAB 65.52, 31.2, 0.1

 

CMYK 0 / 3 / 34 / 17

HEX #D4CD8C

RGB 212 205 140

HSL 54.17, 0.46%, 0.69%

LAB 81.59, -7.28, 33.28

 

CMYK 34 / 0 / 10 / 17

HEX #8CD4BE

RGB 140 212 190

HSL 161.67, 0.46%, 0.69%

LAB 79.83, -27.29, 3.76

 

CMYK 34 / 31 / 0 / 17

HEX #8C93D4

RGB 140 147 212

HSL 234.17, 0.46%, 0.69%

LAB 62.67, 12.78, -34.1

 

CMYK 0 / 35 / 25 / 17

HEX #D48AA0

RGB 212 138 160

HSL 342.16, 0.46%, 0.69%

LAB 65.52, 31.2, 0.1

 

CMYK 7 / 0 / 34 / 17

HEX #C6D48C

RGB 198 212 140

HSL 71.67, 0.46%, 0.69%

LAB 82.37, -16.22, 34.1

 

CMYK 34 / 0 / 10 / 17

HEX #8CD4BE

RGB 140 212 190

HSL 161.67, 0.46%, 0.69%

LAB 79.83, -27.29, 3.76

 

CMYK 27 / 34 / 0 / 17

HEX #9A8CD4

RGB 154 140 212

HSL 251.67, 0.46%, 0.69%

LAB 61.98, 20.85, -35.09

 

Description

Color code: HEX #D48AA0 | qconv.com Color code: HEX #D48AA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 138 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 138 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 25% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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