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Color name
HEX #D47D15CE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47D15CE it is the complementary color #2B82EACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47D15CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D47D15CE shade: #D97D10CE, #EA8F23CE, #FBA136CE, #FFB349CE and #FFC55CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47D15CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D47D15CE shade: #D47D15CE, #C36B02CE, #B25900CE, #A14700CE and #903500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D47D15CE shade: #D57E15, #D54A15, #D51615 and #D51515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D47D15CE shade: #D57E15, #D5B215, #C5D515, #91D515 and #5ED515

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D47D15CE shade matches the following richer shades: #D57E15 and #E88002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D47D15CE shade: #D57E15, #C37C28, #B07A3B, #9D794E and #8A7761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D47D15CE shade: #D51515, #D54815, #D57C15, #D5AF15 and #C9D515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D47D15CE shade: #8A520E, #B06811, #D57E15, #EA922A and #EEA64F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D47D15CE shade: #D47D15, #48D515 and #2F15D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D47D15CE shade: #D47D15, #15D57C and #7C15D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D47D15CE shade: #D47D15, #48D515, #156FD5 and #A215D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D47D15CE shade: #D47D15, #15D51C, #156FD5 and #D515CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 73 / 14

HEX #D47D15CE

RGBA 212 125 21 0.81

HSLA 32.67, 0.82%, 0.46%, 0.81

LABA 60.53, 27.2, 63.17, 0.81

 

Complementary color

CMYK 66 / 36 / 0 / 7

HEX #2B82EACE

RGBA 43 130 234 0.81

HSLA 212.67, 0.82%, 0.54%, 0.81

LABA 54.47, 11.54, -59.66, 0.81

 

CMYK 0 / 34 / 75 / 12

HEX #D97D10CE

RGBA 217 125 16 0.81

HSLA 32.54, 0.86%, 0.46%, 0.81

LABA 61.18, 29.22, 65.09, 0.81

 

CMYK 0 / 32 / 69 / 7

HEX #EA8F23CE

RGBA 234 143 35 0.81

HSLA 32.56, 0.83%, 0.53%, 0.81

LABA 67.47, 27.17, 65.91, 0.81

 

CMYK 0 / 29 / 64 / 1

HEX #FBA136CE

RGBA 251 161 54 0.81

HSLA 32.59, 0.96%, 0.6%, 0.81

LABA 73.72, 25.33, 65.62, 0.81

 

CMYK 0 / 24 / 58 / 0

HEX #FFB349CE

RGBA 255 179 73 0.81

HSLA 34.95, 1%, 0.64%, 0.81

LABA 78.45, 18.35, 62.78, 0.81

 

CMYK 0 / 18 / 52 / 0

HEX #FFC55CCE

RGBA 255 197 92 0.81

HSLA 38.65, 1%, 0.68%, 0.81

LABA 82.89, 10, 59.22, 0.81

 

CMYK 0 / 33 / 73 / 14

HEX #D47D15CE

RGBA 212 125 21 0.81

HSLA 32.67, 0.82%, 0.46%, 0.81

LABA 60.53, 27.2, 63.17, 0.81

 

CMYK 0 / 37 / 80 / 19

HEX #C36B02CE

RGBA 195 107 2 0.81

HSLA 32.64, 0.98%, 0.39%, 0.81

LABA 54.16, 29.4, 61.48, 0.81

 

CMYK 0 / 41 / 81 / 24

HEX #B25900CE

RGBA 178 89 0 0.81

HSLA 30, 1%, 0.35%, 0.81

LABA 47.76, 31.83, 56.73, 0.81

 

CMYK 0 / 45 / 81 / 30

HEX #A14700CE

RGBA 161 71 0 0.81

HSLA 26.46, 1%, 0.32%, 0.81

LABA 41.35, 34.25, 51.59, 0.81

 

CMYK 0 / 51 / 81 / 35

HEX #903500CE

RGBA 144 53 0 0.81

HSLA 22.08, 1%, 0.28%, 0.81

LABA 34.95, 36.49, 46.5, 0.81

 

CMYK 0 / 41 / 90 / 16

HEX #D57E15

RGB 213 126 21

HSL 32.81, 0.82%, 0.46%

LAB 60.89, 27.09, 63.5

 

CMYK 0 / 65 / 90 / 16

HEX #D54A15

RGB 213 74 21

HSL 16.56, 0.82%, 0.46%

LAB 50.8, 52.59, 56.05

 

CMYK 0 / 90 / 90 / 16

HEX #D51615

RGB 213 22 21

HSL 0.31, 0.82%, 0.46%

LAB 45.32, 67.82, 52.16

 

CMYK 0 / 90 / 90 / 16

HEX #D51515

RGB 213 21 21

HSL 0, 0.82%, 0.46%

LAB 45.27, 67.97, 52.12

 

CMYK 0 / 41 / 90 / 16

HEX #D57E15

RGB 213 126 21

HSL 32.81, 0.82%, 0.46%

LAB 60.89, 27.09, 63.5

 

CMYK 0 / 16 / 90 / 16

HEX #D5B215

RGB 213 178 21

HSL 49.06, 0.82%, 0.46%

LAB 73.57, -0.78, 73.17

 

CMYK 8 / 0 / 90 / 16

HEX #C5D515

RGB 197 213 21

HSL 65, 0.82%, 0.46%

LAB 81.57, -25.31, 78.84

 

CMYK 32 / 0 / 90 / 16

HEX #91D515

RGB 145 213 21

HSL 81.25, 0.82%, 0.46%

LAB 78.26, -45.87, 74.79

 

CMYK 56 / 0 / 90 / 16

HEX #5ED515

RGB 94 213 21

HSL 97.19, 0.82%, 0.46%

LAB 76.08, -62.07, 72.1

 

CMYK 0 / 41 / 90 / 16

HEX #D57E15

RGB 213 126 21

HSL 32.81, 0.82%, 0.46%

LAB 60.89, 27.09, 63.5

 

CMYK 0 / 45 / 99 / 9

HEX #E88002

RGB 232 128 2

HSL 32.87, 0.98%, 0.46%

LAB 63.83, 33.7, 70.13

 

CMYK 0 / 41 / 90 / 16

HEX #D57E15

RGB 213 126 21

HSL 32.81, 0.82%, 0.46%

LAB 60.89, 27.09, 63.5

 

CMYK 0 / 36 / 79 / 24

HEX #C37C28

RGB 195 124 40

HSL 32.52, 0.66%, 0.46%

LAB 58.2, 20.97, 54.12

 

CMYK 0 / 31 / 66 / 31

HEX #B07A3B

RGB 176 122 59

HSL 32.31, 0.5%, 0.46%

LAB 55.55, 14.73, 42.06

 

CMYK 0 / 23 / 50 / 38

HEX #9D794E

RGB 157 121 78

HSL 32.66, 0.34%, 0.46%

LAB 53.38, 8.5, 28.87

 

CMYK 0 / 14 / 30 / 46

HEX #8A7761

RGB 138 119 97

HSL 32.2, 0.17%, 0.46%

LAB 51.22, 3.81, 14.83

 

CMYK 0 / 90 / 90 / 16

HEX #D51515

RGB 213 21 21

HSL 0, 0.82%, 0.46%

LAB 45.27, 67.97, 52.12

 

CMYK 0 / 66 / 90 / 16

HEX #D54815

RGB 213 72 21

HSL 15.94, 0.82%, 0.46%

LAB 50.49, 53.42, 55.83

 

CMYK 0 / 42 / 90 / 16

HEX #D57C15

RGB 213 124 21

HSL 32.19, 0.82%, 0.46%

LAB 60.44, 28.16, 63.16

 

CMYK 0 / 18 / 90 / 16

HEX #D5AF15

RGB 213 175 21

HSL 48.13, 0.82%, 0.46%

LAB 72.8, 0.8, 72.58

 

CMYK 6 / 0 / 90 / 16

HEX #C9D515

RGB 201 213 21

HSL 63.75, 0.82%, 0.46%

LAB 81.87, -23.64, 79.2

 

CMYK 0 / 41 / 90 / 46

HEX #8A520E

RGB 138 82 14

HSL 32.9, 0.82%, 0.3%

LAB 40.36, 18.44, 45.17

 

CMYK 0 / 41 / 90 / 31

HEX #B06811

RGB 176 104 17

HSL 32.83, 0.82%, 0.38%

LAB 50.89, 23.07, 54.78

 

CMYK 0 / 41 / 90 / 16

HEX #D57E15

RGB 213 126 21

HSL 32.81, 0.82%, 0.46%

LAB 60.89, 27.09, 63.5

 

CMYK 0 / 38 / 82 / 8

HEX #EA922A

RGB 234 146 42

HSL 32.5, 0.82%, 0.54%

LAB 68.18, 25.78, 64.21

 

CMYK 0 / 30 / 67 / 7

HEX #EEA64F

RGB 238 166 79

HSL 32.83, 0.82%, 0.62%

LAB 73.55, 18.44, 54.36

 

CMYK 0 / 41 / 90 / 17

HEX #D47D15

RGB 212 125 21

HSL 32.67, 0.82%, 0.46%

LAB 60.53, 27.2, 63.17

 

CMYK 66 / 0 / 90 / 16

HEX #48D515

RGB 72 213 21

HSL 104.06, 0.82%, 0.46%

LAB 75.46, -67.18, 71.33

 

CMYK 78 / 90 / 0 / 16

HEX #2F15D5

RGB 47 21 213

HSL 248.13, 0.82%, 0.46%

LAB 29.27, 65.42, -88.94

 

CMYK 0 / 41 / 90 / 17

HEX #D47D15

RGB 212 125 21

HSL 32.67, 0.82%, 0.46%

LAB 60.53, 27.2, 63.17

 

CMYK 90 / 0 / 42 / 16

HEX #15D57C

RGB 21 213 124

HSL 152.19, 0.82%, 0.46%

LAB 75.58, -63.06, 32.08

 

CMYK 42 / 90 / 0 / 16

HEX #7C15D5

RGB 124 21 213

HSL 272.19, 0.82%, 0.46%

LAB 37.16, 71.15, -75.63

 

CMYK 0 / 41 / 90 / 17

HEX #D47D15

RGB 212 125 21

HSL 32.67, 0.82%, 0.46%

LAB 60.53, 27.2, 63.17

 

CMYK 66 / 0 / 90 / 16

HEX #48D515

RGB 72 213 21

HSL 104.06, 0.82%, 0.46%

LAB 75.46, -67.18, 71.33

 

CMYK 90 / 48 / 0 / 16

HEX #156FD5

RGB 21 111 213

HSL 211.88, 0.82%, 0.46%

LAB 47.41, 13.84, -59.21

 

CMYK 24 / 90 / 0 / 16

HEX #A215D5

RGB 162 21 213

HSL 284.06, 0.82%, 0.46%

LAB 42.8, 75.98, -66.19

 

CMYK 0 / 41 / 90 / 17

HEX #D47D15

RGB 212 125 21

HSL 32.67, 0.82%, 0.46%

LAB 60.53, 27.2, 63.17

 

CMYK 90 / 0 / 87 / 16

HEX #15D51C

RGB 21 213 28

HSL 122.19, 0.82%, 0.46%

LAB 74.72, -73.63, 69.13

 

CMYK 90 / 48 / 0 / 16

HEX #156FD5

RGB 21 111 213

HSL 211.88, 0.82%, 0.46%

LAB 47.41, 13.84, -59.21

 

CMYK 0 / 90 / 3 / 16

HEX #D515CF

RGB 213 21 207

HSL 301.88, 0.82%, 0.46%

LAB 50.91, 83.07, -49.23

 

Description

Color code: HEX #D47D15CE | qconv.com Color code: HEX #D47D15CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 125 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 125 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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