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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4892C it is the complementary color #2B76D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4892C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4892C shade: #D98927, #EA9B3A, #FBAD4D, #FFBF60 and #FFD173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4892C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4892C shade: #D4892C, #C37719, #B26506, #A15300 and #904100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4892C shade: #D4892B, #D45B2B, #D42E2B and #D42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4892C shade: #D4892B, #D4B62B, #C4D42B, #97D42B and #69D42B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4892C shade matches the following richer shades: #D4892B, #E88B17 and #FD8D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4892C shade: #D4892B, #BF8640, #AA8455, #968269 and #81807E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4892C shade: #D42E2B, #D45B2B, #D4882B, #D4B52B and #C6D42B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4892C shade: #8F5C1D, #B17224, #D4892B, #DB9C4E and #E2AF70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4892C shade: #D4892C, #55D42B and #452BD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4892C shade: #D4892C, #2BD488 and #882BD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4892C shade: #D4892C, #55D42B, #2B77D4 and #AA2BD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4892C shade: #D4892C, #2BD434, #2B77D4 and #D42BCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 79 / 17

HEX #D4892C

RGB 212 137 44

HSL 33.21, 0.66%, 0.5%

LAB 63.4, 21.36, 58.15

 

Complementary color

CMYK 80 / 44 / 0 / 17

HEX #2B76D3

RGB 43 118 211

HSL 213.21, 0.66%, 0.5%

LAB 49.71, 10.33, -54.35

 

CMYK 0 / 37 / 82 / 15

HEX #D98927

RGB 217 137 39

HSL 33.03, 0.7%, 0.5%

LAB 63.99, 23.32, 60.77

 

CMYK 0 / 34 / 75 / 8

HEX #EA9B3A

RGB 234 155 58

HSL 33.07, 0.81%, 0.57%

LAB 70.34, 21.57, 60.11

 

CMYK 0 / 31 / 69 / 2

HEX #FBAD4D

RGB 251 173 77

HSL 33.1, 0.96%, 0.64%

LAB 76.64, 20.03, 59.02

 

CMYK 0 / 25 / 62 / 0

HEX #FFBF60

RGB 255 191 96

HSL 35.85, 1%, 0.69%

LAB 81.49, 13.36, 55.82

 

CMYK 0 / 18 / 55 / 0

HEX #FFD173

RGB 255 209 115

HSL 40.29, 1%, 0.73%

LAB 86.06, 5.39, 52.16

 

CMYK 0 / 35 / 79 / 17

HEX #D4892C

RGB 212 137 44

HSL 33.21, 0.66%, 0.5%

LAB 63.4, 21.36, 58.15

 

CMYK 0 / 39 / 87 / 24

HEX #C37719

RGB 195 119 25

HSL 33.18, 0.77%, 0.43%

LAB 56.94, 23.26, 58.32

 

CMYK 0 / 43 / 97 / 30

HEX #B26506

RGB 178 101 6

HSL 33.14, 0.93%, 0.36%

LAB 50.44, 25.43, 57.07

 

CMYK 0 / 48 / 100 / 37

HEX #A15300

RGB 161 83 0

HSL 30.93, 1%, 0.32%

LAB 43.89, 27.86, 53.09

 

CMYK 0 / 55 / 100 / 44

HEX #904100

RGB 144 65 0

HSL 27.08, 1%, 0.28%

LAB 37.32, 30.37, 47.81

 

CMYK 0 / 35 / 80 / 17

HEX #D4892B

RGB 212 137 43

HSL 33.37, 0.66%, 0.5%

LAB 63.39, 21.32, 58.53

 

CMYK 0 / 57 / 80 / 17

HEX #D45B2B

RGB 212 91 43

HSL 17.04, 0.66%, 0.5%

LAB 53.66, 45.14, 49.38

 

CMYK 0 / 78 / 80 / 17

HEX #D42E2B

RGB 212 46 43

HSL 1.07, 0.66%, 0.5%

LAB 47.14, 62.76, 42.97

 

CMYK 0 / 80 / 80 / 17

HEX #D42B2B

RGB 212 43 43

HSL 0, 0.66%, 0.5%

LAB 46.84, 63.6, 42.68

 

CMYK 0 / 35 / 80 / 17

HEX #D4892B

RGB 212 137 43

HSL 33.37, 0.66%, 0.5%

LAB 63.39, 21.32, 58.53

 

CMYK 0 / 14 / 80 / 17

HEX #D4B62B

RGB 212 182 43

HSL 49.35, 0.66%, 0.5%

LAB 74.59, -2.76, 68.61

 

CMYK 8 / 0 / 80 / 17

HEX #C4D42B

RGB 196 212 43

HSL 65.68, 0.66%, 0.5%

LAB 81.29, -24.68, 74.01

 

CMYK 29 / 0 / 80 / 17

HEX #97D42B

RGB 151 212 43

HSL 81.66, 0.66%, 0.5%

LAB 78.37, -42.53, 70.29

 

CMYK 50 / 0 / 80 / 17

HEX #69D42B

RGB 105 212 43

HSL 97.99, 0.66%, 0.5%

LAB 76.23, -57.86, 67.55

 

CMYK 0 / 35 / 80 / 17

HEX #D4892B

RGB 212 137 43

HSL 33.37, 0.66%, 0.5%

LAB 63.39, 21.32, 58.53

 

CMYK 0 / 40 / 90 / 9

HEX #E88B17

RGB 232 139 23

HSL 33.3, 0.82%, 0.5%

LAB 66.28, 28.2, 68.15

 

CMYK 0 / 44 / 99 / 1

HEX #FD8D02

RGB 253 141 2

HSL 33.23, 0.98%, 0.5%

LAB 69.42, 35.54, 75.06

 

CMYK 0 / 35 / 80 / 17

HEX #D4892B

RGB 212 137 43

HSL 33.37, 0.66%, 0.5%

LAB 63.39, 21.32, 58.53

 

CMYK 0 / 30 / 66 / 25

HEX #BF8640

RGB 191 134 64

HSL 33.07, 0.5%, 0.5%

LAB 60.33, 14.91, 45.4

 

CMYK 0 / 22 / 50 / 33

HEX #AA8455

RGB 170 132 85

HSL 33.18, 0.33%, 0.5%

LAB 57.76, 8.6, 30.85

 

CMYK 0 / 13 / 30 / 41

HEX #968269

RGB 150 130 105

HSL 33.33, 0.18%, 0.5%

LAB 55.55, 3.66, 16.36

 

CMYK 0 / 1 / 2 / 49

HEX #81807E

RGB 129 128 126

HSL 40, 0.01%, 0.5%

LAB 53.61, -0.01, 1.21

 

CMYK 0 / 78 / 80 / 17

HEX #D42E2B

RGB 212 46 43

HSL 1.07, 0.66%, 0.5%

LAB 47.14, 62.76, 42.97

 

CMYK 0 / 57 / 80 / 17

HEX #D45B2B

RGB 212 91 43

HSL 17.04, 0.66%, 0.5%

LAB 53.66, 45.14, 49.38

 

CMYK 0 / 36 / 80 / 17

HEX #D4882B

RGB 212 136 43

HSL 33.02, 0.66%, 0.5%

LAB 63.16, 21.86, 58.31

 

CMYK 0 / 15 / 80 / 17

HEX #D4B52B

RGB 212 181 43

HSL 48.99, 0.66%, 0.5%

LAB 74.33, -2.24, 68.38

 

CMYK 7 / 0 / 80 / 17

HEX #C6D42B

RGB 198 212 43

HSL 64.97, 0.66%, 0.5%

LAB 81.44, -23.85, 74.19

 

CMYK 0 / 36 / 80 / 44

HEX #8F5C1D

RGB 143 92 29

HSL 33.16, 0.66%, 0.34%

LAB 43.63, 15.43, 42.58

 

CMYK 0 / 36 / 80 / 31

HEX #B17224

RGB 177 114 36

HSL 33.19, 0.66%, 0.42%

LAB 53.5, 18.49, 50.52

 

CMYK 0 / 35 / 80 / 17

HEX #D4892B

RGB 212 137 43

HSL 33.37, 0.66%, 0.5%

LAB 63.39, 21.32, 58.53

 

CMYK 0 / 29 / 64 / 14

HEX #DB9C4E

RGB 219 156 78

HSL 33.19, 0.66%, 0.58%

LAB 69.03, 15.76, 49.22

 

CMYK 0 / 23 / 50 / 11

HEX #E2AF70

RGB 226 175 112

HSL 33.16, 0.66%, 0.66%

LAB 74.82, 11.12, 39.27

 

CMYK 0 / 35 / 79 / 17

HEX #D4892C

RGB 212 137 44

HSL 33.21, 0.66%, 0.5%

LAB 63.4, 21.36, 58.15

 

CMYK 60 / 0 / 80 / 17

HEX #55D42B

RGB 85 212 43

HSL 105.09, 0.66%, 0.5%

LAB 75.57, -63.1, 66.7

 

CMYK 67 / 80 / 0 / 17

HEX #452BD4

RGB 69 43 212

HSL 249.23, 0.66%, 0.5%

LAB 33.45, 58.26, -81.38

 

CMYK 0 / 35 / 79 / 17

HEX #D4892C

RGB 212 137 44

HSL 33.21, 0.66%, 0.5%

LAB 63.4, 21.36, 58.15

 

CMYK 80 / 0 / 36 / 17

HEX #2BD488

RGB 43 212 136

HSL 153.02, 0.66%, 0.5%

LAB 75.69, -58.65, 26.09

 

CMYK 36 / 80 / 0 / 17

HEX #882BD4

RGB 136 43 212

HSL 273.02, 0.66%, 0.5%

LAB 40.76, 66.47, -69.1

 

CMYK 0 / 35 / 79 / 17

HEX #D4892C

RGB 212 137 44

HSL 33.21, 0.66%, 0.5%

LAB 63.4, 21.36, 58.15

 

CMYK 60 / 0 / 80 / 17

HEX #55D42B

RGB 85 212 43

HSL 105.09, 0.66%, 0.5%

LAB 75.57, -63.1, 66.7

 

CMYK 80 / 44 / 0 / 17

HEX #2B77D4

RGB 43 119 212

HSL 213.02, 0.66%, 0.5%

LAB 50.05, 10.08, -54.37

 

CMYK 20 / 80 / 0 / 17

HEX #AA2BD4

RGB 170 43 212

HSL 285.09, 0.66%, 0.5%

LAB 45.67, 72.03, -60.89

 

CMYK 0 / 35 / 79 / 17

HEX #D4892C

RGB 212 137 44

HSL 33.21, 0.66%, 0.5%

LAB 63.4, 21.36, 58.15

 

CMYK 80 / 0 / 75 / 17

HEX #2BD434

RGB 43 212 52

HSL 123.2, 0.66%, 0.5%

LAB 74.73, -70.04, 62.84

 

CMYK 80 / 44 / 0 / 17

HEX #2B77D4

RGB 43 119 212

HSL 213.02, 0.66%, 0.5%

LAB 50.05, 10.08, -54.37

 

CMYK 0 / 80 / 4 / 17

HEX #D42BCB

RGB 212 43 203

HSL 303.2, 0.66%, 0.5%

LAB 51.88, 78.31, -45.39

 

Description

Color code: HEX #D4892C | qconv.com Color code: HEX #D4892C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 137 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 137 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 79 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 79% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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