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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D482EE it is the complementary color #2B7D11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D482EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D482EE shade: #D982E9, #EA94FC, #FBA6FF, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D482EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D482EE shade: #D482EE, #C370DB, #B25EC8, #A14CB5 and #903AA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D482EE shade: #D481EE, #EE81EB, #EE81CD, #EE81B0 and #EE8193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D482EE shade: #D481EE, #B681EE, #9981EE and #8181EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D482EE shade matches the following richer shades: #D481EE and #DA76F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D482EE shade: #D481EE, #CE8DE2, #C898D7, #C2A4CB and #BCB0C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D482EE shade: #9981EE, #B681EE, #D381EE, #EE81EC and #EE81CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D482EE shade: #BB39E4, #C75DE9, #D481EE, #E0A6F3 and #EDCAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D482EE shade: #D482EE, #EE8187 and #81EEA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D482EE shade: #D482EE, #EED381 and #81EED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D482EE shade: #D482EE, #EE8187, #9CEE81 and #81EEE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D482EE shade: #D482EE, #EE9C81, #9CEE81 and #81D3EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 45 / 0 / 7

HEX #D482EE

RGB 212 130 238

HSL 285.56, 0.76%, 0.72%

LAB 66.62, 49.01, -41.84

 

Complementary color

CMYK 66 / 0 / 86 / 51

HEX #2B7D11

RGB 43 125 17

HSL 105.56, 0.76%, 0.28%

LAB 45.94, -43.98, 46.22

 

CMYK 7 / 44 / 0 / 9

HEX #D982E9

RGB 217 130 233

HSL 290.68, 0.7%, 0.71%

LAB 66.98, 49.46, -38.49

 

CMYK 7 / 41 / 0 / 1

HEX #EA94FC

RGB 234 148 252

HSL 289.62, 0.95%, 0.78%

LAB 73.35, 48.71, -38.81

 

CMYK 2 / 35 / 0 / 0

HEX #FBA6FF

RGB 251 166 255

HSL 297.3, 1%, 0.83%

LAB 79.04, 45.01, -31.48

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 11 / 45 / 0 / 7

HEX #D482EE

RGB 212 130 238

HSL 285.56, 0.76%, 0.72%

LAB 66.62, 49.01, -41.84

 

CMYK 11 / 49 / 0 / 14

HEX #C370DB

RGB 195 112 219

HSL 286.54, 0.6%, 0.65%

LAB 60.16, 49.77, -41.56

 

CMYK 11 / 53 / 0 / 22

HEX #B25EC8

RGB 178 94 200

HSL 287.55, 0.49%, 0.58%

LAB 53.64, 50.48, -41.2

 

CMYK 11 / 58 / 0 / 29

HEX #A14CB5

RGB 161 76 181

HSL 288.57, 0.42%, 0.5%

LAB 47.08, 51.09, -40.73

 

CMYK 11 / 64 / 0 / 36

HEX #903AA2

RGB 144 58 162

HSL 289.62, 0.47%, 0.43%

LAB 40.51, 51.48, -40.07

 

CMYK 11 / 46 / 0 / 7

HEX #D481EE

RGB 212 129 238

HSL 285.69, 0.76%, 0.72%

LAB 66.42, 49.53, -42.16

 

CMYK 0 / 46 / 1 / 7

HEX #EE81EB

RGB 238 129 235

HSL 301.65, 0.76%, 0.72%

LAB 69.38, 56.33, -35.66

 

CMYK 0 / 46 / 14 / 7

HEX #EE81CD

RGB 238 129 205

HSL 318.17, 0.76%, 0.72%

LAB 68.23, 51.38, -20.81

 

CMYK 0 / 46 / 26 / 7

HEX #EE81B0

RGB 238 129 176

HSL 334.13, 0.76%, 0.72%

LAB 67.29, 47.17, -5.96

 

CMYK 0 / 46 / 38 / 7

HEX #EE8193

RGB 238 129 147

HSL 350.09, 0.76%, 0.72%

LAB 66.51, 43.57, 9.28

 

CMYK 11 / 46 / 0 / 7

HEX #D481EE

RGB 212 129 238

HSL 285.69, 0.76%, 0.72%

LAB 66.42, 49.53, -42.16

 

CMYK 24 / 46 / 0 / 7

HEX #B681EE

RGB 182 129 238

HSL 269.17, 0.76%, 0.72%

LAB 63.19, 41.22, -47.46

 

CMYK 36 / 46 / 0 / 7

HEX #9981EE

RGB 153 129 238

HSL 253.21, 0.76%, 0.72%

LAB 60.47, 33.56, -51.95

 

CMYK 46 / 46 / 0 / 7

HEX #8181EE

RGB 129 129 238

HSL 240, 0.76%, 0.72%

LAB 58.55, 27.73, -55.12

 

CMYK 11 / 46 / 0 / 7

HEX #D481EE

RGB 212 129 238

HSL 285.69, 0.76%, 0.72%

LAB 66.42, 49.53, -42.16

 

CMYK 12 / 53 / 0 / 2

HEX #DA76F9

RGB 218 118 249

HSL 285.8, 0.92%, 0.72%

LAB 65.52, 58.86, -49.59

 

CMYK 11 / 46 / 0 / 7

HEX #D481EE

RGB 212 129 238

HSL 285.69, 0.76%, 0.72%

LAB 66.42, 49.53, -42.16

 

CMYK 9 / 38 / 0 / 11

HEX #CE8DE2

RGB 206 141 226

HSL 285.88, 0.59%, 0.72%

LAB 67.77, 39.03, -33.49

 

CMYK 7 / 29 / 0 / 16

HEX #C898D7

RGB 200 152 215

HSL 285.71, 0.44%, 0.72%

LAB 69.21, 28.96, -25.24

 

CMYK 4 / 19 / 0 / 20

HEX #C2A4CB

RGB 194 164 203

HSL 286.15, 0.27%, 0.72%

LAB 71.1, 18, -15.8

 

CMYK 2 / 8 / 0 / 25

HEX #BCB0C0

RGB 188 176 192

HSL 285, 0.11%, 0.72%

LAB 73.25, 7.23, -6.6

 

CMYK 36 / 46 / 0 / 7

HEX #9981EE

RGB 153 129 238

HSL 253.21, 0.76%, 0.72%

LAB 60.47, 33.56, -51.95

 

CMYK 24 / 46 / 0 / 7

HEX #B681EE

RGB 182 129 238

HSL 269.17, 0.76%, 0.72%

LAB 63.19, 41.22, -47.46

 

CMYK 11 / 46 / 0 / 7

HEX #D381EE

RGB 211 129 238

HSL 285.14, 0.76%, 0.72%

LAB 66.31, 49.25, -42.35

 

CMYK 0 / 46 / 1 / 7

HEX #EE81EC

RGB 238 129 236

HSL 301.1, 0.76%, 0.72%

LAB 69.42, 56.51, -36.15

 

CMYK 0 / 46 / 13 / 7

HEX #EE81CF

RGB 238 129 207

HSL 317.06, 0.76%, 0.72%

LAB 68.3, 51.7, -21.81

 

CMYK 18 / 75 / 0 / 11

HEX #BB39E4

RGB 187 57 228

HSL 285.61, 0.76%, 0.56%

LAB 50.8, 73.72, -61.61

 

CMYK 15 / 60 / 0 / 9

HEX #C75DE9

RGB 199 93 233

HSL 285.43, 0.76%, 0.64%

LAB 57.9, 62.84, -52.95

 

CMYK 11 / 46 / 0 / 7

HEX #D481EE

RGB 212 129 238

HSL 285.69, 0.76%, 0.72%

LAB 66.42, 49.53, -42.16

 

CMYK 8 / 32 / 0 / 5

HEX #E0A6F3

RGB 224 166 243

HSL 285.19, 0.76%, 0.8%

LAB 75.82, 34.47, -30.2

 

CMYK 4 / 19 / 0 / 3

HEX #EDCAF8

RGB 237 202 248

HSL 285.65, 0.77%, 0.88%

LAB 85.52, 20.3, -18.01

 

CMYK 11 / 45 / 0 / 7

HEX #D482EE

RGB 212 130 238

HSL 285.56, 0.76%, 0.72%

LAB 66.62, 49.01, -41.84

 

CMYK 0 / 46 / 43 / 7

HEX #EE8187

RGB 238 129 135

HSL 356.7, 0.76%, 0.72%

LAB 66.23, 42.28, 15.67

 

CMYK 46 / 0 / 30 / 7

HEX #81EEA7

RGB 129 238 167

HSL 140.92, 0.76%, 0.72%

LAB 86.31, -46.71, 24.87

 

CMYK 11 / 45 / 0 / 7

HEX #D482EE

RGB 212 130 238

HSL 285.56, 0.76%, 0.72%

LAB 66.62, 49.01, -41.84

 

CMYK 0 / 11 / 46 / 7

HEX #EED381

RGB 238 211 129

HSL 45.14, 0.76%, 0.72%

LAB 85.17, -1.27, 43.89

 

CMYK 46 / 0 / 11 / 7

HEX #81EED3

RGB 129 238 211

HSL 165.14, 0.76%, 0.72%

LAB 87.25, -37.73, 3.35

 

CMYK 11 / 45 / 0 / 7

HEX #D482EE

RGB 212 130 238

HSL 285.56, 0.76%, 0.72%

LAB 66.62, 49.01, -41.84

 

CMYK 0 / 46 / 43 / 7

HEX #EE8187

RGB 238 129 135

HSL 356.7, 0.76%, 0.72%

LAB 66.23, 42.28, 15.67

 

CMYK 34 / 0 / 46 / 7

HEX #9CEE81

RGB 156 238 129

HSL 105.14, 0.76%, 0.72%

LAB 86.9, -44.68, 44.86

 

CMYK 46 / 0 / 3 / 7

HEX #81EEE8

RGB 129 238 232

HSL 176.7, 0.76%, 0.72%

LAB 87.8, -32.79, -6.85

 

CMYK 11 / 45 / 0 / 7

HEX #D482EE

RGB 212 130 238

HSL 285.56, 0.76%, 0.72%

LAB 66.62, 49.01, -41.84

 

CMYK 0 / 34 / 46 / 7

HEX #EE9C81

RGB 238 156 129

HSL 14.86, 0.76%, 0.72%

LAB 71.92, 27.63, 26.75

 

CMYK 34 / 0 / 46 / 7

HEX #9CEE81

RGB 156 238 129

HSL 105.14, 0.76%, 0.72%

LAB 86.9, -44.68, 44.86

 

CMYK 46 / 11 / 0 / 7

HEX #81D3EE

RGB 129 211 238

HSL 194.86, 0.76%, 0.72%

LAB 80.42, -18.04, -21.08

 

Description

Color code: HEX #D482EE | qconv.com Color code: HEX #D482EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 130 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 130 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 45 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 45% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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