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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47EEACE it is the complementary color #2B8115CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47EEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D47EEACE shade: #D97EE5CE, #EA90F8CE, #FBA2FFCE, #FFB4FFCE and #FFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47EEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D47EEACE shade: #D47EEACE, #C36CD7CE, #B25AC4CE, #A148B1CE and #90369ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D47EEACE shade: #D580EA, #EA80E3, #EA80C7, #EA80AA and #EA808D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D47EEACE shade: #D580EA, #B880EA, #9B80EA and #8080EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D47EEACE shade matches the following richer shades: #D580EA and #DC74F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D47EEACE shade: #D580EA, #CE8CDE, #C698D2, #BFA4C6 and #B8B0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D47EEACE shade: #9A80EA, #B780EA, #D380EA, #EA80E5 and #EA80C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D47EEACE shade: #BD39DF, #C95CE5, #D580EA, #E0A3F0 and #ECC7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D47EEACE shade: #D47EEA, #EA8082 and #80EAA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D47EEACE shade: #D47EEA, #EAD380 and #80EAD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D47EEACE shade: #D47EEA, #EA8082, #97EA80 and #80EAE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D47EEACE shade: #D47EEA, #EA9E80, #97EA80 and #80CCEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 37 / 0 / 7

HEX #D47EEACE

RGBA 212 126 234 0.81

HSLA 287.78, 0.72%, 0.71%, 0.81

LABA 65.64, 50.29, -41.18, 0.81

 

Complementary color

CMYK 54 / 0 / 68 / 40

HEX #2B8115CE

RGBA 43 129 21 0.81

HSLA 107.78, 0.72%, 0.29%, 0.81

LABA 47.32, -45.21, 46.35, 0.81

 

CMYK 4 / 36 / 0 / 8

HEX #D97EE5CE

RGBA 217 126 229 0.81

HSLA 293.01, 0.66%, 0.7%, 0.81

LABA 66.01, 50.74, -37.8, 0.81

 

CMYK 5 / 34 / 0 / 2

HEX #EA90F8CE

RGBA 234 144 248 0.81

HSLA 291.92, 0.88%, 0.77%, 0.81

LABA 72.37, 50.01, -38.16, 0.81

 

CMYK 1 / 30 / 0 / 0

HEX #FBA2FFCE

RGBA 251 162 255 0.81

HSLA 297.42, 1%, 0.82%, 0.81

LABA 78.21, 47.07, -32.76, 0.81

 

CMYK 0 / 24 / 0 / 0

HEX #FFB4FFCE

RGBA 255 180 255 0.81

HSLA 300, 1%, 0.85%, 0.81

LABA 82.44, 38.96, -26.23, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 8 / 37 / 0 / 7

HEX #D47EEACE

RGBA 212 126 234 0.81

HSLA 287.78, 0.72%, 0.71%, 0.81

LABA 65.64, 50.29, -41.18, 0.81

 

CMYK 8 / 40 / 0 / 13

HEX #C36CD7CE

RGBA 195 108 215 0.81

HSLA 288.79, 0.57%, 0.63%, 0.81

LABA 59.19, 51.02, -40.84, 0.81

 

CMYK 7 / 44 / 0 / 19

HEX #B25AC4CE

RGBA 178 90 196 0.81

HSLA 289.81, 0.47%, 0.56%, 0.81

LABA 52.69, 51.69, -40.41, 0.81

 

CMYK 7 / 48 / 0 / 25

HEX #A148B1CE

RGBA 161 72 177 0.81

HSLA 290.86, 0.42%, 0.49%, 0.81

LABA 46.16, 52.23, -39.85, 0.81

 

CMYK 7 / 53 / 0 / 31

HEX #90369ECE

RGBA 144 54 158 0.81

HSLA 291.92, 0.49%, 0.42%, 0.81

LABA 39.64, 52.48, -39.05, 0.81

 

CMYK 9 / 45 / 0 / 8

HEX #D580EA

RGB 213 128 234

HSL 288.11, 0.72%, 0.71%

LAB 66.16, 49.54, -40.36

 

CMYK 0 / 45 / 3 / 8

HEX #EA80E3

RGB 234 128 227

HSL 303.96, 0.72%, 0.71%

LAB 68.37, 54.29, -32.85

 

CMYK 0 / 45 / 15 / 8

HEX #EA80C7

RGB 234 128 199

HSL 319.81, 0.72%, 0.71%

LAB 67.32, 49.7, -18.89

 

CMYK 0 / 45 / 27 / 8

HEX #EA80AA

RGB 234 128 170

HSL 336.23, 0.72%, 0.71%

LAB 66.39, 45.52, -3.96

 

CMYK 0 / 45 / 40 / 8

HEX #EA808D

RGB 234 128 141

HSL 352.64, 0.72%, 0.71%

LAB 65.63, 41.99, 11.37

 

CMYK 9 / 45 / 0 / 8

HEX #D580EA

RGB 213 128 234

HSL 288.11, 0.72%, 0.71%

LAB 66.16, 49.54, -40.36

 

CMYK 21 / 45 / 0 / 8

HEX #B880EA

RGB 184 128 234

HSL 271.7, 0.72%, 0.71%

LAB 62.99, 41.4, -45.56

 

CMYK 34 / 45 / 0 / 8

HEX #9B80EA

RGB 155 128 234

HSL 255.28, 0.72%, 0.71%

LAB 60.2, 33.6, -50.14

 

CMYK 45 / 45 / 0 / 8

HEX #8080EA

RGB 128 128 234

HSL 240, 0.72%, 0.71%

LAB 58.01, 26.92, -53.77

 

CMYK 9 / 45 / 0 / 8

HEX #D580EA

RGB 213 128 234

HSL 288.11, 0.72%, 0.71%

LAB 66.16, 49.54, -40.36

 

CMYK 11 / 53 / 0 / 4

HEX #DC74F6

RGB 220 116 246

HSL 288, 0.88%, 0.71%

LAB 65.25, 59.77, -48.35

 

CMYK 9 / 45 / 0 / 8

HEX #D580EA

RGB 213 128 234

HSL 288.11, 0.72%, 0.71%

LAB 66.16, 49.54, -40.36

 

CMYK 7 / 37 / 0 / 13

HEX #CE8CDE

RGB 206 140 222

HSL 288.29, 0.55%, 0.71%

LAB 67.39, 38.77, -31.86

 

CMYK 6 / 28 / 0 / 18

HEX #C698D2

RGB 198 152 210

HSL 287.59, 0.39%, 0.71%

LAB 68.83, 27.32, -23.07

 

CMYK 4 / 17 / 0 / 22

HEX #BFA4C6

RGB 191 164 198

HSL 287.65, 0.23%, 0.71%

LAB 70.67, 16, -13.73

 

CMYK 1 / 5 / 0 / 27

HEX #B8B0BA

RGB 184 176 186

HSL 288, 0.07%, 0.71%

LAB 72.75, 4.7, -4.08

 

CMYK 34 / 45 / 0 / 8

HEX #9A80EA

RGB 154 128 234

HSL 254.72, 0.72%, 0.71%

LAB 60.11, 33.34, -50.29

 

CMYK 22 / 45 / 0 / 8

HEX #B780EA

RGB 183 128 234

HSL 271.13, 0.72%, 0.71%

LAB 62.88, 41.13, -45.73

 

CMYK 10 / 45 / 0 / 8

HEX #D380EA

RGB 211 128 234

HSL 286.98, 0.72%, 0.71%

LAB 65.93, 48.97, -40.74

 

CMYK 0 / 45 / 2 / 8

HEX #EA80E5

RGB 234 128 229

HSL 302.83, 0.72%, 0.71%

LAB 68.45, 54.64, -33.83

 

CMYK 0 / 45 / 14 / 8

HEX #EA80C9

RGB 234 128 201

HSL 318.68, 0.72%, 0.71%

LAB 67.39, 50.02, -19.9

 

CMYK 15 / 74 / 0 / 13

HEX #BD39DF

RGB 189 57 223

HSL 287.71, 0.72%, 0.55%

LAB 50.77, 73.18, -58.8

 

CMYK 12 / 60 / 0 / 10

HEX #C95CE5

RGB 201 92 229

HSL 287.74, 0.72%, 0.63%

LAB 57.78, 63, -50.89

 

CMYK 9 / 45 / 0 / 8

HEX #D580EA

RGB 213 128 234

HSL 288.11, 0.72%, 0.71%

LAB 66.16, 49.54, -40.36

 

CMYK 7 / 32 / 0 / 6

HEX #E0A3F0

RGB 224 163 240

HSL 287.53, 0.72%, 0.79%

LAB 75.03, 35.49, -29.78

 

CMYK 4 / 19 / 0 / 4

HEX #ECC7F6

RGB 236 199 246

HSL 287.23, 0.72%, 0.87%

LAB 84.66, 21.19, -18.25

 

CMYK 9 / 46 / 0 / 8

HEX #D47EEA

RGB 212 126 234

HSL 287.78, 0.72%, 0.71%

LAB 65.64, 50.29, -41.18

 

CMYK 0 / 45 / 44 / 8

HEX #EA8082

RGB 234 128 130

HSL 358.87, 0.72%, 0.71%

LAB 65.39, 40.83, 17.25

 

CMYK 45 / 0 / 28 / 8

HEX #80EAA9

RGB 128 234 169

HSL 143.21, 0.72%, 0.71%

LAB 85.15, -44.89, 22.25

 

CMYK 9 / 46 / 0 / 8

HEX #D47EEA

RGB 212 126 234

HSL 287.78, 0.72%, 0.71%

LAB 65.64, 50.29, -41.18

 

CMYK 0 / 10 / 45 / 8

HEX #EAD380

RGB 234 211 128

HSL 46.98, 0.72%, 0.71%

LAB 84.81, -2.96, 43.86

 

CMYK 45 / 0 / 10 / 8

HEX #80EAD3

RGB 128 234 211

HSL 166.98, 0.72%, 0.71%

LAB 86.08, -36.13, 1.64

 

CMYK 9 / 46 / 0 / 8

HEX #D47EEA

RGB 212 126 234

HSL 287.78, 0.72%, 0.71%

LAB 65.64, 50.29, -41.18

 

CMYK 0 / 45 / 44 / 8

HEX #EA8082

RGB 234 128 130

HSL 358.87, 0.72%, 0.71%

LAB 65.39, 40.83, 17.25

 

CMYK 35 / 0 / 45 / 8

HEX #97EA80

RGB 151 234 128

HSL 106.98, 0.72%, 0.71%

LAB 85.5, -44.69, 43.53

 

CMYK 45 / 0 / 0 / 8

HEX #80EAE9

RGB 128 234 233

HSL 179.43, 0.72%, 0.71%

LAB 86.66, -30.88, -9.06

 

CMYK 9 / 46 / 0 / 8

HEX #D47EEA

RGB 212 126 234

HSL 287.78, 0.72%, 0.71%

LAB 65.64, 50.29, -41.18

 

CMYK 0 / 32 / 45 / 8

HEX #EA9E80

RGB 234 158 128

HSL 16.98, 0.72%, 0.71%

LAB 71.9, 24.91, 27.18

 

CMYK 35 / 0 / 45 / 8

HEX #97EA80

RGB 151 234 128

HSL 106.98, 0.72%, 0.71%

LAB 85.5, -44.69, 43.53

 

CMYK 45 / 13 / 0 / 8

HEX #80CCEA

RGB 128 204 234

HSL 196.98, 0.72%, 0.71%

LAB 78.3, -15.75, -22.17

 

Description

Color code: HEX #D47EEACE | qconv.com Color code: HEX #D47EEACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 126 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 126 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 37 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 37% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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